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Lot 96
A group of early nineteenth century Spode black bat printed tea wares, c. 1820. To include: two floral cups and saucers and two spare cups, two landscape scene trios and a spare cup, together with a further saucer, large saucer-dish and waste bowl. 32 cm tall. (10)Condition: Saucer-dish with 2" rim crack, one floral cup cracked, one landscape cup with fine hairline, one saucer cracked. Light wear to gilding.
Lot 101
A diamond set 9ct gold cluster ring, the tiered oval shaped head set with single cut diamonds, 15.7mm x 11.5mm, pierced scrolling gallery, diamond set shoulders, continuing to a 9ct yellow gold shank, size P, together with a further diamond set 9ct gold ring, size P 1/2, gross weight 8.0gms (2)CR; Cluster ring: All diamonds are present - a few show small fractures or chips, but largely are in good order, with scratching and wear commensurate with age and use. Setting appears in good order - the top tier shows moderate scratching, wear and denting, with the other two tiers showing less. Gallery in good order, no splitting or signs of repair. Shank shows minor thinning, scratching and wear commensurate with age and use, but no splitting, resizing or repair.Second ring: All stones are present - a couple with minor chips, general wear and tear commensurate with age and use, but largely in good order. Settings are in good order, showing moderate scratching, wear and light denting commensurate with age and use, however no splitting or signs of repair. Shank shows moderate thinning, scratching and wear commensurate with age and use, however there is no splitting, resizing or repair.
Lot 121
An emerald and diamond 18ct gold ring, the central rectangular step cut emerald with canted corners measuring 11.5mm x 8.6mm x 4.1mm, with three round brilliant cut diamonds to each shoulder, all set in 18ct yellow gold to a plain polished shank, marks for 'SEJ', London 1998, ring size O, weight 6.6gmsCR; Please note: This emerald has not been tested for synthetic or natural origin, and has not been tested for oiling or treatment.There are several scratches, and some surface reaching fractures visible under reflected light. There are some minor chips and nibbles to the facet edges and girdle, however there are no large cracks chips or losses visible with the naked eye. There is some gapping between the stone and the setting, however the stone appears secure. All diamonds are present. One of the diamonds has a couple of chips, however none of the other diamonds show cracks chips or losses, only minor scratching and wear commensurate with age and use. Settings are in good order, no splitting, thinning or repair, moderate scratching and wear commensurate with age and use. Shank shows moderate scratching and wear, but no major thinning, splitting, resizing or repair.
Lot 21
A George V silver goblet, George Nathan & Ridley Hayes, Chester 1911, the compressed globular body above knopped stem on circular foot, embossed with Mycenaean style decorative motifs and rope twist borders, 19cm high, weight 11.61ozt Condition Report; There is some light denting to the bowl, moderate scratching and wear commensurate with age and use. No signs of major thinning, splitting or repair. Border in good order, no signs of thinning, splitting or repair, general scratching and wear commensurate with age and use only. There is pierced to one of the beads on the detail on the foot, but no other major splits, denting or repair. Moderate scratching and wear commensurate with age and use. Goblet sits flat on a level surface.
Lot 309
An 18th Chinese export Armorial dish, Qianlong (1735-1796), centrally decorated with a coat of arms and motto stating 'Virtutis Gloria Merces', polychrome decorated with gilt highlights and cobalt banding, 12cm wideCondition report; No obvious chips, cracks or restoration. Underglaze moulding flaws are visible when closely inspected. Gilt wear can be seen to the rim, borders and centre. Some further enamel wear to the centre. Some light surface scratching.
Lot 4
A silver mounted photograph frame, Carr's of Sheffield Ltd, Sheffield 1998, of rectangular form with scrolling floral border, easel stand, 26.5cm x 20cm, together with a further silver mounted photograph frame, Carr's of Sheffield Ltd, Sheffield 2004, 17cm x 22cm, an Art Deco silver mounted photograph frame, Samuel M Levi, Birmingham 1931, 19.5cm x 13cm (at fault), a silver mounted oval photograph frame (marks worn), 22cm x 15.5cm (at fault), and a further silver mounted photograph frame, Carr's of Sheffield Ltd, Sheffield 2001, 15cm x 11cm (5)CR; Oval example: Heavy denting and splitting to the silver mount, but no signs of repair. Visible glass in good order, light scratching and wear but no splits cracks or losses. The wooden reverse shows heavy scratching and wear, but no major splits or damage. Easel is slightly misshapen, but is in working order. See pictures for illustration.Largest example (Carr's): Mount shows denting/thinning and lifting to the top right corner. There are further areas of slight lifting to the edge of the frame and the interior around the aperture. No cracks, chips or losses to the visible glass, moderate scratching and wear only. Moderate wear to the felt, easel stand in working order. See pictures for illustration.Medium Carr's example: Heavy scratching and wear to silver mount, but no splitting, major thinning or repair. Visible glass in good order, no cracks chips or losses. Heavy wear to reverse. See pictures for illustration.Smallest Carr's example: Heavy scratching and wear throughout. No splitting, major lifting or signs of repair. Visible glass in good order, no cracks chips or losses. Moderate wear to the felt reverse, easel in working order. See pictures for illustration.Levi example: Heavy denting throughout the silver mount. Moderate lifting to the edges and the interior. Moderate scratching and wear to silver mount. Visible glass in good order, no cracks chips or losses. Easel stand is broken, not in working order. Moderate wear to the leather reverse.
Lot 422
A gilt metal three branch ceiling light fitting, in the Adam style, the reeded acanthus stem extending to three conforming branches, united by cast floral swags, complete with three frosted glass petal shaped shades, 48cm H, along with a similar but non conforming four branch wall light fitting, the 'S' shaped branches radiating from a central batwing roundel, 50cm H (2) Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.
Lot 423
A pair of French ormolu rococo style twin branch wall light fittings, each cast with scrolling intertwined foliate branches, 52cm high, along with a Louis XVI style giltwood wall bracket, late 20th century, 33cm high (3) Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.
Lot 424
A four tier gilt metal and glass lustre droplet ceiling light fitting, 36cm H x 30cm D, along with a pair of similar but non conforming two tier droplet wall light fittings, a glass bowl shaped pendant light fitting with droplets to the rim, 35cm H, along with an opaline glass light shade of conical form (5) Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.
Lot 455
A Philips Challenge 13.5" terrestrial globe, circa 1970, raised upon a chromed meridian and a stained wooden plinth base, 32cm high CR: Several areas of loss/lifting to the equator line - see pictures for illustration. Many small to mid-sized splits to the lacquer (see pictures for illustration). The globe shows scratching, wear and light staining throughout, however much of the detail and the lettering remains crisp and clear. The hour circle is loose, moving around the pointer. The meridian ring is slightly wobbly in it's setting, some tightening required. The meridian ring shows heavy wear throughout (see pictures). The stand shows moderate scratching and wear commensurate with age and use, but no splitting and is stable on a level surface.
Lot 520
An early 20th century spelter figural table lamp, modelled as a cherub arms aloft within a chrysanthemum plant, the flower heads punctuated with three light fittings, 68cm high, along with a 19th century mahogany campaign stationery box, with skiver inset integrated writing slope, 51cm wide (2) (at fault) Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.
Lot 556
An early 20th century Buren wall timepiece, the burr walnut and brass inlaid case enclosing the associated 14cm gilt metal and silvered dial, along with the Buren single train movement, 21cm Sq (at fault)Condition reportCase, movement and dial appear to be later associated, light tarnishing to dial, minor chips to the veneer at the corners.Movement is at fault, unable to wind, will require attention.
Lot 585
A William and Mary style wing back armchair early 20th century, re-covered in stylised foliate fabric, the camel back extending to padded wing backs over padded scroll arms and a sprung seat, raised upon squat cabriole front legs and chamfered rear legs, united by a carved scroll front cross stretcher and turned baluster side stretchers, 123cm highCondition reportOnly very light wear to the fabric, very minor scuffs and wear to the legs and cross stretchers commensurate with light use, very minor play in the chair joints, no visible faults, repairs or damage.
Lot 62
A blue topaz and diamond cocktail ring, the oval mixed cut topaz measuring 16mm x 12mm x 8.5mm, with three round brilliant cut diamonds to each shoulder, all claw set in yellow metal to reeded shank, unmarked, size O, weight 8.7gmsCR: Central topaz is in good order - no cracks chips or losses. Some nibbling to the girdle of the stone, light scratching and wear commensurate with age and wear. Diamonds are in good order, no cracks chips or losses, minor scratching and wear commensurate with age and use only. Claws are settings in good order, no signs of major thinning, splitting or repair, all stones are secure, some scratching and wear commensurate with age and wear. Some denting to the highpoints of the shank, general scratching and wear commensurate with wear and use. No splitting, thinning resizing or repair.
Lot 63
A pair of blue topaz, pearl and diamond set 18ct gold drop earrings, each designed as a round cultured pearl measuring 8mm diameter, to a floral surround set with brilliant cut diamonds, suspending a diamond set foliate drop, principle diamond weighing approximately 0.15 carat, terminating in a carved teardrop shaped blue topaz cabochon, all set in 18ct yellow gold, marked for 'CJ', London 1987, screw post and butterfly fittings, each 15mm long, gross weight 25.9gms, complete in associated Chatila London box (at fault)CR: The topaz are in good order, some nibbling to the etched detail, light scratching and wear. Both stones are secure. All diamonds are present, in tact and secure. The pearls are in good order, showing light scratching and wear, and are secure. Settings are secure and in good order, no obvious thinning, splitting or repair. One of the posts is misshapen, and as a result the butterfly clasp will not screw down after 2/3rds of the way down. See pictures for illustration.
Lot 631
A pair of George III mahogany Pembroke tables, which combine to form a compact dining table, each table with a rectangular drop leaf top over a frieze drawer opposed by a faux drawer, raised upon legs of tapering square section and brass roller castors, each table measures 74cm H x 51cm W x 92cm D, dining table measures 74cm H x 202cm W x 92cm DCondition reportGeneral light wear, minor rubbing chips and gouges commensurate with age and use.Hinges appear to be later associated, splits to both drawer liners. Little or no play in the table joints when stood independently or when combined.
Lot 660
A Victorian carved walnut and upholstered sofa, of diminutive proportions, later re-covered in striped fabric, the arched button back extending to carved scrolled terminals, and enclosing the sprung serpentine seat, above a channelled apron centred with a carved foliate crest, raised upon leaf carved French cabriole front legs, plain back swept rear legs and castors, 64cm H x 137cm W x 67cm DCondition reportLight water stain to the RHS of the seat, rubbed mark to the top of the back rest and also on the RH side, minor fading to the rear apron frame, general light marks and scuffs to the legs commensurate with age and use. Little or no play in the joints or frame.
Lot 670
A 19th century mahogany wall shelf, the three shelfs united by ring turned uprights and lattice cross stretchers, 68cm H x 84cm W x 13cm D, along with a second mahogany wall shelf, the three tiers united by tapering supports, 50cm H x 61cm W x 20cm D (2)Condition reportBoth sets of shelves with little or no play in the joints, general light wear, marks and scuffs to both sets with no major visible splits, cracks or faults.
Lot 686
An early 19th century ash, elm and yew Windsor elbow chair, the arched back with a central pierced splat over the elm saddle seat, raised upon ring turned baluster legs culminating in peg feet and united by a crinoline stretcher, 90cm highCondition reportLittle or no play in the chair joints, general light wear commensurate with age and use, otherwise no visible cracks, splits, faults or repairs.
Lot 690
A Victorian figured walnut davenport, the raised back with a three quarter brass gallery over a hinged stationery compartment flanked by a bank of two drawers to both sides, above a skiver inset hinged slope and four drawers opposed by four faux drawers, raised upon a plinth base and castors, 100cm H x 56cm W x 56cm DCondition reportMinor water and ring marks to the top, also two lengths of inlay missing, both 5cm long. Split to the slope, 25cm wide, both bottom drawers are 'tight'. General light wear, marks and scuffs, patina is dull and would benefit from a clean and polish.
Lot 695
A George II style figured walnut desk, by Edwards & Roberts, late 19th Century, the rectangular book veneered top with a moulded edge over an arrangement of five drawers, applied with brass swan neck swing handles and flanked by canted and fluted corners, raised upon shell and foliate carved cabriole legs culminating in pointed pad feet, the central drawer stamped with the makers name, 73cm H x 118cm W x 57cm DCondition reportVery minor veneer blisters to the desk top along with two veneer repairs, each 5cm diameter, also general light abrasive wear, with some evidence of light sympathetic restoration.
Lot 701
A pair of early 20th century club chairs, later re- covered in Colefax & Fowler foliate pattern fabric, each with typical deep set arms and back rest above a sprung seat, raised upon front bun shaped feet with inset castors, 82cmCondition reportGeneral minor light stains and marks to both chairs, minor evidence of historic worm to the feet on both chairs (please see additional images), one chair has a 'soft' seat which appears to be compressed, the same chair has some slight movement in its joints.Condition of the chair frames is difficult to assess due to the upholstery and structure of the chair.
Lot 721
An early 20th century oak drop leaf table in the manner of Liberty, the rectangular top raised upon openwork supports in the form of stylised tulips, upon plain stile type feet, 74cm H x 90cm W x 39cm D extending to 129cmCondition report Some light scratches and worn patches to the table top, 1cm chip to gateleg support, joints appear firm with little or no play, further light rubbing marks and scuffs commensurate with age and use.
Lot 726
An Art Deco figured walnut dressing table of odeonesque design, with a circular mirror over a pair of quadrant shaped swing drawers, and three central frieze drawers flanked by pedestal cupboards, each enclosing sliding trays, raised upon an inverted plinth base, 143cm H x 123cm W x 49cm DCondition reportSome evidence of damp to the back panels, some fading and light water marks to the LHS. General light scuffs and wear to the plinth base, overall general light marks and fading commensurate with age and use.
Lot 727
An Art Deco figured walnut gentleman's wardrobe, the quarter veneered top above a single drawer and a pair of doors opening to a single shelf and two sliding trays, raised upon an inverted plinth base, 140cm H x 92cm W x 48cm DCondition report44cm interior depth.Overall light fading, 1cm scuff mark to the LHS, 3cm chip to rear LH corner, similar chip to the bottom LH corner on the same side.General light scuffs and fading to the plinth base.General light wear commensurate with age and use.
Lot 731
An Edwardian Sheraton Revival rosewood ladies break front writing desk, the shaped central frieze drawer inlaid with foliate detail and flanked by a pair of drawers to each side, raised upon slender legs of tapering square section and ceramic castors, 73cm H x 91cm W x 49cm D Please note this lot is offered for sale in accordance with the Ivory Act 2018, Trevanion Auctioneers & Valuers LLP have applied for a de minimis exeemption licence for the ivory in this lot. Refernence 6H7717Y1Condition reportOne drawer handle detached, very minor chips and losses to inlay on the drawer, further minor losses to the stringing on the front legs, 2cm long.Overall good condition with general light wear only commensurate with age and use, no visible cracks, splits, faults or repairs.
Lot 664
An assortment of vintage 20th century fine bone china cups & saucers. The lot to include a Royal Albert "Country Roses" cup & saucer, a Royal Albert "Lady Carlyle" cup & saucer, two Czechoslovakian light blue & cobalt cups & saucers with gilt decorations, an Imperial Porcelain St. Petersburg "Mockba" cup & saucer, an unmarked cup, saucer & plate (trio), together with a coffee cup & saucer with applied ceramic detailing in floral patters & a butterfly shaped handle.
Lot 102
A CULTURED PEARL, OPAL AND DIAMOND NECKLACEThe graduated cultured pearls measuring approximately 6.65 - 9.15mm strung as a three-row necklace, interspersed with oval opal cabochon and brilliant-cut diamond clusters, leading to a similarly-set pear-shaped cluster frontispiece and drop, the clasp en suite, mounted in 18K gold, indistinct assay marks, diamonds approximately 4.25cts total, length 40cmCondition Report: Cultured pearls: Creamy off white body colour with mostly yellow and some pinkish overtones, soft-medium lustre, typical surface blemishes and dimpling, scratches and some small patches of peeling evident under close inspection. Some knots frayed and some with adhesive evidentDiamonds: Bright and lively - approximately VS2-SI2 clarity, cannot be accurately assessed for colour due to yellow settingsOpals: Translucent whitish body colour, water opal appearance, mostly green flashes, some blue/purple and red to one at certain angles. One opal crazed throughout. Others with some small inclusions and veinsTwo indistinct marks to tongue. Clasp secureGold with light wear consistent with occasional use, overall good conditionTotal gross weight approx. 127.5g
Lot 103
A DIAMOND DRESS RINGThe pear-shaped diamond of yellow tint in a rubover setting, within a surround of brilliant-cut diamonds and between similarly-set shoulders, with openwork scrolled gallery and engraved foliate shank, mounted in 18K gold, ring size M Condition Report: Principal diamond in almost fully closed-back yellow setting (small hole under culet but cannot be accessed for depth measurement) - spreads at approximately 13.26x9.16x5.63mm - very approximately 4.20ctsDue to yellow setting colour cannot be accurately graded - estimated clarity VS1/2 clarityRemaining diamonds bright and lively Stamped 750 and 18K - light wear, overall good condition Total gross weight approx. 11.3g
Lot 104
A RUBY AND DIAMOND CLUSTER RINGThe cushion-shaped ruby weighing approximately 2.15cts within a surround of old brilliant-cut diamonds, mounted in 18K gold, diamonds approximately 2.20cts total, ring size SAccompanied by a report from GCS laboratory in London stating that the ruby weighing approximately 2.15cts is of Burmese origin, with no indications of heating. Report no. 5782-1719, dated April 29th 2022Condition Report: Ruby: of pinkish-red hue, medium tone, strong saturation, good transparency, minor natural inclusions visible under a bright light source, minor pits visible with 10x magnificationDiamonds: approx. 2.20cts total, estimated colour H/I, estimated clarity VS-SIYellow metal and white metal unmarked, tested by the jewellery department to be 18K goldNormal signs of wear, overall in good conditionTotal gross weight approx. 6.30g
Lot 105
AN EMERALD AND DIAMOND CLUSTER RINGThe central circular-cut emerald weighing 5.89cts within a brilliant-cut diamond frame and further circular-cut emerald accents, mounted in 18K gold, diamonds approximately 0.50ct total, French assay mark, ring size PAccompanied by a report from CISGEM in Milan, stating that the emerald weighing 5.89cts is Colombian origin, with moderate clarity enhancement. Report number 18382, dated March 17th 2021Condition Report: Emerald: of bluish-green hue, medium tone, good transparency, natural inclusions visible under a bright light source (surface reaching one present), facets are smoothDiamonds and remaining emeralds: bright and respectively well matched in colourEagle's head mark for French 18K gold located on the outside hoopMinor signs of wear, overall in good conditionTotal gross weight approx. 6.2g
Lot 107
A RARE & COLLECTIBLE MYSTERY-SET SAPPHIRE AND DIAMOND FLOWER BROOCH, BY VAN CLEEF & ARPELS The realistically modelled flowerhead mystery-set throughout with calibré-cut sapphires, with a brilliant-cut diamond cluster to the centre, mounted in 18K gold, signed Van Cleef & Arpels, numbered, maker’s mark for VCA, French assay marks, length 4.8cmPatented in 1933, Van Cleef & Arpels celebrated ‘Serti Mystérieux’ or ‘Mystery Setting’ marked a serious advancement in jewellery making. Developed by the renowned jeweller Alfred Langlois, who had been creating work exclusively for the maison since the year prior, the technique which would soon become synonymous with fine jewellery craftmanship was simple in concept but complex in execution. Although other maisons such as Cartier and Chaumet had also investigated this technique in their respective workshops, it would Van Cleef & Arpels that would release this revolution in jewellery making to the world.The Mystery Setting “is a technique which allows the jeweller to model any form, any movement”. The setting is so called for the apparently invisible mounting of the stones, an effect which makes them almost look as though they are floating. The method involves setting precious stones independent of any visible claws or prongs, allowing the full richness of the stone to create a dazzling landscape of colour for the viewer without the intrusion of metals. However, achieving this effect requires great skill from the jeweller, of which only a few in the world hold the ability, and it can take months to produce just one piece of jewellery. First, the stones must be cut to size, creating even, small chips that will lay alongside each other in perfect symmetry. These small chips are then whittled even further to create a groove at their base. This groove then allows the stone to slot neatly into the lattice that will secure it in place. The lattice, or rail, which consists of tiny wires no more than 0.2mm thick, is then placed in the main structure of the piece, acting a keystone by locking the stones in position. Each stone must line up exactly with one another to remain set and avoid gaps to create the seamless look that catapulted Van Cleef & Arpels to the lofty position they hold in the jewellery world to this day.Once the technique was mastered, the maison moved quickly and the Mystery Setting would feature heavily in their output. Initially the setting could only be applied to flat surfaces, such as cigar boxes and beauty compacts, but in 1935 the highly coveted Boule ring would be released, a design consisting of a thick, convex dome studded with rubies and sapphires that still appears prominently in the maison’s contemporary collections. A flood of brooches, necklaces and bracelets would follow and with them, the attention of the era’s style icons, such as the Duchess of Windsor. The ‘Deux feuilles’, or two leaves, design in particular, lent itself well to capturing the depth of colour the Mystery Setting evokes.Other techniques would be developed from the Mystery Setting by Van Cleef & Arpels; the Navette Mystery Set, created in 2000, utilises marquise-cut stones to create a more 3D effect echoing the depth of a bird’s plumage and flower petals, while the Vitrail Mystery Set, created in 2012, also conceals the back of the mount and gives the stones a translucency that plays with light and reflection. Although rubies were initially preferred for the setting, the maison would gradually enter sapphires, emeralds (previously deemed too brittle), and diamonds into the roster, such as in the ‘Licorne’ brooch from their 2016 Noah’s Ark collection which featured sapphires, emeralds, diamonds and turquoise in the traditional Mystery Setting.The consistent appearance of the Mystery Setting speaks to its perfection as a method and in the resulting jewellery.Condition Report: Sapphires: Generally well matched and with good transparency, medium tone. Some with zoning at certain angles. One sapphire deficient, two sapphires next to the deficient sapphire loose with chip and would also need to be replaced.Diamonds bright and livelyFrench eagle’s head assay mark for 18K gold, dog’s head for platinum, maker’s mark for VCA, signed, numbered M39819Clip with good tension, one pin slightly misshapenGold with light wearTotal gross weight approx. 27.8g
Lot 109
A PAIR OF CULTURED PEARL AND DIAMOND EARRINGSEach set with a row of brilliant-cut diamonds and terminating in a baroque-shaped cultured pearl measuring approximately 17.2 x 14.2mm and 15.3 x 15.0mm, mounted in 18K gold, Italian registry mark, length 2.7cmCondition Report: Cultured pearls: Whitish body colours with pink and grey overtones, medium-soft lustre, typical uneven skins with dimpling, spots, signs of sub surface crazing etc. Adhesive evident around settingsHook and clip fittings - clips with good tension Stamped 750 for 18K gold and with Italian assay mark Light wear, overall good condition Total gross weight approx. 15.3g
Lot 118
A TURQUOISE AND DIAMOND DRESS RINGSet with an oval-shaped turquoise cabochon at the centre, within a surround of brilliant-cut diamonds, mounted in gold, diamonds approximately 2.70ct total, ring size O½Condition Report: Turquoise: A chip visible under a bright light sourceDiamonds: approx. 2.70cts total, unable to assess colour due to yellow mount, estimated clarity VSYellow metal unmarked, tested by the jewellery department to be 18K goldNormal signs of wear - apart from chip on turquoise, in good conditionTotal gross weight approx. 10gPurchased at Sotheby's, sale July 5th 2019, lot 156 (estimated CHF2,000-3,000 - sold (including premium) CHF 4,000
Lot 126
A DIAMOND ETERNITY RING, BY CARTIERThe continuous line of brilliant-cut diamonds within claw-setting, mounted in platinum, signed Cartier Paris, with maker's mark (indistinct), French assay mark, ring size PCondition Report: Diamonds: approx. 0.84ct total, estimated colour F/G, estimated clarity VS (some facet abrasions visible under 10x magnification with bright light source)Signature: Cartier Paris, located on the side of the hoop (starting to rub away)Dog's head for French platinum located on the side of the hoopMaker's mark, indistinct, also located on the side of the hoopNormal signs of wear, overall in good conditionTotal gross weight approx. 4.2g
Lot 130
A PAIR OF 'MEDITERRANEAN EDEN' EARRINGS, BY BULGARISet with polished amethysts each inlaid with a brilliant-cut diamond suspending a spinning gold disc with 'Bvlgari' inscriptions, polished peridot and gold bead drop, mounted in 18K gold, signed Bvlgari, Italian registry marks, with maker’s case, length 3.6cmCondition Report: Gemstones bright and lively with good transparency Post and clip fittings, clips with good tension Italian assay marks, 750 for 18k gold, signed, numbered AK7WHV and with MADE IN ITALY Light wear, overall good condition Total gross weight approx. 18.3g
Lot 131
A GEM-SET LARIAT NECKLACE, BY BULGARIThe blue cord lariat with a gold zip-like slider set with a sapphire cabochon, with step-cut diamond and ruby cabochon highlights, mounted in 18K gold, signed Bvlgari, Italian registry mark, with maker's mark, French import marks, length adjustable Condition Report: Gemstones bright and livelyConstruction pin to reverse of slider not flushSigned. Italian assay mark, 750 for 18K. Two French owl import marks. ‘Sté AP’ in oval punch. Indistinct engraving - possibly ‘cm 1.69’Light wear, overall good condition Total gross weight approx. 22.5g
Lot 14
A TITANIUM AUTOMATIC 'H08' CALENDAR BRACELET WATCH, BY HERMÈSThe 28-jewel Cal-H1837 automatic movement, circular black and grey dial with applied Arabic numerals with luminous inserts, inner minute markers, date aperture between 4 & 5 o'clock, polished baton hands with luminous inserts, polished centre seconds with orange tip, sunburst satin-brushed titanium bezel, crown with H logo, back secured by 6 screws with glazed aperture revealing movement, case no. SP1.741, fitted satin brushed and polished titanium bracelet with double folding clasp, dial, movement, case and bracelet clasp signed, with four extra links, serial no. 35537**, with maker's case and outer box, case 38mmAccompanied with its certificate of authenticity from Hermès in Milan, dated May 21st 2022Condition Report: Glass: no scratches observedCase: a minor scratch visible above the crown, under a bright light source when tilting the watchBracelet: superficial to no signs of wearExtra four links: superficial to no signs of wearMovement signed Hermes - movement clean - in running condition at the time of inspectionRetail price as per receipt provided by client: €5,600An external watch specialist who verifies each watch prior to each auction in order to open them, checks their working condition, mentions any potential damage, mentions any movement ref numbers etc...For any additional assistance, please refer to the department.
Lot 182
AN EMERALD AND DIAMOND CLUSTER RINGThe collet-set oval-shaped emerald within a double brilliant-cut diamond frame, mounted in 18K gold, diamonds approximately 1.80ct total, ring size OCondition Report: Emerald: unable to gauge a carat weight due to collet setting - of bluish-green hue, medium tone, good transparency with natural inclusions visible under a bright light sourceDiamonds: approx. 1.80ct total, unable to assess colour due to yellow mount, estimated clarity SINormal signs of wear, overall in good conditionTotal gross weight approx. 8.6g
Lot 185
A PAIR OF GEM-SET CORAL AND WOOD EARCLIPS, BY FREDERIC BEZIAT FOR L'ORÉE DU BOIS, CIRCA 1990Each set with a circular coral cabochon within a petal surround of pear-shaped citrine cabochons applied to a ebony wood plaque, mounted in 18K gold, signed, maker’s mark, length 2.8cm** Please note that this lot contains coral and might be subject to CITES regulations when exporting outside of the EUCondition Report: Coral: Salmon coloured, whitish veining and mottling, natural structure evident under 10x magnification, some pittingCitrines: Very good transparency with some residue/foxing evident through stones between settings, some minor abrasions evident under 10x magnification. Gold collets with some discolouration Clips with good tension Signed and with maker’s mark ‘Sté B F’, stamped FRANCE and 750 for 18K gold, clips additionally stamped - indistinct, possibly ‘SGD?’Light wear, overall good conditionTotal gross weight approx. 39.7g
Lot 187
AN EMERALD AND DIAMOND CLUSTER RINGThe rectangular cut-cornered emerald within a four-claw setting to a brilliant-cut diamond frame with two baguette-cut diamond accents, mounted in 18K gold, diamonds approximately 1.30cts total, ring size PCondition Report: Emerald: approx. 1.90ct, of bluish-green hue, light to medium tone, good transparency, minor inclusions visible with naked eye under a bright light sourceDiamonds: approx. 1.30ct total, unable to assess colour due to yellow mount, estimated clarity VSNormal signs of wear, overall in good conditionTotal gross weight approx. 5.7g
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534297 item(s)/page