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Lot 579
* KEN HILDREW (BRITISH b. 1934 - ), LOW WATER, SAUNTON SANDS oil on board, signed, titled verso 29cm x 35cm Mounted, framed and under glass. Label verso: Mole Gallery, Devon. Note: Ken Hildrew was born in London. He studied art at the Woolwich School of Art and has been a professional artist for more than fifteen years. Before he decided to work as a full-time painter, he worked in television and advertising. Hildrew’s free interpretation of landscapes has over the years gained him an international acclaim. His style and technique are greatly influenced by Seago, Whistler and Turner. His brilliant atmospheric paintings have been purchased by numerous private and corporate collections including Marks and Spencer, Shell Oil, Orient Express, Hilton Hotel and Virgin Atlantic, to name just a few. Hildrew is not so much concerned with a beautiful view than he’s concerned with atmosphere. The viewers feel his landscapes rather than view them; sometimes mysterious and peaceful, sometimes a brief electrifying interaction of air, land and light. Hildrew regularly exhibits at major shows including the Royal Institute of Watercolour Painters, the Laing Annual Landscape Exhibitions, and the Royal Watercolour Society, and many others. He’s represented in galleries in America, the UK and Europe.
Lot 593
* BRENDAN KELLY RP (SCOTTISH b 1970), IN THE STUDIO (A SELF PORTRAIT) oil on board, signed, titled on label verso 18cmx 17cm Framed. Label verso: The Edinburgh Gallery, Light & Colour Exhibition, 1-18 March 1997. Note: Brendan Kelly was born in Edinburgh in 1970 and now lives and works in London. He studied at the Slade School in London for a BA (Hons) in Fine Art. His work is held in a number of national collections in the UK including The National Portrait Gallery where he has two portraits, the UK Parliament and the Bank of England. His portrait of the former Speaker of the House of Commons, John Bercow hangs in the Speaker’s State Rooms at the Palace of Westminster. In 2004 he took part in "Being Present" at Jerwood Space, having just won the De Laszlo Prize for the best portrait by a young artist at the 2004 RP exhibition. Kelly was also commended several times in the BP Portrait Award before winning second prize in 2001 for Nude in a Nightclub. His paintings often begin with a desire to create a particular atmosphere through the use of artificial lighting. Kelly's website shows three fascinating videos which provide an insight into modern day painting techniques. The subjects are David Nish former CEO of Standard Life, General Sir Mike Jackson and "The Herat Room". The latter is an extraordinary short film about the thirteen months it took to complete a commission for the war in Afghanistan. The film reveals why Kelly is already a celebrated artist and why there's little doubt that that his star will continue to rise. brendankellyartist.co.uk/video
Lot 601
* JUDITH GARDNER NEAC RBA, MELTING SNOW oil on board, titled label verso 24cm x 24cm Framed. Artist's label verso. Note: Judith Gardner studied contemporary art at Maidstone College of Art where she gained a BA Honours in Fine Art. For a number of years she taught art at the East Berkshire College, Windsor. In 1998 she decided to become a full time contemporary artist. Judith Gardner was elected a member of the Royal Society of British Artists in 2000 and of the Small Paintings Group in 2003. Judith Gardner is quoted as saying 'My painting is representational to a certain extent. It begins with an idea based on strong observation. Once the composition has been decided upon, the reality to a point is not so necessary for me to develop the painting. This enables me to create light and atmosphere with tone, colour and brushwork'. Judith Gardner paintings are regularly exhibited at The Royal Academy of Art Summer Exhibition (London), the RBA, Royal Institute of Oil Painters, New English Art Club Exhibitions, British Painters Exhibition, Pastel Society and The Royal Society of Marine Artists. Judith Gardner has been awarded numerous contemporary art awards the most significant being The Italia Prize and the De Laszlo Art Medal at the Royal Society of British Artists 2003 Exhibition. Her work is promoted, exhibited and sold at Red Rag Gallery, Thompson's Gallery and others.
Lot 645
* MICHAEL CORSAR (SCOTTISH B. 1972), AT THE EDGE OF THE FOREST oil on card, signed, titled verso 16.5cm x 23cm Mounted and unframed. Note: Michael Corsar studied at Duncan of Jordanstone College of Art in Dundee from 1992–1996 and graduated BA (Hons) in Fine Art, Drawing and Painting. Light and, specifically, its interaction with clouds, water and architecture is what inspires him. Starting with an almost black canvas he gradually teases out images, removing darkness, illuminating the scene. Working on the whole from memory his paintings are reflections of inner thoughts and feelings at specific moments rather than straight forward representations of an actual place, leaving space for the viewer to imbue the painting with their own contemplations. Michael Corsar is represented by Roger Billcliffe Gallery (Glasgow).
Lot 678
* CLAIRE HARKESS RSW (SCOTTISH B. 1970 - ), PASSING ISLANDS II watercolour on paper, signed 17cm x 20cm (excluding frame and mount) Mounted, framed and under glass. Multiple labels verso: including The Scottish Gallery, Claire Harkess RSW "Galapagos" (Exhibition) 4th - 28th June 2008 catalogue number 84 where sold. Other Scottish Gallery stock labels with title, medium etc and artist's label. Note: Claire Harkess was born in Ayr, Scotland, graduating from Glasgow School of Art in the early 1990s. In recent years her painting has taken her to fragile lands to study and interpret life on the edge. Antarctica, Outback Australia and St Kilda are all places where, in such extreme environments, survival is difficult and the balance of life is delicate. Harkess has also worked on the Galápagos Islands, made famous by Charles Darwin’s ‘The Origin of the Species’. This isolated volcanic outpost remained relatively untouched by man, evolving to become one of the World’s unique ecosystems. The balance present in nature is clearly communicated through Claire's paintings. Painting in watercolour or gouache offers a unique directness; the essential qualities of light and energy present in the natural world are the very essence of the medium itself. The delicacy of her palette and oriental economy of her mark-making creates a subtle tension representing a world that is ‘holding still’, giving a sense of freedom, spirit, time and place. Claire's work is exhibited at The Scottish Gallery, where her most recent highly successful solo show was in July 2020, and at other prestigious galleries around the UK.
Lot 683
* STEPHANIE DEES RSW, TREES AND RIVER mixed media on paper, signed 20cm x 24cm Mounted, framed and under glass. Label verso: The Scottish Gallery, Edinburgh. Note: Stephanie Dees attended Edinburgh College of Art, obtaining MFA Degree in Painting 1996 to 1998, adding to her Edinburgh College of Art, BA(Hons) Degree in Drawing and Painting from 1992 to 1996. Dees is a regular exhibitor at Society and Commercial Gallery group exhibitions throughout the UK and has been showing with The Scottish Gallery since 1997. Her works feature in private and public collections worldwide. Stephanie’s Works of Edinburgh capture different seasons and changing light. From the pale light of winter with silhouetted bare trees, to the light and shade of a beautiful summer day and the bright bursts of green and vibrant colour that summer brings, through to the warm comforting glow of an autumnal day. With her East Lothian paintings, she considers the importance of space and the calmness and serenity she feels when looking out to sea. Having been brought up in North Berwick the certainty of the sea gives Stephanie time to reflect and look back to nature in the chaotic and busy time we live in. The warm character and joyous colours of the East Neuk harbour paintings conjure happy memories of her childhood holidays as she hopes to convey the unspoilt charm of this part of Scotland. Stephanie has enjoyed no less than seven solo shows at The Scottish Gallery (Edinburgh) which is widely regarded to be the most prestigious contemporary art gallery in Scotland. He most recent solo show at the gallery was in 2019.
Lot 716
* FIONA STURROCK, STILL LIFE OF FLOWERS IN A VASE oil on board, signed 59cm x 59cm Framed. Note: Fiona Sturrock’s paintings demonstrate her love of colour and the practice of mixing colour, laying down patterns of light, shade and texture to produce bold representations of what she is observing. She tends to work on one painting at a time, giving it full focus and energy, which often translates visibly in the intensity of colour and boldness of the finished piece of work. Fiona paints from a mixture of life scenes, photographs and imagination. She is influenced by historical works of Colourists and Impressionists, and is hugely inspired by the wealth and richness of contemporary Scottish art that surrounds us in the present day. Fiona’s work features across a number of galleries and is held in private collections internationally.
Lot 787
ERNI UPTON FRSA, EILEAN ANNRAIDH, MULL DISTANT, NORTH IONA oil on canvas, signed, further signed and titled verso 62cm x 77cm Framed. Artist's label verso. Note: A Scot, born in Ayrshire in 1936, Erni Upton has been painting since childhood. Schooled at Ayr Grammar & Ayr Academy, much of his youth was spent with the fisherfolk of West Scotland and their boats and he still cruises these waters each year. He trained at Glasgow School of Art, where he studied under Donaldson, Mathieson and Robertson. His work reflects their influences and those of the Scottish colourists who like him, spent much time in the wonderful light and colours of the West Coast. Painting in this tradition, he works with oils on canvas, using both brush and knife. In 1985, after many years in banking, he returned to Art & Design when he established an interior design company in Shrewsbury, Shropshire. He continued to work in oils, mainly commissions for corporate and private clients, but it was not until 1999, when the company was sold, that more time became available for painting. His work is successfully shown in many galleries in England, Scotland and abroad, most recently in Istanbul, where he was invited, as a result of commission work, to have a solo exhibition at the British Embassy, and a subsequent solo at one of the premier galleries in the city. He was elected a Fellow of the Royal Society for Arts, London, in November 2004. In recent years exhibition venues have included: Rowles Fine Arts, Strathearn Gallery, Greens & Blues Gallery, Morningside Gallery, Annan Gallery, Iona House Gallery, Alpha Gallery, Queens Gallery, Gigha Gallery, Holyrood Gallery and Frames Gallery.
Lot 209
1935 Southern Railway quad-royal POSTER, produced for the SR/GWR, 'Rail & Road Routes of Southern England'. Shows the companies' lines and the routes of their 'Associated Road Motor Companies' (in which they held shares), these being 12 of the most well-known bus companies in the south, from Aldershot & District to Wilts & Dorset. The lines and associated bus routes are colour-coded. A fascinating and most uncommon poster. Professionally mounted on linen. A light vertical stain down the l/h side, other small blemishes in the margins but overall in very good condition. [1]
Lot 212
1950s British Railways (Eastern Region) quad-royal POSTER 'Norfolk - Britain's "finest" county' by Lance Cattermole (1898-1992). A colourful depiction of a map of the county onto which are superimposed small illustrations of its principal cities and towns, particularly seaside resorts. Has been professionally mounted onto acid-free conservation paper. Some light stains from the top edge downwards but generally in very good order. [1]
Lot 215
Selection (4) of railway POSTER MAPS comprising 3 x quad-royal size: May 1989 and April 1998 'London Connections' (main-line & Underground) and May 1998 'London and the South-East' plus double-royal December 1997 Connex South Central 'Travelcard Zones Information'. All are generally in very good condition, some edge-scuffs and short edge tears, a few light stains. [4]
Lot 217
Late 1940s/early 1950s British Railways (Southern Region) quad-royal POSTER 'Hastings & St Leonards' - the all-Season Sun-Trap by Daphne Padden (1927-2009). Vivid colours depict the seafront at St Leonards, looking towards Hastings, and show Marine Court, the 1930s art deco building in the shape of a Cunard ocean liner, which was, when completed, the tallest residential block in Britain. A couple of small, light stains at the bottom l/h corners and a little age-darkened but generally in excellent condition. Linen-backed. [1]
Lot 24
Pair of items by Fred Stingemore (1890-1954) comprising a 1921 DISTANCE MAP OF UNDERGROUND RAILWAYS, linen-backed inside card covers, opens out to 36" x 20" (92cm x 51cm), in very good, used condition plus a 1931 Underground Group Tramways Staff Dinner MENU & PROGRAMME featuring 3 pages of light-hearted cartoons by FHS on the subject of trams & trolleybuses - in very good condition. [2]
Lot 245
Selection (9) of 1850s-on RAIL & ROAD EPHEMERA comprising 1854 Evans & Arrowsmith's Time Tables of Steam Packets & Railway Trains, 1911 Kent & East Sussex Railway Official Illustrated Guide, 1911 Tramways & Light Railway Association Visit to Edinburgh bound Edinburgh Tramway Guide, c1910 'Round & About London by Tram', c1921 'T.B.R.' Omnibus Timetables (bound), 1909 Hythe, Sandgate & Folkestone Omnibus Co Report & Accounts, 2 x 1930 Herne Bay Travel Guides & 1935 Bristol Channel Sailings Time Table. In good to very good condition. [9]
Lot 251
c1928/9 London Underground linen-card POCKET MAP from the Stingemore-designed series of 1925-32. This is one of the two first issues of the larger, second series. Unusually, it has a light-blue cover although this may have just been as a result of the usual pale green shade appearing differently during the printing process. This was issued before any of the line extensions were projected. An excellent example, crisp and firm, with only very minor blemishes. [1]
Lot 336
Complete set of London Transport PRESS RELEASES in respect of the 1959-62 Trolleybus Conversion Programme. Comprises 14 releases one for each stage, each is packed with information on the routes, vehicles, depôts, history, route maps etc. The final release has an added document 'The Trolleybus in London' (potted history). Some light wear but generally in very good condition. [15]
Lot 341
1938 Weston, Clevedon & Portishead Railway double-crown POSTER 'Time Table commencing July 3rd, 1938 until further notice'. Opened in 1897 as a Light Railway, the WC&PR made losses for most of its existence. Acquired by Col Stephens in 1911, it declined again after his death in 1931 and was closed in 1940 with the assets except the land sold to the GWR. The track was lifted for the war effort in WW2. A small loss at the top l/h corner, some creasing but generally very good. An amazing survivor. [1]
Lot 97
c1910 Evening News LONDON TUBE MAP & GUIDE. Produced by George Philip & Sons and features a unique cover design of tunnel segments, one for each tube line (the sub-surface Underground lines are given equal status on the map!). Folds out from card covers to 23.5" x 19.5" (60cm x 50cm) and has a tramways map on the reverse. In good condition, light wear to the covers. [1]
Lot 117
Large Sèvres Sang-de-boeuf VasePorzellanmanufaktur Sèvres, Sèvres1926Große Sang-de-boeuf Vase. 1926. Porzellan, ochsenblutrote Laufglasur, partiell türkis, hellblau und mehrtonig violett. Glasur mit Krakelee. H. 42 cm. Gestreckt ovoide Form mit absetztem Hals. Fußrand mit kupferfarbener martellierter Metalleinfassung. Am Boden bezeichnet: grau-schwarze hochrechteckig gerahmte Manufakturmarke mit Datierung S/ 1926/ DN, darunter MADE IN/ FRANCE.Literatur: Porzellan. Kunst und Design 1899-1939. Vom Jugendstil zum Funktionalismus. Bestandskatalog Bd. V.2 Bröhan Museum Berlin 1996, S. 331 und S. 350, Abb. 303 (zum Vergleich). Large Sèvres Sang-de-boeuf VasePorzellanmanufaktur Sèvres, Sèvres1926Large Sang-de-boeuf vase. 1926. Porcelain, oxblood red running glaze, partially turquoise, light blue and multi-tone violet. Glaze with craquelure. H. 42 cm. Elongated ovoid shape with a set neck. Edge of the foot with copper-colored martellized metal edging. Marked on the bottom: gray-black, vertically framed manufacturer's mark with the date S / 1926 / DN, MADE IN / FRANCE.Literature: Porzellan. Kunst und Design 1899-1939. Vom Jugendstil zum Funktionalismus. Bestandskatalog Bd. V.2 Bröhan Museum Berlin 1996, S. 331 und S. 350, Abb. 303 (zum Vergleich).
Lot 118
Large Sèvres Sang-de-boeuf VasePorzellanmanufaktur Sèvres, Sèvres1930Große Sang-de-boeuf Vase. 1930. Porzellan, ochsenblutrote Laufglasur über hellem, partiell hell türkisfarben verlaufendem Grund. Glasur mit Krakelee. H. 41,5 cm. Gestreckt ovoide Form mit absetztem Hals. Fußrand mit kupferfarbener Metalleinfassung. Am Boden bezeichnet: grüne Manufakturmarke S/ SEVRES/ MANUFACTURE NATIONALE mit Jahresbuchstabe C und LG 29.5.PN (geritzt).Literatur: Porzellan. Kunst und Design 1899-1939. Vom Jugendstil zum Funktionalismus. Bestandskatalog Bd. V.2 Bröhan Museum Berlin 1996, S. 350, Abb. 303 (zum Vergleich). Large Sèvres Sang-de-boeuf VasePorzellanmanufaktur Sèvres, Sèvres1930Large Sang-de-boeuf vase. 1930. Porcelain, oxblood red running glaze over a light, partially light turquoise background. Glaze with craquelure. H. 41.5 cm. Elongated ovoid shape with a set neck. Edge of the foot with copper-colored metal edging. Marked on the bottom: green manufacture mark S / SEVRES / MANUFACTURE NATIONALE with year letter C and LG 29.5.PN (incised).Literature: Porzellan. Kunst und Design 1899-1939. Vom Jugendstil zum Funktionalismus. Bestandskatalog Bd. V.2 Bröhan Museum Berlin 1996, S. 350, Abb. 303 (zum Vergleich).
Lot 123
Theodor Bogler, Lidded jugTheodor BoglerKarlsruher Majolikamanufaktur, Karlsruheabout 1966Deckelkrug. Keramik. Innen hell, außen matt schwarz glasiert. Ränder rostrot. H. 26,5 cm. Theodor Bogler entwarf 1923/24 den hohen Deckelkrug Mod. 473 für die keramische Werkstatt Dornburg/ Saale. Um 1966 wurde der Krug als modifizierte Neuausformung bei der Staatlichen Majolikamanufaktur Karlsruhe gefertigt und als Sonderedition in einer Kleinstauflage herausgegeben.Literatur: Theodor Bogler 1897-1968. Vom Bauhaus nach Maria Laach. Katalog Ausstellung Benediktinerabtei Maria Laach 2018, V/7. Theodor Bogler, Lidded jugTheodor BoglerKarlsruher Majolikamanufaktur, Karlsruheabout 1966Lidded jug. Ceramics. Glazed light inside, matt black outside. Edges rust-red. H. 26.5 cm. Theodor Bogler designed the tall lidded jug Mod. 473 in 1923/24 for the ceramics workshop in Dornburg / Saale. Around 1966, the jug was manufactured in a modified new design at the 'Staatliche Majolikamanufaktur Karlsruhe' and issued as a special edition in a very small number.Literature: Theodor Bogler 1897-1968. Vom Bauhaus nach Maria Laach. Katalog Ausstellung Benediktinerabtei Maria Laach 2018, V/7.
Lot 126
Jörg von Manz, Large CatJörg von ManzGroße Katze. Keramik. Fellartige Tupfenmalerei in hellem Sandton auf rostroten Grund. 41 x 48 x 22 cm. Am Bauch bezeichnet mit Werkstattmarke (gemalt).Literatur: Gabi Dewald, Jörg Jatho. Wünschwundermann. Ein Buch über Jörg Manz. Erschienen anläßlich der Ausstellungen Galerie Handwerk München, Veste Coburg, Keramikmuseum Westerwald 1998 (allgemein). Jörg von Manz, Large CatJörg von ManzBig cat. Ceramics. Fur-like polka dot painting in a light sand tone on a rust-red background. 41 x 48 x 22 cm. Marked on the belly with workshop mark (painted).Literature: Gabi Dewald, Jörg Jatho. Wünschwundermann. Ein Buch über Jörg Manz. Erschienen anläßlich der Ausstellungen Galerie Handwerk München, Veste Coburg, Keramikmuseum Westerwald 1998 (allgemein).
Lot 131
Ursula & Karl Scheid, Cup and VaseUrsula & Karl Scheid2004/2003Konvolut, Becher und Vase. 2004/2003. Porzellan. Matt glasiert. Becher, Dekor in Braun mit Rosa auf hellem Grund. H. 8 cm, D. 8,5 cm. Am Boden bezeichnet mit Werkstattmarke und datiert 04 (Prägestempel). Vase, Dekor mit alternierenden Quadraten in Braunblau und Weiß. 8,8 x 7,5 x 4 cm. Am Boden bezeichnet mit Werkstattmarke und datiert 03 (Prägestempel). Ursula & Karl Scheid, Cup and VaseUrsula & Karl Scheid2004/2003Mixed lot, mug and vase. 2004/2003. Porcelain. Glazed matt. Mug, decor in brown with pink on a light background. H. 8 cm, D. 8.5 cm. Marked on the bottom with a workshop mark and dated 04 (stamp). Vase, decor with alternating squares in brown blue and white. 8.8 x 7.5 x 4 cm. Marked on the bottom with a workshop mark and dated 03 (stamp).
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