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Forum Auctions
Lot 97

Goodwin (Francis) Rural Architecture [Cottage Architecture], First & Second Series & 2 supplements, together 4 parts bound in 1 vol., second edition, supplements first edition, 98 aquatint plates and plans, some light spotting to plates, text a little browned, bookplate of James Hunter of Hafton, contemporary half red morocco, spine gilt, rubbed, spine slightly faded, 4to, John Weale, 1835.⁂ Originally published as Domestic Architecture in 2 volumes in 1833-34, then this second edition as Rural Architecture with supplements titled Cottage Architecture in 1835, and another "second edition" of Domestic Architecture by Bohn in 1843 (see next lot).

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Forum Auctions
Lot 99

Gordon (Alexander) A Treatise upon Elemental Locomotion... and prospects of Steam Carriages, second edition, 13 lithographed plates, 5 folding, with final blank, occasional spotting, C.F.Dendy Marshall's copy with his signature, A.L.s. to him from another railway historian James F.McEwan and some other ephemera loosely inserted, contemporary half calf, rebacked, new endpapers, 1832 § Proceedings of the Public Meeting...for erecting a Monument to the late James Watt, title with contemporary ink signature of Richard Davey to head and light water-staining, photograph of list of contributors tipped in at end, original boards, roan label to upper cover, spine torn, 1824 § Galloway (Elijah) History and Progress of the Steam Engine, edited by Luke Hebert, wood-engraved frontispiece, additional vignette title, illustrations, contemporary half morocco, 1836, all rubbed; and 8 others on steam engines, 8vo (11)⁂ The first is an early treatise on steam carriages, and their usage, with the engineers of the day reporting to the select committee trusted with examining the matter, and its ramifications. The high turnpike penalties dealt a lasting blow to this fledgling industry which was quickly overtaken by the spread of the railway network. Gordon states in his preface to the second edition, "I have added so largely to some parts of my work, and have made such changes in its arrangement, - advisable at this more advanced period of locomotive science.... that this edition may almost be considered a new book".

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Burstow & Hewett
Lot 1500

John Warkup Swift (1815 - 1869), oil on canvas, a fishing lugger on stormy seas, signed with indistinct date, 49cm x 72cm, original frameVery good clean condition, signs of a few tiny spots of overpainting when viewed under UV light but invisible to the naked eye, recently cleaned and varnished, frame also in good condition with some minor gesso crazing and re-gilded

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Burstow & Hewett
Lot 1501

Clarkson Stanfield, oil on canvas, busy Dutch coastal shipping scene, 51cm x 89cm, framedCanvas has been recently lined, no sign of previous tears or repairs, a few very minor spots of overpainted paint flakes only visible under UV light, paint all stable, good clean condition, original ornate gesso frame with name plaque also in good condition

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Burstow & Hewett
Lot 1504

Hugh Carter (1837 - 1903), oil on canvas, boys at the shore, signed, 60cm x 40cm, framedCanvas has been lined with a few very minor spots of overpainting only visible under UV light, no sign of previous tears or repairs, paint all stable, gesso frame also in good condition

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Burstow & Hewett
Lot 1514

James Jebusa Shannon (1862 - 1923), oil on canvas, portrait of a woman wearing a bonnet, thought to be the artist's wife, 102cm x 78cm (40" x 30"), framedNo canvas damage patches or repairs, a faint stretcher mark across the centre and light horizontal paint craze lines in the lower half, paint appears to be stable and no sign of overpainting when viewed under UV light, label verso states that this painting was given by the artist's granddaughter in the 1970s, modern frame with small section of gesso missing from bottom right-hand corner

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Burstow & Hewett
Lot 1516

19th century oil on canvas, portrait of a girl, unsigned, 94cm x 68cm, framedCanvas has been lined with a few small spots of overpainting visible under UV light, paint all stable, good condition, modern frame also good, together with family tree and photograph

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Burstow & Hewett
Lot 1517

Henry H Parker (1858 - 1930), oil on canvas, near Goring on the Thames, signed, 41cm x 69cm, framed, provenance: Pawsey & Payne Gallery LondonCanvas has been lined, good clean condition, no sign of previous tears or repairs, all looks good under UV light, ornate frame with small piece of gesso missing from bottom edge

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Burstow & Hewett
Lot 1523

Mukul Dey (Indian - 1895 - 1989), watercolour, Siva Parvati in cloud-land, 86cm x 86cm, framed Generally in good original condition, a few light surface stains and marks which will clean easily, original stretcher and frame, private local collectionThe vendor acquired the painting a few years ago from a deceased estate. There is no other provenance known with this painting.  It is signed but not dated. 

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Burstow & Hewett
Lot 1527

19th century monochrome watercolour, portrait of a girl with a cat, unsigned, 27cm x 19cm, framedSome very light foxing and paper discolouration, mount is damp stained

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Burstow & Hewett
Lot 1528

Oil on canvas, woman with a tapestry, signed with monogram EB, 45cm x 37cm, framedSmall hole to the left of the figure and a few light surface abrasions

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Burstow & Hewett
Lot 1532

17th/18th century, unstretched oil on canvas, religious composition, 83cm x 69cm, unframedCanvas has been laid onto another canvas, general light crazing, spots of overpainting visible under UV light

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Burstow & Hewett
Lot 1573

Arthur Gordon, pair of oils on canvas, Thames scenes near Putney, signed and dated 1884 and 1886, 36cm x 52cm, framedThe sunset scene has hole in canvas beside the buoy in the water which needs repair, the other painting has a patch repair with a thin line of overpainting only visible under UV light, good condition, frames also good

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Burstow & Hewett
Lot 1577

19th century oil on wood panel, sheep in a field, signed with monogram, 45cm x 34cm, framedPanel has a wooden cradle on reverse but no sign of previous splits or repairs and panel is flat, a few small spots of overpainting only visible under UV light, slightly dirty and a few very minor surface abrasions, generally good

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Burstow & Hewett
Lot 1579

Alyce Thornycroft (active 1890 - 1895), oil on canvas, portrait of a woman, inscribed on stretcher, 33cm x 28cm, framedGood condition, light paint crazing but paint all stable, all looks fine under UV light, no canvas damage patches or repairs, original plain gilt frame also good

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Burstow & Hewett
Lot 1633

Newton Haydn Stubbing (1921 - 1983), watercolour on a postcard, abstract landscape, signed and inscribed verso, 10cm x 15cm, unframedA few very light surface marks, generally good

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Burstow & Hewett
Lot 1642

Carl Brennir (1850 - 1920), oil on board, impressionist landscape, inscribed verso, dated 1900, 14cm x 23cm, framedUntouched condition, would benefit from a light clean, original frame

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Burstow & Hewett
Lot 1680

19th century oil on canvas, children blackberry picking Hastings, unsigned, 41cm x 61cm, framedNo canvas damage or repairs, very light paint crazing but paint is all stable, very slightly dirty, modern frame with minor gesso damage

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Bonhams
Lot 528

A pair of cast silver two-light candelabra, in the 18th century stylemaker's mark J C L in a shaped device, London 1962 With detachable branch sections, with scroll arms issuing from a central knop, knopped baluster form columns on stepped square bases with cut corners, height 22.2cm, weight 56.2oz. (2)For further information on this lot please visit Bonhams.com

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Bonhams
Lot 570

A George III silver teapot and matching tea caddyHenry Green, London 1787 and 1786 Both of oval forms, with bright engraved bands of foliate swags between roundels over a light textured ground, the sides with vacant shield reserves and flanked by further foliate swags and prick-dot engraved scrolls, the teapot with wood finial and handle, the caddy with silver urn shape finial and interior with lock mechanism (no key), length of teapot 27cm and caddy 13cm, weight total 24.3oz. (2)For further information on this lot please visit Bonhams.com

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Bonhams
Lot 585

A Victorian silver three-light candelabra / centrepieceJoseph Angell I & Joseph Angell II, London 1845,The three open-work scroll arms issuing from below a central open-work basket, the three candle nozzles can be removed and interchanged with open-work receivers for glass dishes, the shaped-cylindrical column with upswept strapwork bosses and scroll panels within a stippled ground, raised on a triform base, the corner panels further embellished with strapwork and scrolls, with three polished side panels, each one engraved, with crest of a bird and motto 'DUW A DDARPAR IR BRAIN', an ornate cipher and an elaborate armorial, height 66cm, weight 145oz.Footnotes:The main paternal arms are for the WILLIAMS family of the manor of Treffos of Llansedwrn, Anglesey. The records of this manor during the occupation by the WILLIAMS family in the period 1656-1900 are held by the National Library for Wales. Thomas WILLIAMS (1737-1802) of LLanidan Anglesey and Temple House Berkshire, was the eldest son of Owen WILLIAMS of Treffos, Anglesey by Jane LLOYD and in 1763 he married Catherine LLOYD of Llanfihangel-ti'r-Beirdd, Anglesey. They had two sons Owen Edward WILLIAMS (1798-1865) and an elder son Thomas Peers WILLIAMS (1798-1865) who married Emily BACON (1812-1875), in turn he had a son General Owen WILLIAMS (1836-1904) who has the same paternal arms, crest and motto as in the engraving.For further information on this lot please visit Bonhams.com

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Bonhams
Lot 78

A Charles II silver mounted sea bean snuff boxSimon Romney, London circa 1680 A sea bean mounted with hand-cut silver strapwork, the edges shaped and naively engraved, the silver cover hinged and secured via a hook and vertical ring, inscribed 'IE'97', together with a silver mounted carved mother-of-pearl snuff box, possibly Dutch early 19th century, unmarked, boat shaped, a mother-of-pearl body featuring Neptune with his trident and a nude woman to the hinged cover, opened by a shell button to reveal a lead lined interior, an internal silver disc inscribed 'Sahagun Dec' 21 1808', the exterior with applied silver scrolling mounts, the sides carved with cherubs playing horns with wave-like scrolls, a silver keel beneath. (2)Footnotes:Property of a private collector.The interior of the mother-of-pearl snuff box cites the following - The Battle of Sahagún, 21 December 1808. This refers to a cavalry clash at Sahagún, Spain, in which the British 15th Light Dragoons (Hussars) defeated two regiments of French cavalry during the Corunna Campaign of the Peninsular War. Losses to one of the French regiments were so heavy that it was subsequently disbanded. The action marked the final phase of the British army's advance into the interior of Spain, before they began their harrowing retreat to the coast and ultimate evacuation by sea. This was some kind of commemorative snuff box, possibly given to honour someone involved in the battle.For further information on this lot please visit Bonhams.com

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Bonhams
Lot 368

A COLLECTION OF SCOTTISH REGIMENTAL CAP BADGESPredominantly regarding The Cameronians (Scottish Rifles), in three box frames; together with other British army brass and white metal cap badges and mounts; and a 19th century Highland Light Infantry (HLI) woolwork picture, 27cm high, 24cm wide (56 items in total).For further information on this lot please visit Bonhams.com

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Bonhams
Lot 404

Richard Simkin (British, 1840-1926)90th Regiment of Foot (Perthshire Volunteers Light Infantry)a pair of watercolours both signed and dated [18]8012 x 18.5cm (4 3/4 x 7 5/16in).For further information on this lot please visit Bonhams.com

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David Duggleby Auctioneers & Valuers
Lot 2000

18ct gold sapphire and round brilliant cut diamond cluster ring, stamped 18ct & Pt, sapphire approx 0.45 carat, in velvet and silk lined boxCondition Report:Approx 2.45gm, size L, overall head = 10mm, sapphire light blue in colour - some very light surface nibbles and a very fine internal crack - all visible under 10x loop only, diamonds bright and well matched

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David Duggleby Auctioneers & Valuers
Lot 2039

18ct gold signet ring, with monogrammed initials 'EWB', London 1938Condition Report:Approx 8.6gm, size K, some light surface scratches otherwise good condition

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David Duggleby Auctioneers & Valuers
Lot 2058

Early 20th century three stone opal ring, with diamond accents set between, Chester 1914Condition Report:Approx 2.45gm, size N-O, outer two opals different to central opal - possible replacement, some light rubbing to opals would benefit from a polish

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David Duggleby Auctioneers & Valuers
Lot 2155

Rolex Oyster Precision gentleman's stainless steel manual wind wristwatch circa 1956, Ref. 6422, serial No. 201093, 17 jewel movement, white dial with silvered baton hour markersCondition Report:Movement currently functioning (time keeping not checked), crown screws down tight, hands moving freely, some light staining to dial, some loss of enamel to minute hand, case diameter = approx 34mm excluding crown, no box or papers

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David Duggleby Auctioneers & Valuers
Lot 2156

Rolex Oyster Precision gentleman's manual wind wristwatch, Ref. 6222, serial No. 789509, cream dial with Arabic numerals, on leather strapCondition Report:Movement currently functioning, crown winds, hands moving freely, thread good - screws down tight, some light discolouration to dial, rust marks to acrylic cover, back case with some rusting and also around seal (have not attempted to remove back case), case dimater = 33mm (excluding crown)

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David Duggleby Auctioneers & Valuers
Lot 2159

Cauny Prima gentleman's manel wind chronograph wristwatch, 17 jewel movement, Cal. 248, silvered dial with subsidiary seconds dial for 45 minute recording and constant seconds dials and outer tachymeter scale, on brown leather strapCondition Report:Movement currently working, recording dial and constant seconds also working - time keeping not checked - not guaranteed, push button operating, dial with some light marks and rubbing of gilt metal to case, crown difficult to pull out but hands move freely , case diameter = 36mm (excluding crown)

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David Duggleby Auctioneers & Valuers
Lot 2161

Rotary GT gentleman's stainless steel automatic wristwatch, 21 jewel movement, brown/grey dial with ate aperture and a RW Roamer gentleman's stainless steel manual wind wristwatch, 17 jewel movement and silvered dial, both on leather straps Condition Report:Both movement currently functioning (time keeping not checked) - not guaranteed. Clean dials - the Rotary with some light surface scratches to cover. Rotary case = 33mm Roamer = 35mm (both excluding crowns)

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David Duggleby Auctioneers & Valuers
Lot 2163

Four automatic wristwatches including Oriosa 25 jewel, Consul, Realm and Bulova, two with silvered dials, two with blue dials, all with date apertures and strapsCondition Report:All movements currently functioning - not guaranteed, Consul and Bulova with light marks to dials

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David Duggleby Auctioneers & Valuers
Lot 2164

Two automatic gentleman's wristwatches including Seiko 5 21 jewels and a Sandoz 25 jewels and two manual wind wristwatches including Sekonda 18 jewels USSR alarm and Oris twin date 17 jewels, all with gilt and stainless steel casesCondition Report:All movements currently functioning, not guaranteed time keeping not checked, dials good (Oris very very small scratch around centre dial), some light scratches to covers and some scratches to cases, Sekonda small very losses to gilt visible from reverse

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McCartneys
Lot 449

A light oak dining table on turned fluted legs. 108' long x 48' wide x 30' high

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Bonhams
Lot 139

OMAR RAMSDEN & ALWYN CARR: a silver christening cup and coverLondon 1915 The cover with broad rim and centred with a high dome, with an applied badge for the Artists Rifles, also with an alternating gallery of leaf motifs and spheres above a rope twist band, flared body with a light spot hammered surface, rope twist band above the stepped spreading circular foot, the sides chased with the badge of the Artists Rifles, and chased 'I WAS WROUGHT FOR RICHARD CATHAL SHIRLEY BY COMMAND OF OFFICERS OF THE 2ND ARTISTS RIFLES O.T.C. TO MARK HIS CHRISTENING DAY MCMXVII', underside of base engraved 'OMAR RAMSDEN ET ALWYN CARR ME FECEQUNT', height 15cm, weight 12.4oz.Footnotes:Richard Cathal De La Cour Shirley was born in Bedfordshire on the 7th of January 1917, the younger son of Lieutenant Colonel William Shirley CMG OL, 5th Bengal Lancers, and Ida Mary (nee Corbett) De La Cour Shirley of 149 Harley Street, London and of Silsoe House, Silsoe in Bedfordshire. He was christened at St Mary Magdalene Church, St Pancras on the 5th of February 1917.He was educated at Lancing College where he was in Heads House from September 1930 to July 1935. He was a Sergeant in the Officer Training Corps, achieving certificate A in 1933. He was a member of the swimming team from 1933 to 1935 being Captain in 1935. He was also a member of the running team from 1933 to 1935 and was their secretary for 1933 and 1934. He was a member of the athletics team from 1933 to 1935 where he was a mile runner. He gained his School certificate in 1934.He went on to Pembroke College Cambridge where he achieved a BA and also served as a member of the Cambridge University Officer Training Corps. He was commissioned as a 2nd Lieutenant on the General List for the Territorial Army on the 28th of January 1937.He was commissioned as a 2nd Lieutenant on the Unattached List for the Indian Army on the 27th of August 1938, with seniority from the 28th of January 1937. He was consequently promoted to Lieutenant on the 13th of September 1938.He died suddenly 7th August 1940 age 23 at Abbottabad in India and was buried the following day at Karachi War Cemetery.For further information on this lot please visit Bonhams.com

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Bonhams
Lot 157

A cased set of six silver tot cupsunmarked, early 20th centuryEach tot cup having been formed from using an Edward VII 1902 crown, the milled edge and rim with script 'ANNO REGENI II DECUS ET TUTAMEN', the tapering sides with light spot hammered surface, in original fitted box, gilt tooled inside 'British Goldsmiths Alliance 30 College Street Bristol', height 3.8cm, weight 5.4oz. (6)For further information on this lot please visit Bonhams.com

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Bonhams
Lot 168

A pair of Art Nouveau silver-plated 'Eiffel' two-light candelabra designed by Albert MayerWMF, Geislingen an der Steige, Germany 1906, stamped 192 Of naturalistic form, with pierced scrolling and floral decoration, each with two branches, a sconce on each with detachable nozzles, the tapering square-trumpet bases perforated with free-flowing organic shapes, height 30cm. (2)Footnotes:This pair of candelabra were designed in the WMF Art Studio under Albert Mayer, sculptor and designer, who was director from 1884 to 1914.WMF was originally called 'Metallwarenfabrik Straub & Schweitzer' and by 1900 it was a world leader in high-quality silver-plated metalware, mainly in the Jugendstil, or Art Nouveau style.For further information on this lot please visit Bonhams.com

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Bonhams
Lot 177

A pair of Greek silver, silver-gilt and patinated figural seven-light candelabrastamped 925, X and E50, circa 1969The stylised silver-gilt standing figures with arms raised supporting the patinated hemispherical bowls, one bowl with a band of laurel leaves, anthemion motifs and rams masks in relief over a stippled ground, the other with stylised incised Greek key motif and also engraved 'S.A.S 20.5.1969', the removable intersections for seven-lights, height 44.5cm and 45.5cm, weight 215oz. (2)This lot is subject to the following lot symbols: ΩΩ VAT on imported items at the prevailing rate on Hammer Price and Buyer's Premium.For further information on this lot please visit Bonhams.com

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Bonhams
Lot 216

STUART DEVLIN: a set of six silver and silver-gilt gobletsLondon 1968 The tapering polished bowls with a light spot hammered surface, the narrow waisted band above the silver-gilt stems and circular foot, with a simulated rocky textured surface, the bowls with gilt interiors, height 18.5cm, weight 38.5oz. (6)Footnotes:Property of a private collector.For further information on this lot please visit Bonhams.com

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Bonhams
Lot 386

A pair of German silver three-light candelabraMöhrle Silber, German circa 1996, incuse stamped 800 Neo-Classical low form, three fixed scrolling branches evenly spread around a central squat knopped column topped by a fluted finial, each branch terminating in a baluster sconce and a fixed beaded rim drip-pan, all on a circular loaded base with gadroon rim, height 18cm. (2)For further information on this lot please visit Bonhams.com

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Bonhams
Lot 434

A pair of George III / IV silver three-light candelabraJohn Watson, Sheffield 1819 / 1821 The detachable branch sections with two reeded scroll arms issuing from below a removable central light (with marks for John Watson, Sheffield 1821), also fitted with a leaf and flame finial nozzle acting as a snuffer, The shaped-square baluster form columns with scroll edges are profusely chased in high relief with floral sprays to the nozzles, panelled stems and circular bases, loaded, height 53cm, weight of branches only 86oz.For further information on this lot please visit Bonhams.com

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Bonhams
Lot 497

A pair of Victorian silver three-light candelabraJohn Aldwinckle & Thomas Slater, London 1889, the branch sections 1888With Corinthian columns terminating on stepped square bases with bead bands, detachable branch sections with two reeded scroll arms issuing from below a removable central light, branch sections engraved with the impaled arms of Philip Lyttleton GELL (1852-1926), loaded bases, inscription to rim of base to 'Philip Lyttleton Gell from Alfred Milner, July 25 1889', height 47cm and 48cm. (2)Footnotes:These are the impaled arms of Philip Lyttleton GELL (1852-1926) son of John Philip GELL (1816-1898), who held posts in Australia before returning to act as a curate at a number of parishes, by Eleanor Isabell FRANKLIN (1824-1860) and his wife Edith Mary BRODRICK (1860-1944) daughter of William BRODRICK (1830-1907), 8th Viscount Middleton by Augusta Mary FREMANTLE (1828-1903). He was Editor of the Oxford University Press (1884-1896) and President of the British South Africa Company (1920-1923).The GELL family have an ancestry long associated with Derbyshire.For further information on this lot please visit Bonhams.com

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Bonhams
Lot 499

A pair of Edwardian silver five-light candelabraGoldsmiths & Silversmiths Co Ltd, London 1908In the Adam style, the tapering cylindrical columns and spreading square bases with ribbon tied drapes and tassels, bead rims, the engraved crest and motto is that of the PILKINGTON family of Park Lane Hall (or House) Yorkshire, the detachable branch sections each with two pairs of arms fitting below a central light, this enables these to be three or five-light candelabrum, the nozzles embossed with shells, husk festoons and stiff leaf motifs and with leaf embellished scroll arms, loaded bases, lacking one small drip pan, height 48.5cm.Footnotes:The crest is that of the PILKINGTON family of Park Lane Hall (or House) Yorkshire. The family were originally of Rivington, Lancashire where they were considered to be of considerable antiquity. Very little is known of the family at Park Lane Hall today however there is reference to a collection of pedigrees purchased in 1905 by the Norfolk Record Office, they identify Henry PILKINGTON (1787-1859) of Park Lane Hall Yorkshire.For further information on this lot please visit Bonhams.com

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Bonhams
Lot 505

A pair of silver candlesticks with electroplated three-light branchesJenkins & Timm, Sheffield 1894 Neo-classical in form, tapering fluted stems and detachable branch sections with removable drip-pans, the oval bases inscribed and weighted, height 46cm, diameter 15cm. (2)For further information on this lot please visit Bonhams.com

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Bonhams
Lot 506

An Edwardian silver three-light candelabrumWilliam Hutton & Sons Ltd, London 1904 The plain tapering cylindrical column on a spreading circular base, with gadroon disc knops and bands, detachable branch section with two reeded scroll arms issuing from below a central light, loaded base, height 46.8cm.For further information on this lot please visit Bonhams.com

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Bonhams
Lot 510

A silver five-light candelabrummaker's mark distorted F ?, Birmingham 1931 The Corinthian column terminating on stepped square base with bead bands, detachable branch section with four reeded scroll arms issuing from below a central light, height 46cm, weight 64.9oz.For further information on this lot please visit Bonhams.com

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Wilson55 Auctioneers & Valuers
Lot 1

Herbert Davis Richter R.I., R.S.W., R.O.I. (British 1874-1955) Floral still life with a vase of carnations and a small figurine Signed, oil on canvas.59.5cm x 49cm (23.25in x 19.25in)Artists’ Resale Right (“droit de suite”) may apply to this lot.The painting is in very good, restored condition. Under UV light there is evidence of cleaning and overpainting. The painting is ornately framed but not glazed.

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Wilson55 Auctioneers & Valuers
Lot 105

A Liberty & Co. silver enamel cigarette case, A Liberty & Co. silver enamel cigarette case, Liberty & Co., Birmingham, 1929, gross weight 4.93ozt.Overall condition good to fairLight scratches in keeping with ageMarks clearCase shuts to

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Wilson55 Auctioneers & Valuers
Lot 13

Bertram Nicholls (British 1883-1974) "Ripon" Signed and dated 1953, titled on gallery label - 'The Fine Art Society Ltd., London' verso, oil on canvas.49.5cm x 75cm (19.5in x 29.5in)Artists’ Resale Right (“droit de suite”) may apply to this lot.The painting is in good, original condition. The surfaces of both the painting and frame are stained by nicotine and would certainly benefit from a light clean. There is a small scratch to the surface of the painting in the lower right-hand corner of the canvas. The painting is ornately framed but not glazed. The original frame has some knocks and losses.

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Wilson55 Auctioneers & Valuers
Lot 15

Charles Blacklock (British 19th century) "Evening in the Hayfield" Signed and dated 1882, titled on verso, oil on canvas.19cm x 29cm (7.5in x 11.5in)The painting is in good, restored condition. Under UV light there is evidence of cleaning and overpainting. There is some minor craquelure and cracking across the surface of the painting. The painting is ornately framed but not glazed. The frame has some minor scuffs and knocks commensurate with age.

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Wilson55 Auctioneers & Valuers
Lot 17

William Luker (British 1828-1905) A woodland scene with deer Signed and dated 1869, oil on canvas.54cm x 100cm (21.25in x 39.25in)The painting is in good, restored condition. The painting has been re-lined. Under UV light there is evidence of cleaning and overpainting and there are some small flecks of paint loss along the lower edge of the canvas. The painting is ornately framed but not glazed. The frame has some minor scuffs and knocks commensurate with age.

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Wilson55 Auctioneers & Valuers
Lot 22

Thomas Colman Dibdin (British 1810-1893) Rural scene with a watermill and figures Signed and dated 1868, watercolour.35.5cm x 52cm (14in x 20.5in)The painting is in good, original condition with strong colours. There are some minor areas of browning and spots of foxing across the paper and some very light time staining and browning around the edges of the paper near the mount board. The painting is framed and glazed. The frame has some minor scuffs and knocks commensurate with age.

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Wilson55 Auctioneers & Valuers
Lot 27

John McDougal (British 1851-1945) North Wales beach scene Signed and dated 1933, watercolour.41.5cm x 55cm (16.5in x 21.75in)The painting is in good, original condition with strong colours. There are some minor spots of foxing, browning and other light surface marks across the painting. The paper has yellowed slightly in areas across the sheet. The painting is ornately framed and glazed.

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Wilson55 Auctioneers & Valuers
Lot 28

Adolphus Knell (British, active 1860-1890) Maritime scenes with various shipping Both signed, with gallery labels - 'The Unicorn Gallery, Wilmslow' on verso, a pair, oil on canvas.each 44.5cm x 60cm (17.5in x 23.5in)Qty: 2The paintings are both in good, restored condition. The paintings have both been re-lined. Under UV light there is evidence of extensive cleaning and overpainting. The varnish has yellowed in areas across the paintings. The paintings are both ornately framed but not glazed.

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Wilson55 Auctioneers & Valuers
Lot 3

Clement (20th century) Still life study of flowers in a vase on a marble ledge Signed, oil on canvas.99cm x 74cm (39in x 29.25in)The painting is in very good, original condition with no obvious faults to report. The painting is ornately framed but not glazed. The frame has some minor scuffs and knocks commensurate with age and has a picture light still attached although the lead has been cut.

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Wilson55 Auctioneers & Valuers
Lot 31A

English School (19th century) Portrait of a gentleman Unsigned, oil on canvas.74.5cm x 62cm (29.25in x 24.25in)The painting is in good, restored condition. The painting has been re-lined. Under UV light there is evidence of cleaning and overpainting. The varnish has yellowed universally and there are some minor splashes across the painting. There is extensive craquelure across the surface of the painting. The painting is ornately framed but not glazed. The frame has some knocks and losses commensurate with age.

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Wilson55 Auctioneers & Valuers
Lot 33

English School (19th century) A portrait miniature and a silhouette Unsigned, oval, ink and watercolour on paper and a cut-paper silhouette, both in ebonised rectangular frames with gilt mounts (2).6cm x 5cm (2.5in x 2in) and 7.5cm x 6.5cm (3in x 2.5in)Qty: 2The miniatures are both in good, original condition. There are two very small flecks of paint loss below the watercolour portrait bust. The glass on both the miniatures is a little dirty around the edges. There is some light craquelure, scuffs and scratches across both the ebonised frames.

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Wilson55 Auctioneers & Valuers
Lot 5

English School (19th/ 20th century) Portrait of a chestnut horse in a stable Unsigned, oil on canvas.42.5cm x 58cm (16.75in x 23in)The painting is in good, restored condition. The painting has been re-lined. Under UV light there is evidence of cleaning. There are some minor creases across the canvas and stretcher marks are apparent running parallel to the edges of the canvas. There are some minor surface scratches across the painting and some small areas of paint loss around the edges of the canvas. The painting is ornately framed but not glazed. The frame has some minor knocks and losses commensurate with age.

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Wilson55 Auctioneers & Valuers
Lot 64

A selection of George V silver, A selection of George V silver, to include a pair of sauce boats together with a mug, gross weight 18.36ozt (3).Overall condition good to fairMug - Charles Edwards, London, 1916, inscription to front, dent to base, marks clearSauce boats - Harrison Brothers & Howson, Sheffield, 1930, monograms to front, light dents throughout

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Wilson55 Auctioneers & Valuers
Lot 65

An Edward VII silver bonbon dish, An Edward VII silver bonbon dish, no. 2254, William Hair Haseler, Birmingham, 1905, height 5.8cm, gross weight 4.33ozt.Overall condition fair to goodSome damage to the rimScratched inscriptions to baseLight dents in keeping with age and general use

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