Walsingham (Francis) A Search made into Matters of Religion, by Francis Walsingham Deacon of the Protestants Church, before his Change to the Catholike, second edition, title with woodcut ornament, woodcut initials and head-pieces, slight worming to fore-edge of title and at foot of first four and last four leaves, small hole to N3, occasional light browning, free endpapers detached, contemporary plain blind-ruled calf, rubbed, small portion missing from lower cover, [STC 25003], small 4to, [Saint-Omer, English College Press], 1615.⁂ Provenance: T. Busby S.J., early ink name on title; Jean-Marie-Philippe Dubourg, Bishop of Limoges 1802-1822 (bookplate); Jean-Joseph-Marie-Sixte de Marliave (1918-1999) (bookplate).
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Greek printing.- Bible, Greek. Vetus Testamentum Graecum, 1 vol. in 2, first edition of the Greek Septuagint Bible printed in England, title in red and black with engraved vignette, title in Latin and Greek, preface in Latin, text in double-column in Greek, minor soiling and light staining, handsome early 18th century red morocco, gilt, spines gilt in compartments with 3 green morocco labels, g.e., fine decorative endpapers a little discoloured round edges, bookplate of Bibliotheca Lamoniana, later bookplate of the Bishop of Salisbury, [Darlow & Moule 4692], 4to, Roger Daniel, 1653.⁂ A lovely copy of the rare first printing in England of the Septuagint, the earliest translation of the Hebrew Old Testament into Greek. Edited by the Unitarian controversialist John Biddle (1615-1662), who was imprisoned by the Parliamentary Commissioners for his religious opinions. "Roger Daniel's version of the text of the Sixtine edition [was] prepared for the use of the scholars at Westminster School. This appeared in 1653 and was edited by the Socinian, John Biddle. Its publication may have owed something to the interest in the Septuagint generated by Codex Alexandrinus and the frustration produced by the failure of Young's attempts to edit it" (S. Mandelbrote, "English Scholarship and the Greek Text of the Old Testament", p. 87).
Webster (Noah) A Dictionary of the English Language, 2 vol., first English edition, occasional light spotting, vol. 2 lacking front free endpaper, contemporary calf, gilt, spines richly gilt in compartments with red and brown morocco labels, covers rubbed and scuffed, 4to, Black, Young and Young, 1832.⁂ An attractive set of the scarce first English edition of Webster's dictionary.
Scott (Sir Walter) [Works], 98 vol., comprising, Waverley Novels, 48 vol., Edinburgh, Adam and Charles Black, 1853-1854; The Miscellaneous Prose Works, 28 vol., Edinburgh, Robert Cadell and Adam and Charles Black, 1850-1851; Memoirs of the Life of Sir Walter Scott, Bart, 10 vol., Edinburgh, Robert Cadell, 1839; The Poetical Works, 12 vol., Edinburgh. Robert Cadell, n.d., engraved frontispieces, additional vignette titles and folding maps, some browning / foxing to plates, occasional spotting, uniformly bound in contemporary light tan calf, richly gilt spines in compartments and with red and black morocco labels, a few vol. marked or nicked, little rubbing, but generally in very good order, 8vo (bindings 171 x 113mm)
James (Henry) Stories Revived, 3 vol., first edition, half-titles, vol.2 & 3 with initial blank, vol.3 with advertisement leaf at end, some very light spotting at beginning and ends, one or two minor marks, variant binding of original dark green cloth, boards with three rules in black, blue & white patterned endpapers (slightly browned), spine ends and corners a little bumped, slight wear to edges, [Edel and Laurence A27a; Sadleir 1290; Wolff 3584], 8vo, 1885.
Keynes (John Maynard) The End of Laissez-Faire, first edition, light browning to endpapers, original cloth-backed boards, paper label to spine, light central crease to spine, dust-jacket, some chipped and creasing to spine ends, short closed tears with accompanying creasing to head and foot of lower panel, still and excellent example overall, [Woolmer 97], 8vo, 1926.⁂ Rare in the dust-jacket. The End of Laissez Faire was based on the Sidney Ball Lecture given by Keynes at Oxford in November 1924 and on a lecture given by him at the University of Berlin in June 1926.
Militaria.- Eisenhower (Dwight D.) Crusade in Europe, number 1,269 of 1,400 copies with a facsimile of the D-Day order signed below by the author, signed presentation inscription from the author to Field Marshall Viscount Slim "Whose brilliant military leadership in World War II won the admiration and acclaim of the allied world. With best wishes and regards from his comrade-in-arms" on half-title, bookplate of Viscount Slim to endpaper, map endpapers, original cloth, very light fading to spine, but a fine copy overall, t.e.g., others uncut, plastic jacket, 8vo, New York, 1948.⁂ An unusually fine copy with a superb inscription from the author to one of the great military leaders of the Second World War. Field Marshall Viscount Slim (1891-1970) led the so-called "Forgotten Army" in the Burma campaign against the Japanese. His transformation of the Allied Burma Corps and the subsequent successes achieved earned him the reputation as one of the best generals of the war.
Militaria.- Montgomery (Bernard Law, first Viscount Montgomery of Alamein) The Path to Leadership, first edition, signed presentation inscription from the author to Field Marshall, Viscount Slim, "To: Bill Slim with admiration and high regard for a great captain" to endpaper, addressed by Montgomery below to Slim at the House of Lords, frontispiece, original cloth, light fading to spine, 8vo, 1961.⁂ An excellent association copy, addressed from one great British military leader to another (for Viscount Slim, see previous lot).
Atomic physics.- Bohr (Niels) An archive of Bohr material from the collection of Lewis L. Strauss, comprising, 3 T.L.s.s from Bohr, 3 pp. in total, Copenhagen and Valby, 26th October, 1945, 5th March 1951, and 18th October, 1951, enclosing a typescript and offprint, and arranging social plans, original envelopes (the second two letters sent together); Light and life. Address delivered at the opening of The International Congress on Light Therapy, signed presentation copy from Bohr to Strauss, original grey printed wrappers, neatly reinforced with cloth tape along spine, Copenhagen, 1932; Resonance in Uranium and Thorium Disintegration and the Phenomenon of Nuclear Fission, offprint from The Physical Review, vol. 55, no 4, 15th February, single sheet, some chipping at foot, little spotting, 1939; An original typescript copy of Bohr's article 'A Challenge to Civilization', which appeared in Science, vol. 102, October 12, 1945, with a 2 pp, letter of transmittal to Strauss, 26th October, 1945, folded, and affixed to letter and book with staples; 5 additional offprints or extracts: 'Science and Civilization' (1945); 'Natural Philosophy and Human Cultures'(1939); Referate and diskussionen' (1936);'"Biology and Atomic Physics' (1938); 'Disintegration of Heavy Nuclei' (1939); 'Transmutations of Atomic Nuclei' (1937); and 'Can Quantum-Mechanical Description of Physical Reality Be Considered Complete?' (1935); and 3 original color photographic portraits of Bohr taken by Strauss, August, 1955, at the Conference for the Peaceful Uses of Atomic Energy, mounted on front pastedown, with an autograph note from Strauss beneath, occasional spotting, all bound into a later cloth over boards folder, spine titled in gilt 'Nils Bohr to L.L.S., rubbed, small 4to⁂ A fascinating and intimate archive between friends. Strauss was was one of the first commissioners of the Atomic Energy Commission, the civilian authority in charge of atomic research after World War II. He was appointed its Chairman in 1953. He was a strong proponent of the development of the nuclear bomb as a deterrent, as well as for the peaceful application of nuclear power. Includes a rare offprint which identifies nuclear Isotope U-235.
Dialling.- Leybourn (William) Dialling, Plain, Concave, Convex, Projective, Reflective, Refractive. Shewing, how to make all such Dials, and to adorn them with all useful Furniture relating to the Course of the Sun, second enlarged edition, engraved frontispiece portrait and 34 plates (14 folding), 4 engraved vignettes, light spotting to title, early ink annotations to front free endpaper (mounted on stub), contemporary panelled calf, sympathetically rebacked, corners repaired, later endpapers, [Houzeau & Lancaster 11535; Tardy p.163; Wing L1913], folio, by J.Matthews, for Awnsham and John Churchill, 1700.
Early motoring.- Trade catalogue.- De Dion-Bouton. Automobiles, printed in orange and black, illustrations of cars, a bus, lorries, and engines, ink stamps of Autogarage Gatti, Modena throughout, original decorative light green wrappers printed in dark green and red, Gatti stamps, lower wrapper with some staining, 8vo, Puteaux [Paris], [April, 1906].⁂ A scarce survival, especially in such a good state of preservation.
Newton (Sir Isaac) Opticks: or, A Treatise of the Reflexions, Refractions, Inflexions and Colours of Light, 3 parts in 1, first edition, presentation copy to Nicolas Fatio de Duillier and with his ink and pencil annotations, title printed in red and black, 19 folding engraved plates, paper flaw to part 1 p.98 with some distortion to 2 lines of text and letters supplied in ink by the printer, a couple of other printing flaws probably features of the earliest copies to come off the press, contemporary panelled calf, rubbed, joints split but firm, spine ends slightly chipped, corners worn, lacking spine label, preserved in modern silk-lined green morocco drop-back box by Shepherds, [Babson p.66; Gray 174; Wallis 174], 4to, Printed for Sam. Smith and Benj. Walford, Printers to the Royal Society, 1704.⁂ Highly important association copy, received by Fatio, Newton's close friend and collaborator, five days before Newton himself presented a copy to the Royal Society. The earliest known presentation copy of the only book Newton prepared for publication and saw through the press himself.Inscribed at the top of the front pastedown in Fatio's hand: 'Ex Dono Autoris Clarissimi: Londini, Februarii undecimo, 1703/4. Nicolaus Facius.' Fatio also used the Latin form of his name in an inscription recording presentation by Newton in his copy of the third edition of the Principia (1726).The date of presentation is of particular interest. The Opticks builds on work that Newton carried out as early as the mid-1660s and later presented in his earliest lectures as Lucasian Professor in Cambridge. His first publications in the journal of the Royal Society, the Philosophical Transactions, were on the nature of light. For much of the 1670s, he engaged in critical correspondence with English and Continental virtuosi about his findings. As he stated in the 'Advertisement' at the beginning of the published Opticks, he began to prepare a more complete work on light in about 1675. He returned to the idea of publishing this work only after the appearance of the Principia (which contained one section on optical mechanics) in 1687 had won him international fame. The manuscript was largely prepared in the period 1687-8 and 1691-2. The Scottish mathematician and Oxford Professor of Astronomy, David Gregory, saw an incomplete text when he visited Newton in Cambridge in May 1694. Newton delayed finishing the book, however, and decided to print it only in 1702 or 1703. The book was going through the press in December 1703. On 16 February 1704, Newton presented the completed book to the Royal Society, of which he had been President since 30 November 1703. The copy on offer was presented to Fatio five days earlier.Nicolas Fatio de Duillier (1664-1753) was a Swiss mathematician and natural philosopher. Educated at the Academy of Geneva, Fatio worked with Giovanni Domenico Cassini at the Royal Observatory in Paris in the early 1680s. He first came to England in 1687 and became a Fellow of the Royal Society on 2 May 1688. After the Revolution of 1688, Fatio was the most important intermediary between Newton and Huygens. Fatio regarded himself (with some justification) as being among the very few mathematicians internationally who were equipped to handle the new calculus and as being in the forefront of scientists who were trying to explain the action of gravity, the force which played such an important role in the physical explanations provided by the Principia. In the early 1690s, Fatio emerged as the likeliest person to produce a revised edition of the Principia and discussed corrections to the work with Newton, to whose manuscripts he also had access. At this time, he was one of Newton's closest confidants. The two men regularly exchanged letters (several of which remain unpublished) and Fatio advised Newton in particular about the purchase of alchemical works in French. For much of 1693, Newton and Fatio collaborated on alchemical experiments, with Fatio conveying information derived from practitioners with whom he associated in the London Huguenot community. According to William R. Newman, who has recently produced a definitive account of the alchemical collaboration of Newton and Fatio, Newton was 'testing the ability of a vitriol to "ferment" respectively with salts of lead, tin, and copper' and fermenting iron, copper, and lead with metallic quicksilver. Exhaustion from long hours tending the furnace involved in these experiments may well have caused Newton's famous breakdown, which he discussed in letters to Samuel Pepys and John Locke in autumn 1693. Newman's work demonstrates that Fatio's involvement with Newton reflected shared intellectual concerns with 'chymistry, the transformation of materials, and the production of remedies.' These interests remained vital despite Newton's illness, which cannot now be attributed to any falling out with Fatio. Fatio found new employment as a tutor in 1694, which required him to be away from London; he travelled to the Netherlands with his pupil in 1697-8, and returned to Geneva between 1699 and 1701. Nevertheless, he remained a regular participant in conversations among Newton and his disciples: his interest in the renewed editing of the Principia and in Newton's other projects was taken for granted.In London in 1698, Fatio set to work seeing two compositions of his own through the press: an English treatise on the exploitation of the angle of the sun's rays in gardening (Fruit Walls Improved) and a Latin pamphlet on the geometrical investigation of the line of quickest descent (Lineae brevissimi descensus), a work notable for its author's attempt to reassert a position among the front rank of European mathematicians. As such Fatio was critical of the behaviour of Johann Bernoulli and his associates for the nature of the challenge problem which they had issued in 1696, and which Newton had answered with a correct solution for the line of quickest descent. Newton had presented his work anonymously in the Philosophical Transactions (January 1697), but gave no hint about the method he had followed. He presented a construction of the solution-curve (a cycloid).Behind Bernoulli's challenge lurked Gottfried Wilhelm Leibniz, whom Fatio accused of having ignored Newton's priority in the invention of the calculus in his publications about this mathematical tool. At the heart of the dispute lay a broader intellectual problem that many Continental mathematicians had in accepting Newton's subordination of his method of fluxions to traditional geometrical arguments and their consequent belief that Newton had not properly mastered the intricacies of the new analysis that Leibniz had developed. On such a reading, no other mathematician in England except Newton was worthy of consideration (Fatio included). Fatio's pamphlet also treated the problem of the solid of least resistance, which Newton had solved in Book II of the Principia (1687). He wished to show that, …
Newton (Sir Isaac) Philosophiae Naturalis Principia Mathematica, edited by Thomas Le Seur and Franciscus Jacquier, 3 vol., second Jesuit edition, vol. 1 with half-title and with title in red and black, titles with woodcut decorations, woodcut head- and tail-pieces, numerous diagrams, vol.1 with occasional marginal staining, occasional light browning, contemporary calf, gilt, spines gilt in compartments, vol. 1 upper joint cracked but holding firm, some cracking to remaining upper joints, light rubbing to covers, g.e., an attractive set overall, [Babson 31], 4to, Geneva, C. & A. Philibert, 1760.
Botany.- Miller (Philip) Abbildungen der nützlichsten, schönsten und seltensten Pflanzen welche in seinem Gärtner-Lexicon vorkommen, 2 vol., first German edition, engraved vignette titles, 301 hand-coloured engraved plates, occasional foxing or light browning to text, contemporary boards, ink titles to spines, rebacked, preserving original backstrips, [Nissen BBI 1379], folio, Nuremberg, A. W. Winterschmidt, 1768-82.⁂ A clean and excellent copy of the scarce German edition.
Buffon (G.L.M.L., Comte de) Natural History, General and Particular, 9 vol., second edition, engraved portrait, 2 maps and 305 engraved plates 7 folding, occasional light offsetting, bookplate of Sir Richard Johnstone to pastedowns, contemporary calf, spines gilt with red and green morocco labels, 8vo, W. Strahan & T. Cadell, 1785.⁂ A handsome set.
Herbal.- Dodoens (Rembert) A Niewe Herball, or Historie of Plantes, translated by Henry Lyte, first English edition, black letter, title within ornate woodcut historiated border and with woodcut arms of Henry Lyte to verso, woodcut portrait of the author, numerous woodcut illustration, final f. supplied in excellent facsimile, title rather soiled and with margins repaired, T5 torn and repaired with 2 small holes to text, occasional light soiling, several ff. with corners or margins repaired, a few early ink names and marginal notes, later calf, sympathetically rebacked, [Henrey 110; Hunt 132; Nissen 516; STC 6984], folio, At London [but Antwerp], by me Gerard Dewes, 1578.⁂ A good copy of this important Renaissance herbal. Dodoens served as court physician to Emperor Rudolf II of Austria before becoming Professor of Medicine at Leiden University in 1582.
Horses.- Veterinary.- Lafosse (Philippe-Étienne) Cours d'hippiatrique, ou Traité complet de la médecine des chevaux, first edition, half-title, fine engraved frontispiece of a dissection scene by B.L. Prevost after Sullier, portrait of the author by J. Baptiste Michel after Harguinier, title vignette by Prevost, engraved arms of Charles-Eugene de Lorraine to head of dedication, 56 plates, of which 19 double-page or folding, by B. Michel Adam [femme Fessard], F.A. Aveline, C. Baquoy, Benard, Ch. Beulier, L. Bosse, Prevost and others after Harguinier, Lafosse, Saullier, and 7 engraved headpieces by Delaunay, Hubert, Levilain, Lucas, Mlle Massard, Mesnil, and Michel after Le Carpentier, woodcut head- and tailpieces and initials, some spotting and light browning, occasional finger-marking, contemporary red morocco, gilt, spine in compartments with floral decoration within filet borders and a black morocco label, spine dulled and with narrow repairs at ends, rubbed, g.e., [Mennessier de la Lance, I, pp. 20 & 21; Podeschi / Mellon 61; Nissen ZBI 2360; Brunet III, 765; Cohen-de Ricci 587; ], folio (492 x 316mm.; binding 502 x 344mm.), Paris, Edme, 1772.⁂ One of the great books on horses and equine medicine. 'Ce livre est un véritable monument élevé à l'Hippologie. Papier, impression, déssin, gravure, sont également signés' (Mennessier de la Lance). Lafosse, the son of a farrier / horse doctor, was a French veterinarian who at a young age had performed dissections to teach the cavalry, and later taught in an anatomical theatre in Paris. Provenance: 3rd Marquess of Lansdowne (small circular gilt leather bookplate to front pastedown).
Spiders.- Martyn (Thomas) Aranei, Or a Natural History of Spiders, including the Principal Parts of ... English Spiders by Eleazar Albin, as also the Whole Publication ... on Swedish Spiders by Charles Clerk, 2 parts in 1 vol., first edition, engraved calligraphic title, 28 hand-coloured engraved plates of spiders by Basire, Carwitham and Smith, some heightened with gum arabic, lacking frontispiece and 2 numismatic plates, light damp-staining to upper margins of plates, handsome contemporary straight-grain red morocco, by Samuel Welch with his ticket, covers decorated in blind, spine in compartments, lettered in gilt, upper cover detached, some light rubbing to extremities, g.e., [Nissen ZBI 2724], 4to, 1793.
Annals of Sporting and Fancy Gazette, 13 vol. (complete set), half-title, 153 engraved plates (aquatints, stipple-engravings, etchings, wood-engravings), including 50 hand-coloured, occasional light foxing and some light offsetting but otherwise in excellent condition, bookplate to pastedowns, early 20th century crushed red half morocco, gilt, spines lightly faded, a little rubbed, 8vo, [Cohn 32, Podeschi A12; Schwerdt I p.32; Slater p.9; Tooley 64], 8vo, 1822-28. ⁂ A comprehensive view of the life and habits of those who lived in the English countryside. With a broader scope than the "Sporting Magazine" and with its fine series of coloured plates, this is the most attractive periodical of its type.Including athletic sports such as cricket, boxing, wrestling, racing, rowing, sailing etc. as well as field sports.
Allais (Louis-Jean), Athanase Détournelle & Antoine-Laurent-Thomas Vandoyer, engravers and publishers. Projets d'Architecture et autres productions de cet art, qui ont mérités les Grands Prix accordés par l'Académie, par l'Institut National de France, et par des Jurys du choix des Artistes ou du Gouvernement, second series, on Papier grand Colombier d'Hollande, (watermarked Van der Ley), title with French nationalistic wood-engraved ornament, fine engraved additional pictorial title and 120 plates (520 x 358mm.), all ff. numbered in pencil in top right-hand corner, otherwise generally clean and crisp, with occasional light spotting or finger-marking, contemporary calf-backed marbled boards, richly gilt spine with architectural instruments motifs, small stars and foliage decorations, along with a large red morocco label, some fading to marbled boards, corners neatly restored with green vellum, rubbed, folio (binding 534 x 380mm.), Paris, Détournelle & J. Charles, 1806. ⁂ A very good copy of this scarce collection of the second series of prize-winning architectural designs. Includes fountains, aqueducts, lighthouses, prisons, gardens, and triumphal arches and columns.
[Ercolani (Giuseppe Maria)], "Neralco (Pastore Arcade)". I tre ordini d'architettura dorico, ionico e corintio presi dalle fabbriche piu celebri dell'antica Roma; Descrizione del Colosso Romano, del Panteo, e del Tempio Vaticano, 2 parts in 1, first edition, fine engraved title vignette, 76 plates, of which 3 folding, head- and tail-pieces and historiated initials, woodcut head- and tail-pieces, occasional light browning, mostly in part 2, occasional mostly small areas of water-staining to upper margins, some spotting or light foxing, contemporary speckled calf, gilt, covers with triple filet borders, rebacked, preserving original gilt backstrip and red morocco label, a few scuffs and stains, rubbed, [Berlin Kat. 2632; Cicognara 580], folio, Rome, Antonio de' Rossi, 1744.⁂ Rare in commerce. Ercolani (1690-1760) was a member of the Academy degla Arcadi, being given the name 'Neralco', which he used primarily for his poetical works.
Gardens.- Laborde (Alexandre de) Description des Nouveaux Jardins de la France et de ses Anciens Chateaux, 2 vol., first edition, text in French, English and German, half-title to text vol., plate vol. with fine engraved title with large vignette, a map, 2 plans, and 122 plates after Constant Bourgeois on 89 sheets, plus 3 additional sheets (2 of which with 4 plates with overslips and 1 plate of images to be cut out for overslips), tear to lower margin of plate 104, spotting, occasional foxing (mostly marginal), occasional light browning, contemporary half calf over light yellow boards, spines richly gilt and with red and black morocco labels, spine ends neatly repaired, boards with some scuffing, rubbed, [Millard, French Books, 84], folio (465 x 329mm.; binding 476 x 344mm.), Paris, Delance, 1808.⁂ A very good set of what Millard calls 'an invaluable record of each of the gardens illustrated, and of a type of garden design that has all but disappeared.'
Interiors.- Wood (Henry) A Series of Designs of Furniture & Decoration in the Styles of Louis XIVth, Francis Ist, Elizabeth, and Gothic, first edition, title within decorative border, 24 hand-coloured lithographed plates printed on thick paper, one toned, occasional light spotting, or marking, first plate with abrasion to fore-margin, modern half calf, gilt, [not in Keynes, Pickering Handlist], folio, William Pickering, [1845].⁂ Rare complete copy of Wood's handsome designs for window curtains, settees and sofas, sideboards, bookcases, room panelling, chairs etc. WorldCat lists the BL copy only and we can only trace two other complete copies at auction.
Palladio (Andrea) I Quattro Libri dell'Architettura, first edition, 4 parts in 1, collation: A2, B-I4; AA-KK4 (quire HH misbound, in the sequence HH2, HH1, HH4, and HH3); AAA-FFF4; AAAA-RRRR4, complete with blank leaves KK4 and RRRR4, Roman and italic type, each title within architectural woodcut borders with de Franceschi's printer's device included in upper panel, a different printer's device on verso of fol. RRRR3, 221 woodcut illustrations, plans, and sections (156 are full-page blocks, including 84 printed as plates, recto and verso of 42 leaves) executed after Palladio's drawings by Giovanni and Cristoforo Chrieger, Cristoforo Coriolano, and others, numerous woodcut animated initials, occasional light foxing, lower margin of fol.I2 slightly trimmed, handsome early nineteenth-century green calf, over pasteboards, covers framed by undulating gilt fillet, small floral tools at each corner, spine gilt with gilt-lettered red morocco label, board edges decorated with gilt freeze, green silk bookmark, gilt edges, lower corners slightly bumped, generally a fine copy, folio (290 x 195mm.), Venice, Domenico de' Franceschi, 1570.⁂ A milestone in the history of architecture: the first edition of the Quattro Libri dell'Architettura by the Paduan theorist and practising architect Andrea di Pietro della Gondola, universally known as Andrea Palladio, after the name given to him by his patron and renowned humanist Giangiorgio Trissino. Palladio was primarily active as an architect in Venice, Vicenza, and along the Brenta river, where he built magnificent villas for wealthy members of the Venetian patriciate. This authoritative and influential treatise celebrates the purity and simplicity of classical architecture, drawing its inspiration from Roman sources, especially Vitruvius, and Italian Renaissance architects, above all Leon Battista Alberti. The work is divided into four parts or libri, devoted to orders and elementary problems, domestic buildings, public buildings, and town planning and temples. "Palladio followed the rules of classical Roman architecture more closely than any other architect, even sometimes at the cost of practicability and domestic comfort. In spite of the vogue for the baroque and the fact that Palladio left no immediate successors, his book exerted a powerful influence on contemporary architecture and classical ideals until the end of the eighteenth century [...] 'Palladianism' became a party label in the world of connoisseurship and England blossomed with buildings 'in the Palladian style' - two centuries after Palladio had created it. From England the style made its way into Scotland, Ireland and America" (PMM). The treatise was reprinted and translated many times over the following centuries. Within the splendid series of woodcuts which accompany the text, especially noteworthy are those in the second libro depicting plans and elevations of villas, including the famous Villa Maser built for Palladio's patron Daniello Barbaro. Literature: Mortimer Italian, 352; Berlin Katalog 2592; Cicognara 594; Fowler 212; Olschki Choix, 15125; PMM 92.
Vases.- Antonini (Carlo) Manuale di vari ornamenti componenti la serie de' vasi antichi si di marmo che di bronzo esistenti in Roma e Fuori, 3 vol., first edition, titles with large engraved vignettes incorporating the arms of the dedicatee Pope Pius VII, fine engraved pictorial divisional titles to each volume and 193 plates, some mostly marginal foxing, a few finger-marks, vol.3 light water-stain to upper inner gutters, attractive contemporary vellum, gilt, covers with wide borders incorporating a scrolling heavily laden grapevine, and cornucopia corner-pieces, spines richly gilt in a lattice design and with red and dark green morocco labels, some marking, g.e., [Berlin Kat. 594], folio (plates 334 x 222mm.; bindings 345 x 235mm.), Rome, Romanis, 1821.⁂ First edition of this work on ancient vases, beautifully illustrated with detailed engravings by and after the author. The three volumes treat the ancient vases found in the Vatican museums of Pio-Clementino and Chiaramonti, those housed in the Capitoline Museum and the Gallery of Rome, as well as those found in the areas surrounding Rome.
Rackham (Arthur).- Shakespeare (William) A Midsummer-Night's Dream, one of 1000 copies signed by the artist, 40 tipped-in colour plates and illustrations by Arthur Rackham, crease to final plate, occasional spotting / light browning to text ff. and guards, attractive dark blue crushed morocco, gilt, by Bayntun Rivière, g.e., 4to, 1908.
Calligraphic Manuscript.- Thomas (Louise) & Lady Strange. The Alphabet of Wild Flowers addressed to her young daughter by Mrs Thomas of Eyhorne House Illustrated by Lady Strange, illuminated manuscript in black, gold and colours on paper, 15 leaves including title, on rectos only, title in purple ink and gold with pointillé decoration, written in black ink in semi-gothic script with 26 letters on 14 leaves (A and Z with full page, others two to each page), each letter with 4-line verse on a flower with illuminated initial and finely-illustrated border depicting the flower in watercolours and gold, some with gold background decorated in pointillé or similar, final leaf with monogram tail-piece signed "L.Strange fecit aetat 68", each leaf laid down and mounted on stub, occasional light soiling, bound in dark green velvet, upper cover with intricate gold thread embroidery featuring monograms in centre and corners, deep pink watered silk endpapers, g.e., upper joint split, preserved in green silk folder lined in ivory silk and with ties, lightly stained and worn at edges, spotting to ivory silk, wear to tears, green silk slip-case (worn), oblong 4to, 1856.⁂ Exquisite illuminated album of wild flowers.Louise Thomas (1810-1911), of Eyhorne House, Hollingbourne, Kent married Richard Thomas around 1840. They had five daughters and a son, and from several references to Mary in the text this album was a gift for her fourth child, born in 1847. The Victoria and Albert Museum contains a very similar album by Lady Strange bound in red velvet so she presumably produced one for each of the Thomas daughters. The colophon states that Lady Strange was 68 when she illustrated the present album, and 70 for the V & A example. Louise herself died in 1911 aged 101.
Kelmscott Press.- Meinhold (William) Sidonia the Sorceress, translated by Francesca Speranza, Lady Wilde, one of 300 copies on Flower paper, printed in red and black in Golden type, wood-engraved border and initials designed by William Morris, library label to front pastedown and ink numbers to verso of title, light browning to a few ff., variant binding of original holland-backed boards, printed paper label to spine (chipped with loss of 1 letter and part of another), spine lightly browned and stained and with small circular paper label removed, spine ends and joints little frayed, boards soiled and with some staining, corners worn, uncut, [Peterson A19], large 4to, Kelmscott Press, 1893.⁂ Most copies were bound in original limp vellum with silk ties but Peterson notes that "Cockerell instructed Leighton to bind thirty copies in 'half holland uniform with the Golden Legend' and these were later donated to British and American libraries".Provenance: 'Given by Mrs William Morris in Memory of Her Husband 1897' (bookplate to front pastedown).
Dighton the Elder (Robert, 1752-1814) Intelligence on the Change of Ministry, pen, brush and ink with monochrome washes, numbered '477' in the lower left corner, signed but trimmed in the lower right corner, on laid paper mounted on wove paper support, 330 x 250 mm. (13 x 9 3/4 in), under glass, some spotting and damp-stains, otherwise light cockling and minor surface dirt, framed, [circa 1783].Provenance:Mr Jeffrey Rose; his executor's sale, Sotheby's, 23rd February 1978, 23rd February 1978, lot 33Anonymous sale; Ex-collection of David PadburyEngraved:Mezzotint published by Carrington Bowles, 1783 [BM Satires 6348] Literature:Padbury, The Dighton family, their times, caricatures and portraits, 2007, p. 81
Dighton the Elder (Robert, 1752-1814) Three original drawings of half-length caricatures in ovals for mezzotints, including 'I'm ready for you', 'Choice of fruit, Sir', and 'A Puppy's Dress in the Dog Days', point of the brush and ink with watercolour, one signed, all numbered in ink and inscribed within caption space below, each approx. 160 x 120 mm. (6 1/4 x 4 3/4 in), under glass, some light toning, occasional spotting and surface dirt, framed, [circa 1790s] (3)Provenance:Mr Jeffrey Rose; his executor's sale, Sotheby's, 23rd February 1978, 23rd February 1978, lot 9 and lot 16 [part lot];Anonymous sale; Ex-collection of David PadburyEngraved:(A Puppy's Dress in the Dog Days) Mezzotint published by Carrington Bowles, circa 1790s; also published by Bowles & Carver, 1790s Literature:Padbury, The Dighton family, their times, caricatures and portraits, 2007, p. 80
Dighton the Elder (Robert, 1752-1814) A collection of 60 caricatures printed 1802-1812, including many characters from Oxford, international dignitaries, and numerous semi-caricature portraits of gentlemen in profile, a few duplicates, some in variant states, etchings, all but a handful with hand-colouring, on various papers, sheets approx. 205 x 155 mm. (8 x 6 in) to 340 x 290 mm. (13 1/2 x 11 1/2 in), occasional defects to sheets, one laid onto support, many with light exposure lines and light toning, all but 5 unframed, circa 1802-1812 (60)Provenance:Ex-collection of David Padbury
Dighton the Elder (Robert, 1752-1814) A collection of 19 early caricatures printed before 1802, including a slightly trimmed impression of Dighton's self-portrait holding a portfolio that reads "A Book of Heads", an early state of 'The Specious Orator' before additional letters, six caricatures with theatrical interest, one of Sarah Siddons, and other humorous caricatures of obese butchers and social satires, etchings, two duplicates, all but one with hand-colouring, on various papers, sheets approx. 205 x 155 mm. (8 x 6 in) to 340 x 290 mm. (13 1/2 x 11 1/2 in), occasional defects to sheets, some with light exposure lines and toning, all but 4 are unframed, circa 1794-1802; together with The Profane laying hands on the Over Righteous; a real Scene on Tower Hill, after Dighton, showing a Methodist preacher standing on a barrel with both arms out, his hat in one hand, one eye closed, while a press gang closes in on him, etching and engraving on laid paper without watermark, published by Robert Sayer, [circa 1784]; and two hand-coloured mezzotints after Dighton watercolour designs, including 'Poor Jack' [BM Satires 7817], and 'The Lamplighter' [BM Satires undescribed], both impressions with severe loss, browning and surface dirt, unframed, [circa 1790-1791] (22)Provenance:Ex-collection of David Padbury
Dighton the Elder (Robert, 1752-1814) The Harmony of Courtship; The Dischord of Matrimony, a pair, original drawings for mezzotints, point of the brush and ink with watercolour, signed, numbered '106' and '107', and inscribed within caption space below, each approx. 160 x 120 mm. (6 1/4 x 4 3/4 in), under glass, some light toning, exposure lines and surface dirt, uniformly framed, [circa 1790s] (2)Provenance:Mr Jeffrey Rose; his executor's sale, Sotheby's, 23rd February 1978, 23rd February 1978, lot 1Anonymous sale; Ex-collection of David PadburyEngraved:Mezzotints published by Bowles & Carver, circa 1796 Literature:BM Satires 8920 and 8921Padbury, The Dighton family, their times, caricatures and portraits, 2007, p. 80
Dighton the Elder (Robert, 1752-1814) Original design for 'Geography Bewitched! or, a droll Caricature Map of Scotland', point of the brush, ink and watercolour, signed lower left, partly trimmed, and with title inscribed in the lower quadrant, sheet 185 x 160 mm. (7 1/4 x 6 1/4 in), under glass, tipped onto mount support, some spotting and surface dirt, [circa 1796]; together with three very good impressions of the related series of caricature maps of the British Isles, Geography Bewitched! or, a droll Caricature Map of England and Wales; Geography Bewitched! or, a droll Caricature Map of Scotland; Geography Bewitched! or, a droll Caricature Map of Ireland, engravings with hand-colouring, each approx. 215 x 180 mm. (8 1/2 x 7 1/8 in), all under glass, printers' creases to Scotland, otherwise all with some light toning and surface dirt and, presented in two uniform frames, published by Bowles & Carver, [circa 1796] (4)Provenance:Ex-collection of David PadburyLiterature:BM Satires 8397, 8398 and 8399[Original watercolour] Padbury, The Dighton family, their times, caricatures and portraits, 2007, illus. p. 29
Calligraphy.- Senault (Louis) Heures Nouvelles dediées a Madame la Dauphine, first issue with dedication and with head-piece of sirens on p.210 revealing their breasts (covered in later issue), finely engraved throughout with ornamental borders, vignettes, head- & tail-pieces and pictorial initials, no p.47 as correct but lacking g2 & 3 (pp.223-226, p.223 is apparently numbered twice, first present), very occasional light marginal soiling, book-label of James Stevens-Cox, handsome late nineteenth century dark blue morocco, ruled in gilt with simple strapwork design forming a diamond panel, spine with compartments of gilt-ruled diamonds and five raised bands, inner gilt dentelles, g.e., very slight rubbing to corners but a lovely copy, [Bonacini p.308; cf. Cohen-de Ricci 487, later variant printed by Hansy], 8vo, Paris & Versailles, chez l'Autheur..., [before 1690].⁂ Exquisite calligraphic prayer book beautifully illustrated with charming decorations of flowers, birds etc.
Dighton the Elder (Robert), attributed to. Family group portrait in an interior, pencil on laid paper, bears signature lower left, mounted on laid paper support with slightly indistinct watermark date of '1797', with double ruled border, 180 x 290 mm. (7 1/8 x 11 1/2 in), under glass, repaired tears and some areas of abrasion, damp-stained and light browning, unframed, [circa 1780-1800s]Provenance:Ex-collection of David Padbury⁂ The lady in the lower right bears a likeness to an etched portrait by Robert Dighton the Elder, the sitter of which is purportedly the artist's first wife, Letitia Dighton [for an impression see BM no. 1850,0810.123]. The young central gentleman appears to be somewhat derivative of Robert Dighton the Elder's etched self-portrait of 1779.
Dighton (Denis, son of Robert Dighton, military artist, 1791-1827) Napoleon at the Battle of Monteran, February 18th, 1814, watercolour over pencil under-drawing on wove paper, 470 x 640 mm. (18 1/2 x 25 1/4 in), under glass, laid onto conservation support, some careful repairs to small loss and perforations in the paper, some repaired tears, light exposure, minor surface dirt, framed with 19th century ink inscription label transcribing text from Sir Archibald Alison's 'History of Europe', [1814 or slightly later] Provenance:Dr & Mrs Philip Corso;Sale. Christies, New York, Napoleonica from the collection of Dr & Mrs Philip Corso, 2nd December, 2004, lot 2004; Where purchased by David PadburyLiterature:Padbury, The Dighton family, their times, caricatures and portraits, 2007, illus. p. 66-67⁂ "Napoleon had established himself with the artillery of the guard, on the now abandoned heights of Surville, and soon sixty forces of cannon opened a close and consistent discharge [...] Such was the eagerness of the Emperor to direct their fire, that he resumed, after twenty years cessation his old occupation as a gunmen, and as the Siege of Toulon in 1793, himself levelled and pointed a cannon." [Ink inscription on reverse of the frame, from: Sir Archibald Alison, History of Europe, vol X, ch. LXXVII 2nd edition, 1844] The artist travelled abroad with the British Army on a number of occasions from 1811 onwards after receiving a military commission, and Padbury notes that he visited "the field of Waterloo a few days after the battle" [op cit. p. 65]. By 1815 he signed his portraits with the added title of 'Military Painter to His Majesty', and produced what is considered his masterpiece in 1816, The Battle of Waterloo, now in the Royal Collection.
[Perrault (Charles)] Labyrinte de Versailles, engraved additional pictorial title, title-vignette, plan and 40 full-page illustrations after Sebastien le Clerc, old ink inscription "For my Lady Winston" at foot of engraved title (slightly cropped), occasional soiling, two plates with light stain, nineteenth century roan with Stirling arms in blind, by J.Leighton, g.e. (lower stamped "Labyrinte de Versailles Paris 1693" in blind), rebacked preserving old spine, rubbed, oblong small 4to, Amsterdam, Adrien Schoonebeek, suivant la copie à Paris, de l'Imprimerie Royale, 1693.⁂ Description of the gardens and maze of Versailles designed by Le Nôtre and Perrault using fountains depicting the fables of Aesop; first published in 1677.
Americas.- Cockburn (John) Journey over Land, from the Gulf of Honduras to the Great South-Sea, first edition, folding engraved map, woodcut initials and head- & tail-pieces, 3pp. advertisements at end, occasional light marginal soiling, but generally clean internally, contemporary calf, gilt, joints neatly repaired, an excellent copy, [Hill 324; Sabin 14095], 8vo, C.Rivington, 1735.⁂ Having been captured by pirates off the coast of Honduras Cockburn and five others escaped and made their way across the isthmus to the Pacific coast, enduring such hardship along the way that this account was for many years regarded as mostly fiction.
Americas.- Herrera y Tordesillas (Antonio ) Novus orbis, sive descriptio Indiae occidentalis, 4 parts in 1 vol., engraved additional title, 17 folding engraved maps, 5 engraved illustrations, lacking final blank f., light browning, occasional light dampstaining to lower margin, letterpress title slightly soiled and with small chips to corners, 19th century morocco-backed boards, extremities rubbed, [Sabin 31540], folio, Amsterdam, Colijn, 1622.⁂ The first complete account of the Le Maire-Schouten expedition around the world, the first to successfully round Cape Horn, and the first edition in Latin, expanding significantly the Madrid edition of 1601. The engraved map on the title is the first depicting California as an island. Provenance: Henry N. Stephens (inscription on endpaper dated 21 August 1884, recording the price £1.10); A.H. Bright (armorial bookplate).
America.- Welby (Adlard) A Visit to North America and the English Settlement in Illinois, with a Winter Residence at Philadelphia, first edition, half-title, lithographed frontispiece and 13 plates, errata slip at end, occasional scattered foxing, contemporary calf, gilt, spine gilt, light rubbing to tips of spine and corners, [Sabin 102514], 8vo, 1821.⁂ A bright, attractive copy of this scarce account of pioneer life in the early 19th century.
Austria.- De Moleville (Bertrand) The Costume of the Hereditary States of Austria, first edition, Duke of Gloucester's copy with his bookplate to pastedown, title and descriptive text in English and French, 50 fine hand-coloured aquatint plates, some light offsetting, handsome contemporary red straight-grain morocco, richly gilt, spines gilt, large gilt centre-piece to covers, occasional light rubbing to extremities, g.e., [Abbey Travel 71; Colas 2112], 8vo, W. Miller, 1804.
China.- [Mason (Maj. George Henry)] The Punishments of China, titles and text in English and French, 22 hand-coloured stipple-engraved plates, one or two slightly cropped just touching images, offsetting, occasional light soiling, contemporary straight-grain morocco, gilt, neatly and sympathetically rebacked, light rubbing, g.e., [cf.Abbey, Travel 532, 1804 edition], folio, 1801 [but plates watermarked 1821].
Eurasia.- Russia.- Voyages historiques et géographiques dans les pays situés entre la Mer Noire et la Mer Caspienne...suivis d'un Voyage en Crimée et dans les parties méridionales de l'Empire russe, 3 parts in 1, second edition, half-title, 2 folding engraved maps (one large), divisional titles, errata f. (N1, misbound before part 3), occasional spotting and light browning, attractive contemporary tree calf, richly gilt spine in compartments and with red morocco label, corners little worn, rubbed at extremities, a good copy, 4to, Paris, Deterville, 1798-1797.⁂ Scarce work on the lands sandwiched between the Black and Caspian seas, including a section on Crimea.
Europe.- Swinburne (Henry) Travels in the two Sicilies, 4 vol., 3 engraved folding maps and 21 folding plates, folding table, T. Cadell & P. Elmsly, 1790; Travels through Spain, 2 vol., 2 engraved maps and 10 plates, most folding, for P. Elmsley, 1787, second editions, maps, table and plates linen-backed, occasional offsetting and light browning, 1 plate trimmed, uniform in 19th century calf, gilt, Northern Light Board gilt stamp to head of spines, rubbing to joints, spine ends a little chipped, an attractive set, 8vo (6)
Greece.- Davenport (Arthur) Historical Portraiture of Leading Events in the Life of Ali Pacha, first edition, half-title, hand-coloured aquatint frontispiece and 5 plates by G. Hunt after Davenport, light offsetting, a few ff. with neat repairs to margins, modern cloth, original printed paper label to upper cover, [Atabey 325; Abbey, Travel, 206; Blackmer 454], folio, 1823.⁂ A handsome production that gives a romantic view of Ali Pacha's life.
India.- Colebroke (Lt. Robert Hyde) Twelve Views of Places in the Kingdom of Mysore: The Country of Tippoo Sultan from drawings taken on the spot, second edition, title, dedication and 6 sheets of letterpress text, 12 fine hand-colored aquatint plates by John William Edy after R.H. Colebrook, within grey wash frames, light surface soiling to title, later half calf, original wrappers (with paper label to upper cover) bound in, preserved in custom drop-back box, [Abbey, Travel 419], oblong folio, Edward Orme, 1805.⁂ Colebrook (1762-1808), served as a surveyor with the Bengal Infantry from 1778 until his death. While surveying the routes taken during the marches of the army under Lord Cornwallis in 1791 and 1792, he made drawings of Seringapatam, Bangalore,and the local countryside including the hill forts of Mysore.
Bodoni.- Horatius Flaccus (Quintus) Satira V, Traduzione Italiana..., [one of 150 copies], half-title, engraved title-vignette, the dedication copy for the Duchess of Devonshire with the 8 original watercolour drawings for the engravings bound in, 6 by Riepenhausen, 2 by F.Catel and signed, trimmed and mounted on blank leaves in place of the engravings (see following lot), paper guards (lightly browned), very occasional light marginal soiling, contemporary straight-grain tan morocco, [by C.Murton], with elaborate border in blind and central monogram "ED" of the Duchess in gilt, spine gilt in compartments with green and red morocco labels, g.e., rubbed and scuffed, [Brooks 1212], 4to, Parma, Bodoni, 1818.⁂ First Bodoni edition, dedicated to the Duchess of Devonshire who was the patron of the work, and one of only a few Bodoni productions to be illustrated, particularly with aquatints.
Mountaineering.- Auldjo (John) Narrative of an Ascent to the Summit of Mont Blanc on the 8th and 9th August, 1827, first edition, large paper copy, half-title, 22 lithographed plates, plans, maps, cross-sections etc. including 7 views on india paper and mounted, one folding panorama, facsimile letter, map with routes hand-coloured and hand-coloured geological table & chart of heights of mountains, some light foxing, mostly marginal, pencil quotation on half-title, short tear to upper edge of H2, original boards, uncut, paper label on spine, spine and joints neatly repaired, preserved in modern card chemise and cloth slip-case, [Meckly 8; Neate A75; Perret 183], 4to, 1828.
Polar.- Nares (Capt. Sir George S.) Journals and Proceedings of the Arctic Expedition, 1875-6... Presented to both Houses of Parliament by Command of Her Majesty, first edition, 32 maps and plates, many folding, illustrations, a few small patches of foxing or spotting, but a good, clean copy generally, contemporary blue half roan, spine faded and with a few light repairs, folio, 1877.
Polar.- Parry (Capt. William Edward) [A complete set of Parry's four voyages], 4 vol., first editions, comprising Journal of a Voyage for the Discovery of a North-West Passage, from the Atlantic to the Pacific...in the years 1819-20, in His Majesty's Ships Hecla and Griper, second edition, 15 engraved plates, most aquatint, and 5 engraved maps, 4 folding or double-page, 1821; Journal of a Second Voyage...in the years 1821-22-23, in His Majesty's Ships Fury and Hecla, first edition, 31 engraved plates and plans, some aquatint, and 9 large folding engraved maps and panoramas, 1824; Journal of a Third Voyage...in the years 1824-25, in His Majesty's Ships Hecla and Fury, first edition, 10 engraved plates and plans, one folding, and large folding engraved map, 1826; Narrative of an attempt to reach the North Pole...in the year MDCCCXXVII, first edition, 6 engraved plates and plans and large folding engraved map, 1828, occasional light foxing and offsetting, Northern Light Board ink stamps to verso of titles and gilt stamps of same to head of spines, uniform 19th century calf, spines gilt, covers a little rubbed, an attractive set, [Sabin 58860; 58864; 58867 & 58868], 4to.⁂ A complete set of Parry's three voyages in search of the North-West Passage together with his fourth voyage to the North Pole. The second voyage contains important information on Eskimo life, and the third voyage collected additional scientific information about the Arctic region of North America. On the fourth voyage Parry unsuccessfully tried using reindeer rather than dogs to pull his sledge-boats, but they proved too heavy to manoeuvre across the ice.
Spain.- Gail (Wilhelm) Erinnerungen aus Spanien, Nach der Natur und auf Stein gezeichnete Skizzen aus dem Leben in den Provinzen Catalonien, Valencia, Andalusien, Granada und Castilien, mit Fragmenten Maurischer und Altspanischer Architectur und Veduten nebst erlauternden auzugen aus dem Tagebuche der Herausgebers, first edition, lithographed additional title, tinted lithographed dedication and 30 plates, illustrations, titles with light damp-staining to fore-margin, occasional light foxing or finger-soling, mostly marginal, modern half calf, original decorative wrappers bound in, [Palau 96533], folio, Munich, [c.1837].⁂ A scarce and attractive work with several plates on bullfighting.
Tibet.- Georgi (Antonio Agostino) Alphabetum Tibetanum... Praemissa est disquisitio de vario literarum ac regionis nomine, gentis origine, moribus, superstitione, 2 parts in 1 vol., first edition, half-title and divisional half-title to second part, title printed in red and black with engraved device printed in blue, 6 engraved plates, 4 folding, illustrations, occasional light marginal foxing or staining but generally a good, clean copy overall, modern calf-backed boards, 4to, Rome, Propaganda Fide, 1762.⁂ Scarce work on Tibetan language and customs, collected together by Georgi after reports from the Capuchin mission between 1715 and 1745. The chief contributors are Francisco Oracio della Penna (1680-1745) and Cassiano di Macerata (1708-1791), both of whom spent time in Rome in an effort to raise funds. Part one is a general description of the history, geography and customs of Tibet, while the second part contains linguistic works by the Capuchin monks.
Turkey.- Steuart (John Robert) A Description of Some Ancient Monuments ... in Lydia and Phrygia, lithographed frontispiece and 16 plates, all on India paper, by C. Deangelis after sketches by the author, mounted as issued, light foxing, mostly to text or margins, frontispiece detached, upper hinge weak, contemporary roan-backed boards, paper label to upper cover, spine ends and corners bumped, extremities rubbed, [Atabey 1176; Blackmer 1609; not in Abbey], folio, James Bohn, 1842.⁂ A scarce work, produced from drawings Steuart made while on a three-month tour of Asia Minor in the Spring of 1837.
Britain.- Pyne (William Henry) The Costumes of the Great Britain, first edition, Duke of Gloucester's copy with his bookplate to pastedown, hand-coloured aquatint frontispiece, vignette title and 59 plates, plates watermarked 1819, text 1815, light foxing to title, some light offsetting, lacking half-title, handsome contemporary red straight-grain morocco, richly gilt, spines gilt, large gilt centre-piece to covers, occasional light rubbing to extremities, light splash mark to upper cover, g.e., [Abbey, Life 430; Colas 2447; Tooley 388], 8vo, W. Miller, 1804 [but c.1819].⁂ See also lot XXX
London.- Ackermann (Rudolph) Microcosm of London, 3 vol., first edition, half-title to vol. 1, wood-engraved titles, engraved dedication leaves, 104 hand-coloured aquatint plates after Rowlandson and Pugin, plate no. 62 with repaired tear just running into image, occasional light browning to text, offsetting, spotting to dedications, but plates generally clean, contemporary black half morocco, gilt, spines gilt in compartments, some rubbing to extremities, but a very good set generally, [Abbey Scenery 212; Tooley 7], 4to, [1808-10].⁂ An early issue bound from the parts, watermarked 1807-09 with all but one of the 13 errata uncorrected. "One of the great colour-plate books" (Tooley).
Massinger (Philip) The Unnaturall Combat. A Tragedie. The Scaene Marsellis...As it was presented by the Kings Majesties Servants at the Globe, [80pp.], first edition, woodcut head-pieces and initials, browned and cropped, light water-staining towards end, final leaf lacking portion at upper edge with slight loss to head-line and first line of last page (repaired), old diced brown cloth, spine titled in gilt, rubbed, slight wear to upper joint and spine ends, [Pforzheimer 682; STC 17643], small 4to, by E.G. for John Waterson, 1639.
London Low Life.- Cheats of London Exposed (The); or, the Tricks of the Town laid open to both Sexes..., 96pp., ?first edition, engraved frontispiece and 5 plates, short tear to inner margin of frontispiece and title slightly extending into image of the former, stab-holes, for J.Cooke, [?1770] bound with [King (Richard, attributed to, pseudonym)] The New London Spy: or, a Twenty-Four Hours Ramble through the Bills of Mortality. Containing a True Picture of Modern High and Low Life; from the Splendid Mansions in St.James's, to the Subterraneous Habitations of St.Giles's, &c., [2], iv, 160pp., first edition, engraved frontispiece (shaved affecting caption at head, for J.Cooke, [1771], together 2 works in 1 vol., some light browning and offsetting, mostly to titles, contemporary calf-backed marbled boards, rubbed, head of spine worn, upper joint cracked, 12mo⁂ Two scarce guides to London and its dangers. The first is aimed at "innocent Country People", warning them of the base practices of highwaymen, sharpers, swindlers, money-droppers, duffers, setters, mock-auctions, quacks, bawds, jilts etc. in 18th century London. One plate depicts "The Conjurer Detected". All editions of both are uncommon. ESTC lists only one copy of this edition of the first item (Bodleian Library Oxford), and 2 UK copies of the second (BL & Senate House Library) plus 3 in America.

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