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Lot 463
A French gilt metal and enamelled clock garniture, in Louis XVI style, the 8.5cm circular dial with Roman numerals in white reserves on a blue celeste ground, the base with oval panels decorated in 'pate-sur-pate' with musical trophies and portraits, twin winding holes, striking on a bell, the movement by Japy Freres, the case with domed top, conforming three light candelabras, with standard bearer finials, the clock 35cm high, the candelabras 39cm high,c.1860
Lot 449
Tommy Loughran 18x18 overall size mounted and framed signature piece. Loughran (November 29, 1902 - July 7, 1982) was an American professional boxer and the former World Light Heavyweight Champion. Statistical boxing website BoxRec lists Loughran as the #7 ranked light heavyweight of all time, while The Ring Magazine founder Nat Fleischer placed him at #4. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Lot 63
Boxing Roy Jones Jnr signed Red Everlast Boxing Glove. Roy Levesta Jones Jr. (born January 16, 1969) is an American former professional boxer who holds dual American and Russian citizenship. He competed in boxing from 1989 to 2018, and held multiple world championships in four weight classes, including titles at middleweight, super middleweight, light heavyweight, and heavyweight, and is the only boxer in history to start his professional career at light middleweight and go on to win a heavyweight title. As an amateur, he represented the United States at the 1988 Summer Olympics, winning a silver medal in the light middleweight division after one of the most controversial decisions in boxing history. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Lot 10
Yewood and burr Yew wood tea caddy19th Century, with canted corners and box wood inlay, ivory lozenge escutcheon and compartmented interior, 18.5cm wide x 13cm high x 11cm deepIvory license has been applied for and granted. Damage to front right corner which has had several old repairs. Slight lifting to right hand side panel also. Scratches, marks and signs of wear throughout. Back right bottom corner damaged. Water/heat marks to the top. Very obvious when caught in the right light.
Lot 113
Pendant three branch ceiling lightearly 20th Century, bronzed brass and glass fittings, with three glass shades, decorated with gryphons, dolphins and masks, 86cm wide x 94cm highOverall wear, some marks, scratches and tarnish as expected. Untested, would require rewiring. The three shades do not match. They have small chips to the top where they attach to the light fitting.
Lot 135
Large embroidered silk panelChinese, early 20th Century, depicting an extensive lake landscape scene, with musicians and other figures boating and gathering outside some temples, 100cm x 126.5cmProvenance: Hazelwood, Shanghai circa 1930 then by descent. Hazelwood is a large classical property in Shanghai designed by Clough Williams-Ellis and is now on the site of the Radisson Xingguo HotelIn generally good condition, with some light creases. it is framed and glazed and the frame is slightly scuffed and has some repainting. It hasn't been removed from the frame.
Lot 137
Pair of late 19th/early 20th Century English equestrian studies 'Bass' study of a horse, oil on canvas, unsigned, 22cm x 29cm and one other 'Miss Monmouth' study of a horse, oil on canvas, unsigned, 22cm x 29cm, both in gilt frames (2)Overall wear and some losses to the frames. Overall light wear consistent with age and use.
Lot 187
New Hall porcelain Early 19th Century, set of six coffee cans and saucers in the 1163 Imari chinoiserie pattern, saucers 14cm across, coffee cups 6.5cm high approx (12)Overall wear and signs of light use. Gilt worn in places to the rim. All with crazing and some with discolouration. Minor firing frits to the foot rims as expected. Some with firing faults in the glaze. One cup with underglaze chip to the rim. One saucer with hairline cracks in the glaze to the underside. Another saucer with fault, possible restoration to the footrim, not visible from the top.
Lot 446
A brass ship's type bell, inscribed 'Yellow Duke Esq. 1860', set in a shaped brass bracket and mounted on a wood plaque, 27cm high.The origins of the inscription are uncertain although it is believed that this bell, and others like it, were made to order. The following extract from The Mechanics Magazine, 13 January 1871, may shed some light: 'Another potentate of ebony hue ordered a number of polished ship bells in elegant brass frames and mounted on mahogany stands, engraved with the assumed name of the sable prince "Yellow Duke, Esq." The number of workpeople directly engaged in this branch of Birmingham industry is estimated at about 250, and the increasing use of bells, both for outdoor and indoor purposes, promises to augment this number at no distant date.'The Journal of the Society of Arts 1866 indicates that 'Yellow Duke Esq' was one of several 'African princes' to order such bells and that he lived in Calabar, Nigeria. He is noted for acting as a guide to the missionary Alexander Ross during his 1877 Expedition. He is described as a major palm-oil trader with connections with the Archibong family and a base at Odobo. To this end, he is mentioned in the diaries of William and Louisa Anderson:"Saturday, April 12 (1862, Calabar).—Great fire in town this afternoon. The premises of one of the principal native traders, Yellow Duke, including an excellent European house, barely finished, if indeed fully finished; the premises of the late King Duke, and adjoining tenements, were in about two hours burned to the ground.Sabbath, 13 (1862, Calabar).—Usual meetings to-day, and usual attendance. No gentlemen present, however. I went to the king's after service, and found them all sitting condoling with Yellow Duke. They appeared all very sober (in our Scottish sense of the word) on account of yesterday's calamity. I told them that I well knew what Yellow Duke was at that moment feeling, for, as they all knew, my house had at one time been consumed by fire. I spoke to them briefly in reference to the event. The substance of the remarks may be scripturally Englished thus: "Hear ye the rod, and who hath appointed it."However, an earlier reference taken from trading letters in 1853 describes him as a 'Duke Town Slave' (Latham, A. J. H. Old Calabar, 1600–1891: The Impact of the International Economy upon a Traditional Society. London: Clarendon Press, 1973).Bell diameter - 16.5cm. The base - is 30cm X 21.5cmHeight approx. 25cm
Lot 598
A recent French light oak glazed display cabinet, the ogee cornice above twin glazed doors with moulded arches and external brass barrel hinges, enclosing three adjustable shelves, the lower section with twin doors having moulded arched panels, opening to a single adjustable shelf, raised on compressed bun feet, 121cm wide x 49cm deep x 207cm high.Good overall. Negligible signs of use.
Lot 61
A Mont Blanc fountain pen, the nib engraved '4810 14k', presented within original box and outer box, together with two Sheaffer fountain pens (3)Mont Blanc- Some general wear and light scratches in keeping with age, nib in reasonable condition, refer to images, outer box with wear, general wear
Lot 228
Cased 9ct gold stud setwith mother of pearl button top, bearing marks for '9ct Cornelius Desormeaux Saunders & James Francis Hollings (Frank) Shepherd, the case marked 'P. Orr & Sons, Madras and Rangoon, the overall gold weight is 7g approx overall Overall wear and some losses to the case. Some of the studs have light signs of wear and use as expected. Some of the backings with slight tarnish, not all bear the makers mark. Overall seems ok.
Lot 236
American sterling silver vase decorated with floral swags, roses, trails etc, marked to the base 'Sterling' with an initial mark for William B. Durgin Co, 27cm high, 330g approx overall With marks, scratches and dents, some large. With overall light tarnish also, would benefit from being properly cleaned.
Lot 285
Royal Navy officer's bicorn cocked hat in metal case/box (Militaria Interest) the inside of the black hat marked 'Gieves Ltd, 21 Old Bond St, London & 120 Princes St, Edinburgh', with embroidered detail, 42cm wide approx, the shaped metal case with old labels, 46cm across (2)Overall light wear, consistent with age and use. Some small pullis in places. Slight discolouration to the interior of the hat. Some rust, knocks, scratches and discolouraton to the box/case. Again, consistent with age and use.
Lot 109
Rotary: A gentleman's 9ct gold wristwatchDate: Circa 1964Movement: Cal.330 15-jewel, manualDial: Brushed gold, gold Arabic hour markers, subsidiary seconds at 6, gold handsCase: Round, polished, fixed strap bars, marked 375 to bar and 9ct inside case backStrap/Bracelet: Later woven fabric strapBuckle/Clasp: Plated buckleSize: 28mmWeight: 22.6g gross (excluding strap)Case showing some minor signs of age and use including typical scratches. Crystal has some scratches. Dial tarnished to the outer edge with some discolouring around 10 and some light spotting/foxing in places more pronounced at 3. Movement winds, sets and runs. Not guaranteed for timekeeping or water resistance - it is advised that this watch is inspected and serviced by a qualified jeweller or the original manufacturer before full use.
Lot 176
Sven Palmqvist for Orrefors designed in 1955A Kraka glass vase, of teardrop form in blue to green glass, signed 'Orrefors Kraka No. 349 Sven Palmqvist',20.5cm highIn a good condition with no cracks, chips or repairs. There are some light scratches to the underside of the base, commensurate with general age, and some light mossing to the edges of the base. No visible clouding to the vase's interior and no obvious scratches to the exterior.
Lot 236
A partial Middlesborough Pottery, Yorkshire dinner service circa 1840transfer-printed in the 'Wild Rose' pattern, depicting Nuneham Courtenay, Oxfordshire, the seat of the Earl Harcourt, set in grounds laid out by Capability Brown around 1780, comprising five plates, 23cm diameter, four plates, 26cm diameter and three meat platters, 48cm wide, some pieces with impressed crown, others unmarked(12)26cm diameter plates - Shallow rim chip to one plate's foot rim, another plate with two thin abrasions to the foot rim. A third plate with hairline at 4 o'clock, approximately 5cm long.23cm diameter plates - One plate with crazing to the glaze and a shallow underside rim outer rim chip, with some further fritting to the edges. Another plate with a faint X shape hairline visible to the centre of the base.Several plates with light signs of use, in the form of surface scratches.Platters - All three with some staining and crazing, together with some slight fritting and glaze loss around the edges. One platter chipped and cracked at 7 o clock.
Lot 241
An EJD Bodley 'Blossom' tea servicecirca 1876comprising teapot and cover, twin-handled sugar bowl and cover, two teacups and saucers and a matched cylindrical jar and cover, printed registration marks, painted pattern number 5836 (10 pcs, including covers, restored)Wear to gilding around rims, light wear to the painted decoration on saucers. Signs of use include surface scratches to the teacups and saucers. The cover of the cylindrical jar is restored. The teapot spout and handle are both restored, chipped inner rim. The Sucrier lid is also restored and resprayed.
Lot 256
A Coalport Athlone Marone dinner and coffee service20th centurycomprising five dinner plates, 10 3/4" diameter, six soup dishes, 8 1/4" diameter, twelve plates, 6 1/4" diameter; one gravy boat and stand, one footed sugar bowl, thirteen coffee cups, thirteen coffee saucers, a cream jug and ten sideplates, 10 1/4" diameter, printed marks (63)Factory seconds - three coffee cans, one large dinner plate, four saucers, three sideplates, two medium plates Medium plates - one with a hairline, another with some gilding wear.Signs of use throughout, generally light and restricted to small surface scratches. With the exception of the medium dinner plates, which show heavier wear and some slight scratches to the maroon border.
Lot 264
An extensive Coalport 'Athlone Blue' tea, coffee and dinner servicecomprising coffee pot, teapot, cream jug, sugar bowl and cover, milk jug, five teacups, four tea saucers, ten coffee cups, nine coffee saucers, nine demitasse cups, twelve demitasse saucers, two footed bowls for sugar, sixteen dinner plates, 10 3/4" diameter, one gravy boat and stand, eight soup bowls, 8 1/4" diameter, eight plates, 7" diameter and fourteen further smaller plates, 6 1/4" (100 pcs)Sauceboat stand - hairline crack. One demitasse saucer stained and one coffee can saucer stained. Some staining to the interior of the teapot. Otherwise, good. All seem to be first quality. Most pieces have either light or no signs of use.
Lot 44
§ PETER HOWSON O.B.E. (SCOTTISH 1958-) TRONGATE Signed, oil on canvasDimensions:121cm x 90.5cm (47.5in x 35.5in)Note: Note: Peter Howson’s Trongate is a striking and eloquent example of his career-long exploration of contemporary masculinity, both toxic and misunderstood [and often a combination of both]. The central figure of this work, life-size and dominating the canvas, takes up a classic boxer’s pose, as if modelling for an early edition of the Queensberry Rules, yet his clothing defines him as a bareknuckle fighter. There is no doubt what side of the tracks this man is from, although Howson reinforces this with the street scene behind, a dark and dirty canal pushing him to the edge, the wealthy city of office blocks and church spires beyond. Trongate is an area of central Glasgow, and like all of Howson’s subjects they are people close to him, specific to his milieu. Yet equally this man could be anywhere, in any tough city.Our boxer is lit with an almost supernatural glow, an actor on a stage, his surroundings more a backdrop. He is of the city, but in this particular moment, seems to stand outside it. In the sky there are two points of similar bright light – the moon and the North Star, lending this work an air of mystery, an unspoken narrative twist, a meditation, perhaps, on action and destiny.
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