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Lot 36
Dinky 29b Streamlined Buses: six with open rear windows - two light green with mid-green roof-bands and spats and ribbed tyres on smooth hubs, two blue with dark blue roof-bands and spats and ribbed tyres on snooth hubs, two light green with green spats and smooth tyres on ridged hubs, with a half-dozen 29B Trade Box containing dividers, retailers graphite '1/4' inscription, four E, two G-VG, box F
Lot 43
Dinky early 1950's commericals: grey Guy Flat Truck with Tailboards, light blue Foden 1st Type Flat Truck, red Bedford Articulated Lorry, Streamlined Fire Engine, red 30e Breakdown Car, AA Motorcycle combination, Post Van with open rear windows and black roof, red 280 Delivery Van, orange 25r Forward Control Lorry with black hubs, grey Trailer and Reconnaissance Car, generally F, some parts F-G (12)
Lot 401
Claude Francis Barry RBA (1883-1970), "Henry VIII's Gate Windsor Castle -" Evening Light, etching, signed in pencil bottom right and dated 1911, inscribed in pencil bottom left, 9.75 x 6.5in (25 x 16.5cm). * The Wintle Collection: Irene Carr, daughter of the early St. Ives School artist & photographer Sydney Herbert Carr (1864- 1917), married Francis Edward Wintle at the parish church, St. Ives in June 1912. The wedding was a major local social event with a reception at the Porthminster Hotel, and was attended by a number of local and other artists, many of whom presented paintings to the couple as wedding presents. The Wintle Collection includes a number of these presents, which are being offered on the open market for the first time. A full list of guests and presents was published in The St. Ives Times on June 21st 1912, listing a "framed etching" as being given by Mr. and Mrs. Claude Barry. A facsimile copy of the article from The St. Ives Times accompanies the lot. Please contact us for further details of this unusual provenance. Early Claude Barry etchings are rare, as it is reputed that his wife burnt all of his work when he went off with a mistress in 1914.
Lot 1254
John Woodhouse (fl.1810?-1839), Blackett Street, Newcastle-on-Tyne: A Reverse Half Length Profile Portrait on Glass, circa 1830, of a young woman wearing muslin bonnet and puff sleeve black dress, on a light pink background, image 22cm by 17.5cm, in a period rosewood veneered moulded frame; and A Cut Silhouette Full Length Portrait of a Lady, circa 1850, wearing a bonnet and holding a day bag on her right arm, 26.5cm by 16cm, a label on the reverse inscribed Mrs Hibbert Sale, and with the Marples & Hibbert, 78 Fargate, Sheffield label (2)
Lot 1262
Peter Rouw: Wax Profile Bust Portrait of James Woolley Esq of Birmingham, 1807, finely modelled in light salmon pink wax, sinister, wearing jabot and broad lapelled jacket, signed P Rouw sculpt London 1807 on the truncation, against a black slightly mirrored background, circular, 10.2cm, beneath a glazed dome within a black papier mâché square frame, inscribed on the reverse in ink A portrait of James Woolley Esq, Birmingham, Peter Rouw sculptor, Portland Road, London 1807 See illustration
Lot 1263
Peter Rouw: Wax Profile Bust Portrait of His Grace the Duke of Bridgewater, 1803, finely modelled in light salmon pink wax, dexter, wearing a jacket, against a black slightly mirrored background, circular, 10.2cm, beneath a glazed dome within a black papier mâché square frame, inscribed on the reverse in ink Portrait of His Grace the late Duke of Bridgewater, Peter Rouw sculptor, Portland Road, London 1803, 18.5cm by 18cm See illustration
Lot 1265
Peter Rouw: Wax Profile Bust Portrait of a Young Woman, 1810, finely modelled in light salmon pink wax, turning to dexter, her hair upswept and held by a band in Grecian style, wearing a ruffled lace collar to her pearl embellished dress, signed on the truncation P Rouw sculpt London 1810, against a black polished glass background and beneath domed glazing, within a gilt metal outer frame and in green leather protective case (front cover lacking), the image 11cm diameter See illustration
Lot 1269
Follower of Isabella Beetham: Profile Portrait of a Lady Painted on Glass, circa 1790, sinister, with a light veil on her long curling hair and lace fichu, against white plaster of paris background, oval, on convex glass with verre eglomise border, 10cm overall, in pressed and gilded brass frame; and Another Somewhat Similar, 8.7cm (2) See illustration
Lot 1280
French School, circa 1780: Profile Bust Portrait of a Gentleman, painted black, his hair en queue, against a gilded glass ground with foliate engraved broad border, the reverse with gilt metal fretted insert with central monogram JSP(?) and around the edge il m'aime tout son coeur, against a light blue silk panel, oval 7.2cm See illustration
Lot 1281
English School, circa 1740: Miniature Portrait of a Young Gentleman, with long powdered curly hair, brown eyes, wearing a lace jabot and light blue velvet jacket, oval, 6cm, on copper, in later papier mâché frame; and English School, early 19th century: Portrait of a Robert Durham and Mrs Durham, he wears a black jacket, she wears an embroidered mob cap and ruff, oval, 7cm and 6cm respectively, in black papier mâché frames (3). A label on the reverse of the Robert Durham miniature states He was a Unitarian, Robert Durham (Yorkshireman) Builder & Undertaker, buried on the kings .... near to ... Symans Church, London. Married a Miss Ovens and afterward a Miss Stamp. Died rich = born in 1747. He was my great grandfather G G W Gordon. On the reverse of the Mrs Durham miniature My great grandmother Mrs Durham formerly a Miss Ovens & I think the writing is my aunt Elizabeth Durham (Sprinter) but I don't know my great grandmother's christian name. G G W Gordon
Lot 1326
An Ormolu and White Marble Striking Mantel Clock with Garniture, circa 1880, the case finely decorated throughout with winged bronze cherubs, mask and floral mounts, D-ended rectangular base rasied upon turned feet, 6-1/2-inch white enamel dial with Arabic numerals, swag floral decoration, twin barrel movement with platform cylinder escapement, outside countwheel striking on a bell, 46cm high, together with a pair of six-light candelabra, decorated with winged cherubs and white marble bases with floral mounts, 54cm high See illustration
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534338 item(s)/page