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Lot 1000
After Laurence Stephen Lowry RBA, RA (1887-1976)"Landscape with Farm Buildings"Signed, with the blindstamp for the Fine Art Trade Guild, from an edition of 850, a colour reproduction, 43cm by 53cmSlight time staining to the exposed areas of paper. Slight cockling to the paper. Very minor small foxing spots in evidence to the margins. Some light surface dirt and debris trapped under the glass. Not examined out of the frame.
Lot 1003
After Laurence Stephen Lowry RBA, RA (1887-1976) "Market Scene in a Northern Town" Signed, published in 1973 by Patrick Seale Prints Ltd, from an edition of 750, a colour reproduction, 60.5cm by 75cmTime staining to the paper. Cockling to the paper. Some light surface dirt and debris trapped under the glass. Scattered medium sized foxing spots throughout in particular to areas of the sky, the market canapes, the foreground, etc. Good colour depth. Not examined out of the frame.
Lot 1004
After Laurence Stephen Lowry RBA, RA (1887-1976)"Level Crossing, Burton-on-Trent"Signed, with the blindstamp for the Fine Art Trade Guild, from an edition of 850, published in 1973 by Henry Donn, a colour reproduction, 43.5cm by 58cmVery faded, slight cockling to the paper, sight time staining to the exposed areas of paper. Some light surface dirt and debris trapped under the glass. Not examined out of the frame.
Lot 1005
After Laurence Stephen Lowry RBA, RA (1887-1976)"Level Crossing, Burton-on-Trent"Signed, with the blindstamp for the Fine Art Trade Guild, from an edition of 850, published in 1973 by Henry Donn, a colour reproduction, 44cm by 59cmLight cockling to the paper. Some light surface dirt and debris trapped under the glass. Otherwise appears in good condition. Not examined out of the frame.
Lot 1007
After Laurence Stephen Lowry RBA, RA (1887-1976)"Industrial Scene"Signed in pencil, with the blindstamp for the Fine Art Trade Guild, from an edition of 850, published by Venture prints Ltd, a colour reproduction, 37.5cm by 26.5cmSlight time staining to paper. Some very light surface dirt and debris trapped under the glass.Very slight cockling to paper. Small brown foxing spot to the central window of the factory. Not examined out of the frame.
Lot 1008
After Laurence Stephen Lowry RBA, RA (1887-1976)"Berwick-on-Tweed"Signed, with the blindstamp for the Fine Art Trade Guild, from an edition of 650, a colour reproduction, 55.4cm by 43.5cmSlight cockling to the paper. Light surface dirt and debris trapped under the glass. The print has slipped in the mount. Very tiny foxing spots in evidence to the exposed paper of the margins. Diagonal line from the centre of the top edge down through the church spire? scratch? Not examined out of the frame.
Lot 1010
After Laurence Stephen Lowry RBA, RA (1887-1976)"The Family"Signed in biro, with the blindstamp for the Fine Art Trade Guild, from an edition of 850, a colour reproduction, 38cm by 30cm (unframed)Slight time staining to paper, noticeable where an old mount has been. Some light surface dirt. The print has old brown tape across the top edge of the margin. Tiny creases bottom right corner. The odd very minor tiny foxing spot in evidence to the mount. Unframed
Lot 1013
After Laurence Stephen Lowry RBA, RA (1887-1976)''His Family'' Signed, with the blindstamp for the Fine Art Trade Guild, from an edition of 575, a colour reproduction, 55cm by 73cmSlight cockling to paper. Light surface dirt and debris trapped under the glass. The odd minor very tiny foxing spot to margins. Not examined out of the frame.
Lot 1014
Anthony Gross CBE, RA (1905-1984)"Mercado St Anton Madrid - Paper Dolls"Signed, inscribed and dated 1925, etching from an edition of 60, 24cm by 34cmProvenance: The Stables Gallery, LancashireA gift from the art collector Arthur HaighExhibited: Bradford Art Galleries and Museums Exhibition "Anthony Gross - A Tribute", June 1986, no.2Time staining to the paper. Light cockling to the paper. The odd tiny minor foxing spot to margins. Some light surface dirt and debris trapped under the glass. Not examined out of the frame.
Lot 1026
After David Hockney OM, CH, RA (b.1937)"Dessins et Gravures" 15th avril-24 mai, Galerie Claude Bernard, ParisSigned and numbered 419/450, offset lithograph, 62cm by 42.5cm (mounted but unframed)Some very light surface dirt. Mounted but unframed. Very minor handling creases to bottom left and upper right. Minor scuff to mount lower right. Otherwise in good overall condition.
Lot 1030
Dame Elizabeth Violet Blackadder DBE, RA, RSA (1931-2021) Scottish"Black Cat and Lily"Signed and inscribed proof, etching and aquatint, 41.5cm by 33cmThe work is faded with the yellow particularly down on colour. It has a deckled edge and is float mounted. Slight crease top left corner. Some light surface dirt and debris under the glass. Not examined out of the frame. The odd chip and knock to the frame.
Lot 1053
Norman Stansfield Cornish MBE (1919-2014)Man at the barSigned, flomaster pen, 28cm by 17cmSome light surface dirt, thunder flies and debris trapped under the glass mostly contained to mount. Very slight time staining to paper. Significant cockle to paper. Crease to lower right of the man's jacket approx 2cm in length. Otherwise in good overall condition. Not examined out of the frame. The frame is in general good order but is slightly coming apart at the lower corners.
Lot 1055
Brian Shields 'Braaq' FBA (1951-1997)Figures outside a schoolSigned, inscribed "Ann", mixed media, 19cm by 26.5cmSome very light surface dirt and debris trapped under the glass. Slight cockling to paper. Slight line down left hand side edge and lower edge where the work has moved in the mount. Not examined out of the frame.Frame in general good order.
Lot 1062
Sidney Nolan (1917–1992) Australian/British"Greece"Signed, inscribed verso "3rd April 1956, Greece", mixed media, 24.5cm by 29cmThis work was painted when Sidney Nolan was staying on the island of Hydra with the Australian writer George Johnston and his wife Charmian CliftSome light surface dirt and debris trapped under the glass. Slight cockling to the paper. The odd very tiny sporadic foxing spot. Tiny section of bloom upper left of the sail within the brown, where the work has touched the glass? A number of foxing spots to mount. Not examined out of the frame.
Lot 1069
Sir Terry Frost RA (1915-2003)UntitledSigned and dated (19)68, mixed media, 28.5cm by 28cmProvenance: Wills Lane Gallery, St Ives, 1995Some light surface dirt and debris trapped under the glass. Slight cockling to the paper. Very fine craquelure horizontal within the section where the green paint meets the red on the right and left. The purple of the lower section is possibly down on colour? Areas of faint medium sized foxing in evidence within the purple and red circle (lower section). The odd minor sporadic scattered foxing spot elsewhere. Not examined out of the frame.
Lot 1070
Sir Terry Frost RA (1915-2003)"Vertical Lines"Signed and dated 2002, acrylic collage, 30cm by 30cmProvenance: Belgrave Gallery, St IvesSome light surface dirt and debris trapped under the glass. The fabric has light surface dirt and the odd thunder fly trapped within it, this is more noticeable to the exposed white areas. There are a few marks/splashes within the background- may be by design? And there are scattered sporadic foxing spots/dirt within the background. Not examined out of the frame.
Lot 1073
Maurice Canning Wilks (1911-1984) Irish "Sunlight and Shadow Connemara Co. Galway" Signed, oil on canvas, 34cm by 44cm Some light surface dirt. Slight stretcher shadow. Areas of medium/large sized craquelure to areas of the sky. Minor losses to areas of the blue upper right. Slight lifting to the paint to central areas of the lake.
Lot 1085
Brian Shields 'Braaq' FBA (1951-1997) "It's Bloody Freezing" Signed, inscribed "Ann", oil on canvas, 44cm by 59cmProvenance: Clark Art Ltd., CheshireThe work is glazedSome very light surface dirt. Brown spot to top right of the sky. Very very slight stretcher shadow. Otherwise in good overall condition. Not examined out of the frame.44cm x 59cm is the canvas size.
Lot 1094
William Ralph Turner FRSA (1920-2013)"The Cat and Fiddle"Inscribed verso, oil on board, 39cm by 49cmSome light surface dirt. Areas of medium/ large sized craquelure in evidence, especially to the top of the sky and the lower section of the painting. The lower section has areas where the paint is lifting in places, especially to the centre of the lower edge, there is a loss in this area approximately 1cm in size. There is also some lifting within areas of the sky. Some small brown marks to the sky above the building and one below. See additional images.
Lot 1100
Ian McWhinnie (b.1952) Scottish"Beach at Bretignolles"Signed, inscribed verso, oil on board, 33cm by 35.5cmSome very light surface dirt. Board slightly rubbed to left of top edge with associated minor losses. Possible shrinkage to paint lower left within the chest of the man's red jumper and to the left of this - this may be by design? Otherwise in good overall condition.
Lot 1113
Simeon Stafford (b.1956)"The Stubborn Donkey"Signed, inscribed verso, oil on board, 80cm by 80cmSome light surface dirt. Board slightly tatty to lower edge. Areas where the brown of the board is showing through, in particular, lower left edge and a number of areas to the sky - some may be by design and some may be where the painting has lent on something else causing losses to some of the imapsto. Otherwise in good overall condition.
Lot 1120
Rose Hilton (1931-2019)"Standing Man"Signed, inscribed verso, oil on canvas, 22.5cm by 18cmProvenance: Rainy Day Gallery, PenzanceRose Hilton noted in a letter to the vendor that "the model was an attractive thirty year old called Paul. He had auburn hair and a good stature..." Some very light surface dirt, otherwise in good overall condition.
Lot 1134
Chris Gollon (b.1953)"Love II"Signed, acrylic on canvas, 60cm by 45cmSold together with a signed copy of "Chris Gollon, Humanity in Art" by Tamsin Pickeral, Hyde and Hughes Publishing, 2010Some light surface dirt. Ark Sharped superficial surface scratch lower left within his cardigan approx 8cm in length. May be by design? Otherwise appears in good overall condtion.
Lot 1141
Terry Whybrow (b.1932)"Painting 101"Signed verso, inscribed verso and dated (19)98, oil on board, 23cm by 25cmSome very light surface dirt. The odd brown spot of dirt visible, in particular, two to the left of the jug, one within the left pear and a number upper left. Otherwise in good overall condition.
Lot 123
Robert Mouseman Thompson (1876-1955): An English Oak Mouse on a Cheese, the mouse carved on it's haunches on a circular truckle, 8cm highEstate of Malcolm Wright Cornforth (1931-1992) formerly of The Old Hall, Kilburn.Similar example sold Tennants Lot 1048 19 June 2021 Made for Patricia Kirk of Kilburn (1927-2015)Grain crack behind tail and on edge of base, light grain crack on the underbase, both of which go into the side but do not meet.
Lot 142
Workshop of Robert Mouseman Thompson (Kilburn): Two English Oak Single Wall Light Brackets, each with a rectangular mounting plate attached to a right angled arm with carved scroll work to each side, with a single upright brass electric light bulb holder, each with carved mouse trademark, 23cmThe oak is in good order, the brass light bulb holders have oxidized, Needs rewiring and reccomend replacing bulb holders, The oak is dry and could do with waxing, In overall good condition.
Lot 173
Workshop of Robert Mouseman Thompson (Kilburn): An English Oak Chest of Drawers, 1960s/70s, with raised upstand, above two short drawers over two long drawers, with turned handles, on four octagonal and block feet, with carved mouse trademark, 76.5cm wide 45.5cm deep 75cm highCouple of splash marks, light area on the top, light surface wear and a scratch to the top.
Lot 218
Eagleman: Albert J Jeffray (1937-2013) (Sessay): An English Oak Three Branch Chandelier, with a ceiling mounting boss, above three arms with three upwards facing brass light bulb holders, with recessed carved eagle trademark, 25cm highFrom the estate of Peter Dalby (1936-2022).Chandelier is in good order. There is glue around one of the light bulb holders.
Lot 222
Knightman Family: Old Mill Furniture (Balk): An English Oak Coffee Table, the rectangular top, on four octagonal legs joined by rails, with recessed carved knights trademark, 107cm by 54cm, 49cm highFrom the estate of Horace Knight (1933-2021).Mark to the top, very light wear, in overall good condition.
Lot 234
Knightman Family: An Old Mill Furniture (Balk): An English Oak Panelled Bedside Cupboard, with single drawer above a cupboard, with wrought iron hinges and latch, on four octagonal feet, with recessed carved knights trademark, 41cm by 40.5cm, 58cm highFrom the estate of Horace Knight (1933-2021).Light surface wear.
Lot 84
Robert Welch (1929-2000): An Old Hall Alveston Stainless Steel Thirty Eight Piece Canteen, comprising six table knives, six dessert knives, six table forks, six dessert forks, six soup spoons, six dessert spoons, two serving spoons, stamped OLD HALL STAINLESS ENGLAND, in a fitted box labelled Walker & Hall SheffieldUsed and in good order. Light surface wear.
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534297 item(s)/page