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Click here to subscribeLidiya Buharova-Sporykhina (1927-2004)'Wrestler', 1950ssigned in Cyrillic l.r., oil on canvas64 x 48cmCondition report: Light bulging caused by the stretcher bars, a few specks of paint loss upper right, otherwise appears to be fine, not viewed under UV light, please contact the department for a full report.
*Arthur Delaney (1927-1987)The Chip Shopsigned 'Arthur Delaney' l.l., oil on board26.5 x 33cm'If I say this is not a real place it would not be quite true. It is a composite of two districts in Manchester. One was All Saints where I was born where the chip shop was and the other half was the New Cross district at the beginning of the main Manchester to Oldham Rd. The reason I did this was the streets around the chip shop at All Saints had been demolished and were just a wilderness and I needed the atmosphere so I borrowed a bit from the New Cross area.'*Artist's Resale Right may apply to this lot.Condition report: In apparently original condition. Not viewed out of glazed frame. The surface is covered with an uneven varnish layer and it is glazed which makes any reading under UV light difficult. the surface is rather mottled, however, this is probably the varnish and the uneven impasto. Well-presented and ready to hang.
*Laurence Stephen Lowry RA (1887-1976)'Deal Beach'offset lithograph in colours, signed 'L S Lowry' in pencil l.r., with the Fine Art Trade Guild blind stamp l.l.image 26.2 x 50.5cm*Artist's Resale Right may apply to this lot.Condition report: Viewed out of frame, the sheet is attached to the backboard with pieces of tape at corners and edges, it has the stamped number 650 l.l. corner verso, there is some light time staining to the sheet, but generally it is in good condition. Please see images for more detail. Fine Art Trade Guild stamp letters, 'HAD'.
*Laurence Stephen Lowry RA (1887-1976)'Peel Park'offset lithograph in colours, signed 'LS Lowry' in pencil l.r., with Fine Art Trade Guild blind stamp41.5 x 78.5cm*Artist's Resale Right may apply to this lot.Condition report: Framed size: 61 x 98.5cm. Staining to margins of sheet caused by acidic mount, please refer to images that show work unframed, mount itself has discoloured too, light time staining elsewhere, some dents to the frame.
*Laurence Stephen Lowry RA (1887-1976)'Waiting for the Tide'offset lithograph in colours, signed 'L S Lowry' and inscribed 'South Shields Harbour/Entrance' in pencil l.r., published by Ganymed Pressimage 45 x 68cm*Artist's Resale Right may apply to this lot.Condition report: A few very light creases lower right next to pencil inscription, the sheet has been taped to a card backboard along the edges (please see images of the work unframed), there is very light time staining to the paper, the mount has yellowed slightly. These condition issues are not obvious when the work is framed and mounted.
*Laurence Stephen Lowry RA (1887-1976)'Market Scene in a Northern Town'offset lithograph in colours, signed 'L S Lowry' in pencil l.r.image 46 x 61cm*Artist's Resale Right may apply to this lot.Condition report: Viewed out of frame, taped to mount at back, very light specks of foxing upper left. Generally good condition.
*Laurence Stephen Lowry RA (1887-1976)‘Britain at Play’offset lithograph, signed 'L S Lowry' in pencil l.r., with the Fine Art Trade Guild blind stamp l.l.image 44.5 x 59.5cm*Artist's Resale Right may apply to this lot.Condition report: Light fading to the print, especially reds, light time staining around edge of image, a few small pieces of tape attach it to mount, small crease upper left corner.
*Laurence Stephen Lowry RA (1887-1976)'Huddersfield'offset lithograph in colours, signed 'L S Lowry' in pencil l.r., with Fine Art Trade Guild blind stamp48 x 60cm*Artist's Resale Right may apply to this lot.Condition report: Framed size: 79 x 91cm. Viewed out of frame, the print is generally in good condition, there is some light time staining (please refer to images) and slight discolouration under the mount as it is an acidic mount; however, this is mild. Overall, in good condition and well-presented.
*Malcolm Arbuthnot (1877-1967)Trees near a picket fencewatercolour54.5 x 37cm*Artist's Resale Right may apply to this lot.Condition report: Not viewed out of glazed frame, acidic mount that has discoloured and caused some light staining to the sheet, otherwise it appears to be in good condition.
*Betty Swanwick RA (1915-1989)'The Awakening'signed and dated 'Betty Swanwick '76' l.r., pencil32.5 x 56cmExhibited: Royal Academy of Arts Summer Exhibition, 1978, no.754.Literature: Paddy Rossmore, 'Betty Swanwick: Artist and Visionary', Chris Beetles Limited, London, 2008, p.119.*Artist's Resale Right may apply to this lot.Condition report: Not viewed out of glazed frame. Overall light yellow in colour. White border to this presumably from previous mount. A 10cm vertical brown mark to left of tree. A grey smudge to right of tree. A few tiny spots of foxing.
*Keith Vaughan (1912-1977)'Boys Back to Back', 1963blue ballpoint pen, signed and dated '15 xii 63' u.r., with studio stamp verso28 x 20.5cm Exhibited: 'Keith Vaughan Four Decades of Drawing', Gallery 27, London, no.31.Provenance: The estate of Professor Ball;acquired from Gallery 27, London, in 2010, sold with invoice and gallery label.*Artist's Resale Right may apply to this lot.Condition report: Not viewed out of glazed frame. Time staining to the sheet, slightly paler areas at top corners where sheet has been stuck to backboard, light creasing to the lower right corner. Well-presented in oak frame.
*Donald McIntyre (1923-2009)A windy day, two figures on a village road signed 'D McIntyre' l.r., with inscriptions in Welsh on the reverse, oil on board36 x 46cm*Artist's Resale Right may apply to this lot.Condition report: Overall: 48.5 x 58.5cm. Under Uv light no obvious signs of retouching, some light craquelure, otherwise appears to be in good condition. Please see images for craquelure.
*Bernard Dunstan RA (1920-2017)'Trying on a Dress'signed with initials l.l., inscribed with title by the artist on label verso, oil on canvas112 x 112cmExhibited: Royal Academy, London, Summer Exhibition, 1966.*Artist's Resale Right may apply to this lot.Condition report: Framed size 115 x 115cm.Some very light surface dust. Appears to be in good condition. Thick impasto in places. (see additional condition images) Seen under uv light and no obvious retouching shows.
*Alfred Reginald Thomson RA (1894-1979)Still Life with Flowers in a Vasesigned and dated 'A R THOMSON '73' l.r., oil on board42.5 x 35.5cm*Artist's Resale Right may apply to this lot.Condition report: Framed size 56 x 47cmBoard has damage to all edges. This could potentially covererd if it was framed differently. Some light surface dirt.
*Wilfred Fairclough (1907-1996)Peoniessigned and dated 'FAIRCLOUGH 1982' l.l., oil on board48 x 20cmProvenance: With Thomas Agnew & Sons Ltd., London.*Artist's Resale Right may apply to this lot.Condition report: Framed size 66 x 38.5cmOverall a little dirty, nothing major. No obvious condition issues, howver this has not been viewed under uv light so please contact the department for more information.
*Arthur Stranraer Mull (1924-2021)'Abandoned Croft, Sutherland'signed and dated 'Arthur Mull 05' l.r., inscribed with title on label verso, mixed media on paper53 x 71cmArthur Stranraer Mull was born in India in 1924. Following his education in Scotland, he fought in Normandy in the Second World War and was awarded the Légion d'Honneur. He then trained as an architect and was one of the first town planners after the introduction of the Town and Country Planning Act in 1947. He practiced in Cambridgeshire for his whole career, but was also a keen and accomplished painter who exhibited with the Cambridge Drawing Society.*Artist's Resale Right may apply to this lot. Condition report: Framed size: 77 x 95cmNot viewed out of glazed frame. Cocking of paper, and some light crquelure in parts, but these do not significantly affect of the work in my opinion.
Allan Walton (1891-1948)'Pair of shafts'oil on canvas 36.5 x 28.5cmProvenance: With Sally Hunter Fine Art, London, 'Under East Anglian Skies', April-May 1994, no.81;David Marks Esq;with Louise Kosman. Condition report: Framed size 48.5 x 41cmAppears to be in good condition, not viewed under uv light, so please contact the departent for a detailed report and additional images.
*Dame Elisabeth Frink CH RA (1930-1993)'Coriolanus', 1964 lithograph, signed 'Frink' in pencil and numbered 26/50 image 50.5 x 37.5cm*Artist's Resale Right may apply to this lot.Condition report: Framed size: 63 x 48cmNot viewed out of glazed frame. Glass is dirty. Looks like there is very light staining to the print at the edge of the mount.
*William Scott RA (1913-1989)Cornish Harbour, Mousehole lithograph in colours, 1951, proofsheet 51 x 63cm, unframedProvenance: Acquired by the present owner directly from the Curwen Studio.*Artist's Resale Right may apply to this lot.Condition report: Unframed. Large margins. A very tiny white mark and a very tiny yellow mark to right side of printed image. Paper overall light brown but light stains and foxing visible in margins. Horizontal fold across lower margin. Fold mark to lower left corner and to right edge. Light cresaing elsewhere. A blue mark to upper margin. In my opinion the print would present well if it was mounted. (See additional condition images).
*Ceri Richards (1903-1971)'Violin d'Ingres'lithograph printed in colours, signed, inscribed with title, 'AP' and dated '70 in pencil, an artist's proof aside from the edition of 60, printed by Kelpra Studios for Marlborough Graphicsimage 39.8 x 57.8cm*Artist's Resale Right may apply to this lot.Condition report: Frame size 65.5 x 82.5cm. A few very light specks of foxing in the margin. The paper is very lightly cockled, which is only noticeable from certain angles. Not seen outside of glazed frame.
*Will Roberts (1907-2000)Woman Seatedsigned and dated 'WILL ROBERTS. 1959' verso, oil on board74 x 61cm*Artist's Resale Right may apply to this lot.Condition report: overall 85 x 72.5cmSurface dirt. Some flaking to the paint l.l. otherwise in good order. No obvious signs of condition issues when examined under UV light.
*Lucy Harwood (1893-1972)Still Life with Helleboresoil on canvas64 x 51cmProvenance: With Sally Hunter Fine Art, London;the Artist's Estate.*Artist's Resale Right may apply to this lot.Condition report: Framed size 81.5 x 68cmAppears to be in good condition, but not viewed under uv light so please contact the department for a detailed report.
*Francis Plummer (1930-2019)'Leapfrog'signed 'F Plummer' l.l., tempera on board91 x 70.5cm*Artist's Resale Right may apply to this lot.Condition report: Light surface dirt, looks as if there is a thin layer of varnish over the top that has slightly discoloured in the sky area causing a light brown patch. The heads of nails are lightly visible along the top and bottom as the paint has slightly flaked off of them, but this is minor. Generally in good, original condition.
*Alan Brooks (20th century)'Afternoon, Suffolk'signed and inscribed with title verso, oil on canvas51 x 63.5cmThis lot is thought to show the garden at Benton End. Alan Brooks was part of the artist's circle, and in 'Benton End Remembered', artist Maggi Hambling recounts that Brooks was known as 'China' because he was Lett-Haines' regular helper in the kitchen. *Artist's Resale Right may apply to this lot.Condition report: From certain angles you can see an uneven, lines in paint. When viewing canvas from behind you can see there are some marks and intentations on the back which have caused this uneven surface. (See additional condition images). In my opinion this does not detract from work when hanging on the wall. Seen under uv light, no obvious retouching showing up.
*Robert Sadler (1909-2001)Abstract composition (1964)signed 'Sadler' l.l. and dated 1964 on artist's label verso, oil on panel77 x 104cmExhibited: Stable Studios, Ufford, Suffolk, 1960s.*Artist's Resale Right may apply to this lot.Condition report: Framed size: 78 x 105cmLight surface dirt, some scratches to the surface lower left and lower right, some grey paint lower right, white sticker residue upper left corner, please see images. Frame is attached directly to the panel but has moved in places, has some white paint on it. In our opinion, when stood back condition issues noted do not detract from the overall impression of the piece.
*Alan Davie (1920-2014)'Snake Box No.2'signed 'Alan Davie Sept 72' u.r., inscribed with title l.l., watercolour and gouache51 x 75cm*Artist's Resale Right may apply to this lot.Condition report: In a frame but not glazed, Abrasians to paper, a scratch down the centre of the paper, is especially obvious on pink box. A few scracthes elsewhere including the snake. Light dirty marks. Please contact department for detailed images.
*Sir Terry Frost RA (1915-2003)'Small Yellow Timberaine' (Kemp 216)screenprint in colours, printed and published by Galleria Multigraphic, Venice, signed 'Terry Frost' in pencil, numbered 33/60sheet 40.2 x 50.2cm, unframed*Artist's Resale Right may apply to this lot. Condition report: Light handling creases, has previously been removed from mount, generally in good condition.
*Joan Warburton (1920-1996)'Vallons des Gardes, Provence'signed with initials and dated 'JW 1952' l.r., oil on canvas55 x 65cmExhibited: Sally Hunter Fine Art, 'Joan Warburton', March-April 2007.*Artist's Resale Right may apply to this lot.Condition report: Framed size 66.5 x 76.5cmAn area of paint loss to lower left corner on tree. Some flaking upper left resulting in some small losses. Tiny flakes of paint loss elsewhere. Not viewed under uv light. Please contact department for a more detailed report and additional images.
*After Pablo Picasso'Femme au Fauteuil Canne', 1979-82lithograph in colours on Arches paper, signed 'Collection Marina Picasso' in pencil l.r. and numbered 73/500 l.l., bears blind stamp76 x 55.5cm, unframedSold with a certificate of authenticity stating that this is 'A limited edition after a work by Pablo Picasso'.After Picasso's death in 1973, his granddaughter, Marina Picasso, authorised the printing of this series of lithographs. They were created from paintings by Picasso and were printed by Laurent Marcel Salinas.*Artist's Resale Right may apply to this lot.Condition report: Light crease in bottom left corner, otherwise in good condition.
*Sonia Delaunay (French, 1885-1979)'Losange'lithograph in colours, signed and dated 'Sonia Delauney 69' in pencil l.r. and numbered 30/75, with Redfern Gallery label verso60 x 50cmProvenance: With the Redfern Gallery, London, 1970.*Artist's Resale Right may apply to this lot.Condition report: Not viewed out of glazed frame. Stuck down. Light specks of foxing emerging throughout the sheet, one small rub where paper has burred, dust under the glass. Glass on frame has been damaged lower right. (See additional condition images)
Elena Abramyan (Armenian, 1912-2012)'Weaving a carpet', 1950signed in Cyrillic and dated 1950 l.r., also dated verso, oil on canvas65 x 57cmCondition report: Slight dip in the canvas at top just under stretcher bar with small flecks of paint loss - likely caused by something leaning against it, the stretcher bar visible but not particularly noticeable when stood back, craquelure in a couple of places but seems stable, generally condition appears to be fine, not viewed under UV light, please contact the department for a full report.
*Vasilis Zenetzis (Greek, 1935-2016)'The Acropolis, Athens', 1996a pair, both signed with initials l.r., also both signed and inscribed 'Acropolis' verso, oil on canvasboth 40 x 30cm (2)Exhibited: Hellenic Centre, Oct 2000, no.4Zenetzis captures the beauty of spring on the Acropolis and around the Parthenon, his genius is his ability to portray the same scene, but always through a new lens and a fresh artistic interpretation.*Artist's Resale Right may apply to this lot.Condition report: Both appear to be in good condition and are well-presented, not viewed under UV light, please contact the department for a full report.
*Waveney Frederick (1911-1999)Benton End signed with initials l.r., oil on canvas35 x 48cmWaveney Frederick studied under Cedric Morris at Benton End in the 1940s. Alongside her career as a painter, she worked as a librarian in Birmingham and became a world authority on Shakespeare. In the 1950s, she founded the Harborne Group, whose aims were freedom from academic constraints and symbolic interpretation of nature. In 1964, she founded the Birmingham Pastel Society. She won many awards through her career and exhibited widely in the UK and America. She was a member of the Birmingham Society of Artists and the Pastel Society, London.*Artist's Resale Right may apply to this lot.Condition report: overall: 47 x 59.5cmin generally good condition, the work is boxed and glazed so it is hard to see the support. The canvas is a little uneven which suggests it is not laid down but it seems unlikely to be stretched. Unexamined under UV light - for a full report please contact the deparment.
Syed Ali Imam (Pakistani, 1924-2002) The Ghee Makersigned and dated 'S A Inam 75' l.r., oil on canvas76 x 106cmCondition report: Please note this work has not been examined under ultraviolet light. There is some surface dirt, taking the above into consideration the work appears to be in very good condition.
Jamil Naqsh (Pakistani, 1939-2019) Seated nude with pigeonsigned 'Jamil Naqsh' and dated 1974, Pakistan106.5 x 76cmCondition report: Please note this work has not been examined under ultraviolet light. Some surface dirt apparent. Some of the paint slightly lifting as expected and intended with the artist's application. Some moisture spots visibile to the canvas verso. Taking the above into consideration in very good condition.
Ahmed Parvez (Pakistani, 1926-1979)Untitledoil on canvas76 x 61cm, unframedCondition report: Please note this work has not been examined under ultraviolet light, there is some surface dirt and some slight abrasions with resultant lose to the edges of the canvas, taking the above into consideration this work appears to be in very good condition.
Ahmed Parvez (Pakistani, 1926-1979) Untitledsigned 'A Parvez' l.l, oil on canvas61 x 76cm, unframedCondition report: Please note this work has not been examined under ultraviolet light, there is some surface dirt and some slight abrasions with resultant lose to the edges of the canvas, there are some spots of dirt present, taking the above into consideration this work appears to be in very good condition.
*Waveney Frederick (1911-1999)A landscape with trees, a farm beyondsigned with initials l.r., oil on board36.5 x 37.5cm*Artist's Resale Right may apply to this lot.Condition report: overall: 48 x 59cmin generally good condition, unexamined under UV light - for a full report please contact the deparment.
*David Hockney RA (b.1937)'The Connoisseur', 1969lithograph studio proof, signed and dated '69 in pencilsheet 76 x 57cm, unframedProvenance: Acquired by the present owner directly from the Curwen Studio.*Artist's Resale Right may apply to this lot.Condition report: Crease upper left corner, light handling creases, one small area of foxing emerging, generally in good order.
*David Hockney RA (b.1937)'Olympische Spiele München 1972'offset lithograph in colours, from an open edition101 x 64cm, unframed*Artist's Resale Right may apply to this lot.Condition report: Can be rolled in a tube for shipping. There is a light crease at the bottom of the poster likely caused by impact in when rolled in a tube, otherwise the poster is generally in good condition.
*Waveney Frederick (1911-1999)Twisted willowssigned with initials l.l., oil on canvas33 x 44cm*Artist's Resale Right may apply to this lot.Condition report: overall: 44 x 54cmapparently not laid down, although glazed and presented in a watercolour frame. There is some unevenness and folds to the canvas suggesting it has been unstretched at some point. in generally good condition, unexamined under UV light - for a full report please contact the deparment.
*Sir Eduardo Paolozzi RA (1924-2005)Untitledcollage 19.6 x 15.4cmProvenance: The artist's estate;thence by descent.*Artist's Resale Right may apply to this lot.Condition report: Framed size 34.5 x 29.5cm. Viewed out of glazed frame, the work has some light scratches around the central collaged piece that appear to be deliberate, the collaged machine piece has come slightly unstuck at the bottom, and there is a small loss to ink lower left corner.
*Antoni Tàpies (Spanish, 1923-2012)'Amor amb signes blancs'etching and aquatint printed in colours, 1987, signed and numbered 58/60 in pencilsheet 36 x 51cm Provenance: Galeria Toni Tàpies, Barcelona, 2006.*Artist's Resale Right may apply to this lot.Condition report: Frame size 60.5 x 74cm. A light surface abrasion upper left. No other obvious flaws. Not seen outside of glazed frame.
*Waveney Frederick (1911-1999)Tree and bridgesigned with initials l.r., oil on canvas30.5 x 40.5cm*Artist's Resale Right may apply to this lot.Condition report: overall: 44 x 54cmThe surface is a little creased, suggesting it has been unstretched and folded at some point. it is glazed and boxed so it is difficult to assess whether it has been laid down or not, but it is not on a stretcher. Unexamined under UV light - for a full report please contact the deparment.
*Campbell Archibald Mellon (1876-1955)'Gorleston Beach'signed 'C A Mellon', inscribed as titled and dated 1926 verso, oil on board22.8 x 30.2cmGrowing up in Berkshire and later working in Nottingham, after the First World War Campbell Mellon was drawn to a quiet artist’s life and relocated to Norfolk. He lived in a house by Gorleston Harbour with fellow painter John Arnesby Brown, his studio overlooking the bustling activity on the beach, which is the subject of this work. Repeatedly painting Gorleston Beach, Campbell Mellon captures the rich blues of the sky against the stretch of white-yellow sand. His figures are painted with loose, quick strokes and are illuminated by their bright clothes and white sun hats. His understanding of the dazzling gleam of light around sand and sea, makes him uniquely capable of portraying this landscape.*Artist's Resale Right may apply to this lot. Condition report: Possibly some minor retouching to the extreme edges to the top left, centre right and lower left edges, due to some losses to the edges of the board, however, generally in good order and well presented, ready to hang
Leonard Greaves (1918-1949)Portofino - the Red Cabinsigned with initials l.l., inscribed on an old label verso, oil on canvas board30.5 x 40.5cmCondition report: overall: 51 x 61cmsurface dirt and some unevenness to the board. Not examined under UV light, for a full report please contact the department.
*Lionel Miskin (1924-2006)Portrait of Bev in profile, bust-lengthinscribed, signed and dated 'Bev/by/Lionel Miskin/DUBLIN/1946' verso, oil on canvas61 x 50.5cm*Artist's Resale Right may apply to this lot.Condition report: overall 80 x 70.5cmSurface dirt and good impasto. A little unevenness to the surface. The surface is very yello, it is not clear if this is the intention of the artist or if the varnish is discoloured. There is no sign of damage or restoration however. Unexamined under UV light, for a full report please contact the department.
Attributed to Istvan Farkas (Hungarian, 1887-1944)Woman in a landscapewith pencil inscription and stamp verso, oil on board65 x 54cmProvenance: From a private Lancaster collection.Condition report: Paint is thin. No impasto. Fine split running vertically down board to the right of her nose. Small specks of surface dirt, white and brown. Seen under uv light, no obvious retouching showing up. (see additional condition images)
Henry Alfred Gsell (Swiss, 1859-1920)'Etude Nu'signed 'Henry A Gsell' l.l., signed and inscribed with title verso, oil on canvas65 x 54cmCondition report: Relined. Craquelure. Some fine lines of craquelure have been retouched throughout. UV light also shows small patches of retouching to her thigh and background. Face and hair appear to be generally in original condition. Two horizontal lines from stretcher bars visible across centre of painting, including where belly button is. Appears to have been cleaned, paint a little thinner in parts. (see additional condition images).Framed size 82 x 71cm
*John Aldridge RA (1905-1983)'Cornwall, Summer, 1931'signed and inscribed with title verso, with partially-covered exhibition label verso, oil on board 60 x 71cmExhibited: The 19th Biennial International Art Exhibition, Venice, 1934.*Artist's Resale Right may apply to this lot. Condition report: Loss to lower right corner of boar. A few small splits to board upper right. Light surface dirt, would benefit from a clean. Not seen under uv light, please contact the department for a more detailed report and additional images.
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