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Click here to subscribeCharles and Ray Eames shell chairs, pair, by Herman Miller, fiberglass, Parchment, black legs, nylon glides, signed, 25"w x 24"d x 31"h, light stains, very good condition No chips or cracks. Light wear consistent with age and use over time. Sturdy and structurally sound. Scratches to the legs. Slight discoloration to the seats from the shock mounts.
Charles and Ray Eames Time-Life chair, by Herman Miller, 1960s, original tufted tan leather seat, back and padded armrests in a polished aluminum frame over four-point tilt and swivel base, signed, 29"w x 26.5"d x 33"h, very good original condition No holes or tears. Light to moderate surface scratches, scuffs and abrasions. Wear consistent with age and use over time. Sturdy and structurally sound. Heavy creasing to the armrests. All screws on the side of the frame are intact. Chip to one white foot.
Charles and Ray Eames Aluminum Group lounge chair, by Herman Miller, original purple ribbed Naugahyde sling seat, aluminum frame, a four-point tilt and swivel base, 26"w x 30"d x 37.5"h, very good original condition No holes or tears. Light wear consistent with age and use over time. All feet intact. Sturdy and structurally sound. One half-inch chip to the clear coating on one armrest. Small loss to the surface of the fabric at one upper corner of the backrest. One very small dark spot to the seat.
George Nelson Steelframe coffee table, by Herman Miller, white enameled metal frame supports a top surface of grasscloth covered in translucent plastic, all glides intact, original finish, 34"w x 34"d x 22"h, good original condition No water rings or stains. No chips or cracks. Light to moderate surface scratches, scuffs and abrasions to the white finish of the frame. Sturdy and structurally sound. Very slight bends to a couple legs. Signed with round metal Herman Miller tag.
Curtis Jere Owl sculpture, 1971, handmade brass form with blue and green enameled eyes over a painted wood base, signed and dated on metal tag, 10"w x 9"d x 17"h, very good original condition Light surface scratches and scuffs to the wood base. No repairs. Sturdy and structurally sound. Slight bends to the feathers.
Gordon and Jane Martz tea or bar cart, by Marshall Studios, oak frame with top and bottom shelves covered in square light green ceramic tiles, on castors, 31.5"w x 20.5"d x 28.5"h, excellent original condition No water rings or stains. No chips or cracks. Light wear consistent with age and use over time. Sturdy and structurally sound. No problems. Heavy and substantial.
Gordon and Jane Martz lamp table, by Marshall Studios, oak frame with round table top covered in round white and light gray tiles, signed with Marshall Studios label, original shade, 19"dia x 59"h, excellent original condition No chips or cracks. Sturdy and structurally sound. No problems. The lamp works. The shade is clean and has no damage or repairs. Very nice original condition.
Arthur Umanoff bar and three stools, slatted wood and paper cord, wrought iron bases, bar with formica top, original finish, bar: 60"w x 18"d x 40"h, stools: 18"wx 16"d x 41"h, very good original condition No chips or cracks. Light to moderate surface scratches, scuffs and abrasions. All feet intact. Sturdy and structurally sound. No losses to the paper cord. Abrasions and finish loss and some light surface staining to the paper cord. Some small stains to the wood seats. Wear consistent with age and use over time.
Danny HoFong "Osetsu Dai" diningset, by Tropi-Cal, USA, c. 1959 table and six stools, enameled iron frames, each stool with the original caned seat, table top with caned surface protected by glass (glass not shown), table: 73"w x 30"d x 25.5"h, stools: 15"w x 15"d x 16"h, all feet intact, original finish, very good original condition Light to moderate surface scratches, scuffs and abrasions to the black frames, with some small losses to the finish. All feet intact. Sturdy and structurally sound. All but one stool has a small break (or two). One small break to the table caning at one corner. The caning of the top has been protected by glass (glass included). The seats are removable, and the frames can be stacked. Very nice original condition.
Roger Sprunger Executive chairs, four, by Dunbar, original high quality thick pink/mauve suede leather upholstery, bronze bases on castors, adjustment lever under seats, signed with Dunbar labels, 25"w x 29"d x 43"h, very good original condition No holes, tears, or stains. Light soiling to the armrests from hands touching them over time. High quality heavy leather. Sturdy and structurally sound. Castors work well. Tilt/swivel mechanisms work well.
Michael Taylor cabinet, by Baker, cherry, eight drawers with interlocking ring pulls, back is finished, original finish, signed with Baker metal tag, 62"w x 19"d x 32"h, very good original condition No water rings or stains. No chips or cracks. Light to moderate surface scratches, scuffs and abrasions. Light wear consistent with age and use over time. Sturdy and structurally sound. Scuffs and abrasions to the feet. Original finish. The drawers are clean and work well.
T.H. Robsjohn-Gibbings lounge chair, by Widdicomb, subtly tapered and flared legs, original floral upholstery, original finish, 30"w x 28"d x 30"h, wear to upholstery, otherwise very good original condition No chips or cracks. Very light surface scratches, scuffs and abrasions. Light wear to frame consistent with age and use over time. Multiple tears to the fabric - reupholstering is needed.
Norman Bel Geddes vanity and stool, by Simmons, metal structure with the original black and cream finish, original attached mirror, seat is reupholstered, 50.5"w x 17.5"d x 67.75"h, stool: 22.5"w x 15"d x 18"h, very good condition Light to moderate surface scratches, scuffs and abrasions. No chips or cracks. Sturdy and structurally sound. The drawers are in good working order. Contact paper has been applied to the bottoms of the drawers. The stool has been reupholstered. The mirror shows wear consistent with age but not chips or cracks. The pieces show signs of wear consistent with age and use over time. Some finish loss in places.
Norman Bel Geddes bedroom set, by Simmons, metal structures with the original black and cream finish, cabinet and dresser with original attached mirror, cabinet at left with one door and six drawers: 39"w x 20"d x 45"h, dresser at right with four drawers: 46.5"w x 20"d x 36"h, mirror: 28"w x 33"h, very good original condition, with matching but not shown twin beds (pair), nightstand and occasional chair, headboards: 38"w x 36.5"h, night stand: 14"w x 13"d x 23"h, chair: 19"w x 18"d x 32.5"h, good original condition Light to moderate surface scratches, scuffs and abrasions. Sturdy and structurally sound. The drawers and doors of all pieces are in good working order. Contact paper has been applied to the bottoms of the drawers and compartment in the large dresser. The short dresser has an attached bar but the mirror does not seem to attach to it. The mirror shows wear consistent with age but not chips or cracks. One headboard has hardware for a light mounted to it, but parts are missing; the other headboard has screw holes but no light. The chair seat has been reupholstered. All pieces show signs of wear consistent with age and use over time. Some finish loss in places.
Baker occasional tables, pair, attribution, 1960s, dark-stained wood frames with carved panels to sides, original white marble tops, original finish, unsigned, 27.5"w x 20.5"d x 21"h, very good original condition No chips or cracks. Light to moderate surface scratches, scuffs and abrasions. Sturdy and structurally sound. Nicks and small dents to the frames along the sharp edges. Two small yellow stains near the center of one marble top.
Paavo Tynell hanging light fixture, attribution, by Lightolier, perforated brass shade with glass diffuser, wire spring detail, 15"dia x 20"h, cord has been cut, very good original condition No chips or cracks. Light to moderate surface scratches, scuffs and abrasions. The cord has been cut to the length shown. The egg-shaped metal element is not weighted, and differs slightly in color. Lamp works.
Edward Wormley twin size headboard, by Dunbar, model 6726C, dark mahogany frame with the original caned pane, no footboard or rails, original finish, signed with brass D tag, 44"w x 37"h, excellent original condition Light surface scratches, scuffs and abrasions. No breaks. Sturdy and structurally sound. Light wear consistent with age and use over time.
Unusual Edward Wormley bar/storage cabinet, by Dunbar, stained ash cabinet with hinged lid that opens to reveal a faux slate work surface with a removable storage caddy, one interior shelf, faux slate top, brass base, 29"w x 19"d x 26"h, some wear and veneer damage, with a Dunbar oak music stand with hinged caned panel, as shown: 40"w x 25"d x 28.25"h, good original condition Music stand: 2" break to the caning. Cabinet: Break to the veneer trim on the lower edge; the veneer is lifting. Some stains. Needs cleaning. Wear consistent with age. Light to moderate surface scratches, scuffs and abrasions.
Fine Charles Rohlfs carved candle stand, adjustable triangular copper reflector and conforming candle cup, oak base with pierce-carved organic design, bun feet, signed and dated 1901, exceptional design and execution, 10"w x 9"d x 28"h lightly cleaned copper patina and light surface scratches
Rare Grueby vase, nice broad form with carved and applied leaves and buds, covered in a very unusual light blue suspended matte glaze, marked, paper labels, 8"w x 6.5"h restored lamp cord hole to side near foot; some minor chips to high points of the decoration; minor crazing; impressed logo and paper labels on base
Gustav Stickley Morris chair, #332, flat-arm form with vertical slats at sides and corbel supports, replaced rope foundation, recovered seat cushions, signed with red decal, original finish, arms have been cleaned, 32"w x 38.5"d x 39"h, very good condition structurally sound, light cleaning to tops of arms
Carence Crafters bookends, pair, brass with repousse stylized butterfly and geometric decoration, one bearing the text `Books - Should - to - One - of - These - Four Ends - Conduce`, the other `Wisdom - Piety - Delight - Or - Use`, signed, 7"w x 5"h, very good condition original patina, light shelf wear, some minor spotting
Arts & Crafts tea set on tray, teapot, coffeepot, creamer and sugar, pewter, English, c. 1925, tray marked Roundhead Pewter, #8444, others marked with logo and Period Pewter, #14, light wood handles, coffeepot is: 7"w x 7"h, tray is: 16"l minor tarnish and wear consistent with age and handling; all with impressed marks; overall very good condition
Gustav Stickley armchairs, pair, #354 1/2A, "V" back form with five vertical slats above a worn original hard leather seat and corbel supports at sides, remnant of a decal to one, cleaned original finish, original tacks, 25.5"w x 21.5"d x 37"h, very good condition light cleaning to arms, original leather has some wear, minor stains, minor looseness
Good L & JG Stickley encyclopedia table, #516, desirable form with a square top over two sets of divided shelves and seven slats to each side, signed with Handcraft decal, good original finish to base, top lightly cleaned, 27"w x 27"d x 29"h, very good condition minor edge chips, good original finish to base, possible light cleaning to top, a couple of minor stains, structurally sound
Lifetime bookcase, #7218, single glazed door with cut-out overlay design at top with original copper hardware, four original adjustable shelves, signed with decal, original finish, 28"w x 13.5"d x 55.5"h, very good condition minor edge chips, possible light over-coat to original finish, structurally sound
Roycroft hammered brass eight-light candelabra, low horizontal form, inverted bell-form candle cups, scrolled feet; together with a Craftsman Company hammered copper ash receiver, first 21.5"w x 3"h, second 9.5"square candelabrum with dirty original patina, remnants of wax residue, ash receiver with original patina
Gustav Stickley plaque, circular form with an undulating rim and repousse spherical decoration, circular stamp mark, 14"dia; with Roycroft bookends, (not shown), pair, open rectangular form with cut-off corners, marked, 6"w x 9"h, all in hammered copper, all with original patina plaque with original dark patina, light shelf wear; bookends with original patina, bases with remnants of adhesive (likely from applied felt)
Tiffany Studios desk lamp, three-light lily, unusual original copper-colored patina, gold glass shades with nice iridescence, base signed Tiffany Studios, New York, #320, shades unsigned, overall: 9"w x 9"h shades by an unknown maker; no problems; impressed logo and number on base; overall very good condition
Tiffany Studios desk lamp, attribution, three-light lily with an original patina, favrile glass shades with a pulled green feather designs, base unsigned, two shades signed L.C.T., one signed L.C.T. Favrile, 7"w x 13"h 4”l crack to one shade; all shades are dirty with very minor chips to fitter rims; base plate may not be original; plastic cord missing plug; overall fair condition
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