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Lot 1145
CHINESE BLUE AND WHITE VASE LAMP,20th century, decorated with panels of birds amongst floral blooms, 37cm high excluding fitmentOverall height including fixture 56.5cm, diameter of base 25cm; will need to be rewired, some light scratches and glaze inclusions and general imperfections but no major issues to noteThe wooden top and base are firmly attached so images of the rim and foot are unfortunately impossible; further images of body attached; the drilled hole is presumably to the base
Lot 1166
CHINESE COPPER-RED LANGYAO GLAZED BOTTLE VASE, KANGXI PERIOD, QING DYNASTY清康熙 郎窰紅釉觀音尊with flared rim to elongated neck, ovoid body and short foot, in rich copper-red crackle glaze with celadon tone to rim, interior and baseinscribed A 6789 to rim interior, paper label to interior issued by Guangzhou Antique Shop with code 1-644, bearing verification wax seal to body20.3cm highAll over crazing, mostly evident to the upper, lighter part of the vase. Uneven base rim with light nibbling to edge. Also light nibbling to upper rim.
Lot 1192
CHINESE BLUE AND WHITE OVOID VASE,decorated with scholars, 15cm high, and a group of further Asian ceramics including Japanese vases, small figure of Buddha and two Japanese dishes (8)Small Satsuma vase with chip to foot; blue and white vase with small chip to rim; Kutani cover finial has been off and reglued; Kutani vase with hairline to rim; circular plate with small glazed over flaw to rim; all with general surface wear and dirt including light scratches, rubbing to enamels, etc; additional images available
Lot 1201
PAIR OF JAPANESE SATSUMA MOONFLASKS,Meiji Period (1868-1912), later converted to lamps, decorated in enamels with butterflies amongst chrysanthemum blooms, with further gilt highlighted floral detail to necks and bases, both bearing old paper labels to bases but otherwise unmarked, 45.8cm high excluding fitments and shades (2)Both tightly crazed, one with underglaze firing crack to joint of neck and shoulder, some underglaze staining and glaze inclusions, wear to the tops where lamp fixtures have been applied, some light rubbing to decoration, no other visible issues to note
Lot 1263
TWO CHINESE PORCELAIN TEA BOWLS,the first enamelled with auspicious Buddhist emblems and bearing six character Qianlong mark to base, 6cm high, the second an early 20th century Straits example decorated with dragons chasing the Sacred Pearl against a yellow ground, bearing printed four character Qianlong mark to base (2)Buddhist bowl with small glazed chip to rim, glaze pitting and inclusions, light rubbing to detail, no other visible issues; dragon bowl with small chip to rim and several hairlines, some rubbing to enamels; additional images available
Lot 1305
CHINESE CLAIR-DE-LUNE GLAZED DOUBLE VASE,bearing Daoguang mark to base, 24.5cm high, together with a scalloped Japanese charger, 32cm diameter (2)Fritting to rims, small firing flaw and hairline to foot, further chips to foot base, small surface chip to lower body, surface pitting and further light general wear, additional images available
Lot 1313
PAIR OF JAPANESE BOWLS,decorated in the kakiemon palette, with floral sprays, with underglazed blue Buddhist ribbons to the exterior, unmarked, 18.3cm diameter (2) Both have short but clear sound when tapped, no visible hairlines or chips; crazing and some very slight rubbing to enamels but otherwise appear in good condition, some light general wear; both rims pitted slightly unevenly; additional images available
Lot 1321
JAPANESE KUTANI CARVED DISH,late 19th century, decorated with seven sages in bamboo grove, signed to reverse, 21cm diameter, together with a Chinese canton-enamel brush washer of bat form, with further floral sprays, 11.3cm wide (2)Kutani dish with small hairline to reverse, some rubbing to enamels, crazed; brush washer with relatively small enamel loss to rim, some possible patches of restoration or more likely natural discolouration; further light general wear and pitting, rim slightly knocked and depressed in areas; additional images available
Lot 1351
CHINESE CARVED CELADON JADE BANGLE WITH RUSSET INCLUSION,likely Republic Period, 8cm diameterThere is one crack that runs through/around the body and another hairline which surrounds a section which might have been off and reattached, flouresence visible, further light general wear, additional images available
Lot 1400
SMALL JAPANESE CLOISONNE VASE,Meiji Period (1868-1912), decorated with two bijin against navy ground, plated copper mounts, unmarked, 10.7cm highSmall flake to the rim of the vase. A large purple mark/stain, just underneath the figures which appears to be restoration. Surface pitting and light scratches. No character mark. Additional images available.
Lot 1401
JAPANESE WIRELESS CLOISONNE VASE IN THE MANNER OF GONDA HIROSUKE,Meiji Period (1868-1912), of squat ovoid form, decorated in musen technique with a series of white cranes against a pale blue ground, with white metal mounts, unmarked, 9cm highOverall in good condition. Several light brown surface stains around the vase. Some scratches to the base.
Lot 1403
JAPANESE CLOISONNE ENAMEL VASE,decorated with alternating panels of dragon and pheonix against coloured grounds, the waisted neck and baluster body with profuse floral sprays and scrolls, unmarked, 24.7cm highFoot has been badly knocked so wobbles, this will require attention; some visible glaze hairlines; some scratches including towards foot; generally light surface pitting and light general wear; nicks, scratches and tarnish to metal mounts
Lot 1407
OPPOSING PAIR OF JAPANESE CLOISONNE ENAMEL VASES,Meiji Period (1868-1912), both decorated with kingfisher perched amongst flowers and leaves, against a navy ground, unmarked, 15.2cm high (2)Both vases display noticeable pitting; some light scratches; slight knocks and misshaping to rims and feet; rubbing and tarnish to metal mounts; additional images available
Lot 105
William Frederick Settle (Hull 1821-1897): British Man o' War at Anchor with Crew rowing to Shore, watercolour signed with monogram and dated '85, 22cm x 33cmCondition Report:Brown stain top-right, very light small-size foxing throughout the sky. Very strong original colours - ready to hang.
Lot 110
Henry Redmore (British 1820-1887): Fishing Boats and Sailing Vessels on the Shoreline in Calm Waters, oil on canvas signed and dated 1879, 43cm x 74cm Condition Report:Re-lined, shows very minimal signs of over-paint under UV light. Some light craquelure top right, small loss of paint uner rowing boat on right
Lot 114
English School (19th century): Fishing Smack and other Shipping off the Coast, oil on board unsigned 19cm x 34.5cmCondition Report:Generally good condition. Board bowed slightly, some minor paint loss around the edges, looks to have been heavily cleaned in the past. No signs of over-painting visible under UV light.
Lot 115
William Edward Webb (British 1862-1903): Fishing Boats in Whitby Harbour, oil on canvas signed 39cm x 60cmCondition Report:Very good original condition, no signs of over-paint under UV light. Well presented and ready to hang in gilt acorn moulded frame, a type regularly used by the gallery Sarony of Scarborough around the turn of the 19th/20th centuries, like other Webbs in local ownership at that time
Lot 117
Thomas Sewell Robins (British 1810-1880): Family on the Cliff watching a Ship in Heavy Storm, oil on board signed with initials 31cm x 49cm Condition Report:Overall good condition, well presented. Shows some small areas of over-paint under UV light. Surface marks top right and tiny areas of loss of varnish would be easily remedied
Lot 143
Frederick (Fred) Dade (British 1874-1908): 'Evening Reed Farm', oil on canvas signed, titled with artist's address 'Paradise Scarborough' verso 19cm x 29cm Provenance: from the estate of Christine Dexter and by descent from Frank Henry Mason's sister Eleanor Marie (Nellie). Fred was a keen yachtsman and together with his brother Ernest and Frank Mason were founder members of Scarborough Yacht Club in 1895.Condition Report:Well presented - ready to hang. Shows significant over-painting under UV light; relined.
Lot 161
Thomas (Tom) Edwin Mostyn ROI RWA RCA (British 1864-1930): 'The Soul of Autumn', oil on canvas signed, titled on the stretcher 76cm x 101cmProvenance: in the same family ownership since the 1950sCondition Report:Very good overall condition, three small strengthening patches verso with corresponding minimal over-paint visible under UV light, probably benefit from a clean
Lot 17
Attrib. Tom Campbell (Scottish 1865-1943): 'Ravenglass' Scenes, set three oils on panel, each signed with monogram titled and dated '05 '06 and '07 verso, two with preparatory ink sketches verso, 17cm x 29cm (3)Condition Report:All good original untouched condition, no signs of over-painting under UV light, may benefit from light cleaning.
Lot 183
Circle of George Leslie Hunter (Scottish 1877-1931): Still Life with Fruit, oil on canvas signed 50cm x 75cm Provenance: with Doig Wilson & Wheatley, Edinburgh; James Bourlet & Sons, London, labels verso. Same family ownership for over 20 years.Condition Report:Canvas quite loose and uneven, would benefit from re-stretchering. Paint surface dirty but would clean easily. Some historic over-painting visible under UV light top-centre.
Lot 188
Alfred Montgomery (American 1857-1922): Still Life of Corn on the Cob, oil on board indistinctly signed l.l., inscribed verso 30.5cm x 61cm (unframed)Condition Report:Generally good condition. Historic restoration visible top-right, some over-painting visible under UV light. Minor paint loss around the edges which would be hidden when framed.
Lot 39
Septimus Edwin Scott (British 1879-1965): Portrait of 'Walter Rhodes (1864-1939)', oil on canvas signed and dated 1934, titled on plaque 75cm x 62cmCondition Report:Original untouched condition. Two partial tears to the canvas and numerous further abrasions to the paint surface. No signs of over-painting visible under IV light.
Lot 49
Gilbert Joseph Holiday (British 1879-1937): 'Almost a Fairy Tale' - Princess Chand of Bijapur, pastel signed titled and dated '32 verso (within the frame) 59cm x 46cm Provenance: an original commission for The Tatler magazine, stamped and numbered 1660 verso. Gilbert Holiday was an official war artist in the First World War, then later established himself as a prominent equestrian artist, and at one point shared a studio with Lionel Edwards. He worked as an illustrator for publications such as The Graphic, The Tatler, and the Illustrated London News, and competed in the art competition at the 1932 Summer Olympics.Condition Report:Some light foxing in the sky, fading along the bottom edge
Lot 76
Circle of James Francis Danby (British 1816-1875): Children Playing by the Stream at Sunset, oil on canvas unsigned 35.5cm x 48cmCondition Report:8mm area of paint loss in the stream surrounded by some crude over-painting, one further small area of over-painting visible under UV light. Light overall craquelure, slight horizontal stretcher mark along the top. May benefit from a light clean.
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