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Lot 503
An 800. grade white metal dish, of oval form having ornate pierced sides comprising embossed baskets of flowers, diaper section, floral swags and scrolls with cherubs to the centre, 20.5cm L, 138g Condition report: Some splits/breaks to the rim with some small cracks where future breaks may occur. Does not take away from the overall appearance. Some general surface wear and light scratches in places
Lot 446
David ANDREW (1934) Remembrance of things past Limited edition print 9/20 Signed, titled, numbered and dated '75 71.5cm x 58.5cm Postage is available on this lot from £42.50 to a UK address. internationally renowned artist, represented by Messums, David Andrew received enormous encouragement from the august Ben Nicholson during his lifetime. He was born in Redruth, and initially trained at the Falmouth School of Art and later at the Slade in London in 1958/59. During this period, he drew inspiration from artists like Ben Nicholson and Piet Mondrian and delved into the psychology of perception. He had his own personal connection with Nicholson; although Nicholson was not associated with Falmouth School of Art but, he became David's most important mentor, mainly during his fourth year at Falmouth, and his first year at the Slade. This good fortune came about when he sent Nicholson a copy of an essay which he had entered for a competition on 20th Century Painting, - in which David had referred to Nicholson. Ben invited David to his house, and with the brio of youth, he asked if he might bring a painting of his own along to show him. Nicholson, once shown David's work, talked obliquely around painting, making associations with expressive hand movements, influencing him more by enthusiasm for the “feeling” he valued in paintings, than by any facts or theories attaching to them. David found Nicolson’s energy and enthusiasm were as inspiring as his paintings, which stayed with him over the course of his lifetime. From time to time, Nicholson would drop David a card out of the blue, inviting him to come and see what he had been doing. He always asked for David's comments. He was never dismissive, whatever thoughts David happened to express about what he, Nicholson, was doing. He reciprocated with critical feedback on the paintings that David had lugged along with him on his motorbike. Following his student years, David taught at Bournemouth and Portsmouth Colleges of Art while spending summers painting in the vibrant Mediterranean light and along the coasts of the USA and Canada, using a converted recreational vehicle as a mobile studio. In 1971, he assumed a teaching position at Queen's University in Canada, where he served as Associate Professor until 1995. In 2004, David Andrew returned to Cornwall, where he continued his artistic pursuits in Mousehole. Internationally renowned, and represented by Messums, David received enormous encouragement from the august, Ben Nicholson during his lifetime. Born in Redruth, David Andrew initially trained at the Falmouth School of Art and later at the Slade School in London in 1958-59. During this period, he drew inspiration from artists like Nicholson and Piet Mondrian and delved into the psychology of perception, which is evident within his works. Indeed, he had his own personal connection with Nicholson; Nicholson was not associated with Falmouth School of Art but, none the less, he turned out to be David's most important mentor, mainly during his fourth year at Falmouth, and the first year at the Slade School, London. This good fortune came about when he sent Nicholson a copy of an essay which he had entered for a competition on 20th Century Painting, - in which Andrew had referred to Nicholson. Ben invited David to his house, and with the brio of youth, he asked if he might bring a painting of his own along to show him. Nicholson, once shown David's work, talked obliquely around painting, making associations with expressive hand movements, influencing him more by enthusiasm for the “feeling” he valued in paintings, than by any facts or theories attaching to them. His energy and enthusiasm were as inspiring as his paintings, which subsequently stayed with Andrew from then on. From time to time, Nicholson would drop David a card out of the blue, inviting him to come and see what he had been doing. Visits from then on were always made from Nicholson's invitation. He always asked for David's comments. He was never dismissive, whatever thoughts David happened to express about what he, Nicholson, was doing. He reciprocated by looking at the paintings that David had of course lugged along with him on his motorbike and reciprocated with critical feedback. Following his student years, he taught at Bournemouth and Portsmouth Colleges of Art while spending summers painting in the vibrant Mediterranean light and along the coasts of the USA and Canada, using a converted recreational vehicle as a mobile studio. In 1971, he assumed a teaching position at Queen's University in Canada, where he served as Associate Professor until 1995. In 2004, David Andrew returned to Cornwall, where he continued his artistic pursuits in Mousehole. This piece is in good condition overall, with some marks present to the frame.
Lot 471
Pre-Newlyn School Old Newlyn Harbour Oil on lined canvas, indistinct signature, inscribed Newlyn, further inscribed 'Penzance Exhibition 1875 catalogue no 74. HW' to verso, 36 x 61cm, framed 49 x 74cm Shipping is available from £32.50 to a UK Mainland address.This atmospheric work is in good condition with no paint-loss evident. Some light crazing to the paint and lines from the stretcher verso. Could benefit from a clean.
Lot 68
Margaret DEANS (1942) Exmoor Hawthorn Mixed media on canvas, signed verso with artist's label, 40cm x 50cm, 44cm x 54cm framed. Born in Brighton, Margaret Deans attended Hove County Grammar School and after training at Hastings School of Nursing became a registered nurse in 1964. Subsequently she qualified as a Nurse Tutor, and gained an MA in Curriculum Development at Sussex University. Deans moved to Cornwall in 1987, and now lives and works in the west of the county. In 2010 she completed a BA (Hons) with the Open University in Art History, having taken up painting in 2001. She acknowledges the influences of Howard Hodgkin, Patrick Heron, Matisse and Picasso. She believes it is the changing light that fuels her painting practice, primarily focussed on colour. For her the sense of the Cornish landscape is expressed in abstract shapes. Shipping is available from £32.50 to a UK Mainland address.
Lot 48
A Dazzling pair of fringed Trousers by Valentino. These Black trousers have a macrame fringed embellishment to the waist line extending to the hips. The trousers appear to be made of a light wool crepe. high waisted with a tapered cut the pants have an invisible side zipper and side pockets. All Measurements are approximate. Length from waist to hem 40", Waist 14". Artist: ValentinoIssued: c. 1980Dimensions: See DescriptionCountry of Origin: ItalyCondition: Condition very Gently wornProvenance: Fashion Collection of Evangeline Gouletas. Click to Learn More.
Lot 42
A BLUE AND WHITE PORCELAIN OVOID JAR Probably 19th century, decorated with a continuous scene of figures wading, picking lotus flowers in a pond, before a scholar in a boat, and a figure looking on from a pagoda, base with four character Yongzheng mark in underglaze blue 24cm high Provenance: Property from the collection of Yves Prunier Condition: Condition Report Some light scratching and wear to glaze in places, occasional staining, generally in good order. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration. Additional Information: Property of Pierre Prunier
Lot 73
A VIETNAMESE POLYCHROME BIRD DISH Circa 14th/15th century, circular dish decorated bird flying through clouds, overglaze red and green accents, lotus border to cavetto, lappet border to the exterior walls 34cm diameter Condition: There has been restoration and re-painting to a section of the rim edge and wall facing the back end of the bird and a restored crack running from this section of the wall through to the centre of the dish through the tip of the birds upper feather and the top of it's head. Some added re-touching to the decoration in places visible under UV light, crazing to the glaze, particularly on interior wall and general age related wear. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration. Additional Information: Property of Pierre Prunier
Lot 51
A GROUP OF THREE VIETNAMESE WHITE GLAZED JARS 13th-14th century, cylindrical jars in pale transparent celadon green glaze, carved lotus petal to shoulder, lug below, previously with covers but now absent. Notes: For a similar example with cover see; Southeast Asian Ceramics: New Light on Old Pottery, J. Miksic, Southeast Asian Ceramics Society, 2009, pg.125 17cm high, 19cm diameter Provenance: Property from the collection of Yves Prunier Condition: Condition Report There is significant damage and some repairs to all three examples, also the covers are missing. One is being held together by masking tape. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration. Additional Information: Property of Pierre Prunier
Lot 61
A VIETNAMESE BLUE MONOCHROME GLAZED DISH Circa 16th century, stoneware dish with raised lip, covered in a blue glaze apart from the rim and foot rim, base with brown wash Notes: For a jar with comparable glaze see Vietnamese Ceramics, A Separate Tradition, John Stevenson and John Guy, 1997, Fig.324, p.352 23.5cm diameter Provenance: Property from the collection of Yves Prunier Condition: Condition Report Occasional small glaze flaws throughout, a flat glaze chip to the exterior near the rim, small chips and fritting to foot rim, a firing hole to foot rim, general age related wear and light scratching This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration. Additional Information: Property of Pierre Prunier
Lot 34
IWC Schaffhausen Aquatimer Chronograph "Laureus", Ref. IW379507. Full Set 2019. Edelstahl, kautschukbeschichtet, einseitig drehbare Lünette, limitierte Auflage Nr. 107/1000 Stück. Automatic-Werk Kal. 89365, sehr gute Gangwerte (+7s/d, 283°). Dunkelblaues Zifferblatt mit Leuchtindizes und Datumsanzeige, Leuchtzeiger. Originales Kautschukband mit Stiftschließe in Edelstahl. Guter Zustand, leichte Gebrauchsspuren an Gehäuse und Armband. Original Box, Garantiekarte, Anleitung und Kaufrechnung aus 05/2022 von Watchgold und IWC-Reparaturbeleg aus 07/2022 anbei, Erstkauf 09/2019. Durchmesser ca. 45mm ohne Krone.| IWC Schaffhausen Aquatimer Chronograph "Laureus", ref. IW379507. Full set 2019. Stainless steel, rubber coated, unidrectional turnable bezel, limited edition no. 107/1000 pieces. Automatic movement cal. 89365, very good working order (+7s/d, 283°). Dark blue dial with luminous indices and date display, luminous hands. Original rubber strap with pin buckle in stainless steel. Good condition, light signs of wear on case and strap. Original box, warranty card, manual and purchase invoice from 05/2022 by Watchgold and IWC repair letter from 07/2022 enclosed, first purchase 09/2019. Diameter approx. 45mm without crown.
Lot 59
OMEGA Vintage Memomaster LCD Herrenuhr. Edelstahl. Quartz-Werk Kal. 1632 mit neuer Batterie in funktionsfähigem Zustand. LCD Zifferblatt mit Alarm, Timer und Datumsanzeige. Licht ohne Funktion. Original Omega Edelstahlband mit Schnellverstellung. Guter, altersgemäßer Zustand mit Gebrauchsspuren. Durchmesser ca. 35 mm ohne Krone. | OMEGA Vintage Memomaster LCD men´s wristwatch. Stainless steel. Quartz movement cal. 1632 with new battery in working condition. LCD dial with alarm, timer and date display. Light without function. Original Omega stainless steel bracelet with quick adjustment. Good, age-appropriate condition with signs of wear. Diameter approx. 35 mm without crown.
Lot 210
Artist: Kuniyoshi Utagawa (1798-1861) / Toyokuni III Utagawa (1786-1864) / Hiroshige I Utagawa (1797-1858)Title: 35. Goyu / Arai / SakanoshitaSeries: The Fifty-three Parallels for the Tokaido RoadPublisher: Ibaya Kyubei / Kojima-ya / Enshuya MatabeiDate: 1843-1846Size: 36 x 25 cm / 24.8 x 36.4 cm / 24.9 x 36.5 cmCondition: Slightly trimmed, binding holes on the left, paper residue on the left of the back. / Binding holes on the left side, vertical binding fold on the left, stains in the left corner, worn-out corners. / Binding holes on the right side, torn bottom left corner, minor spots, light soiling. / Binding holes on the right side, torn bottom left corner, minor spots, light soiling.Ref: JG0320CL01 / JG031951-9 / JG031951-10
Lot 211
Artist: Kuniyoshi Utagawa (1798-1861)Title: Chiryu / OdawaraSeries title: The Fifty-three Parallels for the Tokaido RoadPublisher: Ibaya Senzaburo / Enshuya MatabeiDate: 1843-1846 / 24.6 x 36.4 cmSize: 24.5 x 36.4 cmCondition: Binding holes on the left margin, light soiling, minor stains, some oxidised areas. / Binding holes on the right side, rubbed bottom right corner, light soiling, minor creases.Ref: JG031951-16 / JG031951-20
Lot 224
Artist: Yoshiiku Utagawa (1833-1904) / Toyokuni III Utagawa (1786-1865)Title: Igagoe Dochu Sugoroku / Kanadehon Chushingura Act.12Publisher: Ebiya Rinnosuke / Yamamotoya HeikichiDate: 1863 / 1860Size: (R) 37.2 x 25.3 (C) 37.3 x 25.2 (L) 37.0 x 25.2 cm / (L)35.7 x 25.0 (C)35.7 x 24.9 (R)35.6 x 24.8 cmCondition:Centre folds, some minor spots on the top margins, pinholes, light stain on the right panel. / Restored worn-out corners, minor spots, light creases, a backed tear along the left edge on the centre panel.Ref: JG051708B-273 / JG051708B-107
Lot 44
Artist: Kunichika Toyohara (1835 - 1900)Title: Kabuki actor Ichimura Kakitsu IV / Kabuki actor Sawamura Tanosuke IIISeries: Edo no Hana Isami Zoroi (Flowers of Edo, A Series of Chivalrous Men)Publisher: Shimizuya NaojiroDate: 1865Size: 35.6 x 24.0 cm / 35.5 x 24.0 cmCondition:Paper residue on the back. Light stains and wear. Some thin areas. / Light wear on the edges. Light stains and paper residue on the back. Pinhole on top right corner.Ref: JG111735-1 / JG111735-4
Lot 214
Artist: Toyokuni III Utagawa (1786-1865)Title: Kabuki actors, Nakamura Fukusuke I and Otani Yuemon IV / Kabuki actors, Bando Shuka I and Nakamura Fukusuke I as Narukami and Kumo no Taemanosuke / Actors Nakamura Utaemon IV and Ichikawa Ebizo V as Hajibei and Sukune TaroSeries: The Seven Variations of the IrohaPublisher: Daikokuya Heikichi / Yamaguchiya Tobei / Ebisuya ShoshichiDate: 1856 / c. 1856 / c. 1856Size: 25.1 x 36 cm / 36.5 x 23.7 cm / 36.4 x 23.7 cmCondition:Some soiling and wear on the margins. Light stains and creases. / Trimmed, paper residue on the back, minor creases. / Trimmed, worn out on top and bottom, pinhole.Ref: JG111626-7 / JG031937-36 / JG031937-54
Lot 122
Artist: Shosai Ikkei (act. 1870s) / Hiroshige II Utagawa (1826-1869) / Toyokuni III Utagawa (1786-1865) / Hiroshige II Utagawa (1826-1869)Title: 31. Kudanzaka / Suiten Shrine at Akabane / The Miracles of Kannon: West Route No.13 Temple Ishiyama / Ryoben SoujoSeries title: Thirty-six Views of Tokyo / Forty-eight Famous Views of EdoPublisher: Tsutaya Kichizo / Tsutaya Kichizo / Yamada ShojiroDate: 1871 / c. 1860 / 1858Size: 24.2 x 17.8 cm / 18.6 x 25.2 cm / 34.8 x 24.8 cmCondition: Vertical centrefold, light soiling and pigment stains, covered wormholes. / Slightly trimmed. Smudged blue pigment at the top. Slight misregistration. / Trimmed, fold, additional margin on right side.Ref: JG031936-26 / JG0719MU11-35 / JG031946-6
Lot 117
Artist: Chikanobu Yoshu (1838-1912)Title: Noble Ladies' Attendance at the Kanda Festival / Boat ExcursionSeries:Court Ladies of the Chiyoda Palace / The Inner Palace of ChiyodaPublisher: Fukuda HatsujiroDate: 1895 / 1894-1897Size: (R) 24.1 x 35.2 cm (C) 23.5 x 35.2 cm (L) 24 x 35.3 cm / (R)24.9 x 35.3 (C)23.6 x 35.3 (L)25.6 x 35.4 cmCondition:Minor stains, fold marks on the edges. / Light water stain. Fold marks and creases along the edges. Minor spots.Ref: JG111799-18 / JG1019TV01-7
Lot 49
Artist: Utagawa Kunisada (Toyokuni III) (1786-1865)Title: Pine. Actors Ichikawa Ichizo III as Nozarashi Gosuke, Comparable to Shi Jin, the Nine Dragoned (right); Nakamura Fukusuke I as Asahina Tobei, Comparable to Lu Zhishen, the Tattooed Priest (centre); and Kawarazaki Gonjuro I as Ude no Kisaburo, Comparable to Wu Song, the AsceticSeries: A Contemporary Water Margin - Pine, Bamboo, and PlumPublisher: RinshoDate: 1858Size: (R) 24.4 x 36 (C) 24.6 x 36.1 (L) 24.5 x 36.1 cmCondition:Very light spots on the white areas. Minor paper residue on the back.Ref: JG011921-2
Lot 46
Artist: Kuniyoshi Utagawa (1797-1861)Title: No 108 / No 72 / No 36Series: 108 Heroes of the SuikodenPublisher: Daikokuya HeikichiDate: 1844 / 1830 - 1831 / 1830 - 1831Size: 37.3 x 25.1 cm 37.2 x 25.1 cm / 37.2 x 25.0 cmCondition:Minor soiling and spots. Light wear on the edges. Horizontal fold mark. Restored pinhole. / Horizontal fold mark. Some wear on the margins. Minor holes that have been restored. Slight misregistration. / Horizontal fold mark. Slightly trimmed. Minor holes that have been restored. Slight misregistration.Ref: JG011710-11 / JG011710-3 / JG011710-2
Lot 21
Artist: Hiroshige I Utagawa (1797 - 1858) / Kuniyoshi Utagawa (1798 - 1861)Title: 8. Hiratsuka. Inage Saburo Shigenari / 30. Hamamatsu. Taira no ShigemoriSeries: Fifty-three Parallels for the Tokaido RoadPublisher: Iseya Ichibei / Enshuya MatabeiDate: c. 1845Size: 24.5 x 36.4 cm / 24.6 x 36.5 cmCondition:Binding holes on the left. Soiling throughout. A crease on the right. Some wear on the corners. / Binding holes on the left. Some wear on the margins and discolouration at the bottom. Light soiling throughout.Ref: JG031951-38 / JG031951-50
Lot 161
Artist: Elizabeth Keith (1887-1956)Title: Street Scene, Soochow in KiangsuPublisher: Watanabe ShozaburoDate: 1924Size: 39.5 x 27.4 cmOriginal pencil signature.Condition:Minor creases and stains, light discolouration on the margins, pinhole at the top. Original pencil signature.Ref: JG1116CH01-2
Lot 70
Artist: Chikashige Morikawa (Active in 1869-1880s) / Kunichika Toyohara (1835-1900)Title: Konoma no Hoshi Hakone no Shikabue / Kabuki play, Fuji to Mimasu Suehiro SogaPublisher: Fukuda Kumajiro / YorozuyaDate: 1880 / 1866Size: (L)35.7 x 23.1 (C)36 x 24.6 (R)36.1 x 24.5 cm / (L)34.8 x 24 (C)34.7 x 24 (R)34.8 x 24 cmCondition:Hole restored on left panel, paper residue on the back, slight wear and soiling, vertical creases on each panel, colour partly oxidised. / Light wear and soiling, paper residue on the back, paper losses on the corners.Ref: JG051708B-301 / JG031927-69
Lot 207
Artist: Kuniyoshi Utagawa (1797-1861)Title: Kisen Hoshi / SemimaruSeries title: One Hundred Poems by One Hundred PoetsPublisher: EbineDate: 1840-1842Size: 37.2 x 25.7 cm / 36.2 x 24.5 cmProvenance: B.W. Robinson CollectionCondition: Holes on top, wear and soiling, brown stains on top right. / Trimmed, wear and soiling, pinholes and light tears.Ref: Kuniyoshi_RW_6 / Kuniyoshi_RW_7
Lot 139
Artist: Hiroshige Ando (1797-1858)Title: Waterfall Beach in Noto ProvinceSeries title: Famous Views of the Sixty-odd ProvincesPublisher: Koshimuraya HeisukeDate: 1856-1858Size: 36.1 x 23.4 cmCondition:Slightly trimmed, light wear and soiling, light tears on the right, paper residue on the back.Ref: Hiroshige 21
Lot 235
Artist: Kunichika Toyohara (1835-1900)Title: Kabuki Actors Iroha Tatoe / Kabuki play, Uraomote Yanagi no Uchiwa-ePublisher: Masuda-ya / Horinoya TasukeDate: 1867 / 1875Size: (L) 34.7 x 23.8 (C) 34.7 x 23.8 (R)34.7 x 24 cm / (L)35.8 x 24.3 (C)35.8 x 24.2 (R)35.8 x 25.3 cmCondition:Paper residue on the back, light wear, horizontal creases, paper loss and thin area restored. / Paper residue on the back, light soiling, pinhole.Ref: JG011926-13 / JG111735-8
Lot 58
Artist: Kunichika Toyohara (1835-1900)Title: Natsumatsuri Naniwa Kagami (A Mirror of Osaka, Summer Festival)Publisher: Okura ShirobeiDate: 1883Size: (L) 35.5 x 25.3 (C) 35.4 x 25.3 (R) 35.3 x 25.3 cmCondition:Some wear and light stains on the margins. Minor glue spots. Binding holes.Ref: JG091905-1
![Artist: Utagawa Kunisada III (1848-1920) [signed as Hosai] / Kochoro (Active in Meiji)Title: Akechi Samanosuke, a New Kabuki](https://cdn.globalauctionplatform.com/49d4ab91-ecd6-4138-b349-b2100118310f/fd47c7fd-6507-42ff-89ab-b21100c50ab2/468x382.jpg)
Lot 225
Artist: Utagawa Kunisada III (1848-1920) [signed as Hosai] / Kochoro (Active in Meiji)Title: Akechi Samanosuke, a New Kabuki Play at the Meiji Theatre / Suitengu Megumi no FukagawaPublisher: Ishijima Yae / Fukuda KumajiroDate: 1896 / 1891Dimensions: (L) 24.9 x 36.9 (C) 24.9 x 37 (R) 24.9 x 36.8 cm / (R) 34.9 x 24.7, (C) 34.8 x 25.1 x 34.9 x 25.0 cmCondition: Pinhole. Minor creases. / Trimmed, vertical binding folds, light soiling, a small loss on the bottom right on the centre panel.Ref: JG1117111-2 / JG051708B-242
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