Victorian gold-coloured bar brooch set with amethysts and seedpearls, a gold-coloured unmarked insect brooch set with multi stones, a gold-coloured coral and seedpearl horseshoe brooch, a pair of gold-coloured earrings, a gold-coloured and mother-of-pearl hat pin and other items Condition ReportAmethyst brooch with light surface scratches to metal and stones, accretions and some tarnishing. Other items in similar condition, both pins are slightly misshapen. General wear and tear.
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18ct gold bar brooch with arrow through two horseshoes, inset with seedpearls, in fitted box 'Hurreerum Soonderjee Jeweller, Kurrachee', 5g approx. Condition ReportLight surface scratches, accretions and some tarnishing. Some of the arrow fletching's are slightly misshapen. General wear and tear.
Ricoh RZ3000 film camera, Canon Snappy 50 camera; Canon MC film camera; Nikon L35 camera; Pentax Spoespio 24EW camera; Panasonic Lumix digital camera, Contax 167NT camera; Kodak Brownie 127 camera; Cosmic Symbol camera, in an Eveready case; Minolta X700 camera; Miranda G camera, in a leather case; flash unit, light meter and other accessories.Qty: one box
Mdina glass vase, with applied trailing decoration, 12cm; and another larger Mdina bowl with trailing decoration; Italian glass dish on the window sill. (3)Condition report:All three pieces are unmarked and there are no labels.The cylindrical vase with trailing - the lower ends of the trailed knots have all been snapped off - undeterminable as to whether that was in the making or subsequent damage. The main body of the vase is without any damage.Flared bowl with trailing - good condition, no obvious damages, some surface scratchingSmall dish - good condition, no damages, light surface wear.
Fender Stratocaster electric guitar, serial number MZ6210457, made in Mexico, date 2007, with soft Fender branded case; along with an Orange Crush 30R guitar amp. Condition report:The guitar is good showing just light use to the edge and corners, no cracks and no chips to the body or neck. There are a few small grubby marks in places. The amp is dusty in the corners and a bit rubbed and marked on the edges. Both items have not been tested.
Joy Division - two vinyl LP records including Unknown Pleasures and Closer. Qty: 2Condition report:Both have their original inner sleeves. Both have been played and are showing some light lines/scratches on all surfaces, but no bad scratches, they also need a good clean. The cases are a bit marked and rubbed on the surfaces and edges, no not tears, also showing a few creases to corners.
The Beatles - Please Please Me original 7" vinyl record single, first pressing matrix 7XCE 1.7217-1N/1.7218-1N, with Parlophone sleeve. Condition report:The vinyl is good showing just light use, the surface have a few light lines and is a bit dusty. The sleave is a little worn on the edges and corners.
Collection of Royal Worcester Hadley ware, including two ewers painted with blue iris, 19cm, pair of vases with covers, 23cm, another covered vase with daffodils, pair of small ewers, spill vase, and two pot purri vase (one lacking cover), most restored.Condition report:All lids have been glued down. All finials have been snapped off and restored/reglued (one is detached). There is a tiny chip to the rim to one of the smallest jugs. One of the big jugs has a hairline crack to the handle, otherwise they are good, but are showing a few marks and light scratched, there is rubbing and light marking to all pieces in places.
Royal Doulton series ware - The Gallant Fishers jug, 18cm; The Gleaners jug, 14.5cm; three items of Dickens ware; and a small tapering vase with transferred vignette of peasant farmers, white metal collar.Condition report:Gallant Fishers - no restoration. Small hairline to the interior of the spout. Allover fine crazing. A slight glaze chip to the baseline under the handle.Gleaners - 2cm chip to the inner rim with resulting hairline evident to interior and exterior. Two rough glaze patches to the exterior, both about 2.5cm long.Two Dickens ware pots and covers - one cover broken in half and reglued but with a large loss to the inner flange. The two bodies are ok except crazing and some random light scratches to the glazes.Dish - shallow 0.5cm chip to the rim (approximately 1 o'clock) all over fine crazing.Small vase (not doulton) the body is ok, no damages, surface scratching to the transfer ware. The rim mount with some dents and dings.
An Ercol light beech and elm rocking chair, two other Ercol chairs; and a footstool.Qty: 4Condition report:The frames are all sound, just a little bit of movement in the arms of the easy chair. The webbing of that chair and stool need replacing. The Seat covers and pads also need replacing with the stool cover being threadbare. Some surface wear to the arms so would probably need a bit of cleaning to improve the finish. The rocker has a small white mark (presumably paint of some kind) to the seat and is lacking any pads.
Quantity of decorative ceramics, glass, etc, including a Carter Stabler Adams red bodied Nursery mug with Little Miss Moffet and matching saucer, a Poole Pottery hors d'oeuvres dish, Murano style small Sommerso glass vase, a Portmerion Pomona vase, Chinese red pottery teaset, small quantity of loose assorted coins and notes, etc.Qty: 4 boxesCondition report:Poole Nursery mug and plate - good condition, no chips or restoration, fine crazing throughout.Delphis dish/ bowl - an ingrained hairline running from the rim over the waist and to the underside, evident to both interior and exteriorDelphis vase - cracked down the body of the vase and also across the underside of the basehors d'oeuvres dishes - good, no chips or damages, light surface wearSommerso vase - pinpoint chip to the baseline, some surface scratching throughout
Leitz Wetzlar Leicaflex SL camera, serial number 1261588 with branded leather case; Summicron-R 1:2/50 lens, and cap; Vario-Elmar-R 1:4.5/75-200 lens, with caps; Summicron-R 1:2/35 lens, with caps; Super-Angulon-R 1:4/21 lens, with caps; Macrotar VIb macro filter; extender-r 2x, with caps; 4-part extender; two hood attachments; Hoya filter; selection of booklets and instructions; with unbrabded carry case.Condition report:The camera appears to be in working condition with shutter working, but we cannot guarantee the fully working of the camera. All lenses look to be good, with no fugus, some are a bit dusty and will need a clean. Otherwise all are showing just light use to edges and corners.
A pair of gilt and patinated bronze candelabra,second half of the 19th century, each set with a figure supporting snake-form branches, on a turned marble column and square base,23cm wide19cm deep71cm high (2)Condition ReportTwo sconces detached but present. Both a little wobbly, residue throughout. Drilled. Possibly re-gilded. Mount lacking from base of female example. Light wear to marble columns. Tarnish and discolouration to bases. Please see additional photos.
A set of nine pietra dura panels,mid-17th century, Florentine, in the manner of Baccio del Bianco for the Grand Ducal workshops, comprising eight rectangular examples, each depicting two or more animals,together with a demilune panel depicting a recumbent lion,rectangular panels 19 x 35cmthe lunette 16 x 27cm, each in a gilt and silvered gesso frame (9)Provenance: The Estate of Sir Jack and Lady Baer.Literature: For similar panels illustrating the tradition of depicting animals in 17th century Florentine pietra dura, including those depicted in a tabletop including panels in the style of Baccio del Bianco, see Anna Maria Giusti, 'Pietre Dure: Hardstone in Furniture and Decorations', London 1992, p.83, fig. 26, p.218, fig.76.The art of inlaying hardstones for decorative use was used throughout many courts of Europe from the mid-sixteenth century, but it was at the Medici Court in Florence that it reached its apogee, particularly under the patronage of Cosimo I (r. 1569-74), his son Francesco (r. 1574-87), and Cosimo's brother Ferdinand I (r. 1587-1609), who formally established the Grand Ducal workshop, the Galleria dei Lavori, in 1588. A group of panels depicting animals inset into a tabletop alongside a series of examples depicting grotesque figures, which are closely related to del Bianco's designs, is housed at the Chateau de Versailles and illustrated in Giusti's 'Pietra Dure: Hardstone in Furniture and Decorations', p.83. Giusti comments that depictions of animals in pietra dura at the time were simple, but in energetic and spirited poses, making use of soft stones in very similar palettes to the present examples.In many of the panels offered, pale blue agate and translucent alabaster have been used to form the sky peppered with beautiful soft clouds. Condition ReportPlease see additional photos for reference to condition using this link: https://share.icloud.com/photos/0e6HAyzMpkOfT1qAw-Kvzf78Q The tacks holding the panels in place within the frames are in very tightly, therefore only one example has been examined out of the frame. Overall the panels appear in good stable condition, with some small losses, fine cracks and light surface wear. Some knocks, losses and distress to the frames. Ready to hang.Lion: Examined within frame. Some small surface cracks to the limestone border, with several tiny and very fine splits to the thin black border. Some small fissures and natural imperfections. Very light surface wear commensurate with age and handling.Moose and deer: Examined within frame. Some small surface cracks to the borders and centre of the image. Some tiny fissures and natural imperfections. One or two small scratches and other light surface wear commensurate with age and handling. Camels: Examined within frame. Some surface dirt. The left, right and bottom edge of the limestone border has a slightly rougher texture than that of the top edge, which appears to be natural. Some tiny natural inclusions and imperfections. Light surface wear. Horse and lion: Examined out of frame; measures 19.4 x 35.6cm. 3.8cm area of loss to bottom left corner. Approx.1cm area of loss to top right corner. Approx. 0.8cm loss to top edge. A tiny area of loss to the left black border. Dirt and discolouration to edges where they have been beneath the frame. Some cracks to edges and centre of image. Some tiny inclusions and natural imperfections. Surface wear and scratches commensurate with age and handling. Bear and leopard: Examined within frame. Some surface dirt and discolouration. A small chip visible beneath the frame to the top edge. Small cracks to borders and image. A tiny chip to the top left corner where the image meets the thin black border. Small surface scratches and wear commensurate with age and handling. Some natural inclusions and imperfections. Dogs hunting the stag: Examined within the frame. Some dirt and discolouration. Some cracks to borders and image. Some surface wear and scratches commensurate with age and handling. Some inclusions and imperfections. Goat and stag: Examined within frame. Dirt and discolouration. Small cracks to borders and image. Surface wear and scratches commensurate with age and handling. Minute chip to the eye of the stag. Some tiny inclusions and natural imperfections. Boar hunt: Examined within frame. Dirt and some discolouration. Cracks to borders and image, with some parts of the limestone border which appear to be replaced, however this may have been done at the time of the panel's manufacture. General surface wear and scratches commensurate with age and handling. Some tiny possible losses or imperfections in the stone. Some small inclusions. Bull hunt: Examined within the frame. Dirt and discolouration. Some cracks to borders and image. Two areas of the limestone border differ in colour and appearance, which indicates that they may be replaced, however this may have been done at the time of manufacture. One tiny area of the black border appears replaced. Some light surface wear and scratches commensurate with age and handling. One or two tiny old losses or imperfections in the stone.
A pair of pietra dura panels,mid-17th century, Florentine, in the manner of Baccio del Bianco for the Grand Ducal workshops, one depicting a wild boar, the other one a dromedary,20cm wide15cm high, each in a carved giltwood frame (2)Provenance: The Estate of Sir Jack and Lady Baer.Literature: For similar panels illustrating the tradition of depicting animals in 17th century Florentine pietra dura, including those depicted in a tabletop including panels in the style of Baccio del Biancosee Anna Maria Giusti, 'Pietra Dure: Hardstone in Furniture and Decorations', London 1992, p.83, fig.26.This pair of panels bear many similarities to other known examples of 17th century pietra dura. This inclues a group of panels depicting animals and inset into a tabletop alongside a series of examples depicting grotesque figures, which are closely related to del Bianco's designs, which is housed at the Chateau de Versailles and illustrated in Giusti's 'Pietra Dure: Hardstone in Furniture and Decorations', p.83. Giusti comments that depictions of animals in pietra dura at the time were simple, but in energetic and spirited poses, making use of soft stones in very similar palettes to the present examples.Condition ReportSight size of each panel 20cm wide, 15cm high. Each 22 x 15.5cm when measured from the reverse. Frame measures 27 x 31.2cm. Later frames now painted and with minor losses. Please see additional images for reference to condition. Overall appear in good stable condition. Ready to hang, although both a little loose in their frames. Both examined within the frames.Camel: Dirt and some discolouration. Some fine cracks to borders. One tiny area above the camel's head appears to be replaced, although this may have been done at the time of manufacture. Two small areas of imperfection of the stone beneath the camel's hooves which are not flat and polished. Light surface wear and scratches commensurate with age and handling. Minor inclusions and imperfections in the stone. One small chip to a corner visible from the reverse.Boar: Dirt and some discolouration. Some fine surface cracks to the borders. Some light surface wear and scratches commensurate with age and handling. Minor inclusions and imperfections within the stone.
A two-seater sofa attributed to George Smith,late 20th century, upholstered in a blue-green fabric decorated with peonies, raised on turned supports terminating in brass caps and castors,180cm wide100cm deep80cm highProvenance: The Estate of Sir Jack and Lady Baer.Buying this antique sofa could save up to 0.56 tonnes of CO2e compared to purchasing a new one.Condition ReportDirt, rubbing and wear to the arm rests, one with some small tears. Other marks, stains and dirt to upholstery, with some further small holes and tears. Joints firm, sound and solid. Very comfortable. General light knocks and wear to supports. Some tarnish and discolouration to brass. Overall, the upholstery could do with refreshing, however in good structural order.
A micromosaic plaque,second half of the 19th century, Italian, Rome, possibly by the Studio Vaticano del Mosaico, depicting Romulus and Remus suckling the she-wolf beneath a tree, after the painting by Sir Peter Paul Rubens,20cm diameter, in a North Italian ebonised frameLiterature: Jeanette Hanisee Gabriel, 'Micromosaics: The Gilbert Collection', p.165, fig.97.Condition ReportThe frame 40cm wide, 9cm deep, 40cm high. One or two minute areas of loss to inlay. General light surface wear and scratches to roundel. Knocks, ribbing and wear to frame. Overall appears in good order.
A grand tour patinated bronze figure after Praxiteles, late 19th century, Italian, Narcissus, on a waisted circular base inscribed 'Fonderia Sommer, Napoli',30cm wide26cm deep62cm highThe Sommer Foundry in Naples was established in 1885 by Giorgio Sommer. A similar study can be found in the collection of Anglesey Abbey, Cambridgeshire.Condition ReportGeneral dust, dirt, surface wear, rubbing and light scratches. One graze to the back. Rust and verdigris beneath.
A pair of painted porcelain bottle vase lamps, 20th century, in the Japanese style, each decorated with blue chrysanthemums, 52cm high (2)Condition ReportThe porcelain bases alone are 52cm high, with the metal fixings and shades they are 103cm total.PAT Tested 5.9.22 - one passed/one failed.Some light crazing, pitting and manufacturing imperfections. Light surface wear and scratches to bodies, but overall in good order.
An upholstered armchair by Howard & Sons,c.1900, of square shape, upholstered in red fabric, raised on tapering square supports terminating in brass caps and castors, stamped to the back leg,70cm wide75cm deep77cm highBuying this antique armchair saves up to 0.16 tonnes of CO2e compared to purchasing a new one.Condition ReportLarge tear to the top of the back and other small tears, marks and wear throughout. In need of re-upholstery. Joints generally solid and sound. Some small chips, knocks, damage and fairly light wear to supports. Castors a little loose.
A copper coal scuttle in the form of a nautilus shell,19th century, with a looping handle and raised on paw feet,51cm wide37cm deep32cm highCondition ReportDark green verdigris patina, vacant hole to the top of the handle, light scratches and dents and marks one vacant rivet hole to the scroll.
A George I padouk card table,c.1730, the fold-over top supported by a concertina action with locking catch, supported on lappet-carved cabriole legs and pad feet,91cm wide46cm deep71cm highProvenance: Previously with Jeremy Ltd. of Chelsea, London.Condition ReportFine splits to the top. Scratches, marks and light wear to top. Right-hand side of top slightly warped. Small areas of repair to veneer. Hinge and concertina action okay. Baize replaced. Repair and replacement to some 'ears'. General knocks and wear to supports. A small amount of wobble. General wear commensurate with age and use but overall appears in fair useable order.
A large golden oak library table,19th century, with one central drawer to either side, raised on turned faceted tapering legs, with brass castors, 150cm wide102cm deep79cm highCondition Reportlight scratches and knocks throughout, doesn't quite stand level, both drawers run smoothly, overall good cosmetic and decorative order
A carved giltwood relief triptych,20th century but incorporating earlier elements, comprising the Madonna flanked by two saints, each figure mounted in a modern painted frame, largest 51cm wide12cm deep62cm high (3)Condition ReportSome chips, knocks, cracks and wear to figures. Darkening, dirt and light wear to frames.
A Louis XVI-style commode,20th century, French, the brèche violette marble top over three drawers, each with ormolu mounts, raised on turned tapering legs,148cm wide66cm deep90cm highBuying this antique commode could save up to 0.32 tonnes of CO2e compared to purchasing a new chest of drawers.Condition ReportDrawer with oak linings, the top broken and restored, knocks and light scratches consistent with age and use, ormolu lightly tarnished.
After Andrea del Verrocchio,late 19th century, Scipio Africanus, a bronze relief plaque, 34cm wide8cm deep51cm highCondition ReportGeneral light surface wear, knocks and scratches. Some rubbing. Dirt and patina. Some slight tarnish and discolouration. Some knocks, scratches and marks to reverse, but overall appears in fair order.
A three-seater sofa in the manner of George Smith,mid-late 20th century, with sweeping arms and raised on turned supports terminating in brass castors, upholstered in mustard cotton velvet, together with loose cushions, unmarked and without labels,200cm wide 100cm deep80cm high, seat 45cm approximately (7)Buying this antique sofa could save up to 0.56 tonnes of CO2e compared to purchasing a new one.Condition ReportPlease note that this is NOT by George Smith, but in the style of. One castor off but present. Scuffs, knocks and marks to legs. Brass front caps a little loose. Some dirt, dust, marks and light scuffs to upholstery, but seeminly free from tears. Lacking maker's marks or fire labels. A small amount of wobble in arm joints, but generally solid, sturdy and sound. The seat 54cm high.
A pair of large gilt-metal and porcelain candelabra in the Chinese style, late 20th century, each in the form of a blossoming bonsai in a rectangular pot, raised on bracket feet,74cm wide48cm deep98cm high (2)Condition ReportSome minute chips and losses to flowers. Minimal crazing to some birds and other porcelain elements. General light surface wear. Overall in good order.

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534325 item(s)/page