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Lot 3
18th century English school, a large portrait of a young brother and sister in a garden setting, unsigned oil on canvas, within a period carved gilt frame, 125 cm x 99 cm.Condition report: Canvas re-lined The face of the boy appears to be repainted when viewed under strong UV light.The UV light causes a flare when viewed with a phone/ digital camera and so will not show on any image taken with either
Lot 109
A Tibetan inverted tapering lacquered cabinet, 20th century, with gilt decoration, the cupboard doors and sides painted with Kylin amongst blossoming trees housing birds and squirrels, with shelved interior, with two short drawers to the base, on square legs, 92.5cm wide, 100cm high, 53cm deepCondition report: There is a full length join split on the right side panel, that does not overly affect the overall look or decoration. There are some signs of rubbing on the doors and side panels. There is a small hole on the rear back panel at the bottom right. This has been in use and therefore there will be some signs of light use. Overall it is in good condition with only minor faults.
Lot 758
A pair of Corinthian column candlesticks, Sheffield 1999, by Mappin and Webb, of traditional form on stepped square bases, with acanthus terminals below detachable, beaded nozzles. Loaded, 15 cm high.Qty: 2Condition report: Light surface scratches visible, but no dents, damage or repair. One of the sconces appears stuck, but could be removed with the right attention.
Lot 209
A pair of 19th century patinated bronze figures of Mercury and Fortuna, each standing aloft a gust of wind from the mouth of Zephyr, on a stepped circular base, 48 cm high.Qty: 2Condition report: Mercury figure is missing his staff, and has had a repair to his right arm, at the shoulder. Some light rubbing in places, but otherwise good.
Lot 763
An Edwardian silver housekeeper's box, London 1907 by the Goldsmiths and Silversmiths Ltd, with lockable cover, the interior with three red Morocco leather-bound notebooks, 11.5 cm x 7 cm x 5.3 cm, together with a small dirk with silver mounted leather scabbard, and three small silver photograph frames.Qty: 5Condition report: The lock works on the box, and it is in good overall condition with some light surface scratches commensurate with age.
Lot 769
An early Georgian teapot, Newcastle (possibly 1722) by James Kirkup, of bullet form on a circular foot (lacking handle and lid finial), 10 cm high, 13 ozt.Condition report: The top and bottom terminals of the handle (missing)are crooked and dented into the bodyThe body has numerous shallow dentsThe cover is apparently unmarkedThe body of the pot has a rather odd vertical line below the monogram it could be a stain or a seam, the interior of the pot is fire gilt apart from the underside of the cover, with this in mind I can not see signs of the above-mentioned seam from the inside even under a strong light.I have tried to show these in the images I have included but it is still very faint.We do not have the ivory/ pearwood handle or finial or any of the fixingsThe interior has an oval patch that would be below the level of the armorial but it is only visible from the inside see last images in the series images.
Lot 34DK
Make & Model: Mini Roadster CooperDate of Reg: AO64 BLVColour: Blackcc: 1598MoT: 07-10-2022Fuel Type: PETROLMileage: 49kTransmission: MANUALSummary: Three registered keepers. HPI shows £3,825 of extras including CHILI pack, media pack, Mini yours soda sport leather steering wheel and 16' 6-star twin spoke light alloysVehicle Check Sheet: https://angliacarauctions.co.uk/umbraco/surface/auction/GetVehicleCheckSheet?id=150874
Lot 63
A unique and previously unrecorded mid 19th century engraved and gilt brass-mounted, coromandel calendar timepiece with long duration movement and thermometerRetailed by Howell James and Co, supplied by Thomas Cole, London. The French movement by Achille Brocot, No. 2803The case:veneered in richly grained coromandel, with darker sections used on the plinth mouldings and frames for the side panels, surmounted by a crisply engraved gilt-brass cupola on a plinth set at a 45 degree angle and decorated all over with engraved palmettes and interlocking latticework, on a beaded base, over curved shoulders to the canted corners, each corner set with a male or female term figure, the men with winged helmets, (representing Mercury), the women holding their own hair, (possibly representing Opportunity?), the stepped moulded base with heavy gilt brass band, (the original adjustable bun feet lacking, and now sold with replacement scroll feet, removed for the purposes of illustration, but accompanying the lot), the two arched glazed sides mounted with remarkable cut and engraved brass panels displaying a central urn of flowers within an exotic niche with anthemion border and quatrefoil arch framing a pair of crossed palm trees.The dial:the arched silvered dial measuring 12.5cms x 27cms (5ins x 10.5ins) with typical finely cut and finished blued steel hands reading against a Roman chapter ring with minute track framing an engraved centre of quartered anthemions, the mid section of the dial plate engraved with a repeat shaded quatrefoil pattern centred by the polished steel winding square shrouded by a shaped gilt brass escutcheon, over a curved glass mercury thermometer with lettered scale (FREEZG. - TEMPE. - SUMR. - BLOOD.- FEVER.) and the manual calendar table of engraved panels numbered 1-31, reading against a manually rotated day-of-the-week drum, flanked by engraved tendrils. The movement:The French long-duration movement by Achille Brocot, using his special jewelled deadbeat escapement behind the dial and driven by five spring barrels to give extended duration, the 12.5 inch long pendulum suspended from the original gilt brass pendulum block mounted on the underside of the cupola section, the brass base panel below mounted with the original sprung pendulum lock, in typical Cole fashion. 63cms (25ins) on the scroll feet. 57.5cms (22.5ins) high without the scroll feet. Footnotes:The two Cole brothers, James Ferguson (1798- 1880) and his younger brother Thomas (1800-1864) made an indelible mark on English horology in the 19th century. J.F.Cole has been dubbed 'The English Breguet' because of the exceptional watches and travelling clocks he produced. Thomas was awarded a medal for 'excellence of taste and design' in the 1862 London Exhibition, and the leader of the jury, Charles Frodsham wrote 'nothing could exceed the beauty of design and good taste of the varied models and general excellence of workmanship.' As well as signing his own name, Thomas was happy to supply various high class retailers.Most of Thomas's output was concentrated on his strut timepieces, usually less than 6 or 7 inches in height and occasionally incorporating manual calendar mechanisms. He also produced a range of 'novelty' timepieces in various forms such as cheval mirrors, mortars, bonbon dishes, candlesticks, inkstands and urns. Larger tripod clocks were also part of his stock. Mantel clocks - as opposed to strut, novelty or tripod clocks - account for a tiny percentage of his output. Hawkins in 'Thomas Cole & Victorian Clockmaking' Sydney, 1975, pp95-101 describes just three. Two of these are in gilt brass, and one is in coromandel. The latter example is illustrated in colour on the front cover of the book. Another coromandel example was sold in these rooms on 8th July 2015, lot 109, for a hammer price of £50,000. The current lot is now the third such clock to come to light; each is unique, suggesting that they were only made in exceptional circumstances, possibly for one of the international exhibitions at which Cole exhibited, 1851 Crystal Palace, 1855 Paris and 1862 London. The three known coromandel examples in summary:Hawkins front cover: Un-numbered, month duration movement, wound below VI. Dial divided into quarters, no seconds indication, but with power reserve hand, manual calendar table and vertical thermometer. Lattice-work engraved mask. Four applied winged figures. Glazed sides with pierced and engraved gilt mask. Hawkins suggests possibly made for the 1862 London Exhibition. Bonhams July 2015: Numbered 1594, retailed by Thomas Boxell, Brighton. Long duration movement wound below VI. Dial divided into quarters, subsidiary seconds dial, but no further features or side panels. Two applied winged figures.The current lot: Un-numbered, retailed by Howell James & Co. Replacement long duration movement. Dial divided into quarters, no seconds indication, but with manual calendar table and curved thermometer. Lattice-work engraved mask. Four applied figures. Glazed sides with pierced and engraved gilt mask. The figures of this clock allude to trade and enterprise - perfect symbols for international exhibitions of the mid 19th century. The figure of Mercury is instantly recognizable by his winged hat, or petasus. One of the twelve Greek gods of Olympus, he also appears in Roman art and was revered by them as the god of Commerce, hence the purse he points to in his raised left hand. In allegorical terms, he personifies Eloquence and Reason - none of this would have been lost on Cole's highly educated, and by definition, commercially successful, clientele.For further information on this lot please visit Bonhams.com
Lot 384
A pair of Charlotte Rhead for Burleigh Ware tube line decorated vases and a Radon Limoges reticulated vase Condition Report: One of the vases has an area of sticky stuff which seems to have removed the light brown colouring (see image) and the same vase has an area of scratching.. No chips, cracks or restoration to any pieces.
Lot 791
Two 9ct gold watch heads one with a gold plated strap, weight combined with mechanisms and strap 31.7gms Condition Report: Gents, Hallmarked London 1942. Movements signed Swan., winds and is ticking, second hand works, slight grubbiness to the efge of the dial, fits together smartly. Ladies;- Movement seized. Hallmarked London 1954. nice clean dial case light general wear.
Lot 10
"SVCCY" MATTEO SUCCI (Ravenna, 1997)."Libertè, Egalitè, Fraternitè", 2019.Digital collage art on aluminum.Edition 2/15.Measurements: 40 x 40 cm.Svccy is a self-taught digital artist creator of totally unpublished images through the use of 2d and 3d graphics programs. The works he creates are inspired by the art of digital collage, permeated by the Vaporwave visual current developed during the first decade of 2000. This trend born on the Internet embodies a retro style influenced in part by the "chillwave" artists, who developed an imaginary associated with the use of images where violet and fuchsia colors predominate, the use of Greek sculptures, palm trees, pixel art, sunsets and references to the Japanese culture of the end of the millennium.Unlike the classic images of the genre, Svccy tends towards a darker and more introspective variant. The images reflect the human condition in today's society. The human figure is represented by statues often faceless or covered by objects, symbolizing the total lack of identity of the individual, subjugated by technology and ultra-consumerist society. References to Rodin's classical and neoclassical sculpture intersect with post-apocalyptic scenarios of large abandoned shopping malls, or rather finished and never used.All his works are processed by computer creating "collage-art" by joining images that apparently have nothing between them, where light and a good angle of vision are fundamental.Svccy intends to show us the reality in which man lives, an insubstantial, unreal reality, based on models of behavior imposed by the media, which control through fashion and advertising our lifestyles, making us believe that we live a free and self-determined life when in reality it is only an illusion.
Lot 127
NICK BRANDT (England, 1964).'Wasteland with Elephant & residents' (Inherit The Dust series).2015.Archival pigment print, ed. 6/8.Reproduced on the cover of the book "Nick Brandt: Inherit the Dust",2016.Label of the gallery 3 Punts, Barcelona.Work referenced on the artist's website.Measurements: 66 x 140 cm; 85,5 x 162,5 cm(frame).Brandt's photographic work generally focuses on the rapid disappearance of the natural world as a result of environmental destruction, climate change and human action. In 2014, Brandt returned to East Africa to photograph the increasing changes in the continent's natural world. In a series of panoramic photographs, he recorded the impact of man in places where animals used to roam. At each location, he erected a life-size panel of one of his animal portrait photographs, setting the panels in a world of urban development, factories, wastelands and quarries. A book about the work, Inherit the Dust, was published in 2016. In the book, Brandt writes, "Right now we are living the antithesis of genesis. It took billions of years to arrive at a place of such wondrous diversity, and then, in just a few shockingly short years, an infinitesimal pinprick of time, to annihilate it." In LensCulture, editor Jim Casper stated, "The resulting wall-sized prints are impeccably beautiful and breathtaking, as well as deeply haunting. They convey the vast spaces and light of contemporary Africa with cinematic immersion and incredible detail. Standing in front of his images, the viewer is transported into the scenes, at times with awe and joy, and at other times with overwhelming sadness, despair and disgust." Photography critic Michelle Bogre further noted, "Nick Brandt's new photographic work, Inherit the Dust, is his visual cry of anguish about the coming apocalypse for animal habitats in Africa.... The resulting images are both beautiful and horrifying, because they illustrate the irreconcilable clash of past and present.
Lot 145
A Lalique "Poissons" shallow dish of circular form, bearing moulded signature "R Lalique" to centre, 29.8 cm diameter CONDITION REPORTS Condition over all appears good. Remnants of old label to underside requiring cleaning and further typed label. Some scratches to the base conducive with age and use. The glass has a milky pale blue opalescence. The interior of the bowl with light scratching conducive with age and use
Lot 1321
A late 19th century French gilt metal and Sèvres style porcelain clock garniture, the mantel clock with eight day movement striking on a bell via an outside countwheel, the porcelain dial and panels within bleu céleste and gilt borders, the case with urn surmount and cast with scrolls, height 39.5cm, flanked by a pair of five light candelabra, height 41.5cm, together with a 20th century French gilt metal mantel clock, the case cast with cherubs, height 27cm (faults).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 393
A Chinese ' Savonnerie' style rug, the brick field enclosed by an ivory boarder with polychrome flares, 187 x 92cm, another similar Chinese rug with a traditional Chinese design, damaged, 156 x 92cm, and a Chinese style rug, having a light Celadon ground with a traditional floral decoration, 180 x 122cm and a Chinese ' Savonniere' style rug having a pale Celadon field enclosed by a floral border , damaged, 190 x 119cm
Lot 3445
including military: Light tank, Reconnaissance car, US Jeep and Scout car; Morris Oxford, Packard, Rover 75, Austin Atlantic, Riley, Austin Devon, two MG record cars and others (condition varies but generally G) together with assorted other diecast including Dinky Shado 2 metallic blue and others (qty)
Lot 3
BREITLING - a stainless steel Superocean Heritage 42 automatic bracelet watch, ref. A1732116, circa 2017, white dial with steel baton hour markers, luminous hands, sweep centre seconds hand, date aperture and blue rotating bezel, serial no. 6113092, case width 42mm, working order, boxed with papers and warranty cardMovement - currently working Dial - very cleanGlass - very cleanHands - very goodCase - only a few extremely minor surface abrasionsCrown - screw-down working, Quickset date working, hands adjust smoothlyBracelet - original steel mesh bracelet, some light wear to claspNotes - with inner and outer boxes, all papers, warranty card, original tag, and 2 spare links
Lot 109
An Antique 18ct gold and platinum curb link bracelet, bracelet length 17cm, 14.6g, prov: current vendor inherited bracelet from mother, Mrs Margaret Barnett, the carer of novelist E M Forster from whom it was given and was told the bracelet had belonged to his mother, Alice Clara Forster.No damage or repairs, no broken links, a few very small holes in joins of curb links and a couple of tiny dents along with light light surface wear and abrasions, clasp very slightly loose but safety chain working, clasp has personalised engraved inscription, stamped 18
Lot 93
MAURICE LACROIX - a lady's stainless steel Miros quartz bracelet watch, ref. 32823, black dial with diamond set bezel, serial no. AC18750, case width 16mm, not currently workingMovement - not currently working and may only need new battery but cannot guaranteeDial - cleanGlass - cleanHands - goodCase - light surface marksCrown - hands adjust smoothlyBracelet - original steel bracelet, light surface marksNotes ? no box or papers
Lot 30
YEMA - a Vintage gold plated stainless steel quartz chronograph alarm bracelet watch, ref. Y182, white dial with 3 subsidiary dials, date aperture, tachymeter and rotating bezel, calibre Y182B, serial no. YM067, case width 43mm, working order, boxed with instructions and warranty cardMovement - currently workingDial - very cleanGlass - very clean with a couple of very light marksHands - goodCase - general wear and marks all overCrown - Quickset date working, hands adjust smoothlyBracelet - unnamed steel bracelet, very light marks Notes - boxed with spare original bracelet, instructions and warranty card
Lot 76
A light oak-cased 30-hour circular dial wall clock, by Swinden & Sons of Birmingham, white enamel dial with Roman numeral hour markers, overall diameter 41cm, working order, with key and pendulum Movement - currently working Dial - wear and some light crazing all over with tiny chips around keyhole Glass - no chips or cracks Hands - good Case - good Notes - with key and pendulum
Lot 18
ZENITH - a Second World War Period stainless steel Pilot mechanical wristwatch, circa 1940s, black dial with Arabic numerals and sweep centre seconds hand, calibre 106-50-6, serial no. 4004776, case no. 8528624, case width 33mm, working orderMovement - currently workingDial - very cleanGlass - a few very light surface marksHands - hour hand lacking filamentCase - general surface abrasions and a few chips to edge of casebackCrown - hands adjust smoothlyBracelet - unassociated modern leather NATO style strapNotes - no box or papers
Lot 186
MAPPIN & WEBB - a pair of George V cast-silver pin dishes, with cast floral and foliate rims, hallmarks London 1919, length 11cm, 4.3oz totalNo damage or repair, both still heavy gauge, high points are slightly rubbed with light abrasions all over and a couple of very minor dents on base edge, hallmarks slightly rubbed and matching
Lot 11
OMEGA - a Vintage stainless steel Seamaster automatic wristwatch, ref. 166.002, circa 1964, silvered dial with gilt arrowhead baton hour markers, sweep centre seconds hand and date aperture, 24 jewel movement with calibre 562, serial no. 21897736, case width 34mm, working orderMovement - currently working Dial - slightly discoloured with spotting all overGlass - very light surface marksHands - some surface rustCase - light wear and surface abrasions all over with 1 deep scratch on casebackCrown - no Quickset date function but moves correctly when adjusting hands, hands adjust smoothlyBracelet - unassociated black leather strap Notes - no box or papers
Lot 380
A Victorian silver-mounted cut-glass thistle pepper mill, with turned ebony knop, by Jonathan Wilson Hukin and John Thomas Heath, hallmarks London 1885, height 8.5cmNo damage or repair, most glass tips have small chips, silver base has a few very light dents, handle rotation seems to be working, hallmarks rubbed
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534325 item(s)/page