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Adams
Lot 243

AN EMERALD AND DIAMOND CLUSTER RINGComposed of a central rectangular-cut emerald within a four-claw setting, surrounded by brilliant-cut diamonds, mounted in 18K gold, diamonds approximately 0.60ct total, ring size M¾Condition Report: Emerald: of bluish-green hue, good transparency, natural inclusions visible visible under a bright light source, a couple of minor pits visible under 10x magnificationDiamonds: estimated colour H/I, estimated clarity VSMinor signs of wear, overall in good condition

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Adams
Lot 244

AN EDWARDIAN COLOURED SAPPHIRE AND DIAMOND THREE-STONE RINGThe central cushion-shaped pink sapphire weighing 1.15ct within a four-claw setting, between two old brilliant-cut diamonds and accented by four rose-cut diamonds, with foliate engraving detail to the shoulders, mounted in 18K gold, diamonds approximately 0.45ct total, English hallmarks for Sheffield 1907, ring size L¾Accompanied by a photocopy of a report from GCS laboratory in London, stating that the pink sapphire measuring approximately 6.7 x 5.9 x 2.9mm is of Burmese origin, with no indications of heating. Report number 80237-37, dated October 21st 2019Condition Report: Sapphire: of pink hue, medium tone, good transparency, some fine rutile needles visible under a bright light sourceDiamonds: approx. 0.45ct total, unable to assess colour due to yellow mount, estimated clarity VSNormal signs of wear, overall in good condition

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Adams
Lot 255

A CITRINE AND DIAMOND COCKTAIL RINGThe central oval mixed-cut citrine within a half collet-setting and between shoulders pavé-set with brilliant-cut diamonds, mounted in 18K gold, diamonds approximately 0.45ct total, numbered, ring size M¾Condition Report: Citrine: yellow hue, light tone, good transparency, facets are smoothDiamonds: unable to assess colour due to yellow mount, estimated clarity VS-SIMinor signs of wear, overall in good conditionTotal gross weight approx. 20.90g

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Adams
Lot 257

A PAIR OF CULTURED PEARL AND DIAMOND EARRINGSEach composed of a round button-shaped cultured pearl of white tint caped by a trio of pear-shaped diamonds, mounted in 18K gold, diamonds approximately 1.20cts total, length 2.3cmCondition Report: Pearls: of white tint, high lustre with pink, green and silver overtones, superficial blemishes visible at the front, the back of the pearls both show growth signs and a couple of minor blemishesDiamonds: approx. 1.20cts total, estimated colour K/L (obvious light yellow tint to the naked eye), estimated clarity VSNormal signs of wear, overall in good condition

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Adams
Lot 260

AN EMERALD AND DIAMOND DRESS RINGComposed of a central oval-shaped emerald weighing approximately 4.80cts within a double four-claw setting, between bullet and brilliant-cut diamond shoulders, mounted in 18K gold, diamonds approximately 0.50ct total, French assay mark, partial maker's mark, ring size J½Condition Report: Emerald: of bluish-green hue, translucent, inclusions visible with naked eye, a minor chip visible under a bright light source located on the girdle, some minor pits visible under 10x magnificationDiamonds: approx. 0.50ct total, unable to assess colour due to yellow mount, estimated clarity VS-SIUnable to read partial maker's markeagle's head for French 18K gold located on the outside of the hoopNormal signs of wear, overall in good condition

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Adams
Lot 36

A DIAMOND JARRETIÈRE BRACELET, CIRCA 1940The highly flexible bracelet of honeycomb design, to a single-cut diamond clasp with ropetwist detailing, mounted in gold, diamonds approximately 0.90ct total, length 18.5cmCondition Report: Diamonds: approximately 0.90ct total, unable to assess colour due to yellow mount, estimated clarity VSSome superficial scratches visible under a bright light due to normal wearNormal signs of wear, overall in good condition Total gross weight approx. 97.98g

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Adams
Lot 54

A SAPPHIRE AND DIAMOND COCKTAIL RING, CIRCA 1960Of foliate design, centred with a round-shaped cabochon sapphire within a star-motif frame accented with brilliant-cut diamonds, the gallery of textured gold leaf surround with further similarly-cut diamond accents, mounted in 18K gold, French import mark, maker's mark, ring size OCondition Report: Diamonds: approx. 0.90ct total, unable to assess colour due to yellow mount, too small to assess clarity - overall bright and well matchedSapphire: approx. 8.00cts, blue hue, medium to dark tone, colour zoning visible under a bright light sourceMaker's mark: difficult to identidy - partly cut off due to the reeded gold setting - 'M?'Owl mark for 18K gold imported in FranceNormal signs of wear, overall in good condition

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Adams
Lot 74

AN 18K AUTOMATIC WRISTWATCH, BY LONGINES, CIRCA 197026-jewel L631J-Cal automatic movement, the black dial with light motifs, gilt baton hour markers and sword hands, to a cushion-shaped polished case and fitted integral mesh-gold bracelet, dial, movement signed, logo on crown and clasp, case no. 173987** & 462816**, serial no. 522377**, in 18K gold, Swiss assay mark, with maker's original case, length 19cm, case width 3.6cmCondition Report: Glass: no scratches observedBracelet: Superficial signs of wearIn running condition at the time of inspectionTotal gross weight approx: 103.96gAn external watch specialist who verifies each watch prior to each auction in order to open them, checks their working condition, mentions any potential damage, mentions any movement ref numbers etc...For any additional assistance, please refer to the department.

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Adams
Lot 77

A STAINLESS STEEL CALENDAR OYSTERDATE WRISTWATCH, BY ROLEX, CIRCA 198017-jewel Cal-1225 manual wind movement, silvered dial baton hour markers and black outer minutes, date aperture at 3, brushed and polished tonneau form, screw down back and crown, dial and movement signed, on black strap, ref. no. 6694, serial no. 64701**, case width (including crown): 3.6cmAccompanied with purchase papers from 'The Vintage Watch Company' in London dated December 9th 2009 & Insurance valuation from same for £2,495Condition Report: Glass: two minor pits visible under a bright light sourceCrown: logo RolexCase: some light scratches due to normal wearStrap & buckle non originalNo BoxWith papers purchased at 'the Vintage watch company in London' shopIn running condition at the time of inspectionAn external watch specialist who verifies each watch prior to each auction in order to open them, checks their working condition, mentions any potential damage, mentions any movement ref numbers etc...For any additional assistance, please refer to the department.

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Adams
Lot 78

A FINE CULTURED PEARL NECKLACE WITH MATCHING DIAMOND EARRINGSComposed of a single row of Akoya cultured pearls of white tint, measuring approximately 9.49-9.91mm, finishing with an 18K gold spherical clasp, Italian assay mark, length 45.7cm; Together with a pair of matching earrings with a brilliant-cut diamond surmount, mounted in 18K gold, diamonds approximately 0.30ct total, Italian assay mark, length 1.9cm, within fitted case by Maglia TrevisoCondition Report: Necklace: of white tint, high lustre with pink, green overtones, a couple of natural blemishes visible under a bright light source - of high qualityEarrings: of white tint, high lustre, with pink and green overtonesDiamonds: approx. 0.30ct total, estimated colour G/H, estimated clarity VSMinor signs of wear, overall in good condition

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Adams
Lot 79

A PAIR OF CULTURED PEARL AND DIAMOND EARCLIPS, CIRCA 1960Of foliate design, each set with a cultured pearl of dark grey tint and one cultured pearl of white tint, within a surround of single and baguette-cut diamonds, mounted in 18K gold, diamonds approximately 1.50cts total, French import marks, length 3cm Condition Report: Grey pearls: dark grey, good lustre with pink, green and silver overtones, minor natural blemishes visible under a bright light sourceWhite pearls: Good lustre with pink, green and silver overtones, minor natural blemishes visible under a bright light sourceDiamonds: approx. 1.50cts total, estimated colour H/I, estimated clarity VS-SIStamped 18K and owl for French 18K gold importedNormal signs of wear, overall in good condition(for non pierced ears)Total gross weight approx. 26.63g

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Adams
Lot 81

A FINE PAIR OF AQUAMARINE AND DIAMOND EARCLIPS, MOUNTED BY CARTIER, CIRCA 1965Of stylised foliate design, each set with a cut-cornered rectangular aquamarine highlighted with brilliant and baguette-cut diamond leaves, mounted in 18K gold and platinum, aquamarines weighing approximately 8.40 & 8.70cts, diamonds approximately 3.00cts total, signed Monture Cartier, with maker's mark for 'Cartier Société Anonyme', French assay marks, with maker's case, length 2.1cmCondition Report: Aquamarines: approx. 8.40cts & 8.70cts - blue hue, medium tone, good transparency, one small nick visible under a bright light source located on the table on one stone, a couple of minor pits visible under 10x magnificationDiamonds: approx. 3.00cts total, estimated colour G/H, estimated clarity VSSignature & maker's mark & French assay marks located on the side of the clip fittingFor non pierced earsNormal signs of wear, overall in good conditionTotal gross weight approx. 17.09g

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Adams
Lot 82

A MAGNIFICENT AQUAMARINE AND DIAMOND BROOCH, MOUNTED BY CARTIER, CIRCA 1965The elongated cut-cornered rectangular aquamarine weighing approximately 36.00cts, within a surround of brilliant and baguette-cut diamond stylised rays, mounted in 18K and platinum, diamonds approximately 10.00cts total, signed Monture Cartier, with maker's mark for 'Cartier Société Anonyme', with maker's case, French assay marks, length 5.3cm, width 4.3cmCondition Report: Aquamarine: superb quality colour - blue hue - vivid - medium tone - good transparency, a small nick located on the girdle visible under a bright light source, a couple of minor pits visible under 10x magnificationDiamonds: approx. 10.00cts total, estimated colour F/G, estimated clarity VSEagle's head for French 18K gold and dog's head for French platinum located on the reverse of one rayMaker's mark for Cartier located on the pin, partially visibleSignature located on the back fitting - numbers 186 82Minor to normal signs of wear, overall in good conditionTotal gross weight approx. 43.26g

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Adams
Lot 89

A CORAL AND DIAMOND BANGLEComposed of a central fluted corallium rubrum coral, between single-cut diamonds shoulders with ropetwist detail, mounted in 18K gold, diamonds approximately 0.80ct total, inner diameter 5.5cmCondition Report: Coral - a split visible under a bright light source, not obvious to the naked eye - check with jewellery department for further imagesStamped 750 inside hoopTotal gross weight approx. 37.79g

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Adams
Lot 90

AN EMERALD, DIAMOND AND CORAL NOVELTY BROOCH, BY PEDERZANIModelled as a stylized duck, the oval carved cabochon emerald body with brilliant-cut diamond surround to the pavé-set diamond head and emerald cabochon eye, with corallium rubrum coral beak and feet detail, mounted in 18K gold, diamonds approximately 3.00cts total, signed Pederzani, length 5.3cmCondition Report: Carved emerald: with flower detailing, translucent, light to medium tone, in good conditionEmerald eye: slightly darker in hue, bluish-green, in good conditionCoral beak and feet: orangy-red, in good condition and well matched in colourDiamonds: estimated colour G/H, estimated clarity VS with a couple of SISignature Pederzani and 750 for 18K gold located on the reverse of one footNormal signs of wear, overall in good conditionTotal gross weight approx. 19.60g

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Adams
Lot 92

A DIAMOND BOW BROOCH, CIRCA 1990Designed as a stylised polished oxidised gold bow, set with brilliant-cut diamonds in a striped formation, mounted in 18K gold, diamonds approximately 8.00cts total, French import mark, length 6cm, width 7.8cmCondition Report: Diamonds: approx. 8.00cts total, unable to assess colour due to yellow mount, estimated clarity VSOwl mark for 18K gold foreign imported in FranceBlackened gold: some oxidisation visible under a bright light sourceStamped 750 for 18K goldNormal signs of wear, overall in good condition

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Adams
Lot 96

A RUBY AND DIAMOND 'TOI ET MOI' DRESS RING, BY PETOCHIOf crossover design, set with two pear-shaped cabochon rubies between graduated brilliant-cut diamond undulating borders, mounted in 18K gold, diamonds approximately 2.00cts total, signed Petochi Roma, Italian assay mark, ring size G½Condition Report: Rubies: both well matched in colour, minor pits visible under a bright light sourceDiamonds: Unable to assess colour due to yellow mount, estimated clarity VSSignature partially rubbedSide of the mount with a minor sign of resizeNormal signs of wear, overall in good condition

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Adams
Lot 97

A PAIR OF EMERALD AND DIAMOND EARCLIPSEach centrally set with an oval-shaped emerald, within an octagonal frame of round brilliant-cut diamonds, to a similarly and square-cut diamond surround and surmount, mounted in 18K gold, diamonds approximately 1.30cts total, Italian assay marks, length 2.5cmCondition Report: Emeralds: of bluish-green hue, medium tone, natural inclusions visible under a bright light source, facets are smooth, good transparencyDiamonds: bright and well matched. Unable to assess colour due to yellow mount, estimated clarity VSStamped 750 for 18K goldNormal signs of wear, Overall in good conditionTotal gross weight approx. 18.13g

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Adams
Lot 99

A RUBY AND DIAMOND BRACELETComposed of a continuous line of oval-shaped rubies within bombé surround pavé-set with brilliant-cut diamonds, mounted in 18K gold, diamonds approximately 8.50cts total, length 18.4cmCondition Report: Rubies: of red hue, medium to dark tone, inclusions visible under a bright light sourceDiamonds: unable to assess colour due to yellow mount, estimated clarity VSStamped 750 for 18K gold, and 'D8.66' for tcwMinor signs of wear, overall in good conditionTotal gross weight approx. 41.99g

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Kings Russell Auctioneers
Lot 267

John Bratby (1928-1992), The Grand Hotel Brighton terrace with the promenade and West Pier, the sunset and a lady standing in light rain, watercolour and pencil, signed lower left, H.56cm W.69cm

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Bonhams
Lot 100

Gino SarfattiCeiling light, model no. 2133, designed 1972Painted aluminium, painted steel. 69 cm diameter, variable drop Manufactured by Arteluce, Milan, Italy. Fixture with paper label printed arteluce/ART. 2133/DESIGN REGISTERED/MADE IN ITALY.Footnotes:ProvenanceGino Sarfatti, Milan Thence by descent to the present ownerLiteratureGino Sarfatti: Designing Light, exh. cat., Triennale Design Museum, Milan, 2012, p. 16Marco Romanelli and Sandra Severi, Gino Sarfatti: selected works 1938-1973, Milan, 2012, p. 477This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

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Bonhams
Lot 101

Vittoriano ViganòAdjustable wall light, 1950sPainted metal, painted aluminium, brass.23 × 46 × 27 cmManufactured by Arteluce, Milan, Italy. For further information on this lot please visit Bonhams.com

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Bonhams
Lot 105

Gino SarfattiAdjustable table or floor lamp, model no. 586, designed 1962Aluminium, painted aluminium. 20 cm diameterManufactured by Arteluce, Milan, Italy.Footnotes:LiteratureDomus, no. 404, July 1963, p. d/144Marco Romanelli and Sandra Severi, Gino Sarfatti: selected works 1938-1973, Milan, 2012, p. 436Gino Sarfatti: Designing Light, exh. cat., Triennale Design Museum, Milan, 2012, p. 71The present model was exhibited at the XIII Triennale, Milan, 1964.This lot is subject to the following lot symbols: ΩΩ VAT on imported items at the prevailing rate on Hammer Price and Buyer's Premium.For further information on this lot please visit Bonhams.com

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Bonhams
Lot 109

Gino SarfattiCeiling light, model no. 2119, designed 1961Glass, painted brass, fabric cord.75 cm drop, 44 cm diameterManufactured by Arteluce, Milan, Italy.Footnotes:ProvenancePrivate collection, MilanAcquired from the above by the present ownerLiteratureMarco Romanelli and Sandra Severi, Gino Sarfatti: Selected Works 1938-1973, Milan, 2012, p. 475This lot is subject to the following lot symbols: ΩΩ VAT on imported items at the prevailing rate on Hammer Price and Buyer's Premium.For further information on this lot please visit Bonhams.com

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Bonhams
Lot 122

Max IngrandCeiling light, model no. 1933, 1960sClear and partially frosted glass, brass.70 x 22 x 9 cmManufactured by Fontana Arte, Milan, Italy. Reverse impressed ITALY. Footnotes:LiteratureFontana Arte Archive, Milan, Archive Image: 3268Fontana Arte Illuminazione, Milan, 1960s, p. 33Quaderni Fontana Arte 6, 1964, p. 53Franco Deboni, Fontana Arte: Gio Ponti, Pietro Chiesa, Max Ingrand, Turin, 2012, fig. 306This lot is subject to the following lot symbols: ΩΩ VAT on imported items at the prevailing rate on Hammer Price and Buyer's Premium.For further information on this lot please visit Bonhams.com

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Bonhams
Lot 142

PAAVO TYNELLSix-armed ceiling light, from a private commission, Finland, 1936Brass, glass, fabric shades. 115.5 cm drop, 74 cm diameterManufactured by Taito Oy, Helsinki, Finland.Footnotes:ProvenancePrivate collection, FinlandAcquired from the above by the present ownerThis lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

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Bonhams
Lot 147

Paavo TynellFour-armed ceiling light, model no. 9029/4, from the 'Concerto' series, 1940sBrass, amber glass.101 cm high, 55 cm diameterManufactured by Taito Oy, Helsinki, Finland. Fixture impressed OY TAITO AB and 9029. Footnotes:LiteratureFinland House Lighting: harmony in lighting for harmony in living, original designs by Paavo Tynell, New York, 1940s, p. 6'Koriste Valaisimia' (Light fixtures), Idman, no. 135, Helsinki, 1953, p. 58'Koriste Valaisinluettelo' (decorative lamps list), Idman, no. 136, Helsinki, 1954, p. 49This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

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Bonhams
Lot 148

Paavo TynellThree-armed ceiling light, model no. 9029/3, from the 'Concerto' series, 1940sBrass, amber glass.84 cm drop, 57 cm diameterManufactured by Taito Oy, Helsinki, Finland. Fixture impressed OY TAITO AB and 9029.Footnotes:LiteratureFinland House Lighting: harmony in lighting for harmony in living, original designs by Paavo Tynell, New York, 1940s, p. 6'Koriste Valaisimia' (Light fixtures), Idman, no. 135, Helsinki, 1953, p. 58'Koriste Valaisinluettelo' (decorative lamps list), Idman, no. 136, Helsinki, 1954, p. 49This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

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Bonhams
Lot 151

PAAVO TYNELLPair of ceiling lights, model 2098N, 1950sGlass, brass. Each: 20 cm high, 40 cm diameterManufactured by Idman, Finland. Interior of each fixture impressed Idman.Footnotes:Literature'Koriste Valaisimia' (Light fixtures), Idman, no. 135, Helsinki, 1953, p. 12'Koriste Valaisinluettelo' (decorative lamps list), Idman, no. 136, Helsinki, 1954, p. 41'Koriste Valaisimia' (Light fixtures), Idman, no. 138, Helsinki, 1956 p. 55For further information on this lot please visit Bonhams.com

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Bonhams
Lot 152

PAAVO TYNELLPair of ceiling lights, model 2098N, 1950sGlass, brass. Each: 20 cm drop, 40 cm diameterManufactured by Idman, Finland. Interior of each fixture impressed with Idman.Footnotes:Literature'Koriste Valaisimia' (Light fixtures), Idman, no. 135, Helsinki, 1953, p. 12'Koriste Valaisinluettelo' (decorative lamps list), Idman, no. 136, Helsinki, 1954, p. 41'Koriste Valaisimia' (Light fixtures), Idman, no. 138, Helsinki, 1956 p. 55For further information on this lot please visit Bonhams.com

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Bonhams
Lot 154

Paavo TynellSix-armed ceiling light, model no. 1994/6, 1950sPartially-painted brass, brass.150 cm dropManufactured by Taito Oy, Helsinki, Finland. Interior fixture impressed twice TAITO/MADE IN FINLAND/1994 / 6.Footnotes:Literature'Koristevalaisinluettelo' (decorative lamps list), Idman, no. 136, Helsinki, 1954, p. 24'Koristevalaisinluettelo' (decorative lamps list), Idman, no. 142, Helsinki, 1958, p. 91Life, 12 December 1960, New York, p. 57This lot is subject to the following lot symbols: ΩΩ VAT on imported items at the prevailing rate on Hammer Price and Buyer's Premium.For further information on this lot please visit Bonhams.com

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Bonhams
Lot 31

Gino SarfattiRare standard lamp, model no. 1031 B, designed 1948Painted metal, brass, marble. 190 cm highManufactured by Arteluce, Milan, Italy. Together with a certificate of authenticity from the Gino Sarfatti Archive.Footnotes:LiteratureMarco Romanelli and Sandra Severi, Gino Sarfatti: selected works 1938-1973, Milan, 2012, p. 445Gino Sarfatti: Designing Light, exh. cat., Triennale Design Museum, Milan, 2012, p. 64This lot is subject to the following lot symbols: Ω TPΩ VAT on imported items at the prevailing rate on Hammer Price and Buyer's Premium.TP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

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Bonhams
Lot 40

GCMEAdjustable ceiling light, 1960s Acrylic, brass, painted metal. 100 cm drop, 134 cm diameterManufactured by GCME Costruzione Elettrolampadari, Italy.Footnotes:ProvenanceG.C.M.E. Costruzione Elettrolampadari, ItalyAcquired directly from the above, 2001Private collection, Vezzano LigurePrivate collection, MilanAcquired from the above by the present ownerThis lot is subject to the following lot symbols: Ω TPΩ VAT on imported items at the prevailing rate on Hammer Price and Buyer's Premium.TP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

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Bonhams
Lot 59

PAAVO TYNELL Adjustable ceiling light, model no. A1965/10202, 1950sBrass, perforated brass, fabric diffusers.Each: 45 cm diameter, variable dropManufactured by Taito Oy, Finland.Footnotes:ProvenancePrivate collection, HelsinkiPrivate collection, SeinäjokiAcquired from the above by the present ownerLiteratureTAITO, no. 16, Helsinki, late 1940s, n.p.Ornamo, no. 13, 1949, p. 72Valaisimia Luettelo, no. 135, Helsinki, 1953, p. 9'High Lights of a Lighting Genius', Life, 12 December 1960, p. 57Finland House Lighting: harmony in lighting for harmony in living, original designs by Paavo Tynell, New York, n.p.This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

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Bonhams
Lot 60

PAAVO TYNELLAdjustable ceiling light, model no. A1965/10202, 1950sBrass, perforated brass, fabric diffusers.Each: 45 cm diameter, variable dropManufactured by Taito Oy, Finland.Footnotes:ProvenancePrivate collection, HelsinkiPrivate collection, SeinäjokiAcquired from the above by the present ownerLiteratureTAITO, no. 16, Helsinki, late 1940s, n.p.Ornamo, no. 13, 1949, p. 72Valaisimia Luettelo, no. 135, Helsinki, 1953, p. 9'High Lights of a Lighting Genius', Life, 12 December 1960, p. 57Finland House Lighting: harmony in lighting for harmony in living, original designs by Paavo Tynell, New York, n.p.This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

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Bonhams
Lot 92

Gino SarfattiRare and adjustable wall light, model no. 175, designed 1948 135 cm fully extendedPainted brass, brass. Manufactured by Arteluce, Milan, Italy.Footnotes:ProvenanceGino Sarfatti, Milan Thence by descent to the present ownerLiteratureMarco Romanelli and Sandra Severi, Gino Sarfatti: selected works 1938-1973, Milan, 2012, pp. 140, 403For further information on this lot please visit Bonhams.com

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Queens Road Auctions
Lot 115

PINA NO ELECTRICAL PENDANT, SAMER WALL LIGHT & 2 SMALL JEWEL CASES (ALL BOXED & NEW)

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Queens Road Auctions
Lot 504

IMPRESSIVE VICTORIAN LIGHT OAK EXTENDING DINING TABLE WITH HEAVY TURNED LEGS & STRETCHERS ON BRASS CASTERS - 4ft 6'' EXTENDING TO 7ft LONG X 3ft 6'' WIDE

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Queens Road Auctions
Lot 600

THIRTEEN WINE RELATED ADVERTISING POSTERS DESIGNED BY RONALD SEARLE FROM THE 1980'S. SOME LIGHT CREASES & TEARS 21'' X 14''

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Queens Road Auctions
Lot 71

LIGHT GREY METAL 3 STEP KITCHEN STEPS

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Bearnes Hampton & Littlewood
Lot 36

* Saul Cathcart [Contemporary]-Warm evening glow and distant light over Great Staple Tor, Dartmoor,:-signed bottom right, further signed inscribed and dated 2009 on the reverseoil on canvas, 79 x 82cm.

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Bearnes Hampton & Littlewood
Lot 199

European School 20th Century-Light XXIV,:- linocut, indistinctly signed, inscribed and dated '75, 26 x 34cm.

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Keys Fine Art Auctioneers
Lot 40

Modern large light purple stone dress ring, featuring a stepped cut purple stone, four claw set and raised in a basket mount and pierced textured shoulders, stamped 9ct, size M, stone size 18 x 15mm, 9.7gms g/w

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Bellmans
Lot 1003

Widdicomb designed by T. H. Robsjohn-GibbingsTrue Grand Rapids Cabinetmaking; A modern circular coffee table with halo ring stretcher, 122cm diameter; 33cm high, together with a small square occasional table, American Design Foundation Calvin furniture Co., 46cm wide; 40 high (2)Condition report: The circular Widdicomb table in good order. A few minor scuffs and  dents in small areas to the edges, stretcher and feet. The odd minor light shrinkage crack to the veneers along the rim of the table top. The second table in good order with very minor wear, commensurate with age and use. 

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Bellmans
Lot 1009

A Provincial oak and walnut chest18th century, with two short and three long graduated drawers, 93cm wide; 97cm highCondition report:- Top split and warped- Handles later - Needs a light re-polish- No key- Structurally sound

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Bellmans
Lot 1025

A pair of mahogany framed square back armchairsIn the manner of Holland & Son, on turned supports, 67cm wide; 80cm deep, approximately; 101cm high; 50cm high to seat (2)The chair seat is 50cm high from the ground. Minor scuffs, a few small nicks and chips and general light wear commensurate with age and use. Dust sheets to the underside of the chairs concealing the rails. These chairs are probably circa 1980/90. 

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Bellmans
Lot 1054

A Regency mahogany chestWith four long graduated drawers, 100cm wide; 55.5cm deep; 81cm highCondition report: Later replacement handles. Light veneer loss to the top front edge and bottom of the side, visible in the catalogue photograph.Minor, light warp to the carcass beneath the top veneer. Some fading, wear, scuffs and scratches commensurate with age and use. 

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Bellmans
Lot 1084

A late Victorian hounds tooth print upholstered Chesterfield sofaOn turned ebonised supports, 205cm wide; 66cm highCondition report: With scroll arms. The fabric is slightly worn and probably lighted faded, but the nature of it is quite light in tone. Legs later black painted with a varnished finish, several scuffs and rubbed parts.  On castors. Dust sheet concealing seat rails. 

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Bellmans
Lot 1154

A grey-painted rectangular two door armoire119cm wide; 206cm highOverall in good condition. Scuffed and stripped back surfaces. Other light scuffs commensurate with age and use.Loose pine bottom board. One key. Inside there is one shelf.Doors and cornice are removable otherwise in one piece, it will not break down

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Bellmans
Lot 1174

A George III tulipwood banded inlaid satinwood lift top work tableOf compressed octagonal form, 51cm wide; 71cm highCondition report:- Top with very minor warp and small split- No key- Has had a light re-polish- Otherwise in good antique condition

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Bellmans
Lot 1187

A white painted aluminium floral cast garden benchWith lattice seat, 109cm wide; 76cm highCondition report:Chips and flaking to paint work commensurate with age, use and exposure to the outdoor elements.   Some natural green lichens, dirt to the surfaces. Minor patches of oxidisation to the stretcher. Otherwise in good condition. As this is composed of aluminium the seat is relatively light in weight. 

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Bellmans
Lot 1206

A group of seven pieces of Chinese Imari porcelain18th centuryeach painted with floral subjects, comprising: a sprinkler, 19cm high; a blue-ground saucer dish, 29cm diameter; a plate, 21.5cm diameter; two bowls and two saucers (7)Sprinkler- chips to rimSaucer dish- haircracks to rim. Some wear.Plate- fine haircrack to the rim.Minor wear.Bowl, 20cm diameter- 3 haircracks to the rim and a starcrack to the sides.Bowl- 14.75cm diameter- some light surface wear to the interior.Saucers- both with haircracks. One with chip to rim. Each with metal hanger.

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Bellmans
Lot 1220

A good and very large Japanese Satsuma vase signed SuizanMeiji periodof broad baluster form, painted in relief with flowering shrubs and insects, signed Suizan in black script, 60.5cm highOverall in very good condition with minor wear and minor light staining to the glaze in places.

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Bellmans
Lot 1231

A Chinese blue and white kraak porcelain dish.early 17th centurypainted with two deer in a landscape beneath a border reserved with panels of insects and flowers, 33.5cm diameterSome wear and patches of light grey staining to the central panel. Some glaze impurities

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Bellmans
Lot 1260

A rare Chinese famille-rose opium pipe19th centuryof cylindrical form in two parts, painted with figures in an extensive landscape, a frog in relief emerging from breaking waves beside the white metal mount, the ivory ends carved with flowers and gourds, the later terracotta bowl with signature, 56cm lengthSome overall minor wear to enamels. Some light surface scratches in places and some specking to the glaze. There are two chips to the neck of the bowl which slots into the metal mount. Small chips around edge of one porcelain cylinderThis is part of the Charles Finch Collection of smoking pipes.  The rest of the collection to be offered on Tuesday, 25th May

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Bellmans
Lot 1305

An unusual Japanese lacquer three-case saya inroEdo period, 19th centurythe saya inlaid in enamel with a bird flying over a shibayama style riverbank, the inro decorated with flowers, the ends in nashiji, 8cm high Very fine crack/scratch to the lacquer immediately above the bird's left wing.It is not visible on the interior wall. Tiny losses to the applied decoration on the riverbank. Some very light wear to the inro

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Bellmans
Lot 1318

A Chinese hanging scroll and another scrollthe first printed with a mountainous landscape beneath lines of calligraphy and seals, 88cm by 27cm; the second scroll printed with calligraphy on a speckled gold ground, 64cm by 129cm (2) 6815, 6816The mountain scroll with discolouration to the paper, some stains and markingsThe calligraphy scroll with a tear to bottom right corner. Some light staining in places

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Bellmans
Lot 352

Follower of Andrea Locatelli (18th Century)An Arcadian landscape with cattle drovers, a river and a castle beyondoil on canvas82 x 56cm ProvenancePrivate Collection, Sweden since circa 1963Thence by descentCondition reportOriginal canvas.  The paint surface is dirty, mainly due to a discoloured varnish.  Traces of craquelure pattern visible on close inspection, other minor surface stains but generally paint surface is sound.  Ultraviolet light reveals traces of retouching to frame abrasions and one small spot, lower left, however an opaque varnish prevents conclusive examination.  Held in a plaster gilt frame, generally sound but some chips to giltwork.

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Bellmans
Lot 369

English School, 18th CenturyPortrait of a gentlemanoil on canvas72 x 58cmCanvas relined.  Scattered craquelure to paint surface, with some surface abrasions and an area of paint shrinkage, lower left.  Ultraviolet light reveals retouching just off the upper, centre border, to repairs, lower left and to some frame abrasions.

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