Konvolut 18x Luxuspapier und 1 Fächer. Zumeist 19. Jh. Farblithografien häufig geprägt, hellblauer Samt mit Gold- und Silberprägung, 1 Offsetdruck. Fächer mit Beinstäben und kolorierter Lithografie auf dem Papierblatt. Maximal 18 x 9 cm. L Fächer 27 cm. Zahlreiche Tischkarten, vereinzelt mit Namen beschriftet. 1 Klappkarte "Verlängerte Tanzstunde der Geschl. Tanzstundengesellschaft" von 1893, innen mit Programm und handschriftlich eingetragenen Tänzern. Samtenes Ballbüchlein mit unbeschriftetem Programm innen. 1 Offsetdruck in Fächerform. / Fächer mit à-jour gearbeiteten Stäben sowie beidseitig handkolorierten Lithografien in Goldrahmungen. Buchstaben der Menü-Karte teils geklebt, teils abgerissen. Stift Ballbuch fehlt. / 1 Fächerstab teils ergänzt, Blatt teils eingerissen und geklebt. Aufrufzeit 13. | Juni 2024 | voraussichtlich 13:28 Uhr (CET)Convolute 18x luxury paper and 1 fan. Mostly 19th century Color lithographs often embossed, light blue velvet with gold and silver embossing, 1 offset print. Fan with leg bars and colored lithograph on the paper sheet. Maximum 18 x 9 cm. L fan 27 cm. Numerous place cards, some inscribed with names. 1 folding card "Verlängerte Tanzstunde der Geschl. Tanzstundengesellschaft" from 1893, inside with program and handwritten dancers. Velvet ball booklet with unmarked program inside. 1 offset print in fan form / fan with à-jour worked bars and hand-colored lithographs in gold frames on both sides. Letters of the menu card partly glued, partly torn off. Pen ball book missing. / 1 fan stick partly replaced, sheet partly torn and glued. Call time 13 | June 2024 | probably 13:28 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
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Lichtschirm für Diaphanie oder Lithophanie. Um 1860. Weißblech, originale blaue Lackierung mit Golddekor, mattiertes farbloses Glas. Lichtes Maß 15,3 x 12,5 cm, Plattenmaß 16,5 x 14,3 cm. H gesamt 34 cm. Standschirm mit mattierter Glasscheibe im geschweiften Einsteckrahmen sowie Kerzentülle über dem gestuftem Quadratfuß mit Schub. Oben mit Tragering. Schäden an der Lackierung. Diaphanien (Transparentbilder) sind durchscheinende Darstellungen auf Papier. Provenienz : Aus Thüringer Adelsbesitz. Restitutionsgut mit Inventarnummer des Residenzschlosses Altenburg, vormals Sammlungsbestand der Familie von der Gabelentz auf Schloss Poschwitz. Aufrufzeit 13. | Juni 2024 | voraussichtlich 13:02 Uhr (CET)Light screen for diaphanous or lithophane. Around 1860. Tinplate, original blue lacquer with gold decoration, frosted clear glass. Light size 15.3 x 12.5 cm, plate size 16.5 x 14.3 cm. H 34 cm in total. Standing shade with frosted glass pane in a curved insert frame and candle spout above the stepped square base with drawer. Top with support ring. Damage to the paintwork. Diaphanies (transparent images) are translucent images on paper. Provenance : From the Thuringian nobility. Restitution property with inventory number of the Altenburg Residential Palace, formerly part of the von der Gabelentz family collection at Poschwitz Castle. Call time 13 June 2024 | probably 13:02 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
2 transluzide Cloisonnéschalen. Wohl Anfang 20. Jahrhundert. China. Plique-à-jour Technik. Ø 9 und 13 cm. Mehrpassige Schale mit roten Päonienblüten auf hellem Hintergrund bzw. kleine Schale mit gewelltem Rand und Blüten auf blauem Grund. Beide mit ornamentalen Böden in gleicher Technik. Provenienz : Sammlungsnachlass aus Hannover. Aufrufzeit 13. | Juni 2024 | voraussichtlich 11:33 Uhr (CET)2 translucent cloisonné bowls. Probably early 20th century. China. Plique-à-jour technique. Ø 9 and 13 cm. Multipass bowl with red peony blossoms on a light background and small bowl with wavy rim and blossoms on a blue background. Both with ornamental bases in the same technique. Provenance : Collection estate from Hanover. Call time 13 | June 2024 | presumably 11:33 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
CHAGALL, Marc (nach)(1887 Ljosna - 1985 Saint-Paul-de-Vence) "Der Engel vertreibt Adam und Eva aus dem Paradies"Farboffsetdruck. Passepartoutausschnitt: 43 x 64 cm. Gerahmt & hinter Glas : 64 x 84 cm. Reproduktion nach einem Gemälde von 1961. Französischer Maler russisch-jüdischer Herkunft. Er zählt zu den bedeutendsten Künstlern des 20. Jh. "Die Beschäftigung mit biblischen Themen hatte von Beginn an als wichtige Voraussetzung Chagalls Erfahrung im Umgang mit der Bibel in jungen Jahren und die Beobachtung eines Lebens aus der Bibel an seinem Vater. Dazu kam, daß in dem Milieu, in dem er aufwuchs, das Wort der Bibel für viele Menschen Licht und Kraft in ihrem schweren Dasein war." (Achim Besgen über MC, www.herder.de). Aufrufzeit 15. | Juni 2024 | voraussichtlich 11:25 Uhr (CET) CHAGALL, Marc (after)(1887 Ljosna - 1985 Saint-Paul-de-Vence) "The angel drives Adam and Eve out of paradise"Color offset print. Passepartout cut-out: 43 x 64 cm. Framed & behind glass : 64 x 84 cm. Reproduction after a painting from 1961. French painter of Russian-Jewish origin. He is one of the most important artists of the 20th century. "From the very beginning, Chagall's preoccupation with biblical themes was an important prerequisite for his experience of dealing with the Bible at a young age and observing his father's life from the Bible. In addition, in the milieu in which he grew up, the word of the Bible was light and strength for many people in their difficult existence." (Achim Besgen about MC, www.herder.de). Call time June 15, 2024 | probably 11:25 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
SIGRIST, Karl(1885 Stuttgart - 1986 Ludwigsburg) Zwei FrauenbildnisseAquarell. Rechts bzw. links oben monogrammiert. Passepartoutausschnitt 21,5 x 19,5 cm und 25 x 18 cm. Gerahmt & hinter Glas : 42 x 37,5 cm und 43,5 x 35 cm (je heller Rahmen). Bildnis einer Frau in weißem Kleid und Porträt einer jungen Frau mit Zigarette. Deutscher Maler und Grafiker, studierte an der Kunstschule und Kunstgewerbeschule Stuttgart. Literatur : https://www.klingspor-museum.de/KlingsporKuenstler/Schriftdesigner/Sigrist/KSigrist.pdf. Aufrufzeit 15. | Juni 2024 | voraussichtlich 14:33 Uhr (CET) SIGRIST, Karl(1885 Stuttgart - 1986 Ludwigsburg) Two portraits of womenWatercolor. Monogrammed top right and left respectively. Passepartout cut-out 21.5 x 19.5 cm and 25 x 18 cm. Framed & behind glass : 42 x 37.5 cm and 43.5 x 35 cm (each light frame). Portrait of a woman in a white dress and portrait of a young woman with a cigarette. German painter and graphic artist, studied at the Kunstschule and Kunstgewerbeschule Stuttgart. Literature : https://www.klingspor-museum.de/KlingsporKuenstler/Schriftdesigner/Sigrist/KSigrist.pdf. Aufrufzeit 15. | June 2024 | probably 14:33 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Karaffe und Kelchglas. 1x HARRACH'SCHE GLASHÜTTE NEUWELT, um 1850: sechsfach facettierte Karaffe mit Glockenkorpus und spitzem Stopfen; aus farblosem Glas mit rosafarbenem Überfang, Linsenschliff und floraler Goldmalerei (H 24,5 cm). / 1x FRIEDRICH EGERMANN?, um 1840: Kelchglas aus farblosem, partiell rosa bzw. hellblau gebeiztem Glas mit Linsen- und Facettenschliff sowie gravierten Blumenbuketts und Schmetterlingen (H 17 cm). Partiell minimale Chips an den Schliffkanten. Aufrufzeit 13. | Juni 2024 | voraussichtlich 17:44 Uhr (CET)Caraffe and goblet. 1x HARRACH'SCHE GLASHÜTTE NEUWELT, c. 1850: six-faceted carafe with bell-shaped body and pointed stopper; made of colorless glass with pink overlay, lenticular cut and floral gold painting (h 24.5 cm). / 1x FRIEDRICH EGERMANN?, around 1840: Goblet glass made of colorless glass, partially stained pink or light blue with lentil and facet cut as well as engraved flower bouquets and butterflies (H 17 cm). Partial minimal chips to the cut edges. Call time 13 | June 2024 | presumably 17:44 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Große Jugendstil-Vase mit Hortensiendekor. Gallé. Emile Charles Martin Gallé, Ätzmarke, um 1925/31. Frankreich. Farbloses Glas, partiell mit lachsfarbenem Opal unterfangen, weißer, violetter und hellgrüner Überfang. H 44,5 cm. Enghalsvase mit dem umlaufend geätztem Dekor einer Hortensie. Aufrufzeit 13. | Juni 2024 | voraussichtlich 18:26 Uhr (CET)Large Art Nouveau vase with hydrangea decoration. Gallé. Emile Charles Martin Gallé, etched mark, circa 1925/31. France. Colorless glass, partially underlaid with salmon-colored opal, white, violet and light green overlay. H 44.5 cm. Narrow-necked vase with a hydrangea decoration around the rim. Call time 13 | June 2024 | presumably 18:26 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
LAPORTE, Georges(1926 Paris - 2000 ebd.) WinterlandschaftÖl/Leinwand. Unsigniert. 14 x 24 cm. Gerahmt : 29 x 38 cm (heller Rahmen). Verschneite Landschaft mit Zaun vor einem Feld unter grauem Himmel. Minimale Altersspuren. Französischer Künstler. Aufrufzeit 15. | Juni 2024 | voraussichtlich 18:55 Uhr (CET) LAPORTE, Georges(1926 Paris - 2000 ibid.) Winter landscapeOil/canvas. Unsigned. 14 x 24 cm. Framed : 29 x 38 cm (light frame). Snowy landscape with fence in front of a field under a gray sky. Minimal traces of age. French artist. Call time 15 | June 2024 | probably 18:55 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
GREULING, H. Großes DamenbildnisÖl/Leinwand. Rechts unten signiert mit Zusatz Sonneberg. 1898. 120 x 75 cm. Gerahmt : 143 x 98 cm (Goldstuckrahmen). Porträt einer jungen Frau im hellblauen, seidenen Kleid mit weißen Samthandschuhen neben einem Rosenstrauß und einem Stuhl. Leichte Altersspuren. Abholung erforderlich.Aufrufzeit 15. | Juni 2024 | voraussichtlich 14:08 Uhr (CET) GREULING, H. Large Portrait of a LadyOil/canvas. Signed lower right with addition Sonneberg. 1898.120 x 75 cm. Framed : 143 x 98 cm (gold stucco frame). Portrait of a young woman in a light blue, silk dress with white velvet gloves next to a bouquet of roses and a chair. Slight traces of age. Collection required.Call time 15 | June 2024 | probably 14:08 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Monogrammist "C.A.B. WR.": FrühlingskonzertÖl/Malkarton. Rechts unten monogrammiert. Um 1900. 35 x 49 cm. Gerahmt : 53 x 63 cm (Goldstuckrahmen). Die Vögel auf den blühenden Zweigen des Baumes im hellen Licht. Minimale Altersspuren. Aufrufzeit 15. | Juni 2024 | voraussichtlich 19:36 Uhr (CET) Monogrammist "C.A.B. WR.": Spring concertOil/painting card. Monogrammed lower right. Circa 1900. 35 x 49 cm. Framed : 53 x 63 cm (gold stucco frame). The birds on the blossoming branches of the tree in the bright light. Minimal traces of age. Call time 15 | June 2024 | probably 19:36 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
4 dänische Kerzenleuchter. Dansk Guldindustri, Randers. Firmenzeichen/830 S gepunzt. 1948-1958. Silber. H je ca. 14 cm. Beschwert. 1-flammig, glatte Form mit Balusterschaft. Einige Dellen, vorwiegend an den Tüllen. Unterseitig jünger ergänztes Leder. Aufrufzeit 12. | Juni 2024 | voraussichtlich 19:28 Uhr (CET)4 Danish candlesticks. Dansk Guldindustri, Randers. Company mark/830 S hallmarked. 1948-1958. Silver. H approx. 14 cm each. Weighted. 1-light, smooth shape with baluster stem. Some dents, mainly to the spouts. Replaced leather on the underside. Call time 12 June 2024 | probably 19:28 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Schleichender Panther auf Sockel. August Gaul. Ungemarkt. Um 1910/20. Am Sockel signiert "Gaul". GAUL, August(1869 Hanau - 1921 Berlin, Tierbildhauer) Heller Scherben, braune und gelbgrüne, irisierende Laufglasur. L 33 cm. Kleiner Chip am Fuß. Provenienz : Aus Thüringer Adelsbesitz. Restitutionsgut mit Inventarnummer des Residenzschlosses Altenburg, vormals Sammlungsbestand der Familie von der Gabelentz auf Schloss Poschwitz. Aufrufzeit 13. | Juni 2024 | voraussichtlich 17:11 Uhr (CET)Sneaking panther on a pedestal. August Gaul. Unmarked. Circa 1910/20, signed "Gaul" on the base. GAUL, August(1869 Hanau - 1921 Berlin, animal sculptor) Light body, brown and yellow-green, iridescent glaze. L 33 cm. Small chip to the foot. Provenance : From Thuringian aristocratic property. Restitution property with inventory number of the Altenburg Residential Palace, formerly part of the von der Gabelentz family collection at Poschwitz Castle. Call time 13 June 2024 | probably 17:11 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
HARING, Keith (1958 Reading - 1990 New York City) 3 von 6 Werken der "Sali-Adalat, Bayer-Suite"Farboffsetdruck auf halbtransparentem Maschinenbütten. In der Platte signiert. 1982. 1 von 70 unnummerierten Exemplaren. Gerahmt & hinter Glas : 30,5 x 24,5 cm. Aus der Serie "Sali-Adalat. Die herzschützende Hochdruck-Therapie: Einmaldosiert" - eine von der Bayer AG beauftragte Edition anlässlich der Markteinführung des Medikaments "Sali-Adalat" 1982 zur Behandlung der koronaren Herzkrankheit. Je leicht bis stärker lichtgebräunt. Einer der populärsten US-amerikanischen Künstler seiner Zeit, der nachfolgende Künstlergenerationen stark beeinflusste. "I think it's more important to make a lot of different things and keep coming up with new images and things that were never made before, than to do one thing and do it well." (Zitat: KH, www.brainyquote.com). Aufrufzeit 15. | Juni 2024 | voraussichtlich 11:19 Uhr (CET) HARING, Keith (1958 Reading - 1990 New York City) 3 of 6 works from the "Sali-Adalat, Bayer-Suite"Color offset print on semi-transparent laid paper. Signed in the plate. 1982. 1 of 70 unnumbered copies. Framed & behind glass : 30.5 x 24.5 cm. From the series "Sali-Adalat. Die herzschützende Hochdruck-Therapie: Einmaldosiert" - an edition commissioned by Bayer AG on the occasion of the market launch of the drug "Sali-Adalat" in 1982 for the treatment of coronary heart disease. Slight to heavy light browning. One of the most popular American artists of his time, who strongly influenced subsequent generations of artists. "I think it's more important to make a lot of different things and keep coming up with new images and things that were never made before, than to do one thing and do it well." (Quote: KH, www.brainyquote.com). Call time 15 | June 2024 | probably 11:19 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
2 Tassen "B-Form". Meissen. Schwertermarke, 2. H. 20. Jh., 1. Wahl. 2 Tassen (H 8 cm), 2 Untertassen (Ø 16 cm). 4 Teile. 2 Kaffeetassen und 2 Untertassen mit hellgrünem Teilfond, polychromer Streublümchenmalerei und Goldbronzierung. Haarriss in 1 Henkel. Aufrufzeit 14. | Juni 2024 | voraussichtlich 16:24 Uhr (CET)2 cups "B-shape". Meissen. Sword mark, 2nd half 20th century, 1st choice. 2 cups (H 8 cm), 2 saucers (Ø 16 cm). 4 pieces. 2 coffee cups and 2 saucers with light green partial ground, polychrome scattered flower painting and gold bronzing. Hairline crack in 1 handle. Call time 14 | June 2024 | probably 16:24 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
HOY, E.J. LöwenpaarÖl/Leinwand. Rechts unten signiert. 1928. 25,5 x 35,5 cm. Gerahmt : 35 x 45,5 cm (heller profilierter Rahmen). Die beiden Tiere in beginnender Lauerstellung am Waldrand vor den Bergen. Leichte Altersspuren. Aufrufzeit 15. | Juni 2024 | voraussichtlich 19:23 Uhr (CET) HOY, E.J. Pair of lionsOil/canvas. Signed lower right. 1928. 25.5 x 35.5 cm. Framed : 35 x 45.5 cm (light profiled frame). The two animals in an incipient lurking position at the edge of the forest in front of the mountains. Slight traces of age. Call time 15 | June 2024 | probably 19:23 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
HEINISCH, Carl Adam(1847 Neustadt an der Prudnik - 1923 München) Bauernhof im sommerlichen VoralpenlandÖl auf Leinwand. Signiert. Datiert: 1903. 40 x 60 cm. Gerahmt : 52 x 72 cm. Neuwertiger profilierter Goldrahmen. Rückseitig ein kleiner Flicken. Heinisch, Landschaftsmaler, studierte ab 1870 an der Akademie in München. 1879-1913 regelmäßig auf den Münchner Jahresausstellungen vertreten. Malte mit Vorliebe Landschaften aus Bayern und vom Bodensee mit einer genauen Beobachtung der Licht- und Luftverhältnisse. Werke in einigen deutschen Museen * Partnerauktion Bergmann. Literatur : Vollmer (1953-1962), Ludwig (1982), Boetticher (1979), Thieme-Becker (1907-1950). Aufrufzeit 15. | Juni 2024 | voraussichtlich 17:45 Uhr (CET) HEINISCH, Carl Adam(1847 Neustadt an der Prudnik - 1923 Munich) Farm in the foothills of the Alps in summerOil on canvas. Signed. Dated: 1903. 40 x 60 cm. Framed : 52 x 72 cm. Mint profiled gold frame. Small patch on the reverse. Heinisch, landscape painter, studied at the academy in Munich from 1870. Regularly represented at the Munich annual exhibitions from 1879-1913. Preferred to paint landscapes from Bavaria and Lake Constance with a precise observation of light and air conditions. Works in several German museums * Partner auction Bergmann. Literature : Vollmer (1953-1962), Ludwig (1982), Boetticher (1979), Thieme-Becker (1907-1950). Call time 15 | June 2024 | probably 17:45 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
2 Porzellankopfmädchen. Simon & Halbig. Beide "S & H", sowie 1x WSK 4, 1x K & R 403 gemarkt. Um 1910. Biskuitporzellan, Masse. Beide mit Kurbelkopf, blauen Schlafugen und dunkelblonder Perücke. Die größere für Kämmer und Reinhardt: 11-teiliger Körper mit Laufmechanismus. L 63 cm. Die kleinere für Wiesenthal, Schindel & Kallenberg: 15-teiliger Gliederkörper. L 55 cm. Beide mit hellen Kleidern, Haube und weißen Lederschuhen. Laufpuppe mit kleinem, geklebtem Ausbruch an der Kopfkrone, 1x Hände repariert. Aufrufzeit 13. | Juni 2024 | voraussichtlich 10:44 Uhr (CET)2 porcelain head girls. Simon & Halbig. Both marked "S & H", as well as 1x WSK 4, 1x K & R 403. Circa 1910. Biscuit porcelain, mass. Both with crank head, blue sleep eyes and dark blonde wig. The larger one for Kämmer and Reinhardt: 11-part body with walking mechanism. L 63 cm. The smaller one for Wiesenthal, Schindel & Kallenberg: 15-part articulated body. L 55 cm. Both with light-colored dresses, hood and white leather shoes. Walking doll with a small, glued break at the crown of the head, 1x hands repaired. Call time 13th | June 2024 | probably 10:44 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
2 sehr frühe juristische Schriften in einem Band16,5 x 12 cm. Contardo, Cesare: "Commentarii in l(egem) diffamari c(odicis) de inge(nuis) & manu(missis), Nunc primum in Germania ... excusi, aucti et ... repurgati". Apud Bernardum Albinum (Bernhard Albin), Spirae Nemetum (Speyer) 1586. Titelblatt, (6), 322, (70) /Stephani Forcatuli (Forcadel, Etienne): "Ad tit[ulum] digest[orum] de servitutibus succincta explicatio ... in Germania nunc primum edita", Typis Pauli Egenolphi (Paul Egenolf), Marburg 1593. Titelblatt, (6), 284, (6) Seiten. Im geprägtem, hellem Ledereinband mit Goldprägung und bekröntes "F". VD16 C 4957 / VD16 F 1846. Aufrufzeit 15. | Juni 2024 | voraussichtlich 10:00 Uhr (CET) 2 very early legal writings in one volume16.5 x 12 cm. Contardo, Cesare: "Commentarii in l(egem) diffamari c(odicis) de inge(nuis) & manu(missis), Nunc primum in Germania ... excusi, aucti et ... repurgati". Apud Bernardum Albinum (Bernhard Albin), Spirae Nemetum (Speyer) 1586. title page, (6), 322, (70) /Stephani Forcatuli (Forcadel, Etienne): "Ad tit[ulum] digest[orum] de servitutibus succincta explicatio ... in Germania nunc primum edita", Typis Pauli Egenolphi (Paul Egenolf), Marburg 1593. title page, (6), 284, (6) pages. In stamped, light leather binding with gold embossing and crowned "F". VD16 C 4957 / VD16 F 1846. Call time 15 | June 2024 | probably 10:00 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
JANSSEN, Horst (1929 Hamburg - 1995 Hamburg) "Kompliment"Farblithografie. Bleistiftmonogramm. Gerahmt & hinter Glas : 69,5 x 55 cm. Blatt etwas lichtgebräunt. Deutscher Zeichner, Grafiker, Illustrator und Fotograf; zählt zu den herausragendsten deutschen Künstlern des 20. Jh., im Jahr 2000 wurde das ihm gewidmete "Horst-Janssen-Museum" in Oldenburg eröffnet. "Ich bin hinter den flüchtigen Erscheinungen dieser Welt in ihren wechselnden Verkleidungen her, damit ich bei meiner Beerdigung sagen könnte: 'Ich hab's gesehen!' Und wenn ich bis dahin und zwischendurch schreie, dann: Laßt mich in Ruhe!" (Zitat: HJ, 1980. www.kunstdirekt.net). Aufrufzeit 15. | Juni 2024 | voraussichtlich 11:37 Uhr (CET) JANSSEN, Horst (1929 Hamburg - 1995 Hamburg) "Compliment"Color lithograph. Pencil monogram. Framed & behind glass : 69.5 x 55 cm. Sheet somewhat light browned. German draughtsman, graphic artist, illustrator and photographer; one of the most outstanding German artists of the 20th century, the "Horst-Janssen-Museum" dedicated to him was opened in Oldenburg in 2000. "I am after the fleeting apparitions of this world in their changing disguises so that I could say at my funeral: 'I've seen it! And if I scream until then and in between, then: Leave me alone!" (Quote: HJ, 1980. www.kunstdirekt.net). Call time 15 | June 2024 | probably 11:37 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Puppendame "Walküre". Kley & Hahn. Kopfmarke: Walküre Germany 56. 1903. Biskuitporzellan, Masse. L 55 cm. Kurbelkopf, braune Schlafaugen, rehbraune Echthaarperücke. 15-teiliger Waltershäuser Körper. Altes helles Kleid, ergänzte schwarze Schuhe. Kopf durchleuchtet: ohne Defekte. Mehrere Finger repariert, 1 Zeh bestoßen. Aufrufzeit 13. | Juni 2024 | voraussichtlich 10:15 Uhr (CET)Doll lady "Walküre". Kley & Hahn. Head mark: Walküre Germany 56. 1903. Biscuit porcelain, mass. L 55 cm. Cranked head, brown sleeping eyes, fawn real hair wig. 15-part Waltershausen body. Old light-colored dress, supplemented black shoes. Head x-rayed: without defects. Several fingers repaired, 1 toe chipped. Call time 13th | June 2024 | probably 10:15 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Art-déco-Tänzerin "Frasquita". Wiener Manufaktur Friedrich Goldscheider. Pressmarke GS 19a mit Zusatz "Made in Germany", ca. 1936-41. Am Sockel geprägt und unterseitig signiert "Dakon". Modell-Nr. 8127 103 19. Entwurf: Stephan DAKON (1904-1992), ca. 1937. Steingut, farbig staffiert. H 39,5 cm. Tänzerin mit Bikini und zum Tanze gehaltenen Rock mit Blumenmuster, auf schwarzem Ovalsockel. Als Vorbild für diese Figur diente wohl die Schauspielerin Lida Baarova (eigentlich Ludmilla Babkova, 1914-2000), die in Deutschland durch ihren Film "Barcarole" (1935) und durch eine Liebesaffäre mit Joseph Goebbels Bekanntheit erlangte. Aufgrund letzterer wurde sie von Adolf Hitler 1938 wieder in die Tschechoslowakei ausgewiesen. Obwohl Baarova dunkles Haar hatte, gestaltete die Manufaktur die Figur mit hellen Haaren, da dies eher dem damaligen "deutschen Zeitgeschmack" zu entsprechen schien. Wohl retuschierter Brandriss am Hals, rechter Knöchel mit feinem Riss, linker Schuh mit Glasurriss, linker Finger mit kleinem Glasurchip. Literatur : Vergleiche Dechant, Robert E. / Goldscheider, Filipp: Goldscheider, Firmengeschichte und Werkverzeichnis, S. 483. Aufrufzeit 13. | Juni 2024 | voraussichtlich 17:08 Uhr (CET)Art deco dancer "Frasquita". Vienna manufactory Friedrich Goldscheider. Press mark GS 19a with the addition "Made in Germany", ca. 1936-41. Embossed on the base and signed "Dakon" on the underside. Model no. 8127 103 19. design: Stephan DAKON (1904-1992), ca. 1937. Stoneware, painted in color. H 39.5 cm. Dancer with bikini and skirt with floral pattern held up for dancing, on a black oval base. The model for this figure was probably the actress Lida Baarova (actually Ludmilla Babkova, 1914-2000), who became famous in Germany for her film "Barcarole" (1935) and her love affair with Joseph Goebbels. Because of the latter, she was expelled back to Czechoslovakia by Adolf Hitler in 1938. Although Baarova had dark hair, the manufactory designed the figure with light hair, as this seemed to be more in keeping with the "German taste" of the time. Probably retouched burn mark on the neck, right ankle with fine crack, left shoe with glaze crack, left finger with small glaze chip. Literature : Compare Dechant, Robert E. / Goldscheider, Filipp: Goldscheider, Firmengeschichte und Werkverzeichnis, p. 483. Aufrufzeit 13. | Juni 2024 | voraussichtlich 17:08 Uhr (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
ZACH-DORN, Camilla(1859 Braunschweig - 1940 ebd.) MädchenbildnisÖl/Leinwand. Links oben signiert. 39 x 30 cm. Gerahmt : 50 x 44 cm (Goldstuckrahmen). Porträt eines Mädchens in südländischer Kleidung im hellen Licht. Minimale Altersspuren. Bildnis- und Tiermalerin in Stuttgart, Schülerin der Akademie Stuttgart bei Häberlin und Schraudolph. Literatur : Thieme/Becker. Aufrufzeit 15. | Juni 2024 | voraussichtlich 14:19 Uhr (CET) ZACH-DORN, Camilla(1859 Braunschweig - 1940 ibid.) Portrait of a girlOil/canvas. Signed top left. 39 x 30 cm. Framed : 50 x 44 cm (gold stucco frame). Portrait of a girl in southern dress in bright light. Minimal traces of age. Portrait and animal painter in Stuttgart, pupil of Häberlin and Schraudolph at the Stuttgart Academy. Literature : Thieme/Becker. Aufrufzeit 15. | June 2024 | probably 14:19 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
STAUDINGER, Karl(1905 Nürnberg - 1983 Grafing) ForsythienÖl/Leinwand. Rechts unten signiert. (19)54. 65 x 53,5 cm. Gerahmt : 70 x 60 cm (Goldrahmen). Die blühenden Zweige in blauer Vase vor hellem Hintergrund. Maler, Grafiker und Illustrator, studierte in Nürnberg, später in Stuttgart. Literatur : Vollmer. Aufrufzeit 15. | Juni 2024 | voraussichtlich 20:07 Uhr (CET) STAUDINGER, Karl(1905 Nuremberg - 1983 Grafing) ForsythienOil/canvas. Signed lower right. (19)54. 65 x 53.5 cm. Framed : 70 x 60 cm (gold frame). The blossoming branches in a blue vase against a light background. Painter, graphic artist and illustrator, studied in Nuremberg, later in Stuttgart. Literature : Vollmer. Aufrufzeit 15. | June 2024 | probably 20:07 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
2 + 1 Zwiebelmuster-Leuchter. Meissen. Schwertermarke, 2. H. 20. Jh., 1. Wahl und 1 Schleifstrich. Unterglasurblaue Malerei. 2 1-flammige Rocailleleuchter (H 25,5 cm) und 1 2-flammiger Rocailleleuchter (H 23 cm). Aufrufzeit 14. | Juni 2024 | voraussichtlich 13:38 Uhr (CET)2 + 1 onion pattern chandelier. Meissen. Sword mark, 2nd half 20th century, 1st choice and 1 grinding mark. Painted underglaze blue. 2 1-light rocaille candlesticks (H 25.5 cm) and 1 2-light rocaille candlestick (H 23 cm). Call time 14 | June 2024 | presumably 13:38 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Lächelndes Charakterbaby. Armand Marseille. Kopfmarke: 560a A 4 M DRMR 232. Um 1926. Biskuitporzellan, Masse. L 38 cm. Kurbelkopf, blaue Schlafaugen, blonde Echthaarperücke mit Zöpfen. 5-teiliger Sitzbabykörper mit hellblauem Kleid. Kopf durchleuchtet: ohne Risse, lediglich minimaler Perückenpull. Linke Hand repariert. Aufrufzeit 13. | Juni 2024 | voraussichtlich 10:06 Uhr (CET)Smiling character baby. Armand Marseille. Head mark: 560a A 4 M DRMR 232. c. 1926. Biscuit porcelain, mass. L 38 cm. Cranked head, blue sleeping eyes, blonde real hair wig with plaits. 5-part sitting baby body with light blue dress. Head x-rayed: without cracks, only minimal wig pull. Left hand repaired. Call time 13 | June 2024 | probably 10:06 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Große Puppenküche mit schönem Blechherd. Von 1925 (aus Familienbesitz). Holz, außen cremefarben gestrichen, innen mit alter Boden- und erneuerter Wandtapete. 42 x 89 x 47 cm. Trapezförmiges Gehäuse mit verglastem Fenster, Gardinen, Wandlampen und 2 Lichtschaltern. Eingerichtet mit schwarzem Blechherd und jüngeren Echtholzmöbeln. Reich ausgestattet mit verschiedenem Küchenzuehör. Elektrifiziert, Funktion nicht geprüft. Aufrufzeit 13. | Juni 2024 | voraussichtlich 11:05 Uhr (CET)Large doll's kitchen with beautiful tin stove. From 1925 (family-owned). Wood, painted cream on the outside, inside with old floor and renewed wallpaper. 42 x 89 x 47 cm. Trapezoidal cabinet with glazed window, curtains, wall lamps and 2 light switches. Furnished with a black tin stove and recent real wood furniture. Richly equipped with various kitchen accessories. Electrified, function not tested. Call time 13 June 2024 | probably 11:05 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Stillleben mit TopfpflanzeÖl/Leinwand. Unsigniert. Anfang 20. Jh. 40,5 x 30,5 cm. Gerahmt : 50 x 39 cm (Goldrahmen). Apfel und Pflanze auf weißem Fenstersims im hellen Licht. Leichte Altersspuren. Aufrufzeit 15. | Juni 2024 | voraussichtlich 19:40 Uhr (CET) Still life with potted plantOil/canvas. Unsigned. Early 20th century 40.5 x 30.5 cm. Framed : 50 x 39 cm (gold frame). Apple and plant on a white windowsill in bright light. Slight traces of age. Call time 15 | June 2024 | probably 19:40 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Paar 2-flammige Wandleuchter im Empire-Stil. Je "BW" mit Form-Nr. "1367" und "1634" gemarkt. Ende 19. Jh. Bronze teils braun patiniert. 31 x 22 x 12 cm. Kerzenleuchter als Wandappliken mit Palmetten an der halbrunden Wandhalterung und je 2 Schwäne als Arme für die Vasentüllen mit Tropfschalen. Bohrlöcher von entfernter Elektrifizierung, 1 Palmettenansatz angebrochen. Aufrufzeit 13. | Juni 2024 | voraussichtlich 12:07 Uhr (CET)Pair of 2-light wall sconces in Empire style. Each marked "BW" with shape no. "1367" and "1634". Late 19th century Bronze with brown patina in places. 31 x 22 x 12 cm. Candlesticks as wall appliques with palmettes on the semicircular wall mount and 2 swans each as arms for the vase spouts with drip trays. Drill holes from removed electrification, 1 palmette base broken. Call time 13 June 2024 | probably 12:07 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Barocke Kanne und Koppchen. Meissen. Verschiedene Schwertermarken, um 1735/50. Hellgraue bzw. hellbraune Glasur auf der Wandung, Koppchen und Unterschale mit unterglasurblauer, indianischer Blumenmalerei. Modell "Gebrochener Stab". Birnkanne mit Volutenhenkel und Knaufdeckel (H 22 cm). / Koppchen (H 4,5 cm) und Untertasse (Ø 12,5 cm). Kleine Bestoßung an der Schneppe, Untertasse mit unterseitigem kleinen Brandriss (nicht durchgehend). Aufrufzeit 14. | Juni 2024 | voraussichtlich 11:00 Uhr (CET)Baroque jug and Koppchen. Meissen. Various sword marks, around 1735/50. Light gray or light brown glaze on the wall, bowl and saucer with underglaze blue, Indian flower painting. "Broken stick" model. Pear jug with volute handle and knobbed lid (h 22 cm). / small bowl (H 4.5 cm) and saucer (Ø 12.5 cm). Small chip to the rim, saucer with small firing crack to the underside (not through). Call time 14 | June 2024 | presumably 11:00 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Dampfer im HafenÖl/Leinwand/Hartfaser. Unsigniert, verso monogrammiert. 1930. 37 x 46 cm. Gerahmt : 47 x 57 cm (heller Rahmen). Das Schiff im hellen Sonnenschein an der Anlegestelle. Aufrufzeit 15. | Juni 2024 | voraussichtlich 17:24 Uhr (CET) Steamboat in the harborOil/canvas/hardboard. Unsigned, monogrammed on verso. 1930.37 x 46 cm. Framed : 47 x 57 cm (light frame). The ship in the bright sunshine at the dock. Aufrufzeit 15. | June 2024 | probably 17:24 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
5 Wandteller mit Genreszenen aus der Reihe "Der Herr Maire" von G. Stoskopf. Utzschneider & Co., Sarreguemines. Gemarkt, ab 1890. Helles Steingut, farbiger Umdruckdekor. Ø 22 cm. Bürgerliche Genre- und Wirtshausszenen mit Dialogfeldern in Elsässisch, aus einer Serie von Illustrationen zu der humoristischen Erzählung "Der Herr Maire" von G. Stoskopf. Rechts unten die Malernamen 2x Frédéric Régamey, 3x Henri Loux. Vereinzelt leichte Kratzer. Provenienz : Aus Thüringer Adelsbesitz. Restitutionsgut mit Inventarnummer des Residenzschlosses Altenburg, vormals Sammlungsbestand der Familie von der Gabelentz auf Schloss Poschwitz. Aufrufzeit 13. | Juni 2024 | voraussichtlich 16:20 Uhr (CET)5 wall plates with genre scenes from the series "Der Herr Maire" by G. Stoskopf. Utzschneider & Co, Sarreguemines. Market, from 1890. Light earthenware, colored overprint decoration. Ø 22 cm. Bourgeois genre and tavern scenes with dialog fields in Alsatian, from a series of illustrations for the humorous story "Der Herr Maire" by G. Stoskopf. Lower right the painter's names 2x Frédéric Régamey, 3x Henri Loux. Slight scratches in places. Provenance : From Thuringian aristocratic property. Restitution property with inventory number of the Altenburg Residential Palace, formerly part of the von der Gabelentz family collection at Poschwitz Castle. Call time 13 June 2024 | probably 16:20 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Ansichtenglas Dresden. Um 1840/50. Farbloses, teil rosa und hellblau lasiertes Glas. H 21,5 cm. Facettierte Glockenkuppa, facettierter Schaft und mehrpassiger Fuß. Auf der Kuppa hochgeschliffene Linsen mit gravierten Blumenbuketts, schauseitig eine hochgeschliffene Kartusche mit der gravierten Ansicht von "Dresden von der Neustadt gesehn.". Chip und kleine Bestoßungen am Fußrand. Aufrufzeit 13. | Juni 2024 | voraussichtlich 17:49 Uhr (CET)View glass Dresden. Circa 1840/50. Colorless, partly pink and light blue glazed glass. H 21.5 cm. Facetted bell-shaped dome, faceted shaft and multi-pass base. On the dome, high-cut lenses with engraved flower bouquets, on the front a high-cut cartouche with the engraved view of "Dresden von der Neustadt gesehn.". Chip and small chips to the foot rim. Call time 13 June 2024 | probably 17:49 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
BÜRCK, Paul (1878 Straßburg - 1947 München) Original-Getränkekarte von 1901 zur Ausstellung der Künstlerkolonie DarmstadtLithografien. Im Druck monogrammiert. 1901. Satz und Druck C. F. Winter'sche Buchdruckerei. Heft: 49 x 25 cm. Vollständiges, gebundenes Heft in grünem Original-Pappeinband mit goldfarbenem und rotem Prägedruck "Ein Dokument deutscher Kunst - Die Ausstellung der Künstlerkolonie in Darmstadt: Karte der Getränke mit Buchschmuck von Paul Bürck", 13-seitiges Heft mit Auflistung aller Getränke und zahlreichen Illustrationen des Jugendstil-Künstlers Paul Bürck. Leicht griffspurig, Einband mit kleinem Riss an Heftung, leicht lichtgebräunt. Deutscher Maler, Grafiker und Textildesigner; Mitglied der Darmstädter Künstlerkolonie auf der Mathildenhöhe. Aufrufzeit 15. | Juni 2024 | voraussichtlich 11:03 Uhr (CET) BÜRCK, Paul (1878 Strasbourg - 1947 Munich) Original drinks card from 1901 for the exhibition of the Darmstadt artists' colonyLithographs. Monogrammed in the print. 1901. set and printed by C. F. Winter'sche Buchdruckerei. Booklet: 49 x 25 cm. Complete, bound booklet in original green cardboard cover with gold and red embossed print "Ein Dokument deutscher Kunst - Die Ausstellung der Künstlerkolonie in Darmstadt: Karte der Getränke mit Buchschmuck von Paul Bürck", 13-page booklet with a list of all the drinks and numerous illustrations by the Art Nouveau artist Paul Bürck. Slight handling marks, cover with small tear to stitching, slightly light browning. German painter, graphic artist and textile designer; member of the Darmstadt artists' colony on the Mathildenhöhe. Call time 15 | June 2024 | probably 11:03 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
2 blonde Porzellankopfpuppen. Armand Marseille. Beide gemarkt: 3200 und Florodora. Ab 1896 - 1911. Biskuitporzellan, Leder, Wachstuch. Beide mit Brustkopf, blauen Glasaugen, Mohairperücke und Biskuitunterarmen. 3200: mit Wachstuchkörper, hellgrünem Kleid und passendem Hut , L 56 cm. / Florodora: mit Lederkörper, als Küchenmamsell mit geblümtem Kleid, weißer Schürze und Häubchen bekleidet. Rechte Hand restauriert, L 57 cm. Köpfe ohne sichtbare Defekte (1x durchleuchtet). Provenienz : Sammlungsnachlass aus Hannover. Aufrufzeit 13. | Juni 2024 | voraussichtlich 10:06 Uhr (CET)2 blonde porcelain head dolls. Armand Marseille. Both marked: 3200 and Florodora. From 1896 - 1911. Biscuit porcelain, leather, oilcloth. Both with chest head, blue glass eyes, mohair wig and bisque forearms. 3200: with oilcloth body, light green dress and matching hat, l 56 cm. / Florodora: with leather body, dressed as a kitchen maid with flowered dress, white apron and bonnet. Restored right hand, l 57 cm. Heads without visible defects (1x x-rayed). Provenance : Collection estate from Hanover. Call time 13 | June 2024 | probably 10:06 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
JANSSEN, Horst (1929 Hamburg - 1995 Hamburg) 10 Radierungen aus den 1970er Jahren10 Radierungen. Je mit Bleistiftmonogramm. 1970er Jahre. Edition Griffelkunst-Vereinigung Hamburg e.V. Verschiedene Formate, max. 55 x 38,5 cm. "Halbtot vor Glück oder auch ein Fabeltier", Griffelkunst 1972 | "Langenhorn: Kopie ohne Vorlage", Griffelkunst 1972, Blatt lichtgebräunt | "Heinrich Schwartz", Griffelkunst 1977 | "Gruß der Griffelkunst" | 2x "Tantchen Memo", Griffelkunst 1971 | "Für Griffelkunst", Griffelkunst 1971 | "Für Sächle zum 14.11.79", Griffelkunst 1979 | "Griffelkunst Langenhorn" | "Drachenartig bei Füssli", Griffelkunst 1972. Deutscher Zeichner, Grafiker, Illustrator und Fotograf; zählt zu den herausragendsten deutschen Künstlern des 20. Jh., im Jahr 2000 wurde das ihm gewidmete "Horst-Janssen-Museum" in Oldenburg eröffnet. "Ich bin hinter den flüchtigen Erscheinungen dieser Welt in ihren wechselnden Verkleidungen her, damit ich bei meiner Beerdigung sagen könnte: 'Ich hab's gesehen!' Und wenn ich bis dahin und zwischendurch schreie, dann: Laßt mich in Ruhe!" (Zitat: HJ, 1980. www.kunstdirekt.net). Aufrufzeit 15. | Juni 2024 | voraussichtlich 11:36 Uhr (CET) JANSSEN, Horst (1929 Hamburg - 1995 Hamburg) 10 etchings from the 1970s10 etchings. Each with pencil monogram. 1970s. Edition Griffelkunst-Vereinigung Hamburg e.V. Various formats, max. 55 x 38.5 cm. "Halbtot vor Glück oder auch ein Fabeltier", Griffelkunst 1972 | "Langenhorn: Kopie ohne Vorlage", Griffelkunst 1972, sheet light browned | "Heinrich Schwartz", Griffelkunst 1977 | "Gruß der Griffelkunst" | 2x "Tantchen Memo", Griffelkunst 1971 | "Für Griffelkunst", Griffelkunst 1971 | "Für Sächle zum 14.11.79", Griffelkunst 1979 | "Griffelkunst Langenhorn" | "Drachenartig bei Füssli", Griffelkunst 1972. German draughtsman, graphic artist, illustrator and photographer; one of the most outstanding German artists of the 20th century, In 2000, the "Horst Janssen Museum" dedicated to him was opened in Oldenburg. "I am after the fleeting apparitions of this world in their changing disguises so that I could say at my funeral: 'I've seen it! And if I shout until then and in between, then: Leave me alone!" (Quote: HJ, 1980. www.kunstdirekt.net). Call time 15 | June 2024 | probably 11:36 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Spundbajonett. 18. Jahrhundert. Klinge L 27 cm, Gesamt L 41 cm. Gerade einschneidige, in der Spitze zweischneidige Klinge, mit Spitze und breitem Hohlschliff in der Mittellinie, sowie schmalem Hohlschliff am Rücken. Große Fehlschärfe, barocke Ornamente mit Vogel, gerade, gegliederte Parierstange. Griff zweigeteilt aus hellem und dunklem Holz. Provenienz : Sächsische Waffensammlung. Aufrufzeit 13. | Juni 2024 | voraussichtlich 14:24 Uhr (CET)Bung bayonet. 18th century. Blade L 27 cm, total L 41 cm. Straight single-edged blade, double-edged at the point, with a point and broad fuller in the midline, as well as a narrow fuller on the back. Large ricasso, baroque ornamentation with a bird, straight, jointed quillons. Grip divided into two parts of light and dark wood. Provenance : Saxon Weapons Collection. Call time 13 June 2024 | probably 14:24 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
2 Puppen "Deutsches Kind" als Geschwisterpaar. Käthe Kruse, Typ VIII. Jeweils unter dem linken Fuß rot gestempelt und unter der Perücke datiert. 12.11.1943. L je 52 cm. Typ VIII. Kurbelkopf mit 1 Hinterkopfnaht, gemalte Augen, blonde Echthaarperücke. Schlanker Stoffkörper. Original bekleidet: Mädchen mit hellblauem Blümchenkleid, Schuhe ergänzt, Junge mit hellblauem Hemd, karierter Krawatte und kurzer heller Hose. Guter Erhaltungszustand. Aufrufzeit 13. | Juni 2024 | voraussichtlich 10:34 Uhr (CET)2 dolls "German child" as a brother and sister. Käthe Kruse, type VIII. Each stamped in red under the left foot and dated under the wig. 12.11.1943. L 52 cm each. Type VIII. Crank head with 1 seam at the back of the head, painted eyes, blonde real hair wig. Slender fabric body. Originally clothed: Girl with light blue blouse dress, shoes complemented, boy with light blue shirt, checkered tie and short light-colored trousers. Good condition. Call time 13 June 2024 | probably 10:34 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
LATTKE, Fritz(1895 Neuendorf - 1980 Oberweimar) Kahnfahrer am UferÖl/Hartfaser. Rechts unten signiert, verso signiert mit Zusatz Weimar. 1972. 17,5 x 25 cm. Gerahmt : 28,5 x 36,5 cm (heller Rahmen). Staffagefiguren im Boot am Ufer bei tief stehender Sonne. Maler und Grafiker in Oberweimar, studierte an der Kunstgewerbeschule Berlin sowie bei Klemm und Olbricht in Weimar. Literatur : Thieme/Becker. Aufrufzeit 15. | Juni 2024 | voraussichtlich 16:45 Uhr (CET) LATTKE, Fritz(1895 Neuendorf - 1980 Oberweimar) Kahnfahrer am UferOil/hard fiber. Signed lower right, verso signed with the addition Weimar. 1972.17.5 x 25 cm. Framed : 28.5 x 36.5 cm (light frame). Staffagefiguren im Boot am Ufer bei tief stehender Sonne. Painter and graphic artist in Oberweimar, studied at the Kunstgewerbeschule Berlin and under Klemm and Olbricht in Weimar. Literature : Thieme/Becker. Call time 15 | June 2024 | probably 16:45 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Große Jugendstil-Büste "Heilige Elisabeth". Wiener Manufaktur Friedrich Goldscheider. Reliefmarke GS 13 Sculpture, ca. 1900-1920, mit Zusatz "Reproduction reservée", um 1895-1898. Um 1899/1900. Am Sockel signiert "A. Rubelle". Modell-Nr. 1977 38 30. Gips, algengrüne Mattglasur. H 51 cm. Nach rechts geneigter Kopf Elisabeths mit verträumt gesenktem Blick, umhüllt von einem großen Tuch, das von einem Diadem gehalten wird. Sockel mit Figurenreliefs, in der Mitte Rollwerk mit Bezeichnung "Elisabeth". Leichte Glasurbereibungen, kleine Bestoßungen. Im GS WVZ taucht der Künstlername "Rubelle" nur im Ausstellungskatalog des ÖMKI (Österreichisches Museum für Kunst und Industrie, heute MAK)1900/01 auf. Mehr ist zum Künstler nicht bekannt. Aufrufzeit 13. | Juni 2024 | voraussichtlich 16:58 Uhr (CET) Large Art Nouveau bust "Saint Elisabeth". Viennese manufactory Friedrich Goldscheider. Relief mark GS 13 Sculpture, ca. 1900-1920, with the addition "Reproduction reservée", ca. 1895-1898. Around 1899/1900. Signed "A. Rubelle" on the base. Model no. 1977 38 30. Plaster, algae green matt glaze. H 51 cm. Elisabeth's head tilted to the right with a dreamy lowered gaze, wrapped in a large cloth held by a tiara. Base with figure reliefs, scrollwork in the center with the inscription "Elisabeth". Light glaze rubbing, small chips. In the GS WVZ, the artist's name "Rubelle" only appears in the exhibition catalog of the ÖMKI (Austrian Museum of Art and Industry, today MAK)1900/01. Nothing more is known about the artist. Call time 13 June 2024 | probably 16:58 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
REEGER, Hans Rudolph (1883 Kiel - 1965) Blumenstillleben mit DompfaffÖl/Leinwand. Rechts unten signiert. 80,5 x 68,5 cm. Gerahmt : 93 x 81 cm (Silberrahmen). Wiesenblumen in einer hellen Vase neben Birnen und dem Vogel im hellen Licht. Deutscher Maler, studierte in München. Gefördert von Hollenberg in Stuttgart, von Schönleber, Thoma und Trübner in Karlsruhe. Literatur : Vollmer. Aufrufzeit 15. | Juni 2024 | voraussichtlich 20:04 Uhr (CET) REEGER, Hans Rudolph (1883 Kiel - 1965) Flower still life with bullfinchOil/canvas. Signed lower right. 80.5 x 68.5 cm. Framed : 93 x 81 cm (silver frame). Meadow flowers in a bright vase next to pears and the bird in the bright light. German painter, studied in Munich. Supported by Hollenberg in Stuttgart, by Schönleber, Thoma and Trübner in Karlsruhe. Literature : Vollmer. Aufrufzeit 15. | June 2024 | probably 20:04 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Paar 2-flammige Wandleuchter im Barock-Stil. Um 1900. Bronze feuervergoldet, Schraubfassung mit Papp-Kerzenhülsen. 31 x 27 x 17 cm. Wandappliken mit Blattmaske über der Voluten-Herme als Wandhalterung, aus dem Mund strebende Arme mit Blattbesatz, vegetabil reliefierte Vasentüllen mit Tropfschalen. Elektrifiziert, Funktion nicht geprüft. Aufrufzeit 13. | Juni 2024 | voraussichtlich 18:47 Uhr (CET)Pair of 2-light sconces in Baroque style. Around 1900. Fire-gilt bronze, screw mount with cardboard candle sleeves. 31 x 27 x 17 cm. Wall appliqués with leaf mask above the volute brazier as a wall mount, arms extending from the mouth with leaf trimming, vase shells in vegetable relief with drip trays. Electrified, function not tested. Call time 13 June 2024 | probably 18:47 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
MIRALLES DARMANIN, Enrique(1855 - 1900) Genreszene mit junger FrauÖl/Holz. Links unten signiert. 40 x 31 cm. Gerahmt : 69,5 x 60,5 cm. Junge Frau im hellblauen Kleid beim Polieren einer Kanne in einem Zimmer mit am Boden liegenden Druckgrafiken vor einer Wand mit großem Folianten, Gitarre und Wandteller. Nagellöcher in den Ecken. Spanischer Genremaler. Aufrufzeit 15. | Juni 2024 | voraussichtlich 14:52 Uhr (CET) MIRALLES DARMANIN, Enrique(1855 - 1900) Genre scene with young womanOil/wood. Signed lower left. 40 x 31 cm. Framed : 69.5 x 60.5 cm. Young woman in a light blue dress polishing a pot in a room with prints lying on the floor in front of a wall with a large folio, guitar and wall plate. Nail holes in the corners. Spanish genre painter. Call time 15 | June 2024 | probably 14:52 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
ROHLFS, Christian (1849 Groß Niendorf - 1938 Hagen) "Charitas"Original-Lithografie auf Japanpapier. Bleistiftsignatur. Exemplar: 62/100. Abbildung: 13 x 9 cm, Blatt: 31 x 22 cm, Klapp-Mappe: 32 x 23,3 cm. In Original-Klappmappe, typografisch bezeichnet "Original-Lithographie von Christian Rohlfs gezeichnet für die Hagener Winterhilfe 1932. | Vorzugsdruck vom Künstler numeriert u. signiert. Die Auflage beträgt 100 Exemplare auf Japan gedruckt. Nr. 62". Abbildungsbereich lichtgebräunt, Blatt stockfleckig. Deutscher Maler und Grafiker, nach langer impressionistischer Periode wurde er zu einem der wichtigsten Vertreter des Expressionismus; unter nationalsozialistischer Diktatur wurde sein Werk als "entartet" diffamiert. Literatur : https://www.christianrohlfs.de/. Aufrufzeit 15. | Juni 2024 | voraussichtlich 11:44 Uhr (CET) ROHLFS, Christian (1849 Groß Niendorf - 1938 Hagen) "Charitas"Original lithograph on Japanese paper. Pencil signature. Copy: 62/100. Image: 13 x 9 cm, sheet: 31 x 22 cm, folding folder: 32 x 23.3 cm. In original folding folder, typographically inscribed "Original lithograph by Christian Rohlfs drawn for the Hagener Winterhilfe 1932. | Vorzugsdruck vom Künstler numeriert u. signiert. Edition of 100 copies printed on Japan. No. 62". Image area light browned, sheet foxed. German painter and graphic artist, after a long Impressionist period he became one of the most important representatives of Expressionism; under the National Socialist dictatorship his work was defamed as "degenerate". Literature : https://www.christianrohlfs.de/. Call time 15 | June 2024 | probably 11:44 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Charakterbaby mit Stuhl und Miniatur-Eisenbahn. Simon & Halbig, für Franz Schmidt & Co. Kopfmarke: 1296 FS & Co / S & H. Um 1912. Biskuitporzellan, Masse. Baby mit Kurbelkopf, braunen Schlaf-/Schelmenaugen, offenen Nasenlöchern, blonder Mohairperücke, 5-teiligem Sitzbabykörper und hellem Leinenanzug mit roter Borte (L 40 cm). Dazu blau-grau lackierter, umklappbarer Hochstuhl (H 31-51 cm) und kleine Holzeisenbahn (L 18,5 cm). Kopf nicht durchleuchtet: keine Defekte sichtbar, Beinansätze mit Kleberesten. Stuhl mit Altersspuren und kleinen Defekten. Provenienz : Sammlungsnachlass aus Hannover. Aufrufzeit 13. | Juni 2024 | voraussichtlich 10:47 Uhr (CET)Character baby with chair and miniature train. Simon & Halbig, for Franz Schmidt & Co. Head mark: 1296 FS & Co / S & H. Circa 1912. Biscuit porcelain, mass. Baby with cranked head, brown sleeping/sleeping eyes, open nostrils, blond mohair wig, 5-part sitting baby body and light linen suit with red trim (l 40 cm). With blue-grey lacquered, folding high chair (h 31-51 cm) and small wooden train set (l 18.5 cm). Head not x-rayed: no visible defects, leg attachments with adhesive residue. Chair with traces of age and small defects. Provenance : Collection estate from Hanover. Call time 13 | June 2024 | probably 10:47 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Jugendstil-Vase. Lötz. Johann Loetz Witwe, Klostermühle, um 1900. Hellblaues Glas mit transparent opalweißem Innenfang und silbergelben, eingewalzten Kröseln, irisiert. H 12 cm. Balustervase mit dreifach auslappender Mündung; ausgekugelter Abriss. Aufrufzeit 13. | Juni 2024 | voraussichtlich 18:17 Uhr (CET)Art Nouveau vase. Lötz. Johann Loetz Witwe, Klostermühle, around 1900. Light blue glass with transparent opal white inner rim and silver-yellow, rolled-in crumbs, iridescent. H 12 cm. Baluster vase with triple flared mouth; dislocated neck. Call time 13 | June 2024 | presumably 18:17 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Undeutlich signiert: BlumenstraußAquarell. Rechts unten undeutlich signiert. 1920. 60 x 41,5 cm. Gerahmt & hinter Glas : 63 x 45 cm (Goldleiste). Rosen, Flieder und andere Blumen in schlanker, goldener Vase vor hellblauer Wand. Aufrufzeit 15. | Juni 2024 | voraussichtlich 20:09 Uhr (CET) Distinctly signed: Bouquet of flowersWatercolor. Indistinctly signed lower right. 1920. 60 x 41.5 cm. Framed & behind glass : 63 x 45 cm (gold border). Roses, lilacs and other flowers in a slender, golden vase in front of a light blue wall. Call time 15 | June 2024 | presumably 20:09 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
7 seltene Borstentänzer. Erzgebirge. Um 1880. Holz, farbig bemalt. H 5,5 - 6,5 cm. Verschiedene Figuren, darunter Ritter und Dame auf Pferd, Tanzpaar und 4 Einzelfiguren. In hellgrüner, ergänzter Schachtel (2,5 x 15,5 x 13,5 cm). Wenige kleine Defekte und Fehlteile. Aufrufzeit 13. | Juni 2024 | voraussichtlich 11:17 Uhr (CET)7 rare bristle dancers. Ore Mountains. Around 1880. Wood, painted in color. H 5.5 - 6.5 cm. Various figures, including knight and lady on horseback, dancing couple and 4 single figures. In a light green, supplemented box (2.5 x 15.5 x 13.5 cm). Few small defects and missing parts. Call time June 13, 2024 | probably 11:17 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
BRACKENHAMMER, Rudolf(* 1876 Nürtingen) "Tal in Zillis / Schweiz/Graubünden"Aquarell. Rechts unten signiert, verso bezeichnet/betitelt. Um 1934. 39 x 57 cm. Gerahmt & hinter Glas : 45 x 63 cm. Alpenhäuser im hellen Licht auf einem Berg mit Blick zu den mit Schnee bedeckten Gipfeln am Horizont. Aufrufzeit 15. | Juni 2024 | voraussichtlich 17:30 Uhr (CET) BRACKENHAMMER, Rudolf(* 1876 Nürtingen) "Tal in Zillis / Schweiz/Graubünden"Watercolor. Signed lower right, inscribed/titled on verso. Circa 1934. 39 x 57 cm. Framed & behind glass : 45 x 63 cm. Alpine häuser in the bright light on a mountain with a view of the snow-covered peaks on the horizon. Call time 15 | June 2024 | probably 17:30 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Charakterjunge mit Schelmenaugen. J. D. Kestner. Kopfmarke: made in Germany JDK 257. Um 1916. Biskuitporzellan, Masse. L 36 cm. Kurbelkopf, blaue Augen, Wimpernreste, blonde Mohairperücke. 5-teiliger Sitzbabykörper mit intakter Stimme. Helle Strickkleidung. Kopf durchleuchtet: ohne Risse, lediglich 2 kleine Chips am Falz der Kopfkrone. Daumen rechts fehlt. Aufrufzeit 13. | Juni 2024 | voraussichtlich 10:15 Uhr (CET)Character boy with mischievous eyes. J. D. Kestner. Head mark: made in Germany JDK 257. c. 1916. Biscuit porcelain, mass. L 36 cm. Cranked head, blue eyes, remnants of eyelashes, blonde mohair wig. 5-part sitting baby body with intact voice. Light-colored knitted clothing. Head x-rayed: without cracks, only 2 small chips on the fold of the crown of the head. Right thumb missing. Call time 13 | June 2024 | probably 10:15 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
GEIGER, Rupprecht (1908 München - 2009 München) "Schwarz auf Blau"Farbsiebdruck auf Karton. Bleistiftsignatur. [1968]. Exemplar: 87/200. Blatt: 61,5 x 55 cm. Mit nuanciert ausgearbeitete Schwarzfläche, verso undeutliche Bleistiftnotiz: "Frau Bällert auf 10 [...] Glas weiß [...] in dieser [...]größe". Randbereich etwas berieben und leicht lichtgebräunt. Deutscher Architekt, Künstler der Abstrakten Malerei und Bildhauer. "Farbe hat wie Licht Anspruch, in der Reihe der Elemente eingestuft zu werden – Feuer, Wasser, Luft, Farbe, Licht und Erde" (Zitat: RG, www.altertuemliches.at). Aufrufzeit 15. | Juni 2024 | voraussichtlich 11:58 Uhr (CET) GEIGER, Rupprecht (1908 Munich - 2009 Munich) "Schwarz auf Blau"Screenprint in colors on cardboard. Pencil signature. [1968]. Copy: 87/200. Sheet: 61.5 x 55 cm. With nuanced black area, indistinct pencil annotation on verso: "Frau Bällert auf 10 [...] Glas weiß [...] in dieser [...]größe". Some rubbing and slight light browning to margins. German architect, artist of abstract painting and sculptor. "Color, like light, has a claim to be classified in the series of elements - fire, water, air, color, light and earth" (quote: RG, www.altertuemliches.at). Call time 15 | June 2024 | presumably 11:58 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
DITTMANN, Edmund Landsknechte vor der SchenkeÖl/Leinwand. Rechts unten signiert, verso bezeichnet. 1879. 64 x 52,5 cm. Die Reiter im Gespräch mit dem Wirt im Schein der Lampe bei aufgehendem Vollmond. Deutscher Maler im 19. Jahrhundert, stellte von 1856-76 in Berlin Landschaften und Stillleben aus. Literatur : Thieme/Becker. Aufrufzeit 15. | Juni 2024 | voraussichtlich 15:09 Uhr (CET) DITTMANN, Edmund Landsknechte vor der SchenkeOil/canvas. Signed lower right, inscribed verso. 1879. 64 x 52.5 cm. The horsemen in conversation with the innkeeper in the light of the lamp under a rising full moon. German painter in the 19th century, exhibited landscapes and still lifes in Berlin from 1856-76. Literature : Thieme/Becker. Call time 15 | June 2024 | probably 15:09 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Bildnis der Caroline von Sachsen-Coburg-SaalfeldÖl/Leinwand. Unsigniert. 18. Jh. 94 x 76 cm. Gerahmt : 113 x 95,5 cm (Goldstuckrahmen). Porträt der Markgräfin von Brandenburg-Ansbach und Bayreuth (1735-1791) im hellen Kleid mit blauem Hermelinmantel. Leinwand doubliert. Aufrufzeit 15. | Juni 2024 | voraussichtlich 13:04 Uhr (CET) Portrait of Caroline of Saxe-Coburg-SaalfeldOil/canvas. Unsigned. 18th century94 x 76 cm. Framed : 113 x 95.5 cm (gold stucco frame). Portrait of the Margrave of Brandenburg-Ansbach and Bayreuth (1735-1791) in a light dress with a blue ermine coat. Canvas relined. Call time 15 | June 2024 | probably 13:04 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
DOUZETTE, L. WaldinneresPastell. Links unten signiert. 31 x 23 cm. Gerahmt & hinter Glas : 45 x 37 cm (Goldstuckrahmen). Weg durch Bäume mit dichten Kronen und spärlichem Lichteinfall an einem sonnigen Tag. Wenn Louis Douzette, dann: Landschaftsmaler in Berlin, Barth und Prerow (1834 Tribsees - 1924 Barth), tätig auch in Paris und Schweden. Literatur : Thieme/Becker. Aufrufzeit 15. | Juni 2024 | voraussichtlich 16:54 Uhr (CET) DOUZETTE, L. WaldinneresPastell. Signed lower left. 31 x 23 cm. Framed & behind glass : 45 x 37 cm (gold stucco frame). Path through trees with dense crowns and sparse light on a sunny day. If Louis Douzette, then: landscape painter in Berlin, Barth and Prerow (1834 Tribsees - 1924 Barth), also active in Paris and Sweden. Literature : Thieme/Becker. Aufrufzeit 15. | June 2024 | probably 16:54 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
FRIEDRICH, Wilhelm Esk. VenedigÖl/Leinwand. Rechts unten signiert. 20. Jh. 36 x 45 cm. Gerahmt : 55 x 64 cm (Goldstuckrahmen). Blick vom Canal Grande zur Kirche Santa Maria della Salute im stimmungsvollen Abendlicht. Aufrufzeit 15. | Juni 2024 | voraussichtlich 18:40 Uhr (CET) FRIEDRICH, Wilhelm Esk. VeniceOil/canvas. Signed lower right. 20th century 36 x 45 cm. Framed : 55 x 64 cm (gold stucco frame). View from the Grand Canal to the church of Santa Maria della Salute in the atmospheric evening light. Aufrufzeit 15. | June 2024 | voraussichtlich 18:40 Uhr (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Bugholz-Fauteuil. Jakob und Josef Kohn, Wien. Prägemarke "J&J Kohn". Nach 1900. Buche, mahagonifarben gefasst. H ca. 72,5 cm, Sitzhöhe ca. 48 cm. Armlehnstuhl im Design-Jugendstil mit runder, gepolsterter Sitzfläche, weit gebogtem Schulterbrett und senkrecht versprosster Rückenlehne; heller Bezug mit stiltypischen Ornamenten. Wohnfertig restauriert. Bugholz wird durch ein von Michael Thonet um 1830 entwickeltes Verfahren unter Wasserdampf gebogen. Nachdem das 1856 erteilte Privileg zur "Herstellung von Möbeln aus massiv gebogenem Holz" 1869 annulliert wurde, entstanden zahlreiche Möbelfabriken - darunter auch J. & J. Kohn, die das Verfahren so weiterentwickelten, dass ebenso kantige Holzstäbe verarbeitet werden konnten. Abholung erforderlich.Aufrufzeit 13. | Juni 2024 | voraussichtlich 19:55 Uhr (CET)Bugholz armchair. Jakob and Josef Kohn, Vienna. Mintmark "J&J Kohn". After 1900. Beech, painted in mahogany. H approx. 72.5 cm, seat height approx. 48 cm. Armchair in design Art Nouveau style with round, upholstered seat, wide curved shoulder board and vertically projected backrest; light cover with ornaments typical of the style. Fully restored. Bentwood is bent under steam using a process developed by Michael Thonet around 1830. After the privilege granted in 1856 to "manufacture furniture from solid bentwood" was annulled in 1869, numerous furniture factories emerged - including J. & J. Kohn, which further developed the process so that angular wooden bars could also be processed. Collection required.Call time 13 | June 2024 | probably 19:55 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
⊕ LYNN CHADWICK (BRITISH 1914-2003)RAD LAD IIIsigned and numbered Chadwick 2/3 363bronzeheight: 43cm; 17inProperty from a Private Collection, West London Executed in 1961. Sarah Chadwick, the artist's daughter, has confirmed that the present work is recorded in the Chadwick archive as Chadwick 2/3 363 and was cast in an edition of four. ProvenanceMarlborough Fine Art Ltd, LondonPurchased from the above by the mother of the present owner 13th August 1965ExhibitedLondon, Marlborough Fine Art, Summer Exhibition, 1965, no.13LiteratureDennis Farr and Éva Chadwick, Lynn Chadwick Sculptor, With a Complete Illustrated Catalogue 1947-2003, London, 2014, p. 199, no. 363In Rad Lad III a rugged and ridged head and body sit on three angular, tapering legs, the rough geometric form half human, half robot. Chadwick's light-hearted title - an abbreviation for 'radiator man' or plumber - refers to the work's corrugated surfaces, but belies the more insidious presence the bronze's spectre-like form suggests. Other more prescient titles he gave to similar sculptures of single figures he completed in the early 1960s included Watcher, Detector and Inquisitor. Such labels of monitoring and surveillance reference the perceived existential threats present in the geo-politics of the day, when the Russian-American Cold War was entrenched, the Cuban Missile crisis was threatening, the Berlin Wall under construction and the horrors of the Vietnam War were unfolding. Chadwick's developing interest in casting in bronze followed a formidably successful decade of development, beginning with his first solo show at Gimpel Fils in Mayfair in 1950, three separate large scale commissions for the Festival of Britain in 1951 and inclusion both in the Battersea Park Open Air Sculpture Exhibition, and the exhibition American Abstraction in New York the same year. In 1952 he was featured as one of eight young emerging British sculptors in the Venice Biennale, others included Kenneth Armitage, Reg Butler, Eduardo Paolozzi and William Turnbull. His meteoric rise continued when in 1956 he represented Britain at the Venice Biennale, winning the International Sculpture Prize against the favourite Alberto Giacometti.
EDWARD CLIFFORD (BRITISH 1844-1907) AFTER EDWARD COLEY BURNE-JONES (BRITISH 1833-1898) MERLIN AND NIMUEwith monogram and dated EBJ / 1861 (in a cartouche, lower left)watercolour and bodycolour on paper mounted on the artist's prepared stretcher65 x 52.5cm; 25 1/2 x 20 1/2in 109 x 89cm; 43 x 35in (framed)Property from a Private Collection, CumbriaProvenanceSale, Sotheby's, London, 6 November 1995, lot 210Mr Carl Laszlo, BaselSale, Sotheby's, London, 13 July 2017, lot 16 (purchased by the present owner) LiteratureWilliam Waters, Burne-Jones Catalogue Raisonne, online edition (catalogued as After Edward Coley Burne-Jones, By Edward Charles Clifford)Edward Clifford painted several faithful copies of Burne-Jones' works from the 1860s including the present watercolour of Merlin and Nimué which Burne-Jones had completed in 1861 (Collection of the Victoria & Albert Museum, London). Clifford summed up his admiration for Burne-Jones' original in glowing terms: 'Well, to return to the five pictures of 1864 [sic]. The largest was Merlin and Nimué, quite a different design from the picture which was exhibited some years later in the Grosvenor Gallery, and which is known by the etching of it and by Mr Hollyer's photographs... I was greatly impressed by this picture when I was only a student, but when I saw it three or four years ago in the collections of Mr Leathart of Gateshead-on-Tyne, I found it so beautiful that I almost lost command of myself for a few moments. The subject and the fine dramatic treatment of it are interesting, the greatest virtue of the picture lies in its ineffable and overwhelmingly lovely colour.' (quoted in Broadlands as it was by Edward Clifford, London, 1890 pp. 52-54). Clifford was not alone in his idolization of the work of Burne-Jones, but one of a group of admirers led by Robert Batemen (1842-1922). Waters notes that Clifford seems to have had access to Burne-Jones's studio, but that there is no suggestion in Clifford's biography or his writings that he was actually an assistant there, commenting that if he was an assistant along side Thomas Matthews Rooke and Charles Fairfax Murray, then it has yet to come to light. (William Waters, Burne-Jones Catalogue Raisonne, online edition).Born in St John's Wood, the son of an artists' materials supplier, Clifford taught painting at the Berry F. Berry Art School in Swiss Cottage. He showed his work in London at the Royal Society of British Artists, The Royal Institute of Painters in Watercolours, The Royal Academy, and the Royal Institute of Oil Painters. Further afield his work was exhibited at the Manchester Academy of Fine Arts and the Walker Art Gallery, Liverpool.
SIMEON SOLOMON (BRITISH 1840-1905) HERO AT ABYDOSsigned with initials and dated SS / 94 lower leftoil on canvas39.5 x 51cm; 15½ x 20 1/4in56 x 69cm; 22 x 27 3/4in (framed)Property from a Private Collection, Cumbria Provenance Rachel Simmons (née Solomon), the artist's cousinBy descent from the aboveJ S Maas & Co., LondonPurchased by the present owner in the early 1980sExhibitedLondon, Geffrye Museum and Birmingham, Museum and Art Gallery, Solomon: A Family of Painters, 1985-86, no. 73The Greek myth of the passionate love affair between the Priestess Hero and the young Leander from Abydos ends in tragedy when one winter night Leander sees the torch at the top of Hero's tower on the other side of the strait of Hellespont. He attempts to swim the strait to visit her, but halfway across a strong wind blows out Hero's light, and he loses his way and drowns. When Hero sees Leander's dead body she throws herself off the tower to join him in death. Their bodies wash up on shore locked in embrace, and the couple are buried in a lover's tomb.
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