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Lot 2518
A Foscarini Murano glass and brushed metal ceiling light, length 125cm, together with a Metalarte chromium plated lamp, height 105cm. Provenance: from the estate of Jeannette and Wilfred Cass, Cass House, Goodwood, Chichester.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 2517
An Italian chromium plated and white enamel floor standing telescopic lamp by Mod, on a marble base, height 180cm, together with a matching ceiling light. Provenance: from the estate of Jeannette and Wilfred Cass, Cass House, Goodwood, Chichester.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 575
A fine pair of circa 1935 Kerman (South Persia) carpets: tree of life (pomegranate) design with various birds, branches and flowerheads within two smaller salmon ground borders with flowerheads and a larger light lime-green border with a variety of birds and stylised trees. (Each carpet approx. 224 x 143 cm)Generally good -- no major problems. Have come privately.
Lot 599
A late 18th century yew wood Windsor chair: pierced splat and yew wood bow above an elm saddle-shaped seat, cabriole front legs united by a crinoline stretcherLot 599There is old splitting to the cabriole legs, historic woodworm to the splat and seat, front left of seat, some splitting to arms, middle of pierced splat etc. Feels reasonably steady, dark parts and light parts as expected. The bow has been restrengthened. Good looking chair but not without faults that could, in the Auctioneer’s opinion, be rectified. Seat height 42cm, width of arms 52cm, height of back 104cm.
Lot 661
An 18th century oak dresser of good colour and pleasing small proportions: the shelved superstructure above a base section with three frieze drawers with stamped brass ovals, wavy-style frieze below and with vertical stiles united by a potboard style stretcher (155.5cm wide x 37cm deep x 186.5cm high)Appears a little bleached on the front, splits coming in from the lower part of the pot boards, evidence of some historic woodworm along the front. the base light and dark in places, some water splashing, knocks and scratches etc. commensurate with age. The top a little darker, back boards appear to have split. The brass handles have been on for some time although not original. Would benefit from light restoration.
Lot 86
A large pair of French gilt-metal-mounted ceramic two-light electric wall appliques: panelled and decorated with Watteau-style figures in romantic surroundings with ruins and a lake, the courting couples seated beneath trees; the appliques surmounted with gilded bows above the two branches; 'Lille' painted marks to each back (43 cm x 22.25 cm)The candle arms have darkened considerably with age and so have the riven surmounts on each. Some glaze crazing to reverses, the mounted support loop looks original and is gilded, some minor gilt rubbing. No 'major' problems.
Lot 133
An unusual pair of late 19th century two-light brass wall sconces in Arts and Crafts style: each with a central serpent holding the two candleholders against a waterlily style veined leaf, each with suspension loop and each with registered number RD42139 (42.5cm high x 30cm widest) (2)Condition Report: Holes to back plate’s possibly indicating missing parts. Candle sconces drilled for electrical conversion.
Lot 22
A late 19th century Dresden two-handled chocolate cup and cover with original conforming stand, each piece typically gilded and hand-decorated in enamels with scenes of lovers in countryside surroundings, conjoined AR marks to underside of cup and saucer, the finial on the cover modelled as a flowerheadCondition Report: Rubbing to gilding in base of saucer. No restoration detected under UV light. Good order commensurate with age and use.
Lot 24
A pair of early 20th century (circa 1915 - 1930) Herend porcelain two-light table candelabra decorated with gilded leaves, printed marks to undersides (23 cm to top of ceramic candleholders excluding faux candles), together with four pleated silk shades (some damage) The candelabra are quite dirty but the damage refers to the pleated shades which are ripped in several places.
Lot 245
A Chinese light celadon jade pendant of convex form: yellow-metal mounted (stamped '375' to the suspension bale) with vertical Chinese characters and key fret pattern to top and bottom of jade (3.5cm, including suspension bale) Condition Report: Stone in good order. Very minor surface scratches on gold commensurate with age and use.
Lot 395
The Beatles - Please Please Me. Original UK 1963 1st Pressing vinyl record album, Gold, Black labels, Mono, Dick James Credits. Parlophone Records, PMC 1202, matrices Side 1 - XEX 421-1N and 1 and A, Side 2 - XEX 422-1N and 1 and GR. Vinyl is shiny Very Good ++ (very light marks only), Picture Sleeve Very Good ++.
Lot 431
Attributed to Paulus Potter (Dutch, Old Master, 1625 - 1654) Studie Twee Paarden in de Wei bij een Hek Study of Two Horses in a Meadow near a Gate, c1649 Oil on canvas laid on panel numbered "10175055" (verso) Indistinct signature (lower left) 19 cms x 25.5 cms (image) 21 cms x 27.5 cms (panel) 35 cms x 41 cms (gilt framed) Condition report: Restoration, craquelere to surface, 2 cms tear (restored) to rear of Chestnut horse. Surface dirt and discolored yellow varnish, pentimento, retouching and over paint evident (refer to pentimento "ghost horse" image for this oil study). Laid on later associated panel and gilt frame with remains of "Dickhoff, Vergulder, Oppert 90 - Meent 35, Rotterdam" label (verso). Provenance: Private collection, Holland and United Kingdom. Completed original work of art in the collection of Rijksmuseum, Amsterdam. Two Horses in a Meadow near a Gate, c1649. Two horses stand on a little rise before a sweeping meadow landscape. The town of Delft in the distance. The animals’ fluttering tails and manes, and the low-lying clouds, signal that the weather is raw and windy. Potter enhances the liveliness of the depiction by placing a grey horse (refer to pentimento "ghost horse" image), before a dark boscage and the chestnut horse before a light, cloud-filled sky. Paulus Potter was born into an artistic family and exhibited a precocious talent as a young man. He exhibited his first painting dated 1640 at the age of just 15 years old. Patrons included Katherine The Great of Russia. Paulus Potter died of tuberculosis at the age of 29. Tayler & Fletcher require cleared funds before this item can be released to the Buyer
Lot 1009
A pair of Minton blue and white reticulated plates, decorated with star flower in central roundel within weaving floral frame, the reticulated border with four floral vignettes, basket weave border, gilt heightened, impressed marks to base, date code, Registration mark, red painted G3089 & G3091., blue underglaze M (2) Further details: seen under UV light - they appear to be in good condition
Lot 689
A collection of camera lenses and accessories, to include a Cosina 400mm f.4.5-6.7 super telephoto lens, Canon 35mm f2.8, 210mm f4, zoom 300mm f4-5.6, 200mm f4.5-5.6, together with a collection of Nikon, Hanimex, Tamron, Marumi and Komura Lenses, together with further light meters, filters etc.
Lot 698
A retro mid 20th Century light oak-ply dressing table chest in the manner of G Plan having a frameless mirror over a drop well centre with stepped glass shelf and dual drawer chest below. Pedestals flanking each side each with two drawers with all raised on ebonised tapering supports. Measures approx; 122cm x 136cm x 47cm.
Lot 1
Glazed earthenwareApplied lions head and garland decoration.Unmarked(H: 8 1/2, Dia: 5 1/2 in.)Qty: (1)ProvenanceCollection of Dr. Ellis F. Rubin and Suzanne Borow RubinExamined under UV light. Fleabites and restoration to rim. Chips and losses to floral swags. No damage noted to lion masks. A few fleabites to foot rim.
Lot 10
Glazed earthenwareShape 11, transfer-printed, probably by Sadler and GreenNot marked(H: 5, W: 7, D: 3 1/2 in.)Qty: (1)ProvenanceE. N. Stretton Collection, cat. C 42Starr Collection, cat. 586Stair Galleries, November 1, 2019, Lot 34Collection of Dr. Ellis F. Rubin and Suzanne Borow RubinExhibitedStoke-on-Trent Museum NCS, 1986LiteratureReilly, Robin, Wedgwood I, Stockton Press, New York, 1989, p. 330Examined under UV light with no damages or restorations noted.
Lot 100
StonewareHand-tinted and gilt-decoratedImpressed "WEDGWOOD" and "01" (date code for 2001)(H: 9, W: 4, D: 8 3/8 in.)Qty: (2)ProvenanceCollection of Dr. Ellis F. Rubin and Suzanne Borow RubinNoteBy repute, made as a gift for Wedgwood master caster John Williams and presented to his wife in 2002 after his funeral.Examined under UV light with no evidence of repair or restoration.
Lot 102
Glazed earthenwareImpressed "WEDGWOOD"(H: 4 1/2, W: 3 1/2 in. sq.)Qty: (1)ProvenanceCollection of Dr. Ellis F. Rubin and Suzanne Borow RubinLiteratureAdams, Elizabeth Bryding, The Dwight and Lucille Beeson Wedgwood Collection, Birmingham Museum of Art, Birmingham, 1992, p 116, color plate 96 (for the same form, originally modeled as a pedestal) Examined under UV light. Section of top where brass inkwell meets ceramic body with professional restoration to ceramic. Some areas of restoration noted to feet.
Lot 103
Glazed earthenwareShell form bowl, double hippocamp rising from the sea stem and baseImpressed "WEDGWOOD" and "CMV" (date code for 1867)(H: 8, W: 12 3/4, D: 7 in.)Qty: (1)ProvenanceEarl BuckmanCollection of Dr. Ellis F. Rubin and Suzanne Borow RubinExamined under UV light. Restoration extending to "leaf" of shell dish rim. Dish reset to base. Top edges of base decoration restored (where it meets shell). Ear of one horse restored. Lower jaw/mouth of the other horse restored.
Lot 104
Glazed earthenwareImpressed "WEDGWOOD" and "BUX" (date code for 1869)(H: 7 1/4, Dia: 14 in.)Qty: (1)ProvenanceCollection of Dr. Ellis F. Rubin and Suzanne Borow RubinExamined under UV light with no evidence of restoration. Interior discolored. Some craze lines to exterior. Figures and overhead mounts with various small chips and glaze losses, generally concentrated to nose and chin of faces and to raised "ledge" of decorative motif above head in brown glaze. One such "ledge" with larger chip/loss with associated face below with larger loss to nose.
Lot 105
Glazed earthenwareImpressed "WEDGWOOD" and "KLD" (date code for 1875)(Frame: H: 10 1/4, W: 16 in. Plaque H: 13, W: 8 in.)ProvenanceCollection of Dr. Ellis F. Rubin and Suzanne Borow RubinLiteratureVictoria & Albert Museum, London, accession number A.38-1951 (for the wax model for this relief)Examined under UV light. Small (1/4 in dia) spot of restoration to the nymph's cheek. Fine overall crazing to glaze, especially noticible in deeply pooled areas of glaze. No other issues noted. Not examined out of its frame.
Lot 106
Glazed earthenwareImpressed "WEDGWOOD" and "AGO" (date code for 1886), hand-painted "M 2858".(H: 16 1/2, Dia: 13 in.)Qty: (1)ProvenanceCollection of Dr. Ellis F. Rubin and Suzanne Borow RubinExamined under UV light. No damage or restorations noted. Some moderate to heavier scuffs and scratches to raised elements of seat top. Some assorted, minor scratches to body.
Lot 107
EarthenwareRepresenting a putto with goat, harvesting grapes.Impressed "WEDGWOOD" "AVQ" (date code for 1888)(H: 9, W: 7 1/2, D: 5 1/2 in.)Qty: (1)ProvenanceCollection of Dr. Ellis F. Rubin and Suzanne Borow Rubin Examined under UV light. Both grape swags re-set to figures. One horn of billy goat restored. Scattered fleabites to raised edges. Overall crazing and surface soiling.
Lot 109
Glazed earthenwareImpressed "WEDGWOOD"(H: 8 1/2, W: 6, D: 11 in.)Qty: (1)ProvenanceCollection of Dr. Ellis F. Rubin and Suzanne Borow RubinLiteratureButen, Harry, Wedgwood Rarities, Buten Museum of Wedgwood, Merion, 1969, p. 75Examined under UV light. Professional restoration to figure's head, wings, and small section of tail. No other condition issues noted.
Lot 11
Glazed and gilded earthenwareTransfer-printed, likely by Sadler and Green.Both impressed "Wedgwood"(H: 1 3/4 in. (cup), Dia: 4 3/4 in. (saucer))Qty: (2)ProvenanceNancy Gunson CollectionCollection of Dr. Ellis F. Rubin and Suzanne Borow RubinExhibitedStoke-on-Trent Museum, NCS, 1986LiteratureReilly, Robin, Wedgwood: A New Illustrated Dictionary, Antique Collectors’ Club, Woodbridge, 1995, p. 153 (for the history of the decoration)Mankowitz, Wolf, Wedgwood, Spring Books, London, 1953, p. 156, pl. 39 Examined under UV light with no restorations noted. Saucer with approx. 8 fleabites to rim. A little superficial roughness to cup rim. Fritting (in the making) to cup well.
Lot 111
Glazed StonewareImpressed "WEDGWOOD" and "AKR" (date code for 1863)(Dia: 10 3/4, D: 1 1/2 in.)Qty: (1)ProvenanceCollection of Dr. Ellis F. Rubin and Suzanne Borow RubinExamined under UV light with no evidence of restoration. A little glaze rubbing and associated small fleabites to jug rim and ram's head on perfume burner.
Lot 112
Majolica-glazed earthenwareConsisting of an outer decorative vessel, inner liner, and lid. Impressed "WEDGWOOD" and "XXK" (date code for 1882)(H: 6 1/2, W: 10 1/2, D: 7 1/2 in.)Qty: (1)ProvenanceEarl BuckmanCollection of Dr. Ellis F. Rubin and Suzanne Borow RubinExamined under UV light. Restored cracks to lid/cover. Some staining and glaze losses along edges of insert, with at least one restored rim chip to insert rim. The body with several restored full-length cracks, several of which are now delaminating and bubbling.
Lot 115
Glazed EarthenwareImpressed "WEDGWOOD" and "*"(Frame: H: 14 1/4, W: 9 34/ in. Plaque H: 11 3/4, W: 8 in.)ProvenanceCollection of Dr. Ellis F. Rubin and Suzanne Borow RubinExamined under UV light. Light surface wear to glaze, which can be observed in raking light Fine crazing to glaze. No other defects noted.
Lot 116
Glazed pearlweareWith cobalt decroationImpressed "WEDGWOOD", "PSL" and "MSL" (date code for 1883)(H: 10 1/4, W: 3 3/4 in. sq.)Qty: (2)ProvenanceBleier CollectionCollection of Dr. Ellis F. Rubin and Suzanne Borow RubinLiteratureReilly, Robin, Wedgwood: A New Illustrated Dictionary, Antique Collectors’ Club, Woodbridge, 1995, p. 91 (for an illustration of the form)Examined under UV light. Both bobeches restored. One figure with small fleabite to headress. One base with small fleabite to base edge. The other with possible minor restoration to one base edge.
Lot 117
Stoneware, metal hardware"Sacred to Bacchus" and "Sacred to Neptune" formsBoth impressed "WEDGWOOD"(H: 16 5/8, W: 6 5/8, D: 8 1/2 in.)Qty: (2)ProvenanceCollection of Dr. Ellis F. Rubin and Suzanne Borow RubinExamined under UV light. One with reset cracks to handle; re-set tip to horn "reigns" at one hand of figure; a few glaze feabites top swags; chip/loss to lower corner of base. The other with heavily restored/replaced handle; small glaze skip to body at mid-section; a few fleabites to base plinth/corners.
Lot 118
Glazed and enameled earthenwareOf tripod form, with ram's heads. Illustrated in the 1878 "Catalogue of Ornamental Shapes", pl. 6, as "Rams Head Vase."Impressed "WEDGWOOD" and "NQZ" (date code for 1871).(H: 9, Dia: 8 1/4 in.)Qty: (1)ProvenanceCollection of Dr. Ellis F. Rubin and Suzanne Borow RubinLiteratureReilly, Robin, Wedgwood II, Stockton Press, New York, 1989, p. 427Examined under UV light. Professional restoration to lid finial (reset) and a few areas of lid rim. Professional restoration where legs meet at center with visible cracks to two legs near this area.
Lot 119
Enameled and glazed earthenware, stoneware.Blue and green Jasper plaques set into Queensware frames on obverse and reverse.Signed "E. Lessore", Impressed "WEDGWOOD N" and "WUP" (date code for 1861), inscribed 80, labeled "A" and "B" (indicating obverse and reverse sides of vase).(H: 9 7/8, W: 5 3/4, D: 4 1/2 in.)Qty: (1)ProvenanceEarl BuckmanCollection of Dr. Ellis F. Rubin and Suzanne Borow RubinLiteratureButen, David and Patricia Pelehach, Emile Lessore 1805-1876: His Life and Work, Buten Museum of Wedgwood, Merion, 1979, p. 26 (for the same vase shape with a much simpler decoration by Lessore)Examined under UV light. Handles restored. One or two fleabites to raised medallion borders.
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534310 item(s)/page