![Keith Haring (American, 1958 - 1990). "Life Is Fresh! Crack Is Wack!! (June, 1988) [invitation]". Offset lithograph. 1987. Pr](https://cdn.globalauctionplatform.com/8421e298-eae2-4f79-a9f0-a9bc016998e8/7c0a4fab-19f8-4ba3-8858-aac701089ed1/468x382.jpg)
Keith Haring (American, 1958 - 1990). "Life Is Fresh! Crack Is Wack!! (June, 1988) [invitation]". Offset lithograph. 1987. Printed 1988. Signed in black marker, lower right; signed and dated in the matrix. Edition unknown, presumed small. Light green wove paper. Full margins. Fine impression. Condition: fine. Overall size: 5 1/2 x 5 1/2 in. (140 x 140 mm). Bipo was a singer and a Haring assistant at the Pop Shop in New York City. This invitation to the party at Tunnel uses the same image as Haring created for Bipo's album cover of the same name released in 1987. The image was neither an editioned print nor a poster. Tunnel was a legendary nightclub in New York City, located at 220 Twelfth Avenue, in the Chelsea district of Manhattan, in the Terminal Warehouse Company Central Stores Building, now part of the West Chelsea Historic District. Tunnel was opened in December 1986 at the cost of $5 million by Eli Dayan – the founder of Bonjour Jeans – in a space which was formerly a railroad freight terminal. Image copyright © The Keith Haring Foundation. [28367-1-225]
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![Andy Warhol [d'apres] (American, 1928 - 1987). "Sam #15". Color lithograph. Printed c1986?. Bears signature in black marker,](https://cdn.globalauctionplatform.com/8421e298-eae2-4f79-a9f0-a9bc016998e8/b142303d-2a25-41d7-9448-aac70055ef9a/468x382.jpg)
Andy Warhol [d'apres] (American, 1928 - 1987). "Sam #15". Color lithograph. Printed c1986?. Bears signature in black marker, lower left; signed in the plate, lower right. Light cream wove paper. The full sheet. Fine impression. Very good to fine condition. Literature/catalogue raisonne: cf. Feldman/Schellmann IV.66A. Overall size: 17 1/4 x 14 1/2 in. (438 x 368 mm). Image size: 10 x 9 5/8 in. (254 x 244 mm). Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28683-3-400]
Renato Guttuso (Italian, 1911-1987). "Donna nuda sdraiata". Ink on paper. c1962. Signed lower right. Light tan wove paper. Fine condition. Overall size: 10 x 14 1/8 in. (254 x 359 mm). Guttuso was a painter who also designed for the theatre (including sets and costumes for Histoire du Soldat, Rome, 1940) and did illustrations for books. Those for Elizabeth David’s Italian Food (1954) introduced him to many in the English-speaking world. A fierce anti-Fascist, "he developed out of Expressionism and the harsh light of his native land to paint landscapes and social commentary." (Adrian Hamilton). Image copyright © The Estate of Renato Guttuso. [27953-3-600]
Jean-Michel Basquiat (American, 1960-1988). "Flash in Venice". Color offset lithograph. 1983. Printed 1984. Signed in black marker, lower right. Edition unknown, presumed very small. Very light cream wove paper. Wide margins. Fine impression. Very good condition. Overall size: 8 1/2 x 7 1/2 in. (216 x 190 mm). Scarce, rare signed, and seldom seen. No auction records located. Issued for the opening night exhibition of "Jean Michel Basquiat – Paintings, 1981-1984" at the Institute of Contemporary Arts, London (the exhibition ran from December 14th, 1984 to January 27th, 1985). Apparently there were very small quantities of this lithograph printed for distribution at the event and they went quickly. Published by The Fruitmarket Gallery. Printed in the Netherlands by Lecturis bv. Image copyright © The Estate of Jean-Michel Basquiat/ADAGP, Paris; ARS, New York. [28987-1-400]
![Andy Warhol (American, 1928 - 1987). "Orangutan [announcement]". Color offset lithograph. 1983. Signed in black marker, lower](https://cdn.globalauctionplatform.com/8421e298-eae2-4f79-a9f0-a9bc016998e8/97e4efc2-947e-474b-bdd6-aac7005663de/468x382.jpg)
Andy Warhol (American, 1928 - 1987). "Orangutan [announcement]". Color offset lithograph. 1983. Signed in black marker, lower right. Edition unknown, presumed small. Light cream wove paper. Full margins. Fine impression. Fine condition. Literature/catalogue raisonne: Undoubtedly to be included in the forthcoming revised edition of the catalogue raisonne of Warhol's ephemera by Paul Marechal; cf. Feldman/Schellmann II.299. Overall size: 6 x 4 1/4 in. (152 x 108 mm). No auction records located. The image of this scarce announcement was issued as one of the silkscreens in Warhol's famous 'Endangered Species' portfolio, one of his most sought after series. Published by Ronald Feldman Fine Arts, New York City. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28596-1-500]
![Jean-Michel Basquiat (American, 1960-1988). "Red Circle [Untitled]". Color offset lithograph. 1981. Printed 1986. Signed in b](https://cdn.globalauctionplatform.com/8421e298-eae2-4f79-a9f0-a9bc016998e8/5ea087b0-760e-4809-af22-aac70056159d/468x382.jpg)
Jean-Michel Basquiat (American, 1960-1988). "Red Circle [Untitled]". Color offset lithograph. 1981. Printed 1986. Signed in black marker, lower right. Edition unknown, presumed very small. Very light cream wove paper. Wide margins. Fine impression. Fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Overall size: 8 1/16 x 7 3/4 in. (205 x 197 mm). Scarce, rare signed, and seldom seen. No auction records located. Issued for the opening night exhibition of "Jean-Michel Basquiat" at the Kestner-Gesellschaft, Hannover, Germany (the exhibition ran from November 28th 1986 to January 25th 1987). Apparently there were very small quantities of this lithograph printed for distribution at the event and they went quickly. Published by the Kestner-Gesellschaft and printed in Hannover by Frenzel & Heinrichs. Image copyright © The Estate of Jean-Michel Basquiat/ADAGP, Paris; ARS, New York. [29053-1-600]
![Andy Warhol [d'apres] (American, 1928 - 1987). "Sam #07". Color lithograph. Printed c1986?. Bears signature in black marker,](https://cdn.globalauctionplatform.com/8421e298-eae2-4f79-a9f0-a9bc016998e8/d15652c1-0c1c-4d34-a0a9-aac70055f068/468x382.jpg)
Andy Warhol [d'apres] (American, 1928 - 1987). "Sam #07". Color lithograph. Printed c1986?. Bears signature in black marker, lower left; signed in the plate, lower right. Light cream wove paper. The full sheet. Fine impression. Very good to fine condition. Literature/catalogue raisonne: cf. Feldman/Schellmann IV.58A. Overall size: 17 x 14 1/4 in. (432 x 362 mm). Image size: 8 1/16 x 7 1/2 in. (205 x 190 mm). Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28682-3-500]
Matt Groening (American, b.1954). "Maggie, Marge, Lisa, and Bart Simpson". Original marker drawing on paper. c2006. Signed lower right. Drawn on light cream wove paper. Very good condition. Overall size: 7 3/16 x 7 1/16 in. (183 x 179 mm). Matthew Abram "Matt" Groening is an American cartoonist, screenwriter, producer, animator, author, musician, and voice actor. In addition to “The Simpsons” he is the creator of the comic strip “Life in Hell” (1977–2012) as well as two successful television series, “The Simpsons” (1989–present) and “Futurama” (1999–2003, 2008–2013). Image copyright © Matt Groening. [29847-1-600]
Jean-Michel Basquiat (American, 1960-1988). "Moses and the Egyptians". Color offset lithograph. 1983. Printed 1986. Signed in black marker, lower right. Edition unknown, presumed very small. Very light cream wove paper. Wide margins. Fine impression. Fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Overall size: 8 1/16 x 7 11/16 in. (205 x 195 mm). Scarce, rare signed, and seldom seen. No auction records located. Issued for the opening night exhibition of "Jean-Michel Basquiat" at the Kestner-Gesellschaft, Hannover, Germany (the exhibition ran from November 28th 1986 to January 25th 1987). Apparently there were very small quantities of this lithograph printed for distribution at the event and they went quickly. Published by the Kestner-Gesellschaft and printed in Hannover by Frenzel & Heinrichs. Image copyright © The Estate of Jean-Michel Basquiat/ADAGP, Paris; ARS, New York. [29060-1-600]
![Jean-Michel Basquiat (American, 1960-1988). "To Repel Ghosts [poster]". Color offset lithograph. 1986. Signed in black marker](https://cdn.globalauctionplatform.com/8421e298-eae2-4f79-a9f0-a9bc016998e8/853ff1a1-2683-4408-81e8-aac7005576bb/468x382.jpg)
Jean-Michel Basquiat (American, 1960-1988). "To Repel Ghosts [poster]". Color offset lithograph. 1986. Signed in black marker, upper center. Edition unknown, probably small. Light cream wove paper. The full sheet. Fine impression. Fine condition. Overall size: 33 1/8 x 24 1/4 in. (841 x 616 mm). A rare poster, very rare when signed. No non-internet auction sales located. We did find an example offered with pre-sale estimates of $5,000/7,000 at artnet auctions, December 20, 2012, apparently going unsold. Issued for the highly important exhibition entitled "Jean-Michel Basquiat" at Kestner-Gesellschaft, Hannover, November 28, 1986 to January 25, 1987. Basquiat died on August 12, 1988. His "To Repel Ghosts" series takes its title "after the Swiss diplomat Claudio Caratsch, who worked for many years in Africa, explained to Basquiat that often African art and artifacts served the everyday functions of repelling ghosts. In 1986’s acrylic on wood, resembling a boarded up window or storefront, Basquiat paints the phrase across the middle panel of wood and underneath places a “TM” (for "trademarked"). Like most hip-hop artists, Basquiat was acutely aware of branding’s value; the utilitarian function of everyday art and artifact (“to repel ghosts”) becomes an advertising slogan in a proprietary field that uses, abuses, and ultimately disabuses artists of the romance of art as above and beyond market forces. But oil works using the same slogan and from the same year show Basquiat effacing the phrase, placing black paint over the ghosts, in effect repelling (etymologically, to push back) the repelling of ghosts, as if trying to rescue the idea’s intention from profane sloganeering." (courtesy Alessandro Porco). Image copyright © Artists Rights Society (ARS), New York. [28407-6-600]
![Theodor Seuss Geisel [Dr. Seuss] (American, 1904-1991). "Sam-I-Am". Pencil and colored pencil on paper. 1970s. Signed lower r](https://cdn.globalauctionplatform.com/8421e298-eae2-4f79-a9f0-a9bc016998e8/719cd278-6de9-44e3-875e-aac70055ed77/468x382.jpg)
Theodor Seuss Geisel [Dr. Seuss] (American, 1904-1991). "Sam-I-Am". Pencil and colored pencil on paper. 1970s. Signed lower right; dedicated lower left. Drawn on light cream wove paper. Very good to fine condition. Overall size: 11 11/16 x 8 1/4 in. (297 x 210 mm). Geisel was an American children's author, political cartoonist, illustrator, poet, animator, screenwriter, and filmmaker. He is known for his work writing and illustrating more than 60 books under the pen name Doctor Seuss (abbreviated Dr. Seuss). His work includes many of the most popular children's books of all time, selling over 600 million copies and being translated into more than 20 languages by the time of his death. Image copyright © Dr. Seuss Enterprises, L.P. [29942-2-800]
![Roy Lichtenstein [d'apres] (American, 1923-1997). "Reflections on Girl". Color poster. 1991. Bears signature in black pen. Ed](https://cdn.globalauctionplatform.com/8421e298-eae2-4f79-a9f0-a9bc016998e8/e4909842-79b2-4f58-b7d0-aac7005610e4/468x382.jpg)
Roy Lichtenstein [d'apres] (American, 1923-1997). "Reflections on Girl". Color poster. 1991. Bears signature in black pen. Edition unknown, presumed small. Light cream wove paper. Wide margins. Fine impression. Very good condition. Literature/catalogue raisonne: Doering/Von der Osten 56. Overall size: 28 3/4 x 23 1/2 in. (730 x 597 mm). Image size: 17 x 21 1/4 in. (432 x 540 mm). Our example is a proof before the exhibition date letters, at the bottom of the sheet, which in the published poster read: "Marz - April 1991 - Baumleingasse 9, Basel." A scarce poster. No auction records in the past 25 years located. Image copyright © Estate of Roy Lichtenstein. [26911-5-400]
Andy Warhol (American, 1928 - 1987). "Baron Philippe Rothschild". Color offset lithograph with gold and blind embossing. c1975. Signed in black marker, center left. Edition unknown, presumed very small. Very light cream wove paper with gold embossing and letterpress. Full margins. Fine impression. Very good to fine condition with crisp corners; the label has never been affixed to a bottle. Literature/catalogue raisonne: Paul Marechal, “Andy Warhol Ephemera…Catalogue Raisonne, 1950-1987.” Lyon, France: Les amis du Musee de l’Imprimerie, 2018, Section 14, no.53. Overall size: 6 x 4 in. (152 x 102 mm). A limited number of these labels were printed exclusively for distribution to friends, suppliers, etc., and were not intended to be used on the bottle. Chateau Mouton Rothschild is a wine estate located in the village of Pauillac in the Medoc, 30 miles northwest of the city of Bordeaux, France. It produces one of the world's greatest clarets. In 1946 the vineyard began the tradition of having each year's label designed by one of the world's great artists or sculptors of the day (Picasso, Chagall, Miro, etc.). For the 1975 vintage label, Warhol juxtaposes two different images of Baron Philippe Rothschild. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28401-1-400]
Leonard Tsuguharu Foujita (Japanese/French, 1886 - 1968). "Chat assoupi". Pencil drawing on paper. c1931. Signed in pencil, lower right. Light cream wove paper. Good condition; foxing overall; two holes upper right, well away from image, would be matted out when matted and framed; candidate for conservation but would present very well when framed, as is. Overall size: 9 1/2 x 12 1/16 in. (241 x 306 mm). Foujita, born in Tokyo, applied Japanese drawing techniques and mediums to Western style paintings. His portraits of cats are especially well known. Image copyright © Artists Rights Society (ARS), New York. [29856-2-2400]
Jean-Michel Basquiat (American, 1960-1988). "Jersey Joe". Color offset lithograph. 1983. Printed 1986. Signed in black marker, lower right. Edition unknown, presumed very small. Very light cream wove paper. Wide margins. Fine impression. Fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Overall size: 8 1/16 x 7 7/8 in. (205 x 200 mm). Scarce, rare signed, and seldom seen. No auction records located. Issued for the opening night exhibition of "Jean-Michel Basquiat" at the Kestner-Gesellschaft, Hannover, Germany (the exhibition ran from November 28th 1986 to January 25th 1987). Apparently there were very small quantities of this lithograph printed for distribution at the event and they went quickly. Published by the Kestner-Gesellschaft and printed in Hannover by Frenzel & Heinrichs. Image copyright © The Estate of Jean-Michel Basquiat/ADAGP, Paris; ARS, New York. [29063-1-400]
Andy Warhol (American, 1928 - 1987). "Queen Beatrix (#3)". Color offset lithograph. 1985. Signed in black felt tip pen, upper left. Edition unknown, presumed very small. Light cream wove paper. Printed to the edge of the sheet. Fine impression. Fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Literature/catalogue raisonne: cf. Feldman/Schellmann II.340. Image size: 7 x 5 9/16 in. (178 x 141 mm). Very scarce, and rare signed. Issued to promote the portfolio "Reigning Queens" published by George Mulder, Amsterdam. The portfolio consists of 16 separate images of each of four reigning queens: Queen Elizabeth II, Queen Beatrix, Queen Margrethe II, and Queen Ntombi Twala, all printed by Rupert Jasen Smith, New York. Apparently there were very small quantities of this lithograph printed for distribution at the opening night reception and they went quickly. The reception was held in the late afternoon of September 20th, 1985 at Castelli Uptown and the exhibition ran from September 21st to October 12th. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28662-1-500]
![Keith Haring (American, 1958 - 1990). "Naples Suite #30 [untitled]". Lithograph. 1983. Printed 1989. Signed by Haring in silv](https://cdn.globalauctionplatform.com/8421e298-eae2-4f79-a9f0-a9bc016998e8/45242d3f-e1e9-4a5a-9b06-aac700569def/468x382.jpg)
Keith Haring (American, 1958 - 1990). "Naples Suite #30 [untitled]". Lithograph. 1983. Printed 1989. Signed by Haring in silver marker; signed, dated, and titled in the plate. A proof (?) from the edition. Light cream smooth wove paper. The full sheet. Fine impression. Very good to fine condition; slight edge toning; affixed to very thin and supple archival acid-free support sheet, not mount/board. Overall size: 12 5/8 x 9 5/16 in. (321 x 237 mm). Scarce. No auction records of a signed impression located. A print from the group of 30 lithographs published on the occasion of the exhibition “Keith Haring 1983” which ran from January 15th to January 30th, 1990 in Paris at La Galerie de Poche/Galerie 1900-2000. This was the last Haring exhibition held in his lifetime. He signed this print shortly before his death on February 16, 1990. Image copyright © The Keith Haring Foundation. [29759-2-400]
![Keith Haring (American, 1958 - 1990). "Naples Suite #26 [untitled]". Lithograph. 1983. Printed 1989. Signed by Haring in silv](https://cdn.globalauctionplatform.com/8421e298-eae2-4f79-a9f0-a9bc016998e8/f0ea8688-e09d-4154-bd3c-aac70056a0f4/468x382.jpg)
Keith Haring (American, 1958 - 1990). "Naples Suite #26 [untitled]". Lithograph. 1983. Printed 1989. Signed by Haring in silver marker; signed, dated, and titled in the plate. A proof (?) from the edition. Light cream smooth wove paper. The full sheet. Fine impression. Very good to fine condition; slight edge toning; affixed to very thin and supple archival acid-free support sheet, not mount/board. Overall size: 12 5/8 x 9 5/16 in. (321 x 237 mm). Scarce. No auction records of a signed impression located. A print from the group of 30 lithographs published on the occasion of the exhibition “Keith Haring 1983” which ran from January 15th to January 30th, 1990 in Paris at La Galerie de Poche/Galerie 1900-2000. This was the last Haring exhibition held in his lifetime. He signed this print shortly before his death on February 16, 1990. Image copyright © The Keith Haring Foundation. [29755-2-400]
Matt Groening (American, b.1954). "Maggie, Marge, Lisa, and Bart Simpson". Original marker drawing on paper. c2007. Signed lower right. Drawn on light cream wove paper. Very good condition. Overall size: 6 1/4 x 8 1/4 in. (159 x 210 mm). Matthew Abram "Matt" Groening is an American cartoonist, screenwriter, producer, animator, author, musician, and voice actor. In addition to “The Simpsons” he is the creator of the comic strip “Life in Hell” (1977–2012) as well as two successful television series, “The Simpsons” (1989–present) and “Futurama” (1999–2003, 2008–2013). Image copyright © Matt Groening. [29846-1-600]
Andy Warhol (American, 1928 - 1987). "California Condor". Color offset lithograph. 1986. Signed in black marker, right center. Very light cream wove paper. The full sheet. Fine impression. Very good to fine condition. Literature/catalogue raisonne: Feldman/Schellmann IIIB.51.11. Overall size: 10 7/16 x 10 5/16 in. (265 x 262 mm). A proof from the lithograph edition of unknown size published in October of 1986, which was based on the "Vanishing Animals" silkscreen series of the same year. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28572-2-300]
![Jean-Michel Basquiat (American, 1960-1988). "To Repel Ghosts [1986] [print]". Color offset lithograph. 1986. Printed 1986. Si](https://cdn.globalauctionplatform.com/8421e298-eae2-4f79-a9f0-a9bc016998e8/bbb8b2d3-461b-43bd-a524-aac700557407/468x382.jpg)
Jean-Michel Basquiat (American, 1960-1988). "To Repel Ghosts [1986] [print]". Color offset lithograph. 1986. Printed 1986. Signed in black marker, lower right. Edition unknown, presumed very small. Very light cream wove paper. Wide margins. Fine impression. Fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Overall size: 8 1/16 x 7 5/8 in. (205 x 194 mm). Scarce, rare signed, and seldom seen. No auction records located. Issued for the opening night exhibition of "Jean-Michel Basquiat" at the Kestner-Gesellschaft, Hannover, Germany (the exhibition ran from November 28th 1986 to January 25th 1987). Apparently there were very small quantities of this lithograph printed for distribution at the event and they went quickly. Published by the Kestner-Gesellschaft and printed in Hannover by Frenzel & Heinrichs. Image copyright © The Estate of Jean-Michel Basquiat/ADAGP, Paris; ARS, New York. [29072-1-600]
Jean-Michel Basquiat (American, 1960-1988). "John Lurie". Color offset lithograph. 1982. Printed 1987. Signed in black marker, lower right. Edition unknown, presumed very small. Very light cream wove paper. Wide margins. Fine impression. Fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Overall size: 8 3/8 x 6 1/16 in. (213 x 154 mm). Scarce, rare signed, and seldom seen. No auction records located. Issued for the opening night exhibition of "Jean-Michel Basquiat" at the PS Gallery, Tokyo, Japan (the exhibition ran from October 8th to December 4th, 1987). Apparently there were very small quantities of this lithograph printed for distribution at the event and they went quickly. Published by the PS Gallery. Image copyright © The Estate of Jean-Michel Basquiat/ADAGP, Paris; ARS, New York. [29224-1-600]
Andy Warhol (American, 1928 - 1987). "Puerto Rican Parrot". Color offset lithograph. 1986. Signed in black marker, center right. Very light cream wove paper. The full sheet. Fine impression. Very good to fine condition. Literature/catalogue raisonne: Feldman/Schellmann IIIB.51.95. Overall size: 10 7/16 x 10 1/4 in. (265 x 260 mm). A proof from the lithograph edition of unknown size published in October of 1986, which was based on the "Vanishing Animals" silkscreen series of the same year. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28569-2-400]
![Andy Warhol (American, 1928 - 1987). "Uncle Sam [announcement]". Color offset lithograph. 1981. Signed in black marker, right](https://cdn.globalauctionplatform.com/8421e298-eae2-4f79-a9f0-a9bc016998e8/d1b462f1-a247-47af-bb3e-aac70055559f/468x382.jpg)
Andy Warhol (American, 1928 - 1987). "Uncle Sam [announcement]". Color offset lithograph. 1981. Signed in black marker, right center. Edition unknown, presumed small (250?). Light cream wove paper. Printed to the edge of the sheet. Fine impression. Fine condition. Literature/catalogue raisonne: Paul Marechal, “Andy Warhol Ephemera…Catalogue Raisonne, 1950-1987.” Lyon, France: Les amis du Musee de l’Imprimerie, 2018, Section 8c, no. 36(g); cf. Feldman/Schellmann II.259. Overall size: 6 7/8 x 6 7/8 in. (175 x 175 mm). Image size: 6 7/8 x 6 7/8 in. (175 x 175 mm). This "mini portfolio" card announcement is based on a photograph of James Mahoney by Warhol, with make-up and costume by Jac Colello. The image was issued as one of the silkscreens in Warhol's famous 'Myths' portfolio, one of his most sought after collections. Our example is one of the set of 10 announcements included in a purple portfolio wrapper with a separate card containing information about the series (folder and information card not part of lot). Published by Ronald Feldman Fine Arts, Inc., New York City. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28482-1-600]
![Josef Albers (German/American, 1888 - 1976). "Occupied [variant]: Homage to the Square [miniature edition]". Original color s](https://cdn.globalauctionplatform.com/8421e298-eae2-4f79-a9f0-a9bc016998e8/4e1c2679-7d85-48e8-8836-aac700567493/468x382.jpg)
Josef Albers (German/American, 1888 - 1976). "Occupied [variant]: Homage to the Square [miniature edition]". Original color silkscreen. 1962. Printed 1965. Signed in pencil with the initial and dated on the print, lower right. Probably a PP or TP from the miniature edition of unknown size, presumed small. Very light cream wove paper. Ample margins. Fine impression. Fine condition. Provenance: Private collection, New Canaan, Connecticut, acquired directly from Sewell Sillman of Ives-Sillman, the firm who printed/published many Albers editions. Overall size: 4 3/4 x 4 3/4 in. (121 x 121 mm). An authentic silkscreen, hand-printed with the approval of Josef Albers. Printed by Wyss & Hunter, Affoltern am Albis, Zurich, Switzerland, for the Gimpel & Hanover Galerie, Zurich. NB: according to “Gordon’s” the most recent sale of a “mini-Albers” is a set of two miniature screenprints (unsigned) which sold for $1,875 at Swann Auction Galleries, New York City, May 16, 2019, lot #111. Image copyright © The Josef and Anni Albers Foundation - Artists Rights Society (ARS), New York. [29431-1-300]
![Keith Haring (American, 1958 - 1990). "Five Eyes [Untitled 1985]". Color offset lithograph. 1985. Printed 1985. Signed by Har](https://cdn.globalauctionplatform.com/8421e298-eae2-4f79-a9f0-a9bc016998e8/13b8dc4a-a9f3-407c-86e9-aac70109272f/468x382.jpg)
Keith Haring (American, 1958 - 1990). "Five Eyes [Untitled 1985]". Color offset lithograph. 1985. Printed 1985. Signed by Haring in black marker, lower right. Edition unknown, presumed very small. Light cream wove paper. Ample margins. Fine impression. Fine condition. Overall size: 6 3/8 x 7 3/4 in. (162 x 197 mm). Rare. No auction records located. Issued to promote the “Keith Haring: Peintures, Sculptures, et Dessins” exhibition at the capc Musee d’art contemporain, Bordeaux, France. Apparently there were very small quantities of this lithograph printed for distribution at the opening night reception and they went quickly. The exhibition ran from December 15th 1985 to February 23, 1986. Printed by l’Imprimerie Union, Paris. Image copyright © The Keith Haring Foundation. [29211-1-800]
![Andy Warhol (American, 1928 - 1987). "16 Jackies [museum notecard]". Color offset lithograph. 1964. Printed c1980. Signed in](https://cdn.globalauctionplatform.com/8421e298-eae2-4f79-a9f0-a9bc016998e8/bc4b641a-437c-492c-a527-aac7010b55fd/468x382.jpg)
Andy Warhol (American, 1928 - 1987). "16 Jackies [museum notecard]". Color offset lithograph. 1964. Printed c1980. Signed in black marker, lower center. Edition unknown, presumed small. Light cream wove paper. Full margins. Very good impression. Very good condition. Overall size: 7 x 5 in. (178 x 127 mm). The original acrylic and silkscreen enamel on canvas was composed by Warhol in 1964 and is in the collection of the Walker Art Center, Minneapolis. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [29275-1-400]
Jean-Michel Basquiat (American, 1960-1988). "Pork". Color offset lithograph. 1981. Printed 1987. Signed in black marker, lower margin. Edition unknown, presumed very small. Very light cream smooth wove paper. Ample margins. Fine impression. Fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Overall size: 9 13/16 x 4 in. (249 x 102 mm). Scarce, rare signed, and seldom seen. No auction records located. Issued for the opening night exhibition of "Jean-Michel Basquiat" at the PS Gallery, Tokyo, Japan (the exhibition ran from October 8th to December 4th, 1987). Apparently there were very small quantities of this lithograph printed for distribution at the event and they went quickly. Published by the PS Gallery. Image copyright © The Estate of Jean-Michel Basquiat/ADAGP, Paris; ARS, New York. [29488-1-800]
Jean-Michel Basquiat (American, 1960-1988). "Cadillac Moon". Color offset lithograph. 1981. Printed 1986. Signed in black marker, lower right; signed and dated in the plate, lower right; signed SAMO, lower left. Edition unknown, presumed very small. Very light cream wove paper. Wide margins. Fine impression. Fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Overall size: 8 1/16 x 7 5/8 in. (205 x 194 mm). Scarce, rare signed, and seldom seen. No auction records located. Issued for the opening night exhibition of "Jean-Michel Basquiat" at the Kestner-Gesellschaft, Hannover, Germany (the exhibition ran from November 28th 1986 to January 25th 1987). Apparently there were very small quantities of this lithograph printed for distribution at the event and they went quickly. Published by the Kestner-Gesellschaft and printed in Hannover by Frenzel & Heinrichs. Image copyright © The Estate of Jean-Michel Basquiat/ADAGP, Paris; ARS, New York. [29054-1-600]
Jean-Michel Basquiat (American, 1960-1988). "Jazz". Color offset lithograph. 1986. Printed 1987. Signed in black marker, lower right. Edition unknown, presumed very small. Very light cream wove paper. Wide margins. Fine impression. Fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Overall size: 10 5/8 x 8 1/2 in. (270 x 216 mm). Scarce, rare signed, and seldom seen. No auction records located. Issued for the opening night exhibition of "Jean-Michel Basquiat: New Works" at the Akira Ikeda Gallery, Tokyo, Japan (the exhibition ran from February 7th to the 28th, 1987). Apparently there were very small quantities of this lithograph printed for distribution at the event and they went quickly. Published by the Akira Ikeda Gallery and printed by the Takada Printing Co. Image copyright © The Estate of Jean-Michel Basquiat/ADAGP, Paris; ARS, New York. [29083-2-800]
![Roy Lichtenstein (American, 1923-1997). "Cup and Saucer II [medium version]". Color offset lithograph. 1977. Printed 1989. Si](https://cdn.globalauctionplatform.com/8421e298-eae2-4f79-a9f0-a9bc016998e8/6c2573a7-3d90-48aa-ae53-aac701096da3/468x382.jpg)
Roy Lichtenstein (American, 1923-1997). "Cup and Saucer II [medium version]". Color offset lithograph. 1977. Printed 1989. Signed in pencil, lower right. Edition c1,000. Heavy, smooth, light cream wove paper. Full margins. Fine impression. Fine contition. Literature/catalogue raisonne: Unknown to Doering/Von der Osten. Overall size: 38 3/8 x 25 1/2 in. (975 x 648 mm). A scarce poster. ‘Gordon’s Art Reference’ lists only two sales in this size. According to ‘Gordon’s’ the last sale of a signed impression was $500 at Treadway Toomey Auctions (20th Century Art & Design), 03/08/14, lot #759. For the exhibition ‘Roy Lichtenstein: Bronze Sculpture 1976-1989’ at the Sixty-Five Thompson Street gallery, New York City, held May 19 to July 1, 1989. Image copyright © Estate of Roy Lichtenstein. [28954-6-225]
Andy Warhol (American, 1928 - 1987). "Knives #04". Color offset lithograph. Printed 1982. Signed in white marker, center right. Edition unknown, presumed very small. Light cream wove smooth coated paper. The full sheet. Fine impression. Very good condition. Literature/catalogue raisonne: cf. Feldman/Schellmann IIIA.32. Overall size: 7 7/8 x 5 11/16 in. (200 x 144 mm). Rare. No auction records located. Issued to promote the 'Andy Warhol: Guns, Knives, Crosses' exhibition at the Galeria Fernando Vijande, Madrid, Spain. The show consisted of dozens of separate images of Warhol's renditions of guns, knives, and crosses. Apparently there were very small quantities of this lithograph printed for distribution at the opening night reception and they went fast. The reception was held on December 19th and the exhibition ran from December 20th, 1982 to February 12, 1983. Printed by Grafex, Madrid. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28854-1-400]
Jean-Michel Basquiat (American, 1960-1988). "Brown Jaw". Color offset lithograph. 1986. Printed 1986. Signed in black marker, lower right. Edition unknown, presumed very small. Very light cream wove paper. Wide margins. Fine impression. Fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Overall size: 8 1/16 x 6 7/16 in. (205 x 164 mm). Scarce, rare signed, and seldom seen. No auction records located. Issued for the opening night exhibition of "Jean-Michel Basquiat" at the Kestner-Gesellschaft, Hannover, Germany (the exhibition ran from November 28th 1986 to January 25th 1987). Apparently there were very small quantities of this lithograph printed for distribution at the event and they went quickly. Published by the Kestner-Gesellschaft and printed in Hannover by Frenzel & Heinrichs. Image copyright © The Estate of Jean-Michel Basquiat/ADAGP, Paris; ARS, New York. [29073-1-800]
Jean-Michel Basquiat (American, 1960-1988). "Self-Portrait with Suzanne". Color offset lithograph. 1982. Printed 1984. Signed in black marker, lower right. Edition unknown, presumed very small. Very light cream wove paper. Wide margins. Fine impression. Very good condition. Overall size: 8 3/4 x 6 11/16 in. (222 x 170 mm). Scarce, rare signed, and seldom seen. No auction records located. Issued for the opening night exhibition of "Jean Michel Basquiat – Paintings, 1981-1984" at the Fruitmarket Gallery, Edinburgh, Scotland (the exhibition ran from August 11th to September 23rd, 1984). Apparently there were very small quantities of this lithograph printed for distribution at the event and they went quickly. Published by The Fruitmarket Gallery. Printed in the Netherlands by Lecturis bv. Image copyright © The Estate of Jean-Michel Basquiat/ADAGP, Paris; ARS, New York. [28982-1-800]
![Andy Warhol [d'apres] (American, 1928 - 1987). "One Blue Pussy". Color lithograph. Printed c1986?. Bears signature in black m](https://cdn.globalauctionplatform.com/8421e298-eae2-4f79-a9f0-a9bc016998e8/39e3efcf-9cb8-48f1-ae70-aac700566935/468x382.jpg)
Andy Warhol [d'apres] (American, 1928 - 1987). "One Blue Pussy". Color lithograph. Printed c1986?. Bears signature in black marker, lower left; signed in the plate, lower right. Light cream wove paper. The full sheet. Fine impression. Very good to fine condition. Literature/catalogue raisonne: cf. Feldman/Schellmann IV.68A. Overall size: 17 1/4 x 14 1/4 in. (438 x 362 mm). Image size: 8 5/8 x 7 1/8 in. (219 x 181 mm). Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28714-3-600]
Leonard Tsuguharu Foujita (Japanese/French, 1886 - 1968). "Mere chat et chaton". Pencil drawing on paper. 1930s. Signed in pencil, upper left. Light cream wove paper. Very good condition; a few scattered fox marks; very minor creasing. Overall size: 8 1/2 x 12 1/2 in. (216 x 317 mm). Foujita, born in Tokyo, Japan, applied Japanese ink techniques to Western style paintings. His portraits of cats are especially well known. Image copyright © Artists Rights Society (ARS), New York. [28652-2-2400]
Keith Haring (American, 1958 - 1990). "Fertility Suite #2". Original offset lithograph. 1983. Printed 1983. Signed by Haring in black marker. Edition c200. Light cream smooth stiff wove paper. The full sheet. Fine impression. Fine condition. Literature/catalogue raisonne: Littmann 32a. Overall size: 4 3/4 x 5 3/8 in. (121 x 137 mm). A very rare and highly sought after item, especially since the set of five regular edition screenprints fetched $161,000 at Christie's, New York, 10/23/2014, lot #252. “Gordon’s” does not locate any of the individual cards from the miniature suite at auction, from 1985 to the present. Image copyright © The Keith Haring Foundation. [29789-1-500]
![Keith Haring (American, 1958 - 1990). "Naples Suite #29 [untitled]". Lithograph. 1983. Printed 1989. Signed by Haring in silv](https://cdn.globalauctionplatform.com/8421e298-eae2-4f79-a9f0-a9bc016998e8/e6d748c5-1dfd-4b75-bafc-aac700569f12/468x382.jpg)
Keith Haring (American, 1958 - 1990). "Naples Suite #29 [untitled]". Lithograph. 1983. Printed 1989. Signed by Haring in silver marker; signed, dated, and titled in the plate. A proof (?) from the edition. Light cream smooth wove paper. The full sheet. Fine impression. Very good to fine condition; slight edge toning; affixed to very thin and supple archival acid-free support sheet, not mount/board. Overall size: 12 5/8 x 9 5/16 in. (321 x 237 mm). Scarce. No auction records of a signed impression located. A print from the group of 30 lithographs published on the occasion of the exhibition “Keith Haring 1983” which ran from January 15th to January 30th, 1990 in Paris at La Galerie de Poche/Galerie 1900-2000. This was the last Haring exhibition held in his lifetime. He signed this print shortly before his death on February 16, 1990. Image copyright © The Keith Haring Foundation. [29758-2-400]
Norman Rockwell (American, 1894 - 1978). "The Voyager". Original color collotype. Printed 1976. Signed in pencil, lower right. Light cream wove paper. The full sheet. Fine impression. Very good to fine condition. Overall size: 31 5/8 x 24 in. (803 x 610 mm). Norman Percevel Rockwell was a 20th-century American painter and illustrator. His works enjoy a broad popular appeal in the United States for their reflection of American culture. Rockwell is most famous for the cover illustrations of everyday life scenarios he created for "The Saturday Evening Post" magazine for more than four decades. Printed by Triton Press; published and distributed by Eleanor Ettinger Inc. Image copyright © The Norman Rockwell Estate / © SEPS: Licensed by Curtis Publishing, Indianapolis, Indiana. [28897-6-600]
Giacomo Balla (Italian, 1871-1958). "Vortice Futurista Blu II". Original color pencil drawing. c1914. Signed in pencil, lower right. Cream laid watermarked paper. Very good condition. Provenance: Estate of a private collector, Rome. Overall size: 5 3/4 x 9 in. (146 x 229 mm). Image size: 5 1/4 x 8 1/4 in. (133 x 210 mm). Balla was a highly important and accomplished artist. In his early 30's he taught Divisionist techniques to Umberto Boccioni and Gino Severini. Influenced by Filippo Tommaso Marinetti, Balla adopted the Futurism style, creating a pictorial depiction of light, movement, and speed. He was signatory to the Futurist Manifesto in 1910, and began designing and painting Futurist furniture, also creating Futurist "anti-neutral" clothing. Image copyright © The Estate of Giacomo Balla. [26504-1-3000]
Ca. 1100 AD. Interesting Medieval Islamic Seljuk glazed tile. Rectangular shape panel, light blue glazing; Islamic caligraphy. Overall good condition; Repaired; Size: 270x145mm;10.63x 5.71in; 630gr; Provenance: Important estate collection from Oxfordshire; formed in the 1970s-2000; All Items sold by Pax Romana Auctions come with a professional Certificate of Authenticity
Ca.1200 AD. Very Rare wearable Crusaders Silver Ring, compromising a circular shaped bezel with "eye of providence" motif. The Eye of Providence is a symbol which takes his origin from the Christian iconography, showing an eye often surrounded by rays of light and usually enclosed by a triangle. It represents the eye of God watching over humanity. Such rings were often worn by the Knights Templar guild; part of glass inlay still present; Fine Condition; Inner diameter: 20mm; outer diameter: 22mm ring size UK V; US 10 7.5gr; Provenance: Private London collection, formed in the 1990s on the UK and European art market. All Items sold by Pax Romana Auctions come with professional Certificate of Authenticity.
CA. 200 – 400 AD. Rare Roman Legionary sword of Spatha type.; broad parallel-sided spatha with convergent tip; rectangular-section tang at the shoulder developing to square-section at the upper end. Expertly cleaned and conserved to Museum quality. Size: 840mm; 590 grams. The Roman spatha was used in war and in gladiatorial fights. The spatha of literature appears in the Roman Empire in the 1st century AD as a weapon used by presumably Germanic auxiliaries and gradually became a standard heavy infantry weapon from the late 2nd Century onwards, relegating the gladius to use as a light infantryweapon. The spatha apparently replaced the gladius in the front ranks, giving the infantry more reach when thrusting. While the infantry version had a long point, versions carried by the cavalry had a rounded tip that prevented accidental stabbing of the cavalryman's own foot or horse.Good Condition; Size: 900mm; 35.43in;800gr; Provenance: From a London private collection, acquired on the UK art market in the 1980s. All Items sold by Pax Romana Auctions come with a professional Certificate of Authenticity .
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