Loudon Sainthill (Australian, 1919-1969)The Musician pen and ink, watercolour and gouache77 x 57cmA work from the same series of 'The Musicians' and dated 1958 is in the collection of the National Gallery of Australia.Provenance: Bequeathed to the current owner by Alfred Hecht.Loudon Sainthill (Australian, 1919-1969)Artist, costume and set designer, Loudon Sainthill lived a life designing for stars of the ballet, opera, theatre and film. He was born in Tasmania, but moved to Melbourne where he met his lifelong partner, Harry Karl Tatlock Miller (1913-1989). His love of theatre design began in Australia, where he designed for touring ballets. His paintings of the dancers garnered attention and, in 1939, he was invited to London to exhibit at the Redfern Gallery. This success was followed by exhibitions in Australia. During the Second World War, Sainthill served with the Australian Army. He was discharged in 1946 and briefly lived with Miller in Merioola, which was also the home of a group of artists including Alec Murray, Jocelyn Rickards and Donald Friend. Returning to London in 1949, Sainthill’s career took off; he designed for the ballet 'Ile des Sirenes' starring Margot Fonteyn (1950) and then 'The Tempest' at the Shakespeare Memorial Theatre (1951). One of his most celebrated projects was for the set and costume designs of 'Le Coq d’Or' at the Royal Opera House, Sainthill being given this commission after Marc Chagall suddenly withdrew from the project. Sainthill later won a Tony for his work on 'The Canterbury Tales' (1967). During his lifetime, he worked on more than fifty productions, and published multiple books of his designs and paintings with his partner, Miller, enabling his innovative and vibrant designs to live on to inspire future generations. Condition report: Unexamined out of glazed frame. The paper is cockled due to gouache on the paper rather than caused by a condition issue. There is a very small brown mark on the man’s hat (his left side) – this is shown in a photograph. Overall, the paper is a very light brown in colour, consistent with its age. This is clear if you look at the hand (see image). There is a light line to the right hand caused by time staining where an older mount may have been removed (see image). There is some damage to the frame (see image).However, in our opinion, the condition comments noted above do not affect the appeal of the work.
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*Marc Chagall (Russian-French, 1887-1985)Moise Piate 18, from Songeslithograph in colours, from an edition of 50 and 10 proofs, published by Gerald Cramer, Geneva, 1981, signed 'Marc Chagall' and numbered 20/50 in pencilplate 30.3 x 23.4cmProvenance: Farm House, Farm Street, Mayfair, London.*Artist's Resale Right may apply to this lot.Condition report: Viewed out of frame, slight wave to the print caused by printing process, light discolouration to borders caused by the mount - see images. Could benefit from a more secure framing, but genarally print is in good condtion.
Paul Gauguin (French, 1848-1903)'Auti Te Pape' (Kornfeld 13)woodcut on China paper, inscribed '7th provetryk' (trial proof), from an edition of 100, published by the artist's son, Pola Gauguin, in 1921, signed 'Pola Gauguin imp' and inscribed Paul Gauguin fecit' in pencilimage 20.4 x 35.3cmProvenance: Folly Mill, Thaxted, Essex.Condition report: Some staining to the edges possibly caused by a previous acidic mount, some light creasing, a few brown spots (please refer to images), the paper is handmade and has textures and bits in it e.g. upper border.
Paul Gauguin (French, 1848-1903)'Maruru'woodcut on China paper, numbered 22 from an edition of 100, published by the artist's son, Pola Gauguin, in 1921, signed 'Pola Gauguin imp' and inscribed Paul Gauguin fecit' in pencilimage 20.2 x 35.5cm, sheet 26.3 x 41.8cmProvenance: Folly Mill, Thaxted, Essex.Condition report: Viewed out of frame. Light brown staining to left half of the sheet. Light cockling. A tear top left from the edge to close to the image and crease coming off of it. Please refer to additional images.
*Françoise Gilot (French, b.1921)'Procession', 1963signed 'F. Gilot' l.l., inscribed 'Cortege' (procession) verso, oil on canvas22.5 x 27cmSold with a handwritten letter from the artist dated 5 October 1966, certifying that this was painted by her three years earlier.Provenance: Galleria San Stefano, Venice.Artist Marie Françoise Gilot is best known for her ten-year relationship with Pablo Picasso. She was 21 and he was 61 when they met, and she became his lover and muse. Together they had two children, Claude and Paloma. Although an accomplished painter herself, her career was eclipsed by involvement with Picasso, and after their bitter split, he discouraged galleries from buying her work.*Artist's Resale Right may apply to this lot.Condition report: Frame size 38.5 x 44cmScratches and losses to gilding of frame.Some cracking of yellow paint in horizontal area upper centre. Some fine craquelure elsewhere. In general it appears to be in good condition, under uv light no obvious signs of retouching.
*Lucy Harwood (1893-1972)Zebraoil on canvas61 x 51cm*Artist's Resale Right may apply to this lot.Condition report: A landscape painted verso. Thick paint on back of the canvas is causing some a little bulge to front of canvas. A little dust on surface, but in general appears to be in good condition. Not examined under uv light, so please contact department.
*After Pablo Picasso'Fruit press'lithograph in colours, bears signature and numbered XXI/XXXsheet 28 x 21.5cm;and another'Toros y Toreros'lithograph in colours, bears signature, published by Cerle d'Art, Parissheet 37.1 x 26.6cm (2)*Artist's Resale Right may apply to this lot.Condition report: Fruit Press: in good condition.Toros y Toreros: a few light handling creases, generally in good condition.
*Laurence Stephen Lowry RA (1887-1976)'Britain at Play'offset lithograph in colours, signed 'L S Lowry' in pencil l.r., with the Fine Art Trade Guild blind stamp 'HCK'image 44.6 x 59.5cm*Artist's Resale Right may apply to this lot.Condition report: Examined out of frame, some colour loss to the print, houses are more light red in tone than yellow. There is time staining and discolouration to the sheet in the area of white between the image and mount. There is discolouration to the sheet top two corners caused by tape. Housed in an acidic mount. Two deep dents to the bottom edge of the frame. Please refer to additional images.
*Laurence Stephen Lowry RA (1887-1976) 'Great Ancoats Street'offset lithograph, signed 'L S Lowry' and numbered 332/850 in pencil, published by Harold Riley, Salford, on laid paper 26.5 x 36.5cm*Artist's Resale Right may apply to this lot.Condition report: Not viewed out of glazed frame. Very light wave to the paper
*Arthur Delaney (1927-1987)Portrait of the artist Laurence Stephen Lowry (1887-1976)oil on board39 x 29cmProvenance: Jack Levy.Arthur Delaney was born in Manchester and worked in a textile factory. He began painting for relaxation as opposed to having any formal training, although after his retirement he became well-regarded with his first one man show in 1974 selling out within an hour. One of his big influences was Laurence Stephen Lowry, another Manchester artist whose industrial landscapes and views of factories and crowds reminded Delaney of his youth and inspired him to create his own landscapes. His work sought to capture the atmosphere of the 1930s, for which he held such nostalgia, yet unlike Lowry his works were true likenesses of the locations he chose. The two artists were friends and it is fascinating to see such a striking and frank depiction of Lowry, clearly painted by an artist who knew him well. Close cut and without background, the head is uncompromising within the picture frame; while Lowry is not looking at the viewer, his gaze is nonetheless sharp and piercing, alive with intelligence.*Artist's Resale Right may apply to this lot.Condition report: Some slight paint flaking at extreme edges and one small scratch (minor) lower right to man's jacket. Not examined under UV light, please contact the department for a full report.
*Laurence Stephen Lowry RA (1887-1976)'Market Scene in a Northern Town’ offset lithograph in colours, signed 'L. S. Lowry' in pencil l.r.48 x 63cm*Artist's Resale Right may apply to this lot.Condition report: Not viewed out of glazed frame. Housed in an acidic mount causing yellow line around the mount, some slight time staining to the borders and light wave to the sheet. Slight fading to the image.
*Alan Reynolds (1926-2014) Study for Poet goes Poachingsigned 'Reynolds' l.r., watercolour28 x 39cmProvenance: With The Redfern Gallery, London, 4th June 1954;Folly Mill, Thaxted, Essex.*Artist's Resale Right may apply to this lot. Condition report: Viewed out of frame. It is loosely attached to mount and would benefit from retaping at top. The mount is acidic and this has created staining to back of paper. Some light foxing can be seen in upper area of painting. This is mostly to extreme edge where mount has been and is not causing serious issues. Please see additional condition images on website.
*Ruth Collet NEAC (1909-2001)A Family Outingsigned 'COLLET', watercolour and bodycolour28 x 38cmExhibited: The New English Art Club, 1944.*Artist's Resale Right may apply to this lot. Condition report: Not viewed out of glazed frame. Through glass, the painting itself does not appear to have any condition issues. Some light cockling but just from watercolour process. Mount appears to be acidic and is stained with foxing, black marks and what may be a water mark running down right edge. Please see additional condition report images on website.
*Joan Warburton (1920-1996)Garden with irises, 1972signed with initials and dated 'JW/72' l.r., watercolour53.5 x 35.5cmProvenance: Acquired from the artist's estate.The flowers seen are iris, convolvulus, aquilegia, nectaroscordum and geum.*Artist's Resale Right may apply to this lot.Condition report: Not examined out of the glazed frame, the sheet has been stuck down to the mount, there is a slight crease top right and two faint spots of foxing emerging in the sky area. There are two mounts, the outermost one is slightly discoloured and there is some dirt under the glass at the top. Some light wear to the gilt frame.
*Leonard Rosoman RA (1913-2012)'The Emperor Nerva'two studies, both signed 'Leonard Rosoman' l.r., with inscriptions, pen and ink28 x 20cm (2)*Artist's Resale Right may apply to this lot.Condition report: Not viewed out of glazed frame. Both with some light brown staining to paper near edges of mounts.
*Leonard Rosoman RA (1913-2012)Design for a mural at the Royal Garden Hotelsigned 'Leonard Rosoman' l.r., watercolour32 x 24.5cmIn the early to mid-1970s, Leonard Rosoman contacted the vendor of this, and the following nine lots, requesting help to buy his studios, at Pembroke Studios, Kensington. He and other artists, such as David Hockney, had the opportunity to buy the studio for £68,000. He could not pay for the services provided and thus offered drawings and watercolours to cover the fee.*Artist's Resale Right may apply to this lot.Condition report: Unexamined out of glazed frame, a light wave to the sheet, otherwise appears to be in good condition. Well-presented.
*Julian Trevelyan RA (1910-1988)Clifton Suspension Bridgesigned and dated 'Trevelyan '62' l.l., inscribed with title on stretcher, oil on canvas77 x 91.5cm*Artist's Resale Right may apply to this lot.Condition report: Seen under uv light and no obvious retouching. Some craquelure to work, including to lower left and also creating some circular patterns to centre of sky. Paint appears to be stable. Please contact department for additional images.
*Alfred Daniels (1924-2015)Magdalen College, Oxford signed and dated 'Alfred Daniels/1986' l.l., oil on board45.2 x 56.4cmProvenance: Bonhams, 'Modern Pictures', 23 April 2003, lot 2.*Artist's Resale Right may apply to this lot.Condition report: Some tiny light brown dirty spots on surface. A tiny paint loss to sky 2cm to the right of tower. The mount is stained brown. Seen under uv light and no obvious retouching shown. Please see additional condition images on website.
*Rose Hilton (1931-2019)'St Ives' 1978signed 'Rose Hilton' inscribed as titled and dated '78 verso, oil on canvas25.5 x 35.5cm*Artist's Resale Right may apply to this lot.Condition report: Appears to be in good condition. Not viewed under uv light, so please contact department for a more detailed report.
*Ken Howard RA (b.1932)'Pont Neuf from Pont au Change, Paris'signed 'Ken Howard'., inscribed as titled and dated 2014 verso, oil on canvas30.5 x 60.6cm*Artist's Resale Right may apply to this lot.Condition report: Some brown specks across the canavs, possibly paint, possibly from time of execution, otherwise appears to be in good and orignal condition, not examined under UV light, please contact the department for a full report.
*Peter Coker RA (1926-2004)'Lastours'signed 'Peter Coker' l.r., oil on linen77 x 91cm;and a pencil and crayon sketch of 'Lastours'signed and dated 'Peter Coker '74' l.r.26.5 x 37.5cm (2)Exhibited: Royal Academy, Summer Exhibition, 1976 (lot to be sold with a copy of the catalogue).Literature: 'Peter Coker RA', Chris Beetles Limited, London, 2002, catalogue raisonné no. 291.*Artist's Resale Right may apply to this lot.Condition report: OIl painting. Paint a little thin to right side. Not viewed under uv light, so please contact the department for a more detailed report.Pencil sketch - not viewed out of glazed frame. Appears to be in good condition.
*John Melville (1902-1986)'The Lost World'inscribed as titled verso, oil on canvas103 x 153cm*Artist's Resale Right may apply to this lot.Condition report: Marks from stretcher bars visible on front of the canvas. Some light scuffs in places but overall appears to be in good condition. Unexamined under uv light.
*Nommie Durell (1905-1989)Landscape, c.1950signed 'N DURELL' l.r., oil on canvas46 x 77cmExhibited: Sally Hunter Fine Art, London, 'Nommie Durell', April 2005, no.2.*Artist's Resale Right may apply to this lot.Condition report: A small lump of paint to lower right. Overall appears to be in good condition. Not viewed under uv light, please contact the department for a more detailed report.
*Millicent E Ayrton (1913-2000)Military Bandsigned 'M E AYRTON' l.l., inscribed on gallery label verso, oil on board61 x 61.5cmExhibited: The Wirral Society of Arts, Williamson Art Gallery, Birkenhead, 1983.*Artist's Resale Right may apply to this lot.Condition report: Overall in good condition, unexamined under UV light, please contact the department for a full report.
*Carel Weight CH RA (1908-1997)'Strange Encounter' - View from the artist's studio,1981signed 'Carel Weight' u.r., oil on board28 x 38cmProvenance: With Bernard Jacobson Gallery, London;with Christopher Hull Gallery, London, 1990;with Duncan R Miller, London.Condition report: Some surface dirt, in generally good condition. Seen under uv light and no obvious retouching shown.
*Carel Weight CH RA (1907-1997)'Looking across to La Reve from Lucien Pissarro's cottage (La Compagne Orovida) Dardennes, near Toulon'signed 'Carel Weight' u.r., inscribed as titled verso, oil on canvas40.5 x 70.5cm*Artist's Resale Right may apply to this lot.Condition report: A pressure mark and associated puncture hole is visible lower right, some stretcher marks are apparent, there is some surface dirt. An L shape area to lower lft looked like it may have had retouching , but viewed under uv light and there was no flourescing.
*Anne Redpath RSA ARA (1895-1965)'Hillside Village', c.1958-60signed 'Anne Redpath' l.l., oil on board47.5 x 57.5cmRedpath likely painted 'Hillside Village' while staying in the Canary Islands, Spain.Provenance: With Aitken Dott & Son, Edinburgh;with Duncan R Miller Fine Arts, London.*Artist's Resale Right may apply to this lot.Condition report: Not viewed out of glazed frame. Appears to be in good condition. No issues showing up under uv light.
*Anne Redpath RSA ARA (1895-1965)'Daisies'signed 'Anne Redpath' l.l., oil on board51 x 61cmProvenance: With the Fine Art Society, London.Exhibited: Aitken Dott & Son (The Scottish Gallery), Edinburgh, '20th Century Scottish Paintings and Drawings' Exhibition, May 1976;Duncan R Miller Fine Arts, London, 'Anne Redpath' Exhibition, 1992, no. 14.*Artist's Resale Right may apply to this lot.Condition report: Under UV light, no apparent signs of retouching or restoration. Various levels of impasto are evident, the thickest impasto has been slightly flattened as the paint has dried – please see additional images for close up. Overall, the work is well-presented and appears to be in good condition.
*George Dannatt (1915-2009)'Division of Light (No.1)', 1979signed, inscribed with title and dated Aug/October 1979 verso, oil on board23.5 x 15cmExhibited: Michael Parkin Fine Art Ltd., London, George Dannatt Paintings 1970-1988, no.26.*Artist's Resale Right may apply to this lot.Condition report: Not viewed out of glazed frame. Appears to be in good condition.
*James Lawrence Isherwood (1917-1989)'Shawls, Wigan and Rain', 1968signed and dated 'ISHERWOOD '68' l.l., inscribed as titled verso, oil on board25.2 x 35.5cm*Artist's Resale Right may apply to this lot.Condition report: Appears to be in good condition, not examined under UV light, please contact the department for a full report.
*James Lawrence Isherwood (1917-1989) 'Old Coventry Cathedral' signed 'Isherwood' l.r., inscribed as titled verso, oil on board62 x 46cm, unframedProvenance: Purchased from the artist fifty-two years ago, by the current vendor, whilst at Cambridge University.*Artist's Resale Right may apply to this lot. Condition report: Surface dirt of brown marks and very light scratches.No major condition issues.
*Robert Medley RA (1905-1994)Medieval Figuresoil on board22 x 27cm*Artist's Resale Right may apply to this lot.Condition report: Light surface dirt, would advise a light clean, some paint flaking along rebate of the frame, not examined under UV light, please contact the department for a full report.
*John Bratby RA (1928-1992) 'Jason & the Gorgons'signed 'John Bratby', inscribed as titled and dated 'July 1959', oil on canvas112 x 86cmProvenance: The Zwemmer Gallery, London;Folly Mill, Thaxted, Essex.*Artist's Resale Right may apply to this lot.Condition report: A little dirty, may benefit from a light clean. Otherwise appears to be in good condition.
Allan Walton (1891-1948)Suffolk landscapeoil on canvas laid down on board62 x 41cmExhibited: Sally Hunter Fine Art, London, 'Joan Warburton and the Benton End Effect', March 2014. Condition report: A little surface dirt but overall in good condition. Not examined under uv light - please contact the department.
*Sydney Harpley RA (1927-1992)Girl in a deckchairbronze with brown patina, numbered and signed '6/9 Harpley' on the back of the deckchair47cm wide16cm deep27.5cm high*Artist's Resale Right may apply to this lot.Condition report: The sculpture is generally in good condition, there is some light dust in crevices that needs brushing off, some minor wear to base of feet/deck chair which support the sculpture. Please refer to additional images.
*Eve Quinlan (1880-1955)Irises and flowers in a blue and white vasesigned 'Eve Quinlan' l.l., oil on canvas76 x 60.5cmProvenance: Acquired by the actress Eirene Beck (1920-2010);then a gift to Martin P W Evans RIBA (1927-2016) thence with the current owner.Exhibited: The Royal Society of British Artists, 1944.Christened as Eveline May Tomkins, she spent her early life in Suffolk. Quinlan was married twice in Bengal, India, first to William Cooper (d.1900) and later to Capt. Dominick Joseph Quinlan (d.1909). She was sadly widowed twice before her thirtieth birthday, and returned to England in 1911. She is recorded as living in London (1939) and Oxfordshire (1940), and exhibited twice at the Royal Academy during this time. Quinlan exhibited with the Ipswich Art Club ‘Garden at Benton End’. This painting is strikingly reminiscent of Cedric Morris, who is famed for his cultivation of irises at Benton End and his paintings of the garden.*Artist's Resale Right may apply to this lot.Condition report: In its original 'Alfred Woolmark' frame. May benefit from a light clean. Under UV light, there are no obvious signs of retouching or restoration. There are two small dents to canvas lower right – please refer to images. While the dents are visible under close inspection, in our opinion they do not detract from the painting as a whole, as they are lost in the thick impasto and its busy design. There is some paint loss along the rebate of the frame, and a very small pinhole in each corner – please refer to images. In our opinion, the work is well-presented and is in generally good condition.
Alexander Calder (American, 1898-1976) Untitledsigned and dated 'Calder '61' l.r., watercolour and gouache55 x 74.5cmProvenance: Botanist, writer and explorer Nicholas Guppy (1925-2012) acquired it directly from the artist;then acquired by close friends, the Rentons, Folly Mill, Thaxted, Essex.In 1953, while spending a year in Aix-en-Provence, Calder produced his first series of gouache paintings and continued to work in this medium until his death in 1976. Lot 221, Calder's 'Untitled' watercolour and gouache on paper, was created in 1961. In this bold painting, Calder works with quick, broad brushstrokes to form a vivid image. He cleverly deploys bright colours, not quite touching the yellow and blue together, allowing the white of the paper to become an important part of the composition. 'I paint with shapes', Calder once said, and it is the two more thickly painted orange circles that catch our attention and create balance in this piece.Condition report: Viewed out of glazed frame. Colours appeared more vivid out of glazed frame (how it was initially photographed). Paper is attached to mount board with small pieces of tape along each edge. Looks like it could be reasonably easily removed as opposed to being pasted down. Some very light time staining to lower left edge. A few light surface abrasions on blue watercolour. Some of the thicker areas of paint, ie red and yellow have some light craquelure. Two small brush hairs attached to surface in yellow above lower red circle. A tiny handling crease to right edge. Please see additional condition images on website.
*Juliusz Joniak (Polish, b.1925)Umbrian landscapesigned and dated 'Jonaik 79' l.r., also signed and inscribed with title in Polish verso, oil on canvas70 x 80cm*Artist's Resale Right may apply to this lot.Condition report: Craquelure to the sky, including deep craquelure line to upper centre-right. Some small paint losses too. Purple crosses to top right and top left corner that appear to be under the paint, these do not fluoresce under UV light. There are no obvious signs of retouching or restoration. Please refer to images for more detail.
*Emvin Cremona (Maltese-British, 1919-1987)Landscape, 1974signed inscribed and dated 'Cremona/Malta/74' l.l, mixed media63 x 50cm*Artist's Resale Right may apply to this lot.Condition report: Unexamined out of glazed frame, some paint flaking lower left, a small (0.1cm) tear left edge, small indent below fastening at top, some paint loss along extreme right edge. Light wear to the frame and glaze.
*Emvin Cremona (Maltese-British, 1919-1987)Figures on the church steps, 1974signed inscribed and dated 'Cremona/Malta/74' l.r., mixed media on paper63 x 50cm*Artist's Resale Right may apply to this lot.Condition report: Not examined out of glazed frame, possibly some acid discoluration along the borders of the paper, particularly on the right edge - please refer to images. Some light scratches to glass glaze at top and light wear to the frame. Overall, well-presented and ready to hang.
*Vasilis Zenetzis (Greek, 1935-2016)The Acropolis, Athenssigned l.l., signed and inscribed in Greek verso, oil on canvas45.2 x 60.2cmProvenance: Acquired directly from the artist in 1995.*Artist's Resale Right may apply to this lot.Condition report: Appears to be in good and original condition, not examined under UV light, please contact the department for a full report.
*Norman Ackroyd RA (b.1938)'Evening at Thirsk Hall', 2019etching and aquatint, signed and dated 'Norman Ackroyd'19' inscribed as titled and numbered 64/90 in pencil22.6 x 28.1cm, unframed*Artist's Resale Right may apply to this lot. Condition report: Light surface dirt around plate mark, a few thin line indentations outside plate mark on lower edge probably from time of execution, in generally good condition.
Samuel John Peploe RSA (1871-1935) 'Barra' oil on board16.5 x 24cmProvenance: With Aitken Dott & Son, Edinburgh, No. 9467;anonymous sale: Sotheby's Gleneagles, 'The Scottish Sale', 30 August 2000, lot 1274.Samuel Peploe first travelled to the Isle of Barra in 1894, staying in the studio of his friend Robert Cowan Robertson and returning on further occasions until 1903. Peploe worked en plein air during these trips and always on a small scale. Works such as this provide a fascinating and exciting insight into Peploe's artistic development.Condition report: Examined under UV light, no signs of significant damage or restoration, although bloom of varnish makes this difficult to confirm. Overall, in apparently good order.
Yuko Shiraishi (Japanese, b.1956)'Foliage III', 1985etching in colours, signed and dated 'Yuko Shiraishi '85' l.r. in pencil, numbered '5/15' l.l. and inscribed as titled versosheet 38.6 x 37.5cm, unframedCondition report: Light foxing emerging at the margins, light surface dirt, some rubbing top left - possibly made with a rubber. Light creasing at the top.
*Frank Auerbach (German-British, b.1931)'Reclining Figure I'screenprint in colours, 1966, signed 'Auerbach' and numbered 45/70 in pencil67 x 94cmProvenance: Farm House, Farm Street, Mayfair, London.*Artist's Resale Right may apply to this lot.Condition report: Not viewed out of glazed frame. Paper cockled. Paper a little discoloured. Light handling creases. A light score line to upper centre of margin. Some tiny abrasians and marks. A few brown spots to lower margin. Printed image does not appear to have any major condition issues. Please see additional condition images on website.
*David Hockney RA (b.1937)'Olympische Spiele München 1972'offset lithograph in colours101 x 64cm, unframed*Artist's Resale Right may apply to this lot.Condition report: Some light creasing at the corners and a few handling creases elsewhere, slight discolouration to the white border at the bottom. Image is bright and bold.
*Howard Hodgkin (1932-2017)'Swimming'screenprint in colours, 2011, signed with initials, dated and numbered 338/350 in pencil, printed by King & McGaw, Newhaven, published by Counter Editions, Londonsheet 75 x 60cm*Artist's Resale Right may apply to this lot.Condition report: A very light wave to the paper near the edges, although this could be down to how it has been framed. No other obvious flaws. Not seen outside of glazed frame.
*Howard Hodgkin (1932-2017)'Ice'screenprint in colours, 2013, signed with initials, dated and numbered 183/350 in pencil, printed by King & McGaw, Newhaven, published by Counter Editions, London75 x 59cm*Artist's Resale Right may apply to this lot.Condition report: A very light wave to the paper but this is probably from how it has been framed. No other obvious flaws. Not seen outside of glazed frame.
*Terry Frost RA (1915-2003)Untitled, 1969signed and dated 'Terry Frost '69' in pencil, watercolour and collage40.1 x 31.8cm, unframed*Artist's Resale Right may apply to this lot.Condition report: Painted onto thick card, some light creasing at the corners, light pencil smudges from handling along the white borders, overall in original condition.
*Trevor Bell (1930-2017)Abstract compositionsigned and dated 'Bell 72' l.r., oil on canvas46 x 56cm, unframed*Artist's Resale Right may apply to this lot.Condition report: Small tear to canvas, not on image, but where attached to stretcher (see image), otherwise, appears to be in good condition, no obvious retouching when viewed under UV light.
*Trevor Bell (1930-2017)'Abstract Forms'signed 'Bell' l.c., charcoal with metallic paint64 x 48cmProvenance: With Tony Saunders Gallery, Penzance, 1986.*Artist's Resale Right may apply to this lot.Condition report: Unexamined out of glazed frame, dirt to the glass, housed in an acidic mount, light undulations to the paper.
*Sir Stanley Spencer RA (1891-1959)Hildasigned and dated 1924 l.r., pencil21 x 25cm*Artist's Resale Right may apply to this lot.Condition report: Not viewed out of glazed frame. Paper stuck down. Paper is brown. Loss of paper to upper left corner. Some light fold marks to right corners. Stain to lower left.
*Barbara Cameron (contemporary)Untitledsigned and dated 'Cameron 98' l.r., oil on canvas116.5 x 130cm, unframed*Artist's Resale Right may apply to this lot.Condition report: Light surface dirt - please refer to images, canvas is a little loose and there are faint stretcher marks, overall, appears to be in good condition, not examined under UV light, please contact the department for a full report.
*Peter Denmark (1950-2014)Untitled, 1995signed and dated 'Peter Denmark/'95' verso, acrylic on canvas122 x 122cm, unframedSold with a certificate of authenticity.*Artist's Resale Right may apply to this lot.Condition report: Light surface dirt and rubbing to the paint at the edges, overall, in good and original condition.
*Peter Denmark (1950-2014)Untitled, 1994signed 'Peter Denmark' verso, acrylic on canvas117 x 117cm, unframedSold with a certificate of authenticity.*Artist's Resale Right may apply to this lot.Condition report: Some stretcher marks along the top and left edges, light dirt bottom left corner, overall in good condition.
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534338 item(s)/page