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Lot 479

Wodehouse (P.G.). The Code of the Woosters, 1st ed., 1938, one or two light spots and creases, original green cloth, slightly rubbed, later d.j., c. 1940, a little rubbed and creased with minor chips or tears, 8vo. Author's presentation copy, inscribed to front endpaper: "To David (Jasen, Wodehouse's biographer) from Plum, P.G. Wodehouse". McIIvaine A60b. (1)

Lot 480

Wodehouse (P.G.). Joy in the Morning, 1st U.S. ed., pub. Doubleday, New York, 1946, illustrations by Paul Galdone, original grey cloth, slightly rubbed, d.j., loss at head of spine, some chips and short tears, a few light stains, 8vo. With a loosely inserted 6pp. original typescript titled "Life among the Armadillos", a chapter from Wodehouse's 1956 autobiography, signed by the author at end. (1)

Lot 482

Wodehouse (P.G.). My Man Jeeves, 1st ed., 1st issue, pub. Newnes, [1919], 2pp. publisher's 1/9 list at end, front hinges a little tender, previous owner signature to front pastedown, occasional light spotting, original cloth, blindstamped upper cover, lower joint splitting, a little rubbed and faded, 8vo. The first appearance of Jeeves. McIIlvaine A22a. (1)

Lot 484

Wodehouse (P.G.). If I Were You, 1st ed., pub. Herbert Jenkins, 1931, 8pp. adverts. at end, lower corner of front endpaper torn away, inscription erased, a few spots, original orange cloth, minor tears at spine ends, lightly rubbed, 8vo, together with Big Money, 1st ed., 1931, publisher's adverts. at end, half title with short closed tear, occasional light spotting and browning, original orange cloth, rubbed and stained, 8vo, plus Right Ho, Jeeves, 1st ed., 1934, publisher's list at end, a few light spots, original grey cloth, light stains to spine, lightly rubbed, 8vo, with seven other Wodehouse first editions: Thank You Jeeves, 1934, Young Men in Spats, 1936 (variant orange cloth), Lord Emsworth and Others, 1937 (variant orange cloth), Summer Moonshine, 1938, The Code of the Woosters, 1938, Uncle Fred in the Springtime, 1938 (spine faded) and Quick Service, 1940 (10)

Lot 485

Wodehouse (P.G.). Eggs, Beans and Crumpets, 1st ed., 1940, publisher's list at end, a few light spots, original orange cloth, spine faded, some dampstains, 8vo, together with Money in the Bank, 1st ed, [1946], original cloth, one or two marks, 8vo, plus Full Moon, 1st ed., [1947], bookplate, original cloth, d.j., short tear to upper cover, minor wear at spine ends, 8vo, with others by or on Wodehouse including Wodehouse on Golf, New York, 1940 (ex-library), Spring Fever, [1948], Uncle Dynamite, [1948], Barmy in Wonderland, 1952 and French Leave, 1955 (34)

Lot 487

Wodehouse (P.G.). Joy in the Morning, [1947], The Mating Season, [1949], Ring For Jeeves, 1953, Stiff Upper Lip, Jeeves, 1963, 1st eds., a few light spots, original cloth, d.j.s, Ring For Jeeves price-clipped, some chips and tears at spine ends, a few closed tears and light creases, 8vo, with nine other Wodehouse books, some reprints (13)

Lot 493

Yeats (William Butler). Synge and the Ireland of His Time, by William Butler Yeats, with a Note Concerning a Walk Through Connemara with him by Jack Butler Yeats, pub. Cuala Press, Dundrum, 1911, a few light spots, original cloth-backed boards, lightly rubbed, some stains, mainly to spine, plain d.j., tears and losses, 8vo. Limited edition, one of 350 copies. (1)

Lot 495

Yeats (William Butler). Responsibilities: Poems and a Play, pub. Cuala Press, Dundrum, 1914, a few light spots, endpapers stained, original cloth-backed boards, lightly rubbed, some stains, 8vo, Limited edition, 188/400 copies, together with Fairy and Folk Tales of Irish Peasantry. Edited and Selected by W.B. Yeats, pub. Scott, c. 1888, 16pp. adverts. at end with spare spine label tipped-in, rough-trimmed edges, a few light spots, bookplate, original cloth, spine faded with chips and losses, lightly rubbed, 8vo (2)

Lot 496

Yeats (William Butler). Essays, pub. Macmillan, New York, 1924, a few leaves uncut, rough-trimmed edges, light waterstain and spots to preliminaries, original cloth-backed boards, light stains to paper spine label, slightly rubbed, 8vo. Limited edition, 1/250 copies, signed by the poet. (1)

Lot 312

Frank.A. Butler for Doulton Lambeth - A slender baluster shaped ewer having a central band of incised stylised foliate decoration on a textured light brown ground, high moulded loop handle and standing on a circular foot, base with incised monogram, 35.5cm high

Lot 505

Pair of late 19th Century Clarke`s Patent Cricklite silver plated Corinthian column three branch candelabra, each having original moulded night light holders with shades and standing on a reeded column and stepped square base, trade marks to tops of columns and to shades, 49.5cm high

Lot 23

RENÉ LALIQUE: `DAHLIAS` 2459, an opalescent glass hanging light shade, moulded with flowers and leaves, signed to the interior, R. Lalique, 12" wide. See Illustration

Lot 29

VAL ST LAMBERT: A CLEAR AND PINK GLASS LAMP BASE of tapering geometric form, with a chrome mounted light fitting, bearing part of an original Val St Lambert label, 15" high

Lot 31

JOBLING: AN ART DECO OPALESCENT HANGING LIGHT FITTING with a central bowl marked Jobling "Opalique", decorated with three birds and a central floral motif, surmounted with a broad frosted glass shade, 17" wide. See Illustration

Lot 496

A HEAL`S LIGHT OAK DRAWER LEAF DINING TABLE, the rectangular panelled top with two drawer leaves, on square legs with "H" form stretcher with applied label, "Heal & Sons Ltd, London" 29¾" high, 72" wide (fully extended)

Lot 537

AARNE JACOBSEN: AN "ANT" or No. 3100 CHAIR, with moulded plywood back and seat on three chrome legs. First designed in 1952 for Fritz Hansen, the `Ant` chair is one of the most successful examples of the rationalisation of furniture design by Danish designers in the post-war years. Being manufactured from a small number of parts it could be made cheaply and as it is both sturdy and light it is one of the most versatile chairs of the period. This chair is No.47 in `100 Masterpieces from the Vitra Design Museum Collection` 1996. See Illustration

Lot 554

JOHN MAKEPEACE: A WALNUT AND LEATHER WRITING DESK, with a sloping leather covered writing surface and concealed shelf and light fitting, on a geometric frame with rounded corners, 60" wide. See Illustration. Provenance: Duke`s auction, Parnham House 2001

Lot 567

AN EARLY LIGHT OAK G-PLAN BEDROOM SUITE comprising, dressing table with mirror, four drawer chest and bedside cabinet, all with stamp marks "E. Gomme, High Wycombe" (3)

Lot 585

AN ART DECO "ROCKET LIGHT" HANGING LIGHT FITTING, the central chromed support mounted with three rocket set bulbs divided by orange and frosted glass shades, together with five spare bulbs, 23" high. See Illustration

Lot 586

AN ART DECO CHROME AND FROSTED GLASS HANGING LIGHT FITTING, the reeded frame fitted with five triangular opalescent and painted glass shades with geometric and foliate decoration, 12" wide

Lot 589

AN ART DECO "SATURN" HANGING LIGHT FITTING, with a central milky glass globe, surrounded by a clear and frosted glass ring, on chrome mounts, 19" wide

Lot 14

Judith Rothchild - `Light and Water, Venice`, pastel, signed and dated `87 recto, titled to Francis Kyle Gallery label verso, approx 32cm x 30cm, within an oak frame.

Lot 2644

A late 19th Century brass watering can, a copper heater stand, a set of three glass light shades, three pairs of bellows and other various items.

Lot 2710

A late 19th Century gilt metal five branch table light decorated with flowers and foliage, on an urn stem and marble base (faults).

Lot 2712

An early 20th Century oak and nickel plated shaving stand, the circular moulded base with central stem supporting an adjustable mirror and two light holders above various implement holders.

Lot 2728

A mid-20th Century wrought iron three branch ceiling light with applied leaf and clementine sprays.

Lot 188

Edwardian Art-Nouveau lead light stained glass hanging light fitting in blue and green with floret motifs, 21".

Lot 191

A miniature Art-Nouveau long case clock with stylised floral decoration and a battery light, 10.5".

Lot 401

A COLD PAINTED BRONZE LAMP by J Gadek, modelled as a setter following a scent, flanked by a tree trunk supporting a light, with cameo glass shade depicting a mountainous night scene, signed M.F., 14 1/2" high (Illustrated)

Lot 445

A FIVE LIGHT CANDELABRUM, late 19th century, the central light having foliate finial, four reeded scroll arms supporting baluster sconces moulded with foliage, on similar tapering stem and shaped square foot, 21" high

Lot 492

A PAIR OF ADAM STYLE CANDLESTICKS, Fordham & Faulkner, Sheffield 1910, of oval fluted form with wreath banding, urn shaped socket, tapering stem and moulded base, 11 3/4" high, together with a matched three light candelabrum, Sheffield 1925, 16" high (3) (Illustrated)

Lot 1066

AN OAK TEN LIGHT CHANDELIER, late 20th century, the triangular frame suspended from chains, and supporting ten turned light pendants with ball finials and brass bulb cups, framework, 40 1/2" high. This chandelier was removed from St Margaret`s Church, Ilkley. It was designed by Barry Rawson, architect and made by G Peter Merrell, Grassington

Lot 1078

A VICTORIAN BRASS CHANDELIER, the lobed edged circlet on shaped branches issuing four three-light sconces on scrolled supports, rise and fall central section with suspension chains and ring pendant, turned stem below and turned corona, approximately 60" high, converted to electricity

Lot 1115

A GERMAN BRASS LIGHT PENDANT, early 20th century, the oval corona with baluster drop housing a light fitting, large oval canopy below suspended from chains, the sides and pierced and moulded with stars, fruit and flowers, and with peach silk curtain, 32" x 23 1/2" and 45" high

Lot 1150

A GILT BRASS LIGHT PENDANT, early 20th century, in Neoclassical style, the pierced oval bowl with linen lining and applied rams` masks linked by foliate festoons suspended from a similar corona by reeded downswept supports, turned pendant, 24" high

Lot 1187

A VICTORIAN GOTHIC BRASS LIGHT PENDANT of octagonal form pierced with floral roundels between crockett borders, turned corner sconce supports with turned pendants and suspended on chains from a crown shaped support, converted to electricity, 50" high

Lot 417

A MOORCROFT POTTERY `BLACKNEY` PATTERN VASE of slender baluster form, with typical tube lined decoration, with pink, brown and green colouring on a light puce ground, modern impressed factory mark to base dated 2001, initials WM. 19cm(h)

Lot 556

(L.I) Alan Stones (Local contemporary), ENNERDALE SHOW, judges inspecting the Herdwick sheep at Ennerdale Show, limited edition number 158 of 200, entitled, signed and dated 1987 in pencil to the slip, in modern light oak frame, card mounted under glass. 45cm(h) x 63cm(w)

Lot 670

A LIGHT OAK BOBBIN TURNED OCCASIONAL TABLE, the moulded serpentine rectangular top over a plain frieze and four bobbin turned legs linked by a conforming `H` from stretcher. 75cm(h) x 84cm(w) x 55cm(d)

Lot 4

An Hermes light tan crocodile Kelly bag, circa 1972, crocodylus porosus, with gilt metal hardware, croc covered padlock and fob, 33cm, 13in. Please note there are export restrictions on this lot outside the EU

Lot 119

After David Roberts The temple of Luxor; Temple of Isis; Dayr el Medeeneh Thebes All Lithographs by Louis Haghe 49 x 33cm; 19¼ x 13in and two at 26 x 36cm; 10¼ x 13¼in (3) Provenance: Spinks London All trimmed all with light stains round edges 1. with one or two blemishes

Lot 143

*Jose Ramon Alejandro (Italian b. 1943) Abstract construction Signed numbered 45/50 and dedicated Pour Rudolf Nureyev avec mon amitie Etching unframed 63 x 45cm; 24¾ x 17¾in (sheet size) With a lithograph titled Du Cabinet de M. Le Brun after Bouchardon unframed (2) 1. Some light staining and creasing around the margins ink stain top right 2. quite a bit of marginal damage especially on the right hand margin partially trimmed and grubby.

Lot 167

Edward Edwards (1738-1806) Figures on a bridge and fishing in a river in a town Signed and dated 1788 also signed dated 1788 and titled ...avis Bridge Sussex verso Grisaille watercolour heightened with blue wash mounted unframed 21 x 31cm; 8¼ x 12¼in With a further sepia watercolour by Edwards of a Romanesque Church signed with initials and dated 1802 and a pencil shetch of Corfe Castle signed A.E. titled and dated 1 July /13 also unframed (3) 1. Some light brown foxing mainly in the sky otherwise good 2. Laid down on card otherwise good 3. Yellowing especially on the margins small creases and folds to the margins

Lot 193

Circle of John Gully New Zealand view with palm trees by a lake and mountains beyond Signed with a monogram and dated 1887 Watercolour 35 x 54cm; 13¾ x 21¼in Some light foxing in the sky but colours still mostly good

Lot 196

David Bates (1840-1921) A harvest scene Signed Watercolour 35 x 52cm; 13¾ x 20½in Light foxing in sky

Lot 216

Manner of Daniel Dumoustier Portrait of a lady in a wide ruff Pencil heightened with watercolour 32 x 22cm; 12½ x 8½in Provenance: P. and D. Colnaghi Bond Street Light brown foxing throughout

Lot 321

Attributed to Joseph Rhodes (1782-1855) A woman and her two children on a bridge Signed and dated 1841 Oil on canvas unframed 30 x 25.5cm; 11¾ x 10in Unlined minor scuffs and requires a light clean

Lot 331

Henry Thomas Schafer (c.1854-1915) Nurenburg Germany; Cathedral at Evreux France A pair both signed also both signed and titled verso Both oil on canvas Each 30 x 26cm; 11¾ x 10¼in (2) Both unlined one with a 5cm tear lower centre both require a light clean

Lot 357

*Charles W. Marshall (20th Century) Evening near Coopersale Signed signed and titled verso Oil on canvas 36 x 46cm; 14 x 18in Unlined requires a light clean

Lot 12

An Arts and Crafts light oak wardrobe and dressing table, perhaps E. A. Taylor for Wylie & Lockhead, with copper handles, the wardrobe with a mirror door and oval carved panels, 210cm high, 168cm wide, 57cm deep, the dressing table 175cm high, 107cm wide, 49cm deep. Visit www.dnfa.com for condition reports.

Lot 19

A light oak desk by Maple & Co., circa 1900, with a two door corner cupboard above a galleried writing surface, nine drawers about a kneehole and later casters, 128cm high, 122cm wide, 68cm deep. Visit www.dnfa.com for condition reports.

Lot 26

A light oak trestle dining table in Arts and Crafts style, with shaped end supports, a shelf and a stretcher, 75cm high, 183cm wide, 76cm deep. Provenance: bought at Liberty & Co. Visit www.dnfa.com for condition reports.

Lot 30

A pair of Martin Brothers stoneware vases, slender ovoid with narrow necks, incised with grotesque fish on a light green ground, incised marks `1-1898 Martin Bros London & Southall`, 34cm high (one completely restored). Visit www.dnfa.com for condition reports.

Lot 52

An American Art Nouveau silver coloured overlaid glass vase by Gorham Mfg. Co., stamped Gorham marks, `CQQ` and `999/1000 FINE.`, the light green body with a trumpet neck, bulbous centre and a flared foot, the overlay with engraved leaves and buds, with three pinched lower ribs, 25cm high. See `Sumptuous Surrounds: Silver Overlay on Ceramics and Glass. The Collection of Warren Gilson` Milwaukee Art Museum 1990 for thirteen examples of overlay work by Gorham. No other comparable example has been noted of this rare piece. Visit www.dnfa.com for condition reports.

Lot 69

Three Cristal Lalique frosted glass models of baby elephants, engraved marks, approx. 8cm high; and two frosted glass baby elephant oval brooches, the chrome mounts with a pink or a light green backing, stamped marks, 6cm wide, each in a box from Lalique. Visit www.dnfa.com for condition reports.

Lot 220

A pair of electroplated twin branch three light candelabra, with central flambeau finials, circular with gadrooned and foliate borders, 53cm (20.75in) high. Visit www.dnfa.com for condition reports.

Lot 320

... Cook. (English School, circa 1800). Portait of a British Army Officer in dress uniform, half length. Signed lower right. 9.3cm x 7cm. In a giltmetal oval frame. Provenance: A descendant of the sitter. According to family tradition the sitter could be Henry Alcock, an officer in the 13th Light Dragoons, MP for Waterford, married in 1764 or of William Alcock, an offier in the Wexford Militia, died in 1808. A John Cooke (circa 1778-1805) is recorded in Foskett as working in Dublin from circa 1796. Visit www.dnfa.com for condition reports.

Lot 171

Baden-Powell (Major R.S.S.). The Downfall of Prempeh. A Diary of Life With the Native Levy in Ashanti 1895-96, 1st ed., 1896, twenty-two plates and maps, scattered light spotting, bookplate, original cloth, lightly rubbed, 8vo (1)

Lot 179

Brice (Germain). Nouvelle Decription de la Ville de Paris et Tout ce Qu"elle Contient de Plus Remarquable, 4 vols., 8th ed., Paris, 1725, engraved folding map, 39 engraved plates and plans, occasional light spotting and browning, bookplates of the Earl of Jersey, Osterley Park, contemporary calf, some wear, 12mo (4)

Lot 182

Carr (Sir John). Descriptive Travels in the Southern and Eastern Parts of Spain and the Balearic Islands, in the Year 1809, 1st ed., 1811, engraved folding frontispiece, five engraved plates, occasional light spotting and browning, a few marginal wormtracks and closed tears, contemporary tree calf, rubbed, 4to, together with Drinkwater (John), A History of the Late Siege of Gibraltar. With a Description and Account of that Garrison, From the Earliest Periods, 2nd ed., 1786, ten folding maps, plates and plans, one or two short tears, p.47 misbound, occasional light spotting, bookplate of Sir Joseph Verdin, contemporary tree calf, rebacked, slightly rubbed, 4to, with two others: Samuel Ancell`s A Journal of the Late and Important Blockade and Siege of Gibraltar, From the Twelfth of September 1779, to the Third Day of February 1783, 3rd ed., 1786, signed by the author, and A Narrative of the Campaign of the British Army in Spain, Commanded by His Excellency Lieut.-General Sir John Moore, 2nd ed., 1809 (4)

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