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Lot 125

Paullini (Christian Franz) Gaeographia curiosa; seu, De pagis antiquae praesertim Germaniae commentarius, engraved device to title, woodcut head- and tail-pieces and initials, a few ff. with ink underlining and annotations and front endpaper with manuscript inscription in ink, 3C1-4 browned, otherwise some light spotting, spine split at A1 and upper hinge broken, with tape repair, contemporary vellum, upper cover a little warped, 4to, Frankfurt, Freidrich Knock, 1699.

Lot 179

NO RESERVE First World War.- Illustrated War News, parts 1-20 in 2 vol., photographs, illustrations and advertisements, mostly in black and white, some in sepia, a few titles with red lettering, small ink ownership inscription front endpaper vol. 1, twentieth century half morocco, some light damp-staining to cloth and a couple of minor scuffs, August 12th - December 23rd 1914 § [Plowman (Max)] "Mark VII". A Subaltern on the Somme in 1916, first edition, light browning to endpapers, original pictorial cloth, slight shelf-lean, 1927 § Watson (Capt. W.H.L.) Adventures of a Despatch Rider, first edition, half-title, maps (1 folding), original pictorial cloth, 1915; and c.130 others relating to the First World War, v.s. (c.135)

Lot 39

Music.- Rousseau (Jean Jacques) Dictionnaire de musique, engraved title vignette and 13 folding plates at end, errata and approbation ff., water-stained, causing a little marginal fraying at head of first plate, some spotting or mostly light foxing, lightly browned, contemporary marbled boards, rebacked in modern pale calf in compartments with red morocco label (dulled), 4to, Paris, Widow Duchesne, 1768.

Lot 109

Spain.- Gibraltar.- Drinkwater (John) A History of the late Siege of Gibraltar, fourth edition, engraved device to title, 4 folding engraved maps (1 with small tear), 6 folding engraved plates, bookplate, some light off-setting and foxing to maps and plates, uniform browning to some ff., full red morocco, gilt, spine sunned, extremities lightly rubbed, g.e., 4to, by T. Spilsbury and son, 1790.⁂ Provenance: John Rushout, 2nd Baron Northwick [bookplate].

Lot 262

NO RESERVE Craxton (John).- Grigson (Geoffrey) John Craxton: Paintings and Drawings, Horizon, 1948 § John Craxton: Paintings and Drawings 1941-1966, Whitechapel Art Gallery, 1967, illustrations, original wrappers, the second pictorial, the first with light fading to spine, 4to (2)

Lot 197

NO RESERVE Churchill (Sir Winston Spencer) The Second World War, 6 vol., first edition, vol. 6 with cut signature of author laid down to front endpaper, some vol. with library blind-stamp to endpapers, vol. 1 and 3 upper hinge weak (spine cracked at p.iii), original cloth, dust-jackets, some light sunning, small nicks and tears, vol. 6 with larger chip at spine foot, rubbing to extremities, Boston, 1948-53; and 9 others by the same, 8vo (15)

Lot 292

Medicine.- Adams (Joseph) Observations on Morbid Posions, Phagedæna, and Cancer, first edition, title with a few chips to edges, near contemporary ink inscription "A Present from the author to J.C. ?Waehsel" to head, some light browning and spotting, hinges repaired, rebacked, Printed for J. Johnson, 1795 § [Hooper (Robert)] The Surgeon's Vade-Mecum, second enlarged edition, 12 engraved plates, some light spotting and soiling, foxing to plates, 1 with minor damp-stain, hinges tender but holding, some loss to spine, uncut, 1814, original boards, worn; and others medicine, including a 1739 edition of Ramazzini's Opera Medica et Physiologica, v.s. (7)

Lot 56

Dudley (Robert).- Leycesters Common-wealth [Whereunto is Added Leicesters-Ghost], 2 parts in 1, engraved portrait frontispiece, woodcut head-pieces and decorative initials, contemporary and later ink ownership inscriptions to verso of frontispiece and title, trimmed, affecting some catchwords or signatures, a few times shaving pagination or printed side-note, first 2 ff. with inner margin bound tight obscuring minor portion of text, tiny hole to text of B2 and I4, occasional light spotting or staining, later panelled calf, gilt, rubbed, upper cover working loose, [Wing L969aA], small 8vo, n.p., 1641.⁂ Anonymously published attack on Elizabeth I's court and her favourite Robert Dudley, first printed in pamphlet form in Antwerp in 1584. Formerly attributed to Robert Persons, the work is now widely thought to be by a collective of exiled Catholic writers. This edition incorporates Leicesters-Ghost in verse, with separate title page and register.

Lot 63

Peasants' Revolt.- [Cleveland (John)] The Idol of the Clownes, Or, Insurrection of Wat the Tyler, ?first edition, bookplate, contemporary ink ownership inscription to head of title, a couple small marginal chips, occasional light dust-soiling, but a very good copy overall, later half calf, red morocco label to spine, lightly rubbed, [Wing C4672], 12mo, 1654.⁂ One of two editions of this account of the Peasants' Revolt of 1381 published in 1654, this one with 148pp., the other with 154pp. and an engraved portrait called for by ESTC.

Lot 154

Sterne (Laurence) The Works, 10 vol., 11 engraved plates, single colour marbled plate, small ink ownership inscriptions to front endpapers, contemporary tree calf, spines gilt, with later red morocco labels, vol. 1 upper joint broken (holding at foot), a few others with slight cracking, light wear to spine ends and corners, 8vo, for W. Strahan et al., 1783.

Lot 141

NO RESERVE Cleveland (John) The Works..., Containing his Poem, Orations, Epistles, collected into One Volume, With the Life of the Author, engraved frontispiece portrait, printed sectional titles, ink ownership inscription to front free endpaper, light spotting and minor worming, some marginal tears, page hole to A6 affecting text, dust staining to Cc5, original calf, spine in compartments with red morocco label, calf rubbed, some loss of calf to foot of spine, corners bumped, 8vo, 1687.

Lot 3

Architecture.- Copenhagen.- Thurah (Laurids de) Hafnia hodierna eller Udforlig Beskrivelse om den Kongelige Residente- og Hoved-Stad Kiobenhaven, first edition, title and text in Danish, French and German, engraved frontispiece incorporating the arms of Copenhagen, 110 plates (including a large folding panorama), and charming vignette head- and tail-pieces, frontispiece trimmed to border and laid down, some spotting or foxing, occasional mostly light staining, lightly browned, contemporary calf, richly gilt spine in compartments and with leather label, joints starting, but holding firm, foot of spine little chipped, rubbed and marked, scuffed, with small areas of loss to leather at foot, [Berlin Kat. 2260; Bruun II, 606], 4to, Copenhagen, Ernst Henrich Berling, 1748.⁂ Laurids de Thurah (1706-1759) was the foremost architect in Denmark during the reign of Christian VI (1730-1746). He received a military education and studied in Germany and Italy, where he was attracted to the large scale baroque and the decorative possibilities offered by the rococo. His most original work was the famous spiral tower added to Lambert van Haven's Our Saviour Church at Christianshavn in 1749-1752, inspired by Boromini's work in Rome. Thurah retired in 1750 to the mediaeval abbey at Borgumkloster, which he rebuilt with larger windows and gables. (see T. Faber, A History of Danish Architecture, Copenhagen, 1978).

Lot 73

Fielding (Henry) Amelia, 4 vol., first edition, with final blank in vol.1 and the 'Universal-Register Office' leaf at end of vol. 2 (both often lacking), vol. 1 with bookplate of Winston Henry Hagen, vol. 2-4 with his circular book-label and armorial bookplate of John Lyons Nixon, offsetting from book-label to front endpapers and titles, occasional light spotting or staining, near contemporary speckled calf, rubbed, spine ends with a few repairs but worn, vol. 4 with water-stain to lower cover, vol. 1 upper cover detached, other joints cracked but holding, [Rothschild 853], 8vo, Printed for A. Millar, 1752.⁂ The author's final novel. It is regarded as the first novel of social protest, concerning issues such as poverty and prisons, and was an influence on Dickens.

Lot 31

Medals.- Evelyn (John) Numismata. A Discourse of Medals, Antient and Modern, first edition, title in red and black, engraved illustrations in text, occasional contemporary ink marginalia, occasional spotting or light staining, lightly browned, endpapers foxed, engraved armorial bookplate of Charles Vere Dashwood, contemporary panelled calf, rebacked, preserving original backstrip in compartments with modern (to style) leather label, corners worn, rubbed, [Keynes 104; Wing E3505], Printed for Benj. Tooke at the Middle-Temple-Gate in Fleetstreet, 1697; and a defective copy of Fleurimont's Médailles du Règne de Louis XV, small folio (2)

Lot 94

Kipling (Rudyard) The Second Jungle Book, first edition, half-title, illustrations by J.L. Kipling, 2pp. advertisements at end, later ink gift inscription to front free endpaper, some scattered foxing, upper hinge cracked, lower hinge tender, original pictorial cloth, gilt, rubbed with a few light marks, spine a little sunned, spine ends and corners bumped and frayed, g.e., 1895; and others by the same, many first editions, v.s (c.45)

Lot 98

Cervantès Saavedra (Miguel de) Don Quixote de la Mancha, 4 vol., translated by Charles Jarvis, half-titles, 25 hand-coloured engraved plates, ink ownership inscription to front endpaper, occasional light off-setting from plates and occasional ff. with light foxing, later cloth-backed boards, corners a little bumped, uncut, 8vo, for T. M'Lean, 1819

Lot 261

Costume.- De Moleville (M. Bertrand) The Costume of the Hereditary States of The House of Austria, 59 hand-coloured plates, bookplate, creasing to endpapers, contemporary straight-grain morocco blind-stamped with panelled classical rolls, spine gilt in compartments, gilt inner dentelles, g.e., light rubbing and scuffing, folio, 1804.⁂ Attractive plates of people's costumes of Alpine, Bohemian, Moravian and Hungarian cultures.

Lot 92

Morris (Rev. F.O.) A Natural History of British Moths, 4 vol., 132 hand-coloured lithographed plates with tissue-guards, armorial bookplate of Edward Geoffrey Sergeant, some light foxing, slight browning to some plates and a few pp. of text, original pictorial cloth, gilt, spines slightly faded, a little rubbed at extremities, a few minor marks, still a very good and bright set, [Nissen 2893], 1871; and others by the same, including a fourth edition set of A History of British Birds, large 8vo & 4to (11)

Lot 76

Blake (William).- Hayley (William) The Triumphs of Temper. A Poem, twelfth edition, lacking half-title, 6 engraved plates by William Blake after Maria Flaxman, offsetting, infrequent light foxing, some faint marginal water-staining to a couple of plates, contemporary calf, gilt, spine with red morocco label, rubbed, mostly to corners and spine, [Bentley 471A], Chichester, Printed by J. Seagrave, 1803; with a 3 vol. first edition set of A Select Collection of English Songs, containing illustrations by Blake, 8vo (4)⁂ The first appearance of Blake's engravings to accompany the twelfth edition of Hayley's poem, first published in 1781.

Lot 48

NO RESERVE Voyages.- Byron (Hon. John) The Narrative of the Honourable John Byron (Commodore in a Late Expedition Round the World) Containing an Account of the Great Distresses Suffered by Himself and His Companions on the Coast of Patagonia, second edition, engraved frontispiece, lacking half-title, neat repair to upper margin of title, occasional spotting or light staining, lightly browned, 19th century half calf over marbled boards, rebacked, covers rubbed, [Sabin 9730], 8vo, Printed for S. Baker and G. Leigh, in York-Street; and T. Davies, in Russel-Street, Covent-Garden, 1768.⁂ 'Admiral Byron's narrative of the loss of the Wager is one of the most thrilling accounts in the language, and supplied his illustrious descendant with many particulars for the shipwreck in Don Juan.' (Sabin).

Lot 250

Alps.- Brockedon (William) Illustrations of the Passes of the Alps, 2 vol., 96 engraved plates by E. Finden & others after Brockedon, 13 engraved maps, 1 double-page, the rest with routes supplied by hand in yellow, plates with small unobtrusive blind-stamp of artist's initials at edge, some scattered foxing and offsetting, vol. 2 with light damp-stain to fore-margin towards end, contemporary plum morocco, gilt, spines a little sunned with a few small marks, rubbed at extremities, g.e., [Neate B170], 4to (290 x 200mm.), for the Author, 1828-29.⁂ Brockedon (1787-1854) was a painter who travelled through the Alps by numerous different passes nearly sixty times during his research, originally with the idea of tracing Hannibal's route. Originally published during 1827-29 in 12 parts, the work was issued in several different formats.

Lot 282

Birds.- Bewick (Thomas) History of British Birds, 2 vol., first edition, wood-engraved illustrations by Bewick, without advertisement on last f. of vol.1, occasional light spots, contemporary calf, spines gilt with red morocco spine labels, lightly rubbed or scuffed, 8vo, [Tattersfield TB 1.13], Newcastle, 1797 & 1804.

Lot 88

Shelley (Percy Bysshe) Miscellaneous Poems, pirated edition, contemporary ink ownership inscription to head of title, small stab-holes to inner margin of peripheral ff., affecting a letter of text to p.141, occasional light browning, the odd spot, modern half calf over marbled boards, spine gilt, 12mo, William Benbow, 1826.⁂ A rare pirated edition, drawing mainly from Miscellaneous and Posthumous Poems, published by Benbow in the same year.

Lot 192

Conrad (Joseph) Project by Fiona Banner; Photographs by Paolo Pellegrin, Heart of Darkness, Four Corners Familiars, signed by Fiona Banner, numerous photographic illustrations, original wrappers, tear to upper cover repaired on inner wrapper with tape, light rubbing and marking to extremities and covers, The Vanity Press, 2015 § Fraenkel (Michael) & Miller (Henry), Correspondence called Hamlet, vol. I & II, photographic plates, illustrations, pages unopened along edges, original wrappers, toned and very lightly foxed, bound with red braided ribbon over spine, 1962 § Flaubert (Gustav), Salammbô, illustrations by Haydn Mackey, one of 500 copies, plates and illustrations, pages lightly toned, some foxing to first and last few pages, original cloth, title gilt to spine, very lightly rubbed at extremities, 1930; and c.55 others, v.s. (c.60)

Lot 10

Beaumont (Francis) & John Fletcher. Fifty comedies and tragedies...All in one volume, second collected edition, double column, lacking portrait, title, to the reader f. and final text f. (all provided in facsimile), also final blank, B1&2 margins repaired, with loss of a few letters to B1, sig. D repairs within text, with loss supplied in neat 20th century ink hand, other mostly marginal and small repairs, with the occasional loss of the odd letter(s), a few short tears, some browning, mostly light, but heavier to a few ff., some spotting and staining, antique style calf, spine in compartments and with burgundy leather label, spine faded, [Pforzheimer 54; Wing B1582], folio, Printed by J. Macock [and H. Hills], for John Martyn, Henry Herringman, Richard Marriot, 1679. sold not subject to return. ⁂ This edition includes the first folio publication of The Two Noble Kinsmen, attributed to John Fletcher and William Shakespeare. The play was first published in quarto format in 1634, but not included in any of the of the folio editions of Shakespeare's works, or in the first folio of Beaumont and Fletcher's works (1647). This second edition includes eighteen additional plays which did not appear in the first folio edition.

Lot 222

Westall (Richard), Attributed to. Original drawing for Henry Hart Milman's 'The Fall of Jerusalem: A Dramatic Poem', pencil, point of the brush, watercolour, inscribed in ink underneath with verse 'Behold!/ I mount my throne, and here I sit the Queen/ Of the Majestic tumult that beneath one/ is maddening into conflict', on cream wove paper without watermark, pencil attribution to Westall verso, image 128 x 102 mm (5 x 4 in), sheet 213 x 183 mm (8 1/4 x 7 1/4 in), minor surface dirt and light toning, unframed, [circa 1820].

Lot 307

Lawrence (Richard) An Inquiry into the Structure & Animal Oeconomy of the Horse, plates, some folding, occasional light foxing, modern burgundy morocco, spines gilt in compartments, lightly scuffed, Birmingham, printed for the author, 1801 § Herbert (Ivor) Red Rum, plates and illustrations, some colour, modern red morocco, spine gilt in compartments, t.e.g., fine copy, 1974, first editions, 4to (2)

Lot 55

[Rowlands (Richard) "Richard Verstegan".] A Restitution of Decayed Intelligence: In antiquities, title in red and black with engraved vignette of the Tower of Babel, engraved illustrations, lacking final blank, heavy 18th century ink ownership inscription to verso of title (some show-through), trimmed at fore-edge, occasionally affecting printed side-note, first few gatherings with worm hole to blank lower corner, rust-hole to E3, affecting a letter of text, minor water-staining to lower margin, some light foxing or browning, later half calf, rubbed, upper cover working loose, lower cover detached, [Wing 21363], 4to, Printed by John Norton...and Richard Whitaker, 1634; and 3 others, 17th century, v.s. (4)⁂ The first mentioned, first published in 1605, is the first work to include the story of The Pied Piper of Hamelin in English (pp.85-87), amongst many other anecdotes and curious tales.

Lot 75

Burns (Robert) Poems, Chiefly in the Scottish Dialect, third [first London] edition, half-title, engraved portrait frontispiece, list of subscribers, half-title with ink ownership inscription of Nich. Pocock, dated June 1787, a few marginal tears neatly repaired, G4 with repaired tear affecting text but without loss of sense, occasional light spotting or soiling, hinges repaired, uncut in original boards, rebacked, covers worn, 8vo, 1787.

Lot 24

Guarini (Battista) Il Pastor fido: the faithful shepherd, translated by Sir Richard Fanshawe, initial f. blank, engraved full-page illustration to A8v, woodcut head-pieces and decorative initials, G7 short tear within text at foot, without loss, some spotting or light foxing, lightly browned, 18th century mottled calf, richly gilt spine in compartments and with red morocco label, corners worn, rubbed, [Wing G2177], Printed for H. Herringman, at the Anchor in the lower walk of the New Exchange, 1676 § Brown (Thomas) Certain miscellany tracts, engraved portrait frontispiece, lacking final blank, occasional spotting, lightly browned, contemporary calf, rebacked, gilt spine in compartments, rubbed, [Keynes 128; Pforzheimer 109; Wing B5152], Printed for Charles Mearne, and are to be sold by Henry Bonwick, 1684; and 14 others, 17th century English, v.s. (16)

Lot 163

Pepys (Samuel) Memoirs of ... comprising His Diary from 1659 to 1669 ... and a selection from his Private Correspondence, 2 vol., 1825 § Evelyn (John) Memoirs Illustrative of the Life and Writings of..., edited by William Bray, 2 vol., upper joint cracked to vol.1, 1818, first editions, half-titles, engraved portrait frontispieces and plates, some offsetting or light foxing, uniform in contemporary calf, spine gilt with red morocco spine labels, rebacked preserving original spine strip, a little rubbed along repairs, 4to (4)

Lot 266

Spiers (R. Phené) Examples of Classic Ornament from Greece & Rome, Drawn from the Originals by Lewis Vulliamy, 20 engraved plates, ex-library copy with usual stamps and markings, preface leaf detached, light finger-soiling, contemporary boards, rather scuffed and frayed to edges, lightly rubbed, folio, Batsford, 1907.⁂ The plates originally appeared in "Examples of Ornamental Sculpture in Architecture, drawn from the Originals in the Years 1818-21," published in 1825 - though this edition is virtually unobtainable.

Lot 175

Shakespeare (William) Works, 6 vol., light spotting to endpapers, otherwise clean, early 20th century tree calf, spines gilt in compartments with floral motif, red morocco spine labels, one or two very light scuffs but a remarkably bright and sumptuous set overall, 12mo, 1896.⁂ A lovely set of the Bard's works, presented here in a bright and tight tree calf binding.

Lot 41

Order of the Garter.- Heylyn (Peter) The Historie of that most famous saint and souldier of Christ Iesus; St. George of Cappadocia; asserted from the fictions, of the middle ages of the Church, and opposition of the present, second edition, engraved additional pictorial copy, errata f. at end, lacking final blank, additional pictorial title mounted on stub, letterpress title with repair to outer margin, 2F2 neatly repaired at foot within text, but without loss, some spotting or mostly light staining, lightly browned, contemporary panelled calf, gilt, rebacked (gilt royal arms from original spine cut out and mounted on front pastedown), lacking ties, corners worn, rubbed and scuffed, [STC 13273], Printed by Thomas Harper, for Henry Seyle, and are to be sold at his shop, the signe of the Tygers-head in Saint Pauls Church-yard, 1633; and a defective copy of Carter's Armory, 1660, with some hand-colouring, small 4to & 8vo (2)⁂ Rare at auction. Our copy with pp.427-[430] and with B5r having contents for both chapters III and IV. Provenance: 'Tho: Sayers his booke' (contemporary ink inscription to verso of 2F4).

Lot 18

NO RESERVE Dialling.- Leadbetter (Charles) Mechanick Dialling; or, the New Art of Shadows..., new edition, 13 engraved plates, of which 2 folding, plate at p.58 outer margin torn away, occasional spotting or light staining, lightly browned, contemporary sheep, sympathetically rebacked, spine in compartments and with red leather label, corners worn, covers scuffed, rubbed, Printed for Thomas Caslon, 1773; and Leybourn on Globes, 1675, lacking plate, but text complete, 8vo & 12mo (2)

Lot 199

NO RESERVE Dexter (Colin) Last Bus to Woodstock, first American edition, staining to endpapers, original boards, stained and very light rubbing, dust-jacket, very light creasing to spine tail, otherwise near-fine in the jacket, 8vo, New York, 1975.⁂ Dexter's first novel, rarely found in such excellent condition. This first appearance of Inspector Morse was first dramatized as a radio play by the BBC on Radio 4 in 1975 and was adapted for television in 1988 as part of the series Inspector Morse, first aired on 22 March 1988.

Lot 8004

Early-mid 20th century white gold three stone old cut diamond ring, stamped 18ct Plat, total diamond weight approx 1.35 caratCondition Report:Approx 2.9gm, size R-S, light pale inclusions eye clean, good colour approx H-J

Lot 8014

Victorian Etruscan revival gold heart shaped pendant, set with a single old cut diamond, stamped 15ctCondition Report:Approx 2.55gm, length (excluding bow and bail) = 20mm, 26mm including bail, few very light scratches otherwise good condition, no dents wirework good, 15ct mark to the reverse rubbed but readable, also tested 15ct

Lot 8163

International Watch Company ladies 9ct gold manual wind wristwatch, London import mark 1937, on gold mesh link braceletCondition Report:Approx 10.8gm (excluding movement), mesh bracelet tested 11ct, clasp 9ct, bracelet non magnetic, some light splits to bracelet, movement not working but clean

Lot 8169

Omega Constellation gentleman's gold-plated and stainless steel automatic chronometer wristwatch, Cal. 564, Ref. 168.017, serial No. 25711416, with date aperture, on original strapCondition Report:Movement currently functioning and clean, 'Omega' logo to front not straight, hands moving freely, wear to bracelet but clasp currently secure, gold-plate wearing to bracelet, case diameter = 33mm (excluding crown), dial good, very light scratch to cover, scratches to case and bracelet

Lot 8170

Omega Seamaster gentleman's stainless steel automatic wristwatch, Cal 501, Ref. 2846 9 SC / 2848, serial No. 161000632848, on tan leather strapCondition Report:Movement currently functioning, some light spotting to dial, light scratches to case, case diameter = 33mm (excluding crown)

Lot 8174

Universal Geneve gentleman's 18ct gold manual wind wristwatch, Cal. 263, Ref. 10715, stamped 750 with Helvetia hallmarkCondition Report:Movement currently functioning and clean, one screw loose and one missing to movement, approx 35.5gm gross, some light staining to dail mainly around markers, case diameter = 33mm (excluding crown), replacement crown

Lot 8175

Omega Geneve Dynamic gentleman's stainless steel manual wind wristwatch, on original braceletCondition Report:Movement currently functioning, dial good, case and bracelet with light scratches, case diameter = 42mm including crown

Lot 105

* PHILIP RASKIN (SCOTTISH b. 1947) HOME SHORES oil on canvas, signed and dated '05framedimage size 39cm x 90cm, overall size 53cm x 103cm Note: Born in 1947, Philip studied at the Glasgow School of Art in the 1960s. However, due to his father's untimely death, he had to postpone his career in art and left art school to enter the business world where he stayed for the next 30 years. For 20 of those years, he was the well known proprietor of The Inn on the Green, a celebrated jazz restaurant, in Glasgow. During this time, he maintained his contact with the world of art however, by running a schedule of art exhibitions and openings within the venue. Upon leaving the restaurant in the 1990s, Philip returned to his easel and brushes and since then has become a successful full time artist with broad appeal. He now lives and works from his studio just outside Glasgow. Philip's unique style is instantly recognisable combining a heavy impasto application of the paint alongside more delicate and sensitive brush strokes. Focussing mainly on landscape painting, his inspiration comes from the islands of the west coast of Scotland with Barra, Islay, Jura and Arran being some of his favourite locations. He deftly captures the essence and light of the landscapes through his work, the rugged shorelines, dramatic seascapes and ever changing skies. "I tend to paint very private places for the viewer to own and enjoy. No people, no houses, no telegraph poles; just expansive skies, mist tumbling on a distant hillside and a silence broken only by lapping water and gulls ascending". Philip is also the father of Natasha Raskin Sharp who for several years worked for McTear's and is now a regular TV expert and host on shows such as "Bargain Hunt" (BBC1) and others.

Lot 121

* ETHEL WALKER (SCOTTISH b. 1941), BRIGHT SPRING FLOWERS oil on board, signedframed and under glassimage size 46cm x 50cm, overall size 67cm x 72cm Comment: probably a relatively early work by Ethel Walker and another exceptional example following several outstanding paintings by Walker to feature in our auctions over the last couple of years.Note: Ethel Walker was born in Ayrshire, Scotland, in 1941. She graduated from the Glasgow School of Art in 1964 where she had been taught by David Donaldson, once the Queen's portrait painter. Beginning her career as a teacher, by the age of twenty-seven she was a full-time artist. Walker is one of the most successful female painters working in Scotland today. Her talent in capturing the ever-changing light of the Scottish landscape is outstanding, and her subtle but strong still life paintings are highly-prized. Work is held in many public and corporate collections worldwide, including the Royal Bank of Scotland and Sara Lee Holdings. In The Scottish Contemporary Art Auction of 12th September 2021 "The Silver Table" (lot 562), a mixed media by Ethel Walker sold for £2600 (hammer). In our December 2021 auction "The Lace Cloth" achieved £3000 (hammer) and "Study in Blue" sold for £2400 (hammer) in The Scottish Contemporary Art Auction of 8th December 2022 (lot 16).

Lot 142

* SHELAGH CAMPBELL, EVENING LIGHT, PROVENCE acrylic on canvas, signed, titled and dated 2011 verso framedimage size 61cm x 61cm, overall size 77cm x 77cm

Lot 177

* MARY DAVIDSON (SCOTTISH b. 1955), LAST OF THE LIGHT, MULL gouache on paper, signed, titled label versomounted, framed and under glassimage size 45.5cm x 45.5cm, overall size 73cm x 72cmExhibition label verso: 1997, The Torrance Gallery, Edinburgh.

Lot 197

* KYS (FRENCH b. 1949), SEATED NUDE oil on canvasunframedoverall size 135cm x 111cmProvenance: Acquired by the vendor from REDSEA Gallery, Block 9 Dempsey Road, #01-10 Dempsey Hill, Singapore 247697 in 2010/11. Ms Anita Saraswathy (Gallery Manager, REDSEA Gallery) has recently confirmed the current gallery price for a Kys work of this size is SG$9000 (approximately £5030). Note: "Kys" was born in 1949. His quest of the spiritual world of Asia began 30 years ago when he left France to travel through India, Nepal, Thailand and Japan. With an impeccable photo-realistic painting technique and a mastery of light and shade, Kys depicts the particular quality of each Jayavarman (King of Cambodia) or nude image. Using acrylic paint, gold or silver leaf and other secret ingredients; in his Jayavarman paintings he depicts the ancient patina of stone statues, worn by thousands of years of monsoon rains. Kys says “When I paint, I pray with my brush.” Modestly, he sees himself as merely a channel between the model and the viewer. Kys will paint his subject from a figurehead (his nudes from live model). Several layers of acrylic paint are used on the canvas. His subject is then painted on these layers enhancing the texture, tones and depth by using gold and silver leaf. His technique produces an incredible three-dimensional image, almost as if it was a hologram. The text he uses are single words, stamped on, written in ancient Khmer, Thai, Chinese, Japanese and other Asian languages. Their meanings are simple; Happiness, love, health, kindness, warmth and other words that collectively do not make a single sentence but bring the understanding and feeling of peace and harmony to the viewer.

Lot 23

* ERNI UPTON FRSA (SCOTTISH b. 1936), PUFFER AT GAMES MUSTER oil on canvas, signed, titled and dated 2014 versoframedimage size 77cm x 77cm, overall size 102cm x 102cm Note: A Scot, born in Ayrshire in 1936, Erni Upton has been painting since childhood. Schooled at Ayr Grammar & Ayr Academy, much of his youth was spent with the fisherfolk of West Scotland and their boats and he still cruises these waters each year. He trained at Glasgow School of Art, where he studied under Donaldson, Mathieson and Robertson. His work reflects their influences and those of the Scottish colourists who like him, spent much time in the wonderful light and colours of the West Coast. Painting in this tradition, he works with oils on canvas, using both brush and knife. In 1985, after many years in banking, he returned to Art & Design when he established an interior design company in Shrewsbury, Shropshire. He continued to work in oils, mainly commissions for corporate and private clients, but it was not until 1999, when the company was sold, that more time became available for painting. His work is successfully shown in many galleries in England, Scotland and abroad, most recently in Istanbul, where he was invited, as a result of commission work, to have a solo exhibition at the British Embassy, and a subsequent solo at one of the premier galleries in the city. He was elected a Fellow of the Royal Society for Arts, London, in November 2004. In recent years exhibition venues have included: Rowles Fine Arts, Strathearn Gallery, Greens & Blues Gallery, Morningside Gallery, Annan Gallery, Iona House Gallery, Alpha Gallery, Queens Gallery, Gigha Gallery and Frames Gallery. In The Scottish Contemporary Art Auction of 9th May 2021, two Iona paintings by Erni Upton (lots 787 & 789) sold for prices of £2000 & £2800 (hammer) and in the 2nd March 2023 Scottish Contemporary Art Auction lot 119 TRAIGH NA CRICHE by Erni Upton sold for £2400 (hammer).

Lot 235

* DAVID HOCKNEY OM CH RA (BRITISH b. 1937), ROCKY MOUNTAINS & TIRED INDIANS 1965 lithograph on paper for the Pop Art Exhibition at the Royal Academy of Arts, September 13-December 15framed and under glass image size 59cm x 79cm, overall size 67cm x 87cm Note: The painting from this poster was painted at the University of Colorado, Boulder in 1965, where the university campus is on the edge of the Rocky Mountains. However Hockney's studio had no windows, so he painted this imaginary picture instead. It is inspired entirely by pictures in magazines and romantic ideas of the 'Wild West'. The nearest 'Indians' are in fact at least three hundred miles from Boulder. The chair was included for compositional purposes, and to explain its being there Hockney called the Indians 'tired'. The striped mountains in the background were a light-hearted response to contemporary striped, abstract paintings by American artists.

Lot 275

* KYS (FRENCH b. 1949) UNTITLED oil on canvasunframedoverall size 126cm x 105cm Provenance: Acquired by the vendor from REDSEA Gallery, Block 9 Dempsey Road, #01-10 Dempsey Hill, Singapore 247697 in 2010/11. Ms Anita Saraswathy (Gallery Manager, REDSEA Gallery) has recently confirmed the current gallery price for a Kys work of this size is SG$9000 (approximately £5030).Note: "Kys" was born in 1949. His quest of the spiritual world of Asia began 30 years ago when he left France to travel through India, Nepal, Thailand and Japan. With an impeccable photo-realistic painting technique and a mastery of light and shade, Kys depicts the particular quality of each Jayavarman (King of Cambodia) or nude image. Using acrylic paint, gold or silver leaf and other secret ingredients; in his Jayavarman paintings he depicts the ancient patina of stone statues, worn by thousands of years of monsoon rains. Kys says “When I paint, I pray with my brush.” Modestly, he sees himself as merely a channel between the model and the viewer. Kys will paint his subject from a figurehead (his nudes from live model). Several layers of acrylic paint are used on the canvas. His subject is then painted on these layers enhancing the texture, tones and depth by using gold and silver leaf. His technique produces an incredible three-dimensional image, almost as if it was a hologram. The text he uses are single words, stamped on, written in ancient Khmer, Thai, Chinese, Japanese and other Asian languages. Their meanings are simple; Happiness, love, health, kindness, warmth and other words that collectively do not make a single sentence but bring the understanding and feeling of peace and harmony to the viewer.

Lot 294

* DARREN SCOTT, OCEAN LIGHT oil on panel, signed, titled and dated 2023 versoframed and under glassimage size 31cm x 41cm, overall size 39cm xx 49cm

Lot 38

* CHRIS BUSHE RSW (SCOTTISH b. 1958), SUMMER WINDS, ORONSAY oil on canvas, signed, titled and dated 2012 versoframed and under glassimage size 102cm x 115cm, overall size 120cm x 132cm Label verso: The Open Eye Gallery, Edinburgh.Comment: a spectacular example of Chris Bushe's work and the largest of his paintings to be offered at any UK auction. Note: Born in Perthshire, Chris Bushe is one of Scotland’s greatest living landscape painters. Initially, he studied Archaeology and Ancient History at Edinburgh but from his earliest years, he has responded to his fascination with the landscape around rural Aberdeenshire. He was accepted at Gray’s School of Art in the 1980s and forged a career painting landscapes very much in his own style and at odds with the fashionable conceptualism of the day. His paintings have won him a plethora of awards at national exhibitions. His work can be found in the corporate collections of Murray International Metals, Premier Property Group, Aberdeen Hospitals Trust, Grampian Regional Council, Edinburgh Hospitals Trust, Scottish Life, the Royal Bank of Scotland, Scottish & Newcastle, Dundee City Council, Bulthaup, University of Stirling, Turnberry Hotel and Centrica. His many awards include the Morton Fraser Milligan, Russell Flint Trust, Glasgow Arts Club Fellowship, Scottish Arts Club Awards, the RSW Council Award, the RSW McManus Galleries Purchase Prize, the RSW Fotheringham Gallery Award and the RSW The Walter Scott Award. Most recently, Chris has had considerable success at The Discerning Eye winning both the Founder’s £2500 Purchase Prize in 2015 and ING £5,000 Purchase Prize in 2016. In Scotland, his principal gallery is the prestigious Open Eye Gallery (Edinburgh) where his most recent (widely praised) solo show was "Chasing Light" (4th - 25th June 2022).

Lot 5

* DARREN SCOTT, DAWN'S LIGHT oil on panel, signed, titled and dated 2023 label versoframed and under glassimage size 49cm x 69cm, overall size 58cm x 78cm Handwritten artist's label versoCondition is good overall

Lot 7

SHEPARD FAIREY (AMERICAN b. 1970), FLORAL HARMONY LIGHT BLUE YIN/YANG aritst's proof screenprint on fine art paper, signed in pencil, dated '20 and marked APunframedoverall size 45cm x 60cmNote: Shepard Fairey is an American graphic artist and social activist who is part of the Street Art movement. Born on February 15, 1970 in Charleston, South Carolina, Fairey graduated from the Rhode Island School of Design in 1992 where he earned his Bachelor of Arts in illustration. In 1989 Fairey created the André the Giant Has a Posse sticker campaign, featuring a stylized image of the wrestler André the Giant. This project was the foundation for his seminal Obey series, which helped to push Fairey into the public spotlight. Fairey blurs the boundary between traditional and commercial art through type and image, communicating his brand of social critique via prints, murals, stickers, and posters in public spaces. His works are included in the collections of the Smithsonian in Washington, D.C., the Los Angeles County Museum of Art, and the Victoria and Albert Museum in London.

Lot 72

* HOWARD BUTTERWORTH (SCOTTISH b. 1945) THE RIVER DEE (ROYAL DEESIDE) oil on canvas, signedframedimage size 60cm x 90cm, overall size 77cm x 107cmProvenance: We are grateful to The Butterworth Gallery for confirming: "the location is Royal Deeside Aberdeenshire probably painted in in the late 80's and early 90's. The River - Is the River Dee from the South Deeside Road between Aboyne and Dinnet, just before the sawmill with Morven and has a wee cottage and views of the gliding strip fields". The typical gallery price for a Howard Butterworth of these dimensions is in excess of £9000. Note: Born in Rochdale in 1945, Howard Butterworth is a renowned Scottish artist who has lived and painted professionally in Northern Scotland since 1968. Howard captures the atmospheric light and colours of Scotland especially around Balmoral, Royal Deeside, Cairngorms National Park and the Scottish Highlands. Capturing the moods and seasons as only an Aberdeenshire-based artist painting outdoors can, Butterworth paints 'en plein air' and he describes his style of painting as "emotional realism". He conveys the sense of being in a particular place at a particular moment in time and the experience and feeling of Nature's constantly changing colours and light. Howard Butterworth paintings are held in private and corporate collections worldwide, particularly his paintings of Scotland including those of native birchwoods, Caledonian pine forests, heather covered moorland, snow-capped mountains and the lively waters and bridges of Royal Deeside. Howard Butterworth's patrons include private and corporate buyers with several paintings featuring in the Royal Collections of H.M. Queen Elizabeth II and Queen Elizabeth the Queen Mother who closely supported him over the years. In The Scottish Contemporary Art Auction of 19th January 2023 lot 85 "Loch Kinord" a significantly smaller (50 x 75cm) oil by Howard Butterworth, from the same private collection, sold for £1550 (hammer).

Lot 81

* GLEN SCOULLER RSW RGI DA (SCOTTISH b. 1950) BLUE STILL LIFE watercolour on paper, signed, titled label versoframed and under glassimage size 16.5cm x 16.5cm, overall size 33cm x 33cmLabel verso: Roger Billcliffe, GlasgowNote: Glen Scouller is a contemporary Scottish artist, known for his vibrant and expressive landscapes and still lifes, which showcase his interest in bold colours and the movement of light. Scouller was born in Glasgow in 1950 and studied at Glasgow School of Art from 1968-73. As a student, he won the Royal Scottish Academy Painting Award and in 1973, was awarded the Post Graduate Study Award, the WO Hutcheson Prize for Drawing and Travelling Scholarship to Greece. In the following years, Scouller won more awards for his work, including the Lauder Award, Glasgow Art Club and Scottish Amicable Award, Royal Glasgow Institute of Fine Arts. He regularly exhibits at the Royal Scottish Academy, The Royal Glasgow Institute of Fine Arts and the Royal Scottish Society of Painters in Watercolour. In 1989, he was elected a member of the Royal Glasgow Institute of the Fine Arts, followed by the Royal Scottish Society of Painters in Watercolour in 1997.Since 1977, Scouller has had over 40 solo exhibitions across Scotland and internationally. His works are held by both public and private collections worldwide, including The Scottish Office in Edinburgh, De Beers and the First National Bank of South Africa.

Lot 158

TWELVE PERIOD CARELLO AND MARSHAL HEADLIGHTS FOR FERRARI, ALFA-ROMEO AND OTHERS This Lot of used headlamp items, includes: 2 x Proiettori Carello headlights (180mm) 2 x Marchal Equilux headlights (175mm) for Ferrari 330GT models 1 x Carello bumper mounted driving light (100mm) 1 x Marchal bumper mounted driving light (120mm) 2 x Alfa-Romeo 1900 headlamp bowls, with rubbers. 3 x Alfa-Romeo 1900 sidelights 1 x Bosch bumper mounted driving light (120mm) 1 x Bosch bumper mounted driving light shell and lense (120mm) 1 x Carello Half-Moon Light (130mm) 1 x Carello headlight (190mm) - lense to fit 6C 2500 1 x other headlight (190mm) - lense to fit 6C 2500

Lot 173

A LARGE AMOUNT OF PERIOD ITALIAN SIDE AND TAIL LIGHTS Suitable for Italian cars from the 1950s to early 1970s, from Ferrari, Alfa-Romeo, Fiat and Lancia. Comprises brake lights, rear light units, side lights, reflectors, replacement lenses and bulbs.

Lot 176

TWO CARELLO INDICATOR LENSES AND REVERSING LIGHTS FOR ALFA-ROMEO DUETTO SPIDERS In original Carello box, new/old stock. One complete light and one lense. Marked 11.373.716. Lot includes two rear chromed reversing lights.

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