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Lot 171

* Hampshire ambrotype. Portrait of a farm girl, 1850s, tinted sixth-plate ambrotype of a three-quarter length young girl carrying baskets of potatoes and eggs, oval mat, without case or preserver (Qty: 1)The interesting collection of 54 ambrotypes offered here as lots 170-185 document the people of Hampshire in the mid-1850s. All are offered with the original brass mats as noted but otherwise without cases and cover glass. There is evidence of modern professional cleaning and light restoration to many of the ambrotypes.

Lot 174

* Hampshire ambrotype. Portrait of a young girl in a pretty frock, 1850s, quarter-plate ambrotype of a young girl standing next to a table with her hand on a book, elliptical brass mat, without case or preserver (Qty: 1)The interesting collection of 54 ambrotypes offered here as lots 170-185 document the people of Hampshire in the mid-1850s. All are offered with the original brass mats as noted but otherwise without cases and cover glass. There is evidence of modern professional cleaning and light restoration to many of the ambrotypes.

Lot 175

* Hampshire ambrotype. Portrait of a young boy, 1850s, tinted half-plate ambrotype of a young boy in a dress coat leaning on a table and holding a whip, elliptical brass mat, 13 x 10cm, without case or preserver (Qty: 1)The interesting collection of 54 ambrotypes offered here as lots 170-185 document the people of Hampshire in the mid-1850s. All are offered with the original brass mats as noted but otherwise without cases and cover glass. There is evidence of modern professional cleaning and light restoration to many of the ambrotypes.

Lot 176

* Hampshire ambrotype. Portrait of a fisherman, 1850s, ninth-plate ambrotype of a seated fisherman wearing a gansey sweater, smoking a pipe and holding a pewter tankard, nonpareil brass mat, without case or preserver (Qty: 1)The interesting collection of 54 ambrotypes offered here as lots 170-185 document the people of Hampshire in the mid-1850s. All are offered with the original brass mats as noted but otherwise without cases and cover glass. There is evidence of modern professional cleaning and light restoration to many of the ambrotypes.

Lot 177

* Hampshire ambrotype. Portrait of a worker and his wife, 1850s, sixth-plate ambrotype of a seated couple, the man with a stovepipe hat and holding an umbrella, the woman wearing a bonnet and holding a handkerchief, double elliptical brass mat, without case or preserver (Qty: 1)The interesting collection of 54 ambrotypes offered here as lots 170-185 document the people of Hampshire in the mid-1850s. All are offered with the original brass mats as noted but otherwise without cases and cover glass. There is evidence of modern professional cleaning and light restoration to many of the ambrotypes.

Lot 178

* Hampshire ambrotype. Portrait of a young male worker, 1850s, tinted sixth-plate ambrotype, oval mat, without case or preserver (Qty: 1)The interesting collection of 54 ambrotypes offered here as lots 170-185 document the people of Hampshire in the mid-1850s. All are offered with the original brass mats as noted but otherwise without cases and cover glass. There is evidence of modern professional cleaning and light restoration to many of the ambrotypes.

Lot 180

* Hampshire ambrotype. Portrait of a large gentleman, 1850s, half-plate ambrotype of a seated large man with muttonchops and top hat, elliptical brass mat, 13 x 10cm, without case or preserver (Qty: 1)The interesting collection of 54 ambrotypes offered here as lots 170-185 document the people of Hampshire in the mid-1850s. All are offered with the original brass mats as noted but otherwise without cases and cover glass. There is evidence of modern professional cleaning and light restoration to many of the ambrotypes.

Lot 181

* Hampshire ambrotypes. A group of three portraits of Hampshire figures, 1850s, all sixth-plate ambrotypes , one showing a happy boy and unhappy girl with a doll, one showing an amorous man with his wife seated on his lap and one of a seated man in three-quarter profile, all with original brass mats, but lacking cases, cover glass and preservers (Qty: 3)The interesting collection of 54 ambrotypes offered here as lots 170-185 document the people of Hampshire in the mid-1850s. All are offered with the original brass mats as noted but otherwise without cases and cover glass. There is evidence of modern professional cleaning and light restoration to many of the ambrotypes.

Lot 182

* Hampshire ambrotypes. Portrait of a seated middle-aged man, 1850s, tinted half-plate ambrotype, original elliptical brass mat, together with a group of seven ninth-plate ambrotypes of Hampshire people, including four of women (three tinted) and three men, all seated, all with original brass mats present, but all lacking cases, cover glass and preservers (Qty: 8)The interesting collection of 54 ambrotypes offered here as lots 170-185 document the people of Hampshire in the mid-1850s. All are offered with the original brass mats as noted but otherwise without cases and cover glass. There is evidence of modern professional cleaning and light restoration to many of the ambrotypes.

Lot 1523

An Early 20th Century American Patchwork Quilt Hand stitched in polychrome printed patches and light blue diamond patches - the centre with compass star design in white running stitch. The whole, in tumbling blocks and star arrangement. Finished with scalloped edge. Purchased in Indiana Ohio, good overall condition, some slight staining/discolouration to hems, mild fraying to some patches. 83 x 94 inches.

Lot 1557

20th Century Lantern Form Ceiling Light Opaline moulded glass shade on antiqued brass mount with suspension chain, height 58 inches.

Lot 165

Moonstone Cluster Statement Ring, 17cts of rainbow moonstone, the ethereal, whitish, gemstone with displays of bright blue inner light, known as adularescence; the central moonstone, a marquise cut cabochon of 8.25cts is framed by a further 8.75cts of pear cut moonstones, with points inwards, the whole set in platinum vermeil and silver with a cage gallery and j-back for comfort, creating a ring 1.4 inches (3.5 cms) long x 1 inch (2.5 cms) wide; size R

Lot 170

Moonstone Cluster Pair of Statement Earrings, 24cts of rainbow moonstone with adularescence, the optical phenomenon of bright blue light which emanates from the stone; each earring has a large marquise cut moonstone cabochon, framed by pear cut matching stones, totalling 12cts, set in platinum vermeil and silver lever back fittings; 1.8 inches (4.7 cms) long x .9 inch (2.8 cms) at widest

Lot 185

Diamond Elongated Kite Shape Drop Earrings, an elegant design set with a close covering of round cut diamonds totalling .55ct, the kite shape drop suspended from a vertical bar, similarly set with diamonds, allowing plenty of movement for the stones to catch the light; a 'hidden' sapphire is set to the back of the platinum vermeil and silver settings with post and push back fittings; 1.2 inches (3 cms) long

Lot 250

Peridot Five Row Band Ring, five rows of pave set, round cut peridots totalling 2.25cts, in a wide band of 14ct gold vermeil and silver, with comfort backing; the peridots giving a good display of sparkle when catching the light; size Q

Lot 256

Labradorite Station Bracelet, seven round cut labradorites, totalling 19cts, displaying the blue/green and golden inner light known as labradorescence, bezel set and spaced along the 14ct gold vermeil and silver curb chain, fastening with a lobster claw clasp; 7.5 inches (19 cms) long

Lot 258

Pair of Labradorite Stud Earrings, solitaire round cut cabochons of the moody stone with labradorescence, the inner light similar to that seen in moonstones, each measuring over 3cts, bezel set in 14ct gold vermeil and silver with post and push back fittings

Lot 335

A Good Collection Of Vintage Jewellery And Accessories A varied lot, housed in contemporary oriental lacquered jewellery box with four drawers, jadeite panels and brass corners. Contains silver medal inscribed 'N.D.S.T, Olive Noble, 40 Members, 1914' silver thimble, Victorian coin brooch, rolled gold pendant, 1920's paste set clip, white metal posy holder brooch and antique oval enamel brooch with pale blue central cabochon. Together with a quantity of contemporary costume jewellery to include Citizen watch, various 1980's gold tone brooches, faux pearls, silver and stone set rings, silver Celtic brooch and boxed vintage musical powder compact by 'New Light' Please see accompanying image

Lot 184

* Hampshire ambrotypes. A group of eleven portraits of seated Hampshire people, 1850s, sixth-plate ambrotypes, including eight of women (five tinted), two of men (one tinted), and one of an older woman with a young woman standing beside her, plus two further sixth-plate ambrotype portraits in very poor condition, all with original brass mats, but lacking cases, cover glass and preservers (Qty: 13)The interesting collection of 54 ambrotypes offered here as lots 170-185 document the people of Hampshire in the mid-1850s. All are offered with the original brass mats as noted but otherwise without cases and cover glass. There is evidence of modern professional cleaning and light restoration to many of the ambrotypes.

Lot 185

* Hampshire ambrotypes. A group of ten portraits of Hampshire people, 1850s, quarter plate ambrotypes, mostly couples and family groups (all but one tinted) and including two individual portraits of young women, all with original brass mats, but lacking cases, cover glass and preservers (Qty: 10)The interesting collection of 54 ambrotypes offered here as lots 170-185 document the people of Hampshire in the mid-1850s. All are offered with the original brass mats as noted but otherwise without cases and cover glass. There is evidence of modern professional cleaning and light restoration to many of the ambrotypes.

Lot 214

* Fenton (Roger, 1819-1869). Hampton Court on Thames [from Photographic Art Treasures, Part II ] published by The Photo-galvano-graphic Company, December 1856, photogalvanograph on india paper, printed caption details to lower margin, 21.5 x 27.5cm, original mount with embossed stamp lower left, some light dampstaining and dust-soiling, together with four albumen prints and one gelatin silver print of English churches and scenery, 21.5 x 28cm and similar sizesPaul Pretsch launched his short-lived Photo-Galvano-Graphic Company in London in 1856 and it was the first commercial attempt to print photographs, printing directly from photo-sensitised plates using the photo-chemical process.(Qty: 6)

Lot 234

Senegal, Gambia and Sierra Leone. 'Voyage du Sénégal, 1891-1892' [spine-title], 105 albumen prints and 8 cyanotypes (various dimensions, 11.6 x 8.2 cm to 15.6 x 11.6 cm), mounted rectos and versos to linen-hinged pale green card leaves, including one folding panorama comprising 2 albumen prints on 2 conjoined leaves, neat manuscript captions in French throughout, 15 of the albumen prints being studio photographs of Bordeaux and environs captioned in the negative (12 x 19 cm), the rest including street scenes in Dakar, Banjul ('Bathurst') and an unnamed town in Sierra Leone (probably Freetown), village scenes in Casamance, and group portraits of Africans in local and European dress and of members of the Anglo-French boundary commission (one such photograph captioned 'Commission de délimitation des frontières de la Gambie'), variable toning and fading, light spotting to mounts and a few images, minor undulation to card leaves, condition generally good, contemporary red half sheep binding, rubbed, light wear to extremities, oblong 4to (18 x 24.5 cm)Varied album apparently compiled by a French member of the Anglo-French commission which established the present borders of The Gambia.(Qty: 1)

Lot 273

* Evans (Walker, 1903-1975). New York skyline, circa 1930s, gelatin silver print, printed later, slightly bruised to lower left corner with small blank paper loss to blank margin, light horizontal crease in upper sky area and small crease to upper right corner, a little damp wrinkling to left margin, 36.5 x 49cm, Library of Congress reproduction stamp to verso (Qty: 1)

Lot 281

* Halsman (Philippe, 1906-1979). Winston Churchill at Chartwell, 1951, gelatin silver print printed circa 1980 on glossy double weight paper, showing Churchill from behind looking across the grounds at Chartwell, Toni Parks Collection wetstamp to verso, a little light corner creasing to lower corners, mostly affecting blank margin, short split to right margin with pin head loss of emulsion in grassy area, 27 x 26cm (Qty: 1)

Lot 393

* Leica M3 rangefinder with 35mm, 50mm, 90mm and 135mm lenses. Leica M3 chrome rangefinder camera, Serial Number 900250, excellent condition, just some surface marks on the base plate, camera is jammed so will require service or repair, together with Leitz Summaron 35mm f/3.5 chrome lens , Serial Number 1554949, made in Germany in 1958, excellent condition and in good working order, with 'eyes' close-focus attachment and lens cap, Leitz Summicron 50mm f/2 chrome lens , Serial Number 1514232, made in Germany in 1957, near mint condition and in good working order, with 'eyes' close-focus attachment, UVa filter and lens cap, Leitz Elmar 90mm f/4 chrome lens , Serial Number 1523281, made in Germany in 1957, near mint condition and in good working order, with UVa filter and lens cap, Leitz Hektor 135mm f/4.5 chrome lens , Serial Number 1417727, made in Germany in 1956, excellent condition with just a few very light surface marks, good working order, with lens hood and lens cap, Leica Meter , untested, plus several filters and a close-up lens, all stored in a Leica brown hard leather kit case in good condition. (Qty: a case)

Lot 394

* Leica M4 rangefinder with Summicron 50mm f/2 . Leica M4 chrome rangefinder camera, Serial Number 1178276, excellent condition with just some very light surface marks in places, good working order when first tested but now jammed, Leitz black hard leather case in good condition, together with Summicron 50mm f/2 chrome lens , Serial Number 2141331, excellent condition and in good working order, front lens cap, Leica METER M, first type, Serial Number 03357, made by Metrawatt A.G., boxed. (Qty: 3)

Lot 402

* Leica M-series Summicron 35mm f/2. Leica M-series Summicron 35mm f/2 chrome lens, Serial Number 1631394, manufactured in 1958, very good condition with some light superficial marks only and in good working order, original Leica front cap and plastic storage container. (Qty: 1)

Lot 422

* Leitz 19th Century Microscope No 53128. Leitz microscope, 1899, made in Wetzlar, Germany, Serial Number 53128, brass with black base and stand with three lenses and two-sided substaged mirror, stored in original wooden case with key, complete with three wooden internal storage boxes with sliding lids for storing eyepieces, lenses and accessories, case has label on top "Ernst Leitz, Berlin N.W., Luisenstr. 45".The Leitz microscope traces its lineage to a company founded in 1849 in Wetzlar, Germany, the Optical Institute. While telescopes were the original focus of the business, microscopes soon became the primary product. Ernst Leitz was hired as an engineer in 1865 and was running the company by 1869 when he reorganized it as the Optical Institute of Ernst Leitz. In the first 20 years the company produced 15,000 microscopes. The company was at the forefront of polarized light microscopy with one of its engineers, Dr. Max Berek, discovering how to mathematically compute the depth of field in microscope imagery. Through the years, Leitz microscopes have continued to evolve as cameras and other products have assumed greater prominence in its product mix.(Qty: 1)

Lot 75

* Great Britain, 1883 QV 10/- greenish-grey, wmk. large anchor.Fine used cancelled with light Registered datestamp (AP 3 84). Some gum remaining so good colour, few shortish perfs. And minor soiling. SG 135 (£4500) (Qty: 1)

Lot 81

* Great Britain, 1857 1d rose-red, la r ge Crown perf. 14. Upper marginal horizontal strip of six (A A / A F), showing inscription in margin ‘Price 1d Per Label, 1/- per Row of 12 (etc.)’. Some light gum creasing and staining, fine mint. SG 40 (£300+) (Qty: 1)

Lot 82

* Great Britain, 1840 1d Black (N F), four good margins, light red MX, small stain lower right. SG 2 (£375) . (Qty: 1)

Lot 83

* Great Britain, 1840 1d Black (Q H), f our good to large margins, light red MX. SG 2 (£375). (Qty: 1)

Lot 90

* Natal , 1863 (September), cover bearing QV 6d grey x four (2/- rate, SG 13), indistinctly cancelled. Addressed to London ‘Per Norman’ with red arrival mark. Some light staining, still most attractive and rare useage.Although addressed to ‘W.S.Churchill’, this is in fact William Smith Churchill.(Qty: 1)

Lot 96

Cavalry Officer's Manuscript Manual. A manuscript written by Captain John J. Seelinger, 15th Light Dragoons, circa 1805, written in a neat hand and including sections on the general principles of riding, position of the dragoon mounted, turnings, bending or shoulders, regimental barrack regulations, riding lesson for the square or school, marching order, manner in which the saddlebags are to be packed and the horse accoutred in marching order, manner in which the stables duties are to be performed, etc., written on rectos and versos of 60 leaves, some marginal damp browning, a little scattered spotting and soiling, Seelinger's ownership name pasted to front pastedown, contemporary vellum with manuscript note to upper cover, rubbed and damp-stained, covers slightly bowed, small 4to (19 x 16cm) (Qty: 1)

Lot 318

A Continental light wood four-door wardrobe, 230cm wide; together with a matching three-drawer chest, 110cm (2)

Lot 319

A pair of Continental light wood bedside cabinets, 55cm (2)

Lot 367

A Slazenger light golf bag, containing: Callaway 'Big Bertha' driver and Callaway 'Big Bertha' War Bird.

Lot 1417

TROIKA LAMP BASE a wheel shaped lamp base, with a blue ground and stylised designs to both sides. Painted marks, Troika, Cornwall, and monogram for Annette Walters. 8 1/2ins (21.5cms) high (excluding metal light fitting).

Lot 1130

A Moorcroft ceramic lamp base in the "Strawberry Thief" design, circa 1990's. Baluster shape on a wooden pedestal and with cream light shade. The Strawberry Thief pattern was made to commemorate the Arts & Crafts designer William Morris and was the design of his famous wallpaper. Approx. 13cm wide. Total height approx. 28cm (to include brass light fitting).

Lot 1148

An unusual Wedgwood Ronald Stennett-Willson Limited Edition baluster shaped art glass vase. In light brown with mottled tones of brown running throughout. Marked to base Wedgwood England and etched with "X RSW 112/78". Approx. 18cm tall x 11cm wide.

Lot 1231

A collection of assorted vintage light wood boxes in various sizes. Largest Approx. 63cm x 43cm x 8cm.

Lot 1255

Max Savy? Signed oil on board painting depicting boats in a harbour at sunset. Signature to lower right. Light wood frame. Approx. 40.5cm x 50.5cm.

Lot 1260

A pair of vintage Holophane ball shaped light shades in white opaque glass. Approx. 24cm diameter.

Lot 1279

A modern light wood basket chair together with a fabric lined linen basket with lift up lid.

Lot 195

A BOX CONTAINING ANTIQUARIAN BOOKS A BOXED ETCH-A-SKETCH AND TWO GLASS LIGHT SHADES

Lot 201

PJ WINTRIP OIL PAINTING ON BOARD MORNING LIGHT

Lot 283

LIGHT OAK COFFEE TABLE

Lot 35

A SET OF 4 LIGHT OAK MODERN DINING CHAIRS

Lot 405

POST WAR SIDEBOARD OF UTILITY FURNITURE SCHEME DESIGN STAMPED ON THE BACK WITH THE BRITISH BOARD OF TRADE CC41 LOGO WARTIME AUSTERITY REGULATIONS STAMPED ON THE BACK WITH CODE 338 F151 1684 LIGHT OAK VENEERS 54INCH WIDE

Lot 1001a

A contemporary retro large light box sign reading Drop Out Disco. The sign of oval form having large bold lettering. Along with an acrylic sign reading Psyched. Measures 166 cm high x 36 cm wide.

Lot 1005

A collection of three vintage 20th Century industrial tin plate and cast iron light switches, the switches coming in two banks of five and a bank of nine. Measures 25 H x 20 W x 5D cms.

Lot 1012a

A set of four vintage retro 20th Century industrial factory pendant light shades of UFO form having a white enamel finish. Measures 45 cm diameter.

Lot 1114a

A vintage retro 20th Century wall light having a circular teak wall mounts with two brass arms and white glass shades along with another matching light with one arm, along with a brushed aluminium ceiling light having a cylindrical black shade to the centre. 

Lot 1147

A vintage retro 20th Century two step gold tone ceiling light fixture having applied plastic medallion prunt's. Measures 18cm high x 30cm diameter.

Lot 1150

A pair of matching 20th Century Industrial style spotlights together with a vintage 20th Century Dairy light. Tallest measures 31cm high. 

Lot 1253

A 20th Century brass ceiling light chandelier in the manner of Adams revival having scrolled brass arms complete with two green glass frosted shades.

Lot 1308

A vintage early 20th Century  mottled glass 1930's Art Deco ceiling light shade, the shade the with scalloped rim decorated with swags of orange roses. The shade retaining hanging chains.

Lot 1377

A Tiffany style table lamp having a leaded stained glass shade with blue glass panels and glass gemstones. The light in the Art Nouveau manner raised on broned / bronze effect base.

Lot 1485

A pair of 19th Century hanging ceiling light / lights of electrollier chandelier type in the form of cherub puttis having bronze bodies with multi strands of faceted glass droplets.

Lot 1510

A set of 12 Art Deco leaded and stained glass windows (circa 1928) having domed tops with light blue panes to the edges with a yellow diamond shaped panes to the centres, set within pine frames. Measures window frame: 53cm high x 53cm wide.

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