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Click here to subscribeA number of Rollei accessories including the Rollei pistol grip (boxed), Rollei universal folding light meter, cased, lens covers, a Rolleinar 0.35 lens attachments etc, and a Rolleiflex brown leather camera case; also a EPM universal bellows unit, boxedPlease note our special conditions regarding cameras and accessories
WILCOX, Ella Wheeler, 'Poems of Passion and Pleasure', Dudley Tennant, Illus. Gay and Hancock, London 1914. Decorative ivory bds. plus KINGSLEY, Charles, 'The Water Babies', Harry G. Theaker Illus. Ward Lock, London. Light brown cloth. Owners sig. plus BARRIE, J.M. 'Peter Pan and Wendy', Mabel Lucie Attwell. Illus. Blue cloth. Overall wear (3)
CHINESE JIZHOU TEA BOWL, SOUTHERN SONG DYNASTY The interior decorated with an iridescent like glaze and a dark-brown glazed exterior stopping short of the foot exposing the light grey stoneware. Southern Song dynasty (1127-1279). 12cm diam. Provenance: Private English collection in Buckinghamshire since the 1980’s
FINE CHINESE WUCAI ‘DRAGON & PHOENIX’ PORCELAIN BOWL, JIAQING MARK AND PERIOD, EARLY 19th CENTURY Decorated with two descending phoenixes between green and iron-red dragons chasing flaming pearls below a band of the eight Buddhist emblems and ruyi heads around the rim. The interior decorated with another iron-red dragon. Six-character seal mark of Jiaqing to base and of the period (1796-1820). On wooden display stand. 14.7cm diam. x 6.5cm tall Provenance: Private English collection of Sir Mark Heath KCVO CMG (1927-2005), and thence by descent.Condition: Small repair to the rim of the bowl, noticeable under torch light. With slight overpaint in that area.
FOUR SONG AND YUAN DYNASTY BOWL AND DISHES Song Dynasty Qingbai porcelain dishes together with a Yuan Dynasty white glazed conical dish and a larger Yuan Dynasty conical bowl in a light straw glaze. Large bowl 7cm diam. (4) Provenance: Private English collection of Sir Mark Heath KCVO CMG (1927-2005), and thence by descent.
A Victorian lacquered brass compound monocular field microscopeUnsigned, circa 1870The tube with moulded collar and rack-and pinion focus adjustment sliding within a sleeve decoratively pierced to form twin supports, enclosing stage with slide apertures to each side and incorporating helical retention spring, on moulded ring base, in original mahogany box with six objective lenses, forceps, tweezers and other accessories including six prepared bone sliders, (lacking eyepiece and mirror), the box 27cm (10.5ins) wide; with a cased glass set of hydrometers, Negretti and Zambra, London, late 19th century, comprising eleven blown glass floats each with mercury filled bulb beneath ovoid air chamber and cylindrical stem enclosing a calibrated ivorine scale inscribed TEMP 60 and signed NEGRETTI & ZAMBRA LONDON to verso, in original velvet and silk lined fitted mahogany box with a Fahrenheit scale mercury-tube thermometer and a test-tube, the box 27.5cm (10.75ins) wide (2). The hydrometers in the current lot are by Negretti & Zambra who are recorded in Banfield, Edwin BAROMETER MAKERS AND RETAILERS 1660-1900 as being established in 1850 when a partnership between Enrico Negretti and Joseph Warren Zambra was formed. The firm became one of the most prolific makers of scientific instruments and continued trading well into the 20th century.Condition Report: Microscope - as catalogued the instrument is lacking its eyepiece insert and mirror; the rack focussing adjustment is working but is very stiff otherwise the instrument is in sound original condition but with noticeable wear/degradation to the original lacquered finish. The box has three small compartments vacant for accessories however all objective lenses appear to be present. The box is in sound original condition but with relatively minor age related bumps, scuffs and staining to exterior; there is no case key present.Hydrometers - are in good original condition with some light mercury staining to the glass bulbs only; one bulb has some migration of the mercury into the upper chamber however it probably can be coaxed back into the lower chamber! the case has light age related marks to the exterior and minor degradation to the silk lining to the lid otherwise is in very good original condition. Condition Report Disclaimer
A French gilt brass mantel clock garniture in the Chinese taste with fine multi-coloured relief cast panelsAchille Brocot, Paris, circa 1880The circular two train eight-day gong striking movement with anchor escapement regulated by disc bob pendulum incorporating Brocot type regulation to suspension, the backplate stamped with oval star-centred trademark AB over serial number 6002 14, the dial with raised relief cast centre decorated in burnished gilt, copper and grey/brown patination with Chinese scholars within silvered Roman numeral chapter ring with stylised star half hour markers and unusual asymmetric trellis pierced gilt hands within circular gilt bezel, the frosted gilt case with large grey/brown patinated and silver highlighted canopy-shaped finial to the stepped caddy pagoda superstructure applied with further disc and spire finials to angles, the front finely relief decorated in gilt, copper, silver and grey/brown patina with scene of courtiers within a trellis garden beneath the dial and with further figural infill to upper quadrants, flanked by stylised grotesque mask centred strip pilasters decorated with silvered strapwork, the sides inset with further panels of figures at leisure within conforming garden settings, on skirt base with generous cavetto top moulding over pad feet with shaped apron between, 39cm (15.25ins) high; the garniture side pieces each modelled as a slender ovoid twin-handled vase with pierced flared rim over applied shaped figural panel matching those of the clock to front and on conforming square platform base, 27.5cm (10.75ins) high. Provenance: The beneficiary of the Estate of a private collector, East Midlands. Achille Brocot is recorded in Allix, Charles and Bonnert, Peter CARRIAGE CLOCKS, Their history and development as born in 1817 and died in 1878. The Museums Victoria (Australia) website notes that Achille patented several improvements in clock mechanism escapements, and invented the 'Brocot Suspension', an adjustable pendulum spring which enabled time keeping to be regulated by altering the length of the pendulum suspension spring by a key turned in the dial. He also introduced a jewelled deadbeat escapement, sometimes called a visible escapement as it was often mounted in the middle of the dial. Achille was awarded a first class medal at the Paris Exhibition in 1855, and in 1856 was appointed Treasurer to La Société des Horlogers in Paris. He published a 'Calculation of the Wheels by Approximation' in 1862. His sons Achille and Paul continued the business following Achille senior's death 1878. The firm was taken over by rival clock maker Gustave Gibaudet in 1889. The highly decorative panels of the current lot employs a series of differing techniques to gild, silver, copper and chemically patinate the finely finished relief cast and engraved scenes to provide depth and contrast. This rare form of decoration is normally only seen on a select few high-end carriage clock cases with an example incorporating comparable decoration to all parts of the case also included in the present sale (lot XX). Another is also illustrated in Roberts, Derek CARRIAGE and other Travelling CLOCKS on page 160 (Fig. 9.38) where the decoration is described as 'quite outstanding' and 'must have been one of the most time consuming methods of decorating a carriage clock'.Condition Report: Movement is in working condition with no visible evidence of alteration or significant replacements with the exception of the hammer for the gong; the mechanism is very dirty hence a clean and overhaul is required. The chapter ring of the dial is a little rubbed with some light patchy oxidation. The case is generally in good original unrestored condition with only very light wear to the original finishes however there is overall light/moderate discolouration and tarnishing predominantly to the gilding. The rear panel is missing two of its four securing screws. The urn side pieces are in sound original condition (commensurate with the case) with faults limited to one or two very slight dents.Clock is complete with pendulum and winding key. Condition Report Disclaimer
A fine gilt giant grande-sonnerie striking and repeating triple-calendar carriage clock with alarmJ.C. Ravoux, Paris, dated 1856The eight-day two train movement with plates measuring 5.75 by 4.125 inches, five and six-spoke wheel crossings to going and strike trains, platform lever escapement stamped RAVOUX twice to the backing plate and jewelled pivots for the contrate and fourth wheels of the going train, the strike train ting-tang striking the quarters on a graduated pair of bells positioned within the base of the case via vertically pivoted blued steel hammer arbors before sounding the hour again at every quarter hour on the larger of the two, the backplate with visible alarm motionwork and central large circular white enamel REVEIL setting dial annotated with twenty-four hour dial 1-12 twice labelled MIDI, MATIN, MINUIT and SOIR and with further vertically pivoted hammer for sounding on the larger of the two bells in the base, the upper left with SILENCE/SONNERIE pivoted strike selection switch, the centre with knurled hand-setting knob over signature FAIT PAR J.C. RAVOUX, and with QUARTIEMME and JOURS calendar setting functions to lower edge beneath, the rectangular white enamel Roman numeral dial signed RAVOUX to centre and with pierced blued steel hands over triple subsidiary day-of-the-week, date-of-the-month and month-of-the-year dials annotated in French and with blued steel arrow pointers to lower margin beneath, the rear of the dial signed Valat, the early-type gilt multi-piece bevel-glazed case with hinged faceted carrying handle over top glass with rounded corners and cavetto cornice incorporating inset rounded angles over caddy moulded uprights, the rear with pin-hinged glazed door, on skirt base with conforming inset rounded angles and pierced sound fret to underside, 20cm (8ins) high excluding handle. Provenance: The beneficiary of the Estate of a private collector, East Midlands. J.C. Ravoux, the maker of this fine carriage clock is apparently unrecorded, however the signature Valat to the rear of the dial is almost certainly that of Etienne Valat who worked from Rue Montmorency 7, near the shop of Henri Jacot, for whom he also made dials.The current lot is particularly noteworthy for the quality of its construction in particular the provision of five and six spoke wheel crossings and jewelled pivots to the upper of part of the going train. The alarm mechanism is also very well thought-out with the setting dial allowing for sounding once during the twenty-four hour period rather than the usual once every twelve hours. Although the case is of relatively simple design it is again finely made with tight crisp mouldings as well as being very well proportioned, which again adds to the clocks overall restrained but high quality feel.Condition Report: The movement is running and striking/quarter striking however the hour notation is two-hours out (ie. sounds once at 3 and twice at 4 etc.) and is a little lazy/slow and sometimes misses with the longer hours hence requires some fine adjustment. Otherwise movement appears to be complete and in good original condition with no obvious alterations (although there are two plugged holes in the backlate which seem to date from the time of making hence not indicative of later alteration). The calendar-work appears to be complete and in working order as is the alarm however the alarm setting square (to the centre of the alarm dial) is currently obscured by the boss which carries the hand which appears to be too tight to be able to be pushed home over the square.The dial has very slight restoration to the upper left corner and some light wear around the centre hole (both visible only on very close examination) otherwise appears free from visible faults. The rear door glass has a chip to the upper corner and some very light fritting to the lower edge otherwise glasses appear free from visible damage. The case has been re-gilded and is generally in good condition with noticeable faults limited to a slight scratch to the top near the front right hand corner and another deeper vertical scratch to the rear skirt.Clock has a winding key. Condition Report Disclaimer
A fine French gilt brass carriage clock with painted porcelain panels and push-button repeatRetailed by D.C. Rait and Sons, Paris, circa 1870The eight-day gong striking movement with silvered platform lever escapement and stamped with serial number 771 to lower left hand corner, the rectangular satin silvered dial with recessed circular Roman numeral centre and blued steel spade hands over retail signature D. C. RAIT & SONS, PARIS to lower margin within a canted silvered surround, the bevel-glazed gilt brass anglaise riche case with hinged reeded baton carrying handle over fluted cornice, Corinthian three-quarter corner columns and side panels finely painted with Renaissance inspired scenes emblematic of summer and winter with a couple dancing within a flowering meadow to the right hand side opposing a female assisting an elderly gentleman within a snowy landscape to the other and each with unusual gilt infill to sky, the rear with lift-out panel incorporating shuttered winding and hand-setting holes, on architectural plinth base with complex upper mouldings and skirt, 18cm (7ins) high excluding handle; with original morocco leather covered protective outer case. Provenance: The beneficiary of the Estate of a private collector, East Midlands. The Scottish firm of retail jewellers D.C. Rait and Sons operated from 34 Buchanan Street Glasgow from the 1820's until well into the twentieth century. In 1869, the firm was listed as 'Goldsmiths to the Queen, Jewellers, Watchmakers and Silversmiths'.Condition Report: Movement appears complete and original with no visible evidence of alteration or significant replacements. The strike train is working however the going train is currently not running due to the balance staff of the escapement being broken; the platform is also heavily tarnished but the mainspring is sound. The dial has some very slight concentric rubbing to the silvering (most likely from the hour hand at some point in the past) and a light scratch to the mask next to the IIII numeral otherwise the panel is in good condition with overall slight patchy discolouration. Both side panels are in fine condition with minimal wear although the right hand side has a very small scuff to the gilt background just above the female figure's head. The front glass appears free from visible damage and the gilding is in fine condition with only one or two spots of discolouration.The travelling case is missing its strap handle and has overall light rubbing and wear, clock has a winding key. Condition Report Disclaimer
A fine French gilt brass carriage clock with painted porcelain panels and push-button repeatRetailed by Edward and Sons, Paris, London and Glasgow, circa 1880The eight-day gong striking movement with silvered platform lever escapement and stamped with serial number 531 to lower left hand corner, the rectangular porcelain dial inscribed EDWARD & SONS, PARIS, LONDON & GLASGOW within Roman numeral hour numerals and with blued steel spade hands within gilt ground painted scene of a winter landscape incorporating robin perched within a snow covered tree to right hand margin, the bevel-glazed satin gilt brass case a variant on anglaise riche design with hinged reeded baton carrying handle over fluted cornice, plain three-quarter corner columns and side panels finely painted with full length portraits of Renaissance females dressed in ornate robes emblematic of summer and winter within garden landscape with unusual gilt infill to sky, the rear with gilt pin-hinged door, on architectural plinth base with complex upper mouldings and skirt, 18cm (7ins) high excluding handle; with original morocco leather covered protective outer case. Provenance: The beneficiary of the Estate of a private collector, East Midlands. George Edward and Sons were retailers of silver, jewellery and other luxury items (as well as being watch and clockmakers) founded in Glasgow by George Edward in 1838. In around 1874 they opened a branch at Mansion House Buildings, 19 Poultry, Cheapside, London and became a Limited Company in 1925. In 1963 Edward and Sons Limited were still trading from St. Vincent Street, Glasgow but were subsequently absorbed into the Mappin and Webb empire.Condition Report: Movement appears complete and original with no visible evidence of alteration or significant replacements. The strike train is working however the going train is currently not running most likely due to being 'gummed-up' as mechanism is a little dirty/discoloured. The escapement appears undamaged (although the platform is heavily tarnished) and the mainspring is sound. The dial has some slight concentric rubbing to the gilding (most likely from the hour hand at some point in the past) and a scratch between the VIII and X numerals otherwise the panel is in good condition with only very light wear and discolouration. Both side panels are in fine condition with minimal wear; although the right hand side figure appears to have a very slight firing fault to the glaze towards the hem of the green skirt. The glasses appear free from visible damage and the gilding is in fine condition with minimal edge wear.The travelling case is missing it's dial shutter panel and has overall light rubbing and wear, clock has a winding key. Condition Report Disclaimer
A fine French engraved gilt brass oval repeating alarm carriage clock with painted porcelain panels Probably by Jules Brunelot, Paris, circa 1870The eight-day gong striking movement with silvered platform lever escapement and sounding the alarm on the same gong, the backplate stamped with trademark B within a circle to lower left hand corner, the rectangular porcelain dial with Roman numeral hour numerals and gilt brass spade hands within a painted scene of a female in 18th century dress seated in a woodland landscape with cherub in flight above and incorporating white Arabic alarm setting dial to lower margin, the substantial engraved satin gilt oval case with hinged arched carrying handle over leafy scroll border engraved top and conforming foliate trail decorated upper mouldings, the front with thick curved bevel glass panel set into a foliate border-engraved frame and the sides inset with curved porcelain panels painted with scenes of 18th century courting couples within conforming frame surrounds, the rear with curved bevel-glazed pin-hinged door, on ogee profile skirt base adorned with a band of repeating leafy scrolls, 14cm (5.5ins) high excluding handle. Provenance: The beneficiary of the Estate of a private collector, East Midlands. The trademark stamped to the lower left hand corner of the backplate of the current lot (letter B within a circle) is noted in Allix, Charles and Bonnert, Peter CARRIAGE CLOCKS, Their history and development as possibly being for Jules Brunelot although no evidence has been found to confirm this.Condition Report: Movement is fully operational (including the alarm and repeat functions) and is free from any visible alteration or significant replacements however is in relatively dirty/neglected condition so will require a gentle clean/service before putting into long term use. The dial appears to be in fine condition with no visible damage/defects. The porcelain side panels also appear free from damage or visible restoration and have almost no discernible wear (only very light rubbing to upper margins of each visible on very close examination). The rear door glass has a small chip to the upper right hand corner otherwise glasses appear free from visible damage. The gilding is in fine condition with minimal wear or discolouration.Carriage clock has a winding key. Condition Report Disclaimer
A French relief sculpted pietra dura hardstone panel mounted gilt brass mantel clockRetailed by Howell James and Company, London and Paris, third quarter of the 19th centuryThe circular eight-day two train bell striking movement with anchor escapement regulated by disc bob pendulum incorporating Brocot type regulation to suspension, the backplate stamped with JAPY FRERES & CIE, MED. D'HONNEUR roundel over numbers 3, 4 4, the rectangular black marble dial panel with gilt Roman numerals and inscribed HOWELL JAMES & Co., TO THE QUEEN, LONDON PARIS to centre, with gilt spade hands and decorated with relief sculpted fruiting vines to upper quadrants and lower margin, the case modelled loosely in the 17th century German Renaissance style with concave capped disc finial to the elaborate bulbous cupola over moulded platform and conforming corner finials to superstructure, with cavetto cornice above dial and conforming raised fruiting vine and cherry decorated side panels with slender bulbous knopped pilasters to the canted angles between, on complex moulded skirt base with bun feet, 33cm (13ins) high. The firm of silversmiths, jewellers and retailers of objet d'art Howell, James and Company was founded in 1819 by James Howell and Isaac James. The company had premises at 5, 7 and 9 Regent Street and was noted for the variety and quality of its stock. In 1838 James left the business and the partnership then became known as Howell James & Co. By 1865 the firm employed over 140 women, most of whom lived above the shop. The business exhibited at the 1851 Great Exhibition as well as others in London and Paris throughout the latter half of the 19th century. In 1881 the premises was reconstructed, three years later they became a limited company and continued to trade from Regent Street, London until 1911.Condition Report: The movement appears complete and original with no visible alterations or significant replacements but is in neglected/dirty condition. The going train will just about run, the strike train will strike but currently sounds only once on the bell at both the hour and half hour. This would suggest thet the gathering pallet for the rack is worn hence will need the attention of a clockmaker before reliable operation is likely to be achieved. The dial panel is generally in very good condition with faults limited to a very small section of 'twig' missing to the upper right spandrel ornament, a very slight chipping arouund the regulation square above the XII numeral and overall moderate wear to the numerals and signature. The side panels appear free from visible faults. The case is somewhat dirty but retains original gilding with generally only light edge wear except for a small patch of more noticeable rubbing to the platform beneath the domed superstructure. There is no evidence of the rear ever being fitted with a door/cover for the movement.Clock has a pendulum but no winding key. Condition Report Disclaimer
A rare French carriage clock inset with fine Florentine pietra-dura panelsRetailed by H. Bozi, Florence, circa 1880The eight-day bell striking movement with silvered platform cylinder escapement and stamped with serial number 531 to lower left hand corner, the rectangular black marble dial panel signed H. Bozi, Firenze to centre with gilt Roman hour numerals and spade hands within surround finely inlaid in various hardstones with delicate floral sprays, the bevel-glazed corniche case with hinged carrying handle and oval top glass over cavetto cornice and caddy moulded uprights, the sides and rear door with further Pietra-dura panels depicting floral still lifes including roses and fuchsia blooms, on moulded skirt base, 13.5 (5.75ins) high excluding handle. The current clock would appear to belong to a small series of carriage clocks incorporating fine foliate decorated pietra-dura panels which appear to have been made in the same workshop. Others in the series include a slightly smaller clock with alarm and push button repeat which was sold at Christies, King Street, London Important clocks and marine chronometers 20th February 2008 (lot 11) for £3000; a very similar example to the present clock pictured in Roberts, Derek CARRIAGE and Other Travelling CLOCKS pages 156 (Figure 9-33 a-d); and an example by Drocourt illustrated in Allix, Charles and Bonnert, Peter CARRIAGE CLOCKS, Their history and development, (this time housed in an anglaise riche case) on page 180 (Plates VII/C13-14). It is perhaps interesting to note that the Christies example is also signed for H. Bozi of Florence which would strongly support the idea that the panels for this series were made in Florence by one workshop to decorate clocks supplied by Parisian makers mainly for retail in Florence to wealthy visitors continuing in the tradition of the 'Grand Tour'. Condition Report: Movement is fairly clean and in working condition with no visible evidence of alteration or significant replacements. The dial appears free from visible damage and the numerals/signature have minimal wear. The left hand panel has a cracked section to the upper left hand corner, another very small to the opposite corner and a very light vertical hairline to the centre of the lower edge. The right hand panel has a smaller cracked section also to the upper left; both side panels also have some very light edge wear. The rear panel has a very light horizontal hairline to the right hand margin. All the delicate inlaid hardstone decoration is undisturbed. The case has traces of earlier silvering and currently has streaking/tarnishing due to the brass finish otherwise appears to be free form noticeable faults.There is a leather protective case present which fits the clock well but is not original to the clock. The case has overall wear to the surface and is lacking its strap and integral repeat button pad (not required as the current clock does not have a repeat button).There is no winding key. Condition Report Disclaimer
An unusual French split-pearl decorated gilt brass decorated miniature carriage timepieceUnsigned, circa 1900The French frosted gilt eight-day movement with silvered platform lever escapement and stamped with serial number 2214 to backplate, the rectangular frosted silvered dial with blued steel hands and vertical Arabic numeral hour chapters set within circular surround applied with split pearls to centre, the bevel-glazed case of Mignonette No. 1 size with hinged reeded baton and double scroll handle over moulded cornice incorporating a band of split pearls and to the canted corner uprights, on conforming complex moulded base with squab feet, 6.5cm (2.625ins) high excluding handle. Provenance: The beneficiary of the Estate of a private collector, East Midlands. Miniature carriage clocks are called Mignonettes or 'little darlings' and come in three graded sizes with No. 1 being the smallest.Condition Report: Movement is in clean working condition with no visible evidence of alteration or replacements. The dial is in fine clean condition, The case is free from significant visible damage or losses with faults limited to slight surface wear, a few slight scuffs/blemishes and light discolouration.Timepiece does not have a winding key. Condition Report Disclaimer
A fine French gilt bamboo cased miniature carriage timepiece with Aesthetic style porcelain panelsUnsigned, Paris, late 19th centuryThe French eight-day movement with silvered platform lever escapement and stamped with serial number 4686 to backplate, the rectangular porcelain dial panel overall painted in polychrome and gilt with asymmetric red and black ground landscape and foliate panels within a cream field populated with a bird inhabited stylised foliage, the centre with gilt Roman numeral chapter ring and blued steel spade hands, the frosted gilt brass bevel glazed case of Mignonette No. 2 size with frame modelled to resemble sections of bamboo overlapping at the corners, the top with conforming hinged carrying handle and panel-glazed escapement aperture and the sides inset with additional Aesthetic style porcelain panels matching the dial with arrangement of gilt highlighted shaped panels within a cream ground incorporating birds amongst flowering foliage, on angled T-shaped bamboo stump feet, 9cm (3.5ins) high excluding handle. Provenance: The beneficiary of the Estate of a private collector, East Midlands. The design of the porcelain panels of the current lot draw their inspiration from Japanese art in particular Satsuma pottery. The study and interpretation of Japanese decorative arts was a core element of the Aesthetic Movement which in-turn influenced Orientalist design which became highly fashionable during the latter quarter of the 19th century. Furthermore the 'bamboo' design of the case compliments the Aesthetic feel of the panels resulting in an object which is fully integrated in its visual qualities. A group of three closely related miniature timepieces illustrating the variations on the theme of the current lot can be found in Roberts, Derek CARRIAGE and other Travelling CLOCKS pages 172-73 (Fig. 10.16). Miniature carriage clocks are called Mignonettes or 'little darlings' and come in three graded sizes with No. 2 being the second smallest.Condition Report: Movement is in clean condition with no visible signs of alteration or significant replacements however is prone to stopping suggesting that a gentle clean/service is required before reliable operation is likely to be achieved. The dial has a very light scratch (only visible with a magnifying glass under reflected light) towards the upper left hand corner otherwise appears free from faults. The right hand side has a similar scratch, again towards the upper left hand corner, otherwise side panels appear free from noticeable faults other than very light gilt rubbing. The glasses appear free from visible faults and the gilding to the case is in very fine condition.Timepiece has a winding key. Condition Report Disclaimer
A fine multi-colour grande-sonnerie striking and repeating moonphase calendar alarm carriage clock Unsigned, circa 1880The eight-day two train movement ting-tang striking the quarters on a graduated pair of gongs and then sounding the hour every quarter hour on the larger of the two, with silvered platform lever escapement, alarm sounding on the smaller gong and stamped with serial number 1532 to the lower left hand corner of the backplate, the dial with inset Roman numeral enamel hour disc centred with a rolling moonphase aperture within painted starry sky and billowing clouds, set into a rectangular panel sculpted in relief with bird and butterfly inhabited floral trails picked-out in gilt, silver and copper on a grey patinated ground and incorporating conforming enamel subsidiary alarm setting dial flanked by day-of-of-the-week and date-of-the-month dials to lower margin, the bevel-glazed frosted gilt brass case with every surface decorated with bands and panels of bird inhabited floral sprays picked-out in gilt, silver and copper on a grey patinated ground, including the frame of the baton centred hinged carrying handle, top glass surround and quarter round upper edges, over dentil frieze incorporating projecting angles for the Corinthian column corner uprights with further multicolour decoration to shafts, the rear with door decorated panel of a bird perched within flowering shrubbery and on skirt base incorporating fluted band to upper margin over further bird and flower engraved decoration and disc feet, the underside with three-position strike selection lever labelled G'de Campanco/P'te Campanco/Silencio, 17cm (6.75ins) high excluding handle. Provenance: The beneficiary of the Estate of a private collector, East Midlands. The highly decorative bands and panels decorating every surface of the current lot employs a series of differing techniques to gild, silver, copper and chemically patinate the finely finished relief cast and engraved scenes to provide depth and contrast. A closely related case incorporating comparable decoration to all parts illustrated in Roberts, Derek CARRIAGE and other Travelling CLOCKS on page 160 (Figure 9.38) where the decoration is described as 'quite outstanding' and 'must have been one of the most time consuming methods of decorating a carriage clock'. This coupled with the high number of complications in the movement and dial would certainly place the current clock as one of the finest available at the time. The dial has a very faint retail signature which is now regrettably too faded to read although the word MEXICO can be made out. In addition to this the various functions of the clock are labelled in Spanish which would seem to confirm that present clock would have been supplied to a high-end retailer based in Mexico City.Condition Report: Movement appears complete, original and is generally in working condition although a clean and overhaul is advised. The strike function (hours and quarters) are fully operational however the quarters are currently out of phase with the minute hand (strikes for the half hour at the quarter hour etc.). The strike function lever to the base of the case silences the various functions as it should. The alarm will wind but is currently not being tripped (a click can be heard but the hammer still appears to be locked) hence will require adjustment. The moonphase and calendar functions appear to be working correctly.The main dial has a very slight hairline between the II and III numerals (only visible on very close examination) and rubbing to the retailer's signature. The alarm dial has a series of hairline cracks through the centre; the two calendar dials appear free from visible faults. The multi-coloured finished to the dial mast are in very fine condition as are the conforming finishes to the exterior of the case. The top glass has some chipping to its right hand edge otherwise glasses appear free from faults except for some light surface scratching to the left hand side.Clock has a winding key. Condition Report Disclaimer
A fine French gilt carriage clock with multi-colour relief cast panels and push-button repeat Unsigned, Paris, circa 1880The eight-day two train gong striking movement with silvered platform lever escapement and sounding the alarm on the same gong, the backplate stamped with serial number 2019 to lower left, the dial with circular cream enamel centre incorporating segmented radial Roman numerals, Arabic five minutes to outer track and fine scroll pierced and engraved gilt brass hands, inset into a rectangular panel sculpted in relief in the Renaissance style with gilt foliate sprays overlaid onto copper strapwork and an oxidised silver ground incorporating a pair of parcel silvered Heraldic lions flanking the enamel alarm setting dial to lower margin, the pillars variant case with acanthus cast ringed baluster centred hinged carrying handle over thick top glass and complex mouldings projecting at the angles, with slender free standing fluted corner columns incorporating silver highlighted acanthus motifs to the shafts and lobed capitals, the sides inset with a fine pair of panels decorated in relief with Renaissance martial trophies each centred with a silvered close helmet, on conforming complex two tier moulded base incorporating pad feet, 17cm (6.75ins) high. Provenance: The beneficiary of the Estate of a private collector, East Midlands. The highly decorative panels of the current lot employ a series of differing techniques to gild, silver, copper and chemically patinate the finely finished relief cast panels to bring the scenes alive. A small selection of examples employing this highly effective, rare and time consuming form of decoration are illustrated in in Roberts, Derek CARRIAGE and other Travelling CLOCKS on pages 160-61 (Figures 9.37-39).Condition Report: Movement appars to be in original condition with no obvious signs of alteration or significant replacements. The going train is running however the mainspring of the strike train is broken hence clock is currently not striking. The strike train however will 'turn' suggesting that the wheelwork itself is undamaged. The alarm is operational. The movement generally is a little tarnished/discoloured hence would benefit from a gentle clean/service. The enamel chapter disc appears free from noticeable damage or restoration, the alarm disc has very light blemishes to the centre which are only visible on very close examination; these could be light scratches or just dirt.The gilding/patinated finishes to the dial mask and case are in exceptional condition with no discernible wear or discolouration. The front glass has a tiny corner chip to the lower left (only noticeable on close examination); the rear door glass has a larger chip to the upper right hand corner otherwise glasses appear free from damage.Clock does not have a winding key. Condition Report Disclaimer
A fine Regency brass inlaid rosewood bracket clock with trip-hour repeat and fired enamel dialJohn Peterkin, London, circa 1825The five pillar twin fusee bell striking movement with anchor escapement regulated by lenticular bob pendulum and backplate engraved with a leafy trail border signed John Peterkin, LONDON to centre and applied with pendulum holdfast behind a vertically planted bell, the 5.25 inch circular fired white enamel Roman numeral dial further signed John Peterkin, LONDON to centre and with gilt brass moon hands set within fine engine-turned gilt mask incorporating guilloche band bordering the circumference of the enamel, the 'chamfer top' case with stylised gilt acorn finial applied to a block over shallow gabled superstructure incorporating brass strung raised batons to the ridges and line bordered front panel over shallow cavetto cornice with fluted frieze, the front with full-width square glazed door inset with an angled gilt brass fillet to interior and inlaid with line borders interrupted by rosettes flanked by brass inset canted angles, over apron frieze inlaid with symmetrical scrollwork within a line border, the sides with gilt foliate ring handles over rectangular brass fish scale grille sound frets and the rear with rectangular glazed door set within the frame of the case, on brass ogee moulded skirt base incorporating further inlaid scrollwork to front over ball feet 40cm (15.75ins) high. John Peterkin is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in London circa 1811-40. From his surviving work it would appear that John Peterkin was primarily a watchmaker with many of his watches signed along with the address '25 Cleveland Street, London'. The current lot is notable in having a fired enamel dial within a fine engine-turned gilt mask. The case is also of particularly pleasing proportions and nicely detailed, and can be closely compared to an example housing a movement and dial by John Denne illustrated in Barder, Richard The Georgian Bracket Clock 1714-1830 on page 204 (Plate VI/45).Condition Report: The movement appears complete and all original with no evidence of alteration or significant replacements. The mechanism will run and strike however it is a little dirty/discoloured hence a gentle clean/service is advised. The dial has a very light small hairline crack beyond the minute track at 12 o'clock (can only be seen on close examination) and there is some slight chipping behind the hour hand centre (only slightly visible face-on) otherwise enamel appears undamaged. The gilt mask is in good condition with one small circular blemish beneath the VI numeral (mostly covered when door is closed).The case is generally in good original condition with no losses or lifting to the brass inlay. The right hand side has a small length (approx. 1.25 ins long) of cock-bead type moulding missing from the waist; all the other lengths of this moulding (around the waist of the case) are older replacements except for one short length (applied to rear right) which includes a length of brass stringing. The rear door has a small veneer chip to the upper left hand corner (where it overlaps the frame). The rear left hand cornice moulding has a small historic scarf repair. The rear of the case is generally faded otherwise faults are very much limited to minor bumps, scuffs, shrinkage and other age related blemishes.Clock has pendulum, (original) winder and a case key. Condition Report Disclaimer
Y A Fine Victorian rosewood five-glass library mantel clockJames Hux, London, circa 1860The five pillar twin chain fusee movement with anchor escapement regulated by lenticular bob pendulum and striking the hours on a coiled gong mounted along with the pendulum holdfast bracket on the backplate signed James Hux, 20 Down Street, Piccadilly to centre, the 4.25 by 4.75 inch fine foliate scroll engraved gilt brass dial further signed JAMES HUX, 20 DOWN St. PICCADILLY in a banner to the upper margin of the centre adjacent to the Roman numeral chapter ring and with blued steel moon hands, the case with large hinged foliate cast carrying handle and generous bevelled top glass to the tablet upstand over stylised leaf decorated cavetto cornice, the front with silvered canted insert to the interior of the glazed dial aperture, the sides with bevelled glasses and the rear with rectangular brass grille inset door, the base with generous ogee outline waist over moulded skirt with brass squat bun feet, 28cm (11ins) high excluding handle. Provenance: The property of a private collector; purchased at Bonhams, London sale of Fine Clocks 11th December 2007 (lot 91) for £8,400. James Hux is recorded in Loomes, Brian Watchmakers and Clockmakers of the World, Volume 2 as working in London 1851-63. It would appear that Hux was mainly a watchmaker with an example incorporating duplex escapement signed Jas. Hux, 20 Down Street, Piccadilly, Chronometer Maker to the Admiralty to the backplate being described in a letter to the editor of ANTIQUARIAN HOROLOGY, Vol X, No 2 (Spring 1977) on page 229. His brother Rodwell Hux (1823-1869) was also noted by Thomas Mercer as a chronometer-maker.Condition Report: Movement is in clean working condition with no visible evidence of alteration or replacements. The strike also sounds once on the half hour. The dial has some very light rubbing to the hour numerals otherwise is in fine condition. The case is in fine original condition with minimal shrinkage and wear; the glass panels appear free from any visible damage.Clock has (original) winder and case key. Condition Report Disclaimer
A Victorian figured mahogany small four-glass library mantel timepieceUnsigned, mid 19th centuryThe four pillar single chain fusee movement with anchor escapement regulated by disc bob pendulum, the 3.125 inch square silvered brass Roman numeral dial with blued steel hands, the case with generous bevelled top glass to the tablet upstand over cavetto cornice and fluted frieze, the front with silvered canted insert to the interior of the glazed dial aperture, the sides with bevelled glasses and the rear with rectangular glazed door, the base with generous ogee outline waist over moulded skirt with squat bun feet, 23cm (9ins) high.Condition Report: Movement is in relatively clean working condition with no visible evidence of alteration or significant replacements. The dial has very light patchy discolouration/tarnishing to the silvering and wear around the winding hole otherwise appears to be in fine condition. The case is in good original condition with noticeable faults limited to a slight veneer chip to the upper rear border of the top glass, some veneer patch repairs to the dial mask overlap (only visible with the front door open) replaced veneers to the upper and lower margins of the right hand side glass and two small indent repairs to the cornice moulding. The lower hinge of the front door is lacking a screw also. Case otherwise in good original condition with slight veneer shrinkage in areas and other blemishes commensurate with age and use; the glasses are also free form visible damage.Timepiece has pendulum, winder and two case keys. Condition Report Disclaimer
A Victorian figured mahogany eight-day precision longcase clockThomas Porthouse, London, mid 19th centuryThe substantial four pillar rack and bell striking movement with deadbeat escapement regulated by large lenticular bob wooden-rod seconds pendulum suspended from a beam applied to the top of the plates, the 12 inch circular cream painted Roman numeral dial with subsidiary seconds over signature THO'S PORTHOUSE, 10 Northampton Squ'e, LONDON to centre and with steel moon hands, the architectural case with triangular tympanum over cavetto cornice and circular cast brass hinged glazed bezel flanked by canted angles to hood, the trunk with rectangular caddy moulded door veneered in fine flame veneers over conforming plinth base with moulded skirt, 201cm (79ins) high. Thomas Porthouse is recorded in Betts, Jonathan MARINE CHRONOMETERS AT GREENWICH as born circa 1794 and possibly related to the Porthouse family of clockmakers from Penrith, Cumbria. He is recorded in 1828 as working from 210 High Street (Poplar) and then '10 Northampton Goswell Street' from circa 1835. Porthouse was primarily a maker of marine chronometers with a number of his timepieces appearing successfully in the Greenwich trials from 1823. He is also known to have made complicated watches. Thomas Porthouse died on 1860 with his business apparently continued by his widow before becoming Porthouse and French in 1864.Condition Report: Movement is in clean working condition with no visible evidence of alteration or significant replacements. The seatboard appears original and the movement and dial sits at the correct level in the case with cheeks notched to support the seatboard in a manner which appears original and undisturbed (ie. no visible evidence of subsequent adjustment) hence the movement and dial would appear to be original to the case.The dial has been refinished to a high standard with faults now limited to some very light surface wear; the minute hand appears to be a replacement.The case is generally in very good condition with faults limited to some light surface scuffs most noticeably to the front upper left hand part of the base, a veneer patch repair (to the same upper left hand corner of the base) as well as slight horizontal shrinkage to the face of the plinth. Otherwise faults very much limited to minor scuffs and other blemishes commensurate with age.Clock is complete with wood-rod pendulum, two weights, winder and two case keys. Condition Report Disclaimer
Y An early Victorian rosewood four-glass mantel clockWilkinson, Leicester, second quarter of the 19th centuryThe five pillar twin chain fusee bell striking movement with anchor escapement regulated by lenticular bob pendulum and shouldered plates, the 6.5 inch square silvered brass Roman numeral dial signed WILKINSON, LEICESTER to centre, with blued steel hands, STRIKE/SILENT selection switch at twelve o'clock and fine leafy scroll engraved spandrel decoration, the case with bevelled top glass over fluted frieze and front door with heavy bevelled glass and canted silvered insert to interior, the sides with further bevelled glasses and the rear with rectangular glazed door, the base with generous ogee outline waist over moulded skirt with slender squab feet, 35.5cm (14ins) high. A John Wilkinson is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working circa 1815-26.Condition Report: The movement is in relatively clean working condition with no visible evidence of alteration or noticeable replacements. The pendulum holdfast bracket and screw are no longer with the clock. The dial is in good condition with nice mellow silvering and faults limited to some historic light surface bruising between the I and II numerals and other slight scratching; the hands are probably replacements. The case has been cosmetically restored (re-polished) with visible faults limited to some wear to the edge of the veneers where they butt up to the front glass to both the left hand and upper margins of the front door. Otherwise faults are limited to a few minor bumps, scuffs and slight veneer shrinkage commensurate with age. The front door is currently locked and do not have a case key for this clock, there is a winder present. Condition Report Disclaimer
A fine Victorian mahogany longcase regulatorThwaites and Reed, London, No. 16399 late 19th century The substantial five double-screwed baluster pillar movement with thick plates measuring 10 by 6.75 inches enclosing four-wheel train with high pinion counts and six spoke crossings to the finely cut wheels, with Harrison's maintaining power and deadbeat escapement incorporating jewelled pallets regulated by steel-rod mercury jar pendulum suspended from a brass bracket secured to the case backboard and with graduated rating nut at the base with silvered beat scale beneath, the 12 inch circular silvered brass dial with subsidiary seconds over Roman numeral hour dials and signed THWAITES & REED, LONDON 16399 to centre within outer Arabic minute track and canted silvered bezel, the movement and dial supported on a substantial seatboard within the arched mahogany case with curved inspection hatch to the apex of the top and double locks to the full width bevel-glazed door enclosing fine foliate scroll carved and pierced apron beneath the dial and to the lower margin, on plinth base inset with a flame figured rectangular panel over moulded skirt and squab feet, 185cm (73ins) high. Provenance: The property of a private collector, Hertfordshire; purchased at Bonhams, New Bond Street, sale of Fine Clocks 15th December 2009 (lot 72) for £7,200. The partnership between John Thwaites and George Jeremiah Reed is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as being formed in 1808. John Thwaites was the son of Ainsworth Thwaites who was apprenticed in 1735 and worked from Rosoman Row, Clerkenwell, London 1751-80. He was an accomplished maker who supplied the clock for the tower at the Horse Guards Parade. John Thwaites was born in 1757 and took over the business presumably on the death of his father in 1780 before moving to Bowling Green Lane. The firm became well known for supplying all forms of clocks and movements either wholesale for others to retail, or signed by themselves. The partnership continued under John Thwaite's leadership from several addresses in London until his death in 1842. The business has subsequently passed through a series of successors and is still trading today from Rottingdean near Brighton. Condition Report: Movement is in good relatively clean working condition with no visible evidence of alteration or significant replacements. The dial has a few very small spots of discolouration otherwise is in fine condition with good clean silvering. The case is generally in very good original condition. Both the carved aprons to the interior (beneath the dial and at the foot of the door have had the finish cleaned back in preparation for re-polishing (probably just to 'freshen' them up), the work has not been completed hence they require a little more further cleaning back and repolishing. Otherwise faults to the case are very much limited to some very light shrinkage (minimal for a case of this age and type) and a few minor bumps and scuffs.Timepiece is complete with mercury jar pendulum (in good original condition), weight, winder and two case keys. Condition Report Disclaimer
A Victorian two-day marine chronometerThomas S. Cogdon, London, circa 1880 and laterThe four pillar full-plate single chain fusee movement with spotted plates, Harrison's maintaining power and Earnshaw type spring detent escapement regulated by split bimetallic balance with circular timing weights and helical balance spring with faceted diamond endstone, the rear of the dial plate stamped 5416, the 3.5 inch circular silvered Roman numeral dial with gilt spade hands, subsidiary seconds and power reserve dials, and inscribed THO'S S. COGDON, Dalston, London, No., 5146 to centre, set in a lacquered brass bowl with screw-down bezel mounted within pivoted gimbals with locking screw, now in a later mahogany two tier box with glazed panel to top, (balance staff top pivot broken), 18cm (7.125ins) wide. A Thomas Samuel Cogdon and Son are recorded in Loomes, Brian Watchmakers & Clockmakers of the World, Volume 2 as working in London circa 1881. Condition Report: The balance staff rear pivot is broken hence the movement is not currently in working condition, however the mechanism appears to be in clean condition with no other visible defects. The dial is in good condition only having very light discolouration in places. The movement retains its original brass bowl and bezel which are also in good clean condition. The gimbal assembly may also be original but the box appears to be a 20th century replacement showing no evidence of having a top tier. The box is generally in fine clean condition but has plugged holes to the front most likely from a name/number plate and an external catch which are no longer present.Timepiece is complete with tipsy winder and a case key. Condition Report Disclaimer
Y A Victorian brass inlaid rosewood two-day marine chronometerHennessy, Swansea, circa 1875The four pillar full-plate single chain fusee movement with spotted plates, Harrison's maintaining power and Earnshaw type spring detent escapement regulated by split bimetallic balance with circular timing weights and helical balance spring, the frontplate stamped with serial number 1375, the 4 inch circular silvered Roman numeral dial with gold spade steel hands, subsidiary seconds engraved with an anchor, power reserve dial, and inscribed HENNESSY, Maker to the Admiralty, SWANSEA, No. 1375 to centre, set in a lacquered brass bowl with screw-down bezel mounted within pivoted gimbals with locking screw, the rosewood three-tier case with brass shield nameplate engraved J.O.D. Maggie within double-line borders to top, over conforming front with push-button clasp for the top tier above circular inset ivory panel inscribed HENNESSY, 5 Wind St., SWANSEA to the middle tier and with inset brass key escutcheon over further disc engraved 1375 to the bottom tier, the sides with recessed brass carrying handles and conforming brass bound edges, 18cm (7ins) wide. Bernard Hennessey is recorded in Peate, Iowerth C. CLOCK AND WATCH MAKERS IN WALES as working from 5 Wind Street, Swansea 1841-75. He was a noted Nautical Instrument-maker, specialising in chronometers and marine barometers, including sympiesometers. Condition Report: Movement is in relatively clean working condition with no visible alteration or obvious replacements. There are a few spots of discolouration to the brass hence a gentle clean and service may be advisable. The dial has overall light patchy discolouration/tarnishing to the silvering otherwise appears to be in fine condition. The brass bowl and gimbal assembly appears all-original and has old dark bronze coloured lacquer finish which is now fairly heavily worn. The silvered canted insert to the glazed bezel also has some discolouration/degradation where it meets the glass. The case appears to be in sound original condition. The leading edge of the top has been repaired by inserting a new quarter-round profile along the full width; the adjacent (ie. outer) brass strings are consequently missing from the leading edge of the top and front. There is also a small loss of stringing to the left corner front of the top tier otherwise all brass inlay appears to be intact and with minimal lifting. Faults to the case are otherwise generally very much limited to minor shrinkage, bumps, scuffs and wear commensurate with age and use with the finish having and overall slightly faded appearance.Instrument retains its original tipsy winder but has no case key. Condition Report Disclaimer
A Regency fifteen inch celestial library globeJohn and George Cary, London, circa 1825The sphere applied with twelve engraved and hand tinted colour gores incorporating trade label CARY'S, NEW CELESTIAL GLOBE, ON WHICH, are carefully laid down the whole of the, STARS AND NEBULAE, Contained in the Catalogues of, Wollaston, Hershel, Bode, Piazzi, Zach & c., calculated to the year 1820... with the constellations represented by delicately coloured mythical beasts and figures and appropriately labelled along with the stars with brightness represented in eight grades of MAGNITUDE, with equinoctial graduated in degrees in both directions and ecliptic with calendar labelled in Latin and also graduated in degrees, with engraved hour dial to top pole and pivoted within brass meridian circle divided for degrees, resting in wooden stand with hand coloured paper horizon ring graduated in degrees in two directions, days of the month and houses of the Zodiac with names and symbols and also showing compass directions, cradled within three down-curved supports carrying the meridian ring at the base of the sphere over baluster-turned upright issuing three down curved supports incorporating paper-scale glazed compass to stretched and terminating with brass cup castors, 99cm (39ins) approx. high overall. Provenance: Purchased by the vendor at Bonhams, London sale of Fine Mechanical Music & Scientific Instruments 9th November 2011 (lot 158) for £4,750. The celebrated Cary family business of scientific instrument and globe makers was established by John Cary at Johnson's Court, Fleet Street, London in 1782 moving to a new address at 'Corner of Arundel Square', Strand the following year. He was primarily an engraver of maps, charts and globes who moved again in 1783 to 188 Strand. By 1791 he had entered into what appeared to be a relatively casual partnership with his brother, William; this partnership lasted until circa 1816 by which time William and John Cary had moved again to 181 Strand before finally settling in 86 St. James in 1820. The following year he was succeeded by his sons, John (II) and George Cary, who continued from the firm's 181 Strand address until 1851/2 when the business was acquired by Henry Gould.Condition Report: The upper hemisphere has an old bruise approx. 3ins by 2 ins. and the equator has filled/repaired cracking to around 60 % of the circumference. The lower hemisphere has two re-touched scuffs and at least two patches of additional repair/touching-in measuring between circa 1 inch and 2 inches across. The lower pole has further surface repair/touching-in to around 3-4ins diameter around the pivot. Faults to the sphere are otherwise limited to relatively minor bumps scuff scratches and light bruising. The general colour is an even brown tone. The horizon papers have three areas of retouching - one of which is over a obliquely orientated crack to the wooden ring beneath which has been made secure. The stand is intact; one of the curved supports for the horizon ring is missing its two 'ears' at the junction with the ring; one foot has been broken-off and re-stuck and a castor is currently detached due to wear/enlargement of the socket into which it fits to the underside of the foot. The compass is lacking its needle, has a crack to the glass and shrinkage to the surround; the papers are also dirty/dust-stained. Condition Report Disclaimer
A Victorian cast iron and brass hour-striking turret clock movementW.J. Thompson, Ashford, circa 1870The decorative pierced break-arch frame incorporating fan-light design to upper section and decorative turned brass bushes to the pivot holes united by four double-screwed columnar pillars and a brass top beam enclosing four-wheel trains with six-spoke wheel crossings, internal rack striking mechanism now sounding on a small bell set above the train, maintaining power, and deadbeat escapement with adjustable pallets and fine beat crutch adjustment for regulation by long pendulum, the front with winding squares, twin vane fly and brass Arabic five-minute setting dial inscribed W.J THOMPSON, ASHFORD, the rear with wide-jaw pendulum suspension bracket, bevel-gear assembly, yoke and short dial take-off work now driving a six inch white enamel Roman numeral dial inscribed G. KENT LTD, LONDON & LUTON to centre set on a post, along with motionwork, to the apex of the frame, with two sets of weights and lines and mounted on a later green painted wood display stand, the frame 51cm (20ins) high; total height (including stand, frame and dial), 204cm (85.75ins approx.) overall. William James Thompson is recorded in Loomes, Brian Clockmakers & Watchmakers of the World, Volume 2, as working in Ashford, Kent in 1874. George Kent Limited were manufacturers of specialist metering equipment who were first established at 199-201, High Holborn, London by George Kent. Initially traded as manufacturers and retailers of domestic equipment but expanded to produce early refrigerators and machinery such as knife sharpeners. In 1907 the business became a limited Company and set-up a factory in Luton the following year adding the manufacturing of specialist metering equipment to their diverse range of operations. During WWI the factory was re-purposed for the war effort and in 1921 the business merged with J. Blakeborough and Sons to form 'George Kent Ltd and J. Blakeborough and Sons Ltd'. The firm subsequently went on to acquire other related businesses (including Cambridge Instrument Co. in 1968) to become the largest British manufacturer of industrial Instruments. George Kent Limited were finally acquired by the Swiss conglomerate, Brown Boveri & Co., in 1974 with their various divisions subsequently re-organised and combined to create a series of leading specialist manufacturers in industrial, scientific and medical instrumentation.
An impressive late Victorian thirty inch terrestrial library globeW. and A.K. Johnson Limited, Edinburgh and London, circa 1890The sphere applied with thirty-six pairs of gores engraved and colour tinted with extensive annotations for cities, countries, significant topographical features, oceans including shipping routes, islands, and other features, the North Pacific with applied label 30 INCH, TERRESTRIAL GLOBE, BY, W. & A.K. JOHNSTON. LIMITED, Geographers, Engravers & Printers, EDINBURGH & LONDON., and the South Pacific with an ANALEMMA, OR TABLE OF, EQUATION OF TIME, Shewing the, difference of time, Between the, Clock and Sun, as well as the, Sun's declination, for every day, in the Year, the equinoctial graduated in degrees and hours and the ecliptic also graduated in degrees in both directions, the North pole fitted with a three-spoke brass hour ring and sphere pivoted within a substantial brass Meridian Arc engraved in degrees, resting in wooden stand with coloured paper horizon ring graduated in degrees in two directions, days-of-the-month and houses of the Zodiac with names and symbols and also displaying compass directions, raised on four substantial baluster turned supports with conforming baluster stretcher to carry the meridian ring at the base, 116cm, (45.5ins) approx. high overall. The partnership between brothers William and Andrew Keith Johnston is recorded in Clifton, Gloria Directory of British Scientific Instrument Makers 1550-1851 as working circa 1830-55. Online sources note that both were apprenticed to the leading Scottish globe-maker, James Kirkwood, until his workshop was destroyed by fire in 1824 (although he is listed by Clifton as still working in 1828). The brothers subsequently went established their business by acquired the publishing house of William Lizars and began printing maps, atlases, globes and related geographical publications. W. and A.K. Johnston became highly respected for the quality of their globe cartography, in particular their 12 inch geo-physical globe, and amongst other accolades were awarded a Royal Appointment by Queen Victoria.Condition Report: Globe is generally in fine original condition with faults limited to some age related marks and light restoration which includes the following (non exhaustive):Retouched scuff approx. 20 inches long to the ocean beneath the label (following the tropic of Cancer).Retouching to the tip of the gore above Finland (section approx. 3ins by 1 ins).Light retouching of gore joint along the Greenwich Meridian through Europe.Light restoration to slight cracking around the Azores.Two restored cracks (approx 7 and 9 ins long) to the Southern Pacific to the right of the Anelemna.There are also a few localised patches of old water staining most noticeably around Maldive islands.The Horizon papers are in sound condition but with noticeable breaks at the joints of the timber onto which they are laid. The stand is generally in fine condition with faults very much limited to very slight bumps and scuffs. All brass fittings are present and appear undamged. Generally the globe presents as an impressive example with good original colouring. Condition Report Disclaimer
Y A French Louis XIV gilt brass mounted Boulle bracket clockEtienne Le Noir, Paris, early 18th centuryThe rectangular five baluster pillar movement pinned at the rear, with large spring barrels and verge escapement regulated by half seconds disc bob pendulum with silk suspension, the backplate with large diameter external countwheel for sounding the hour and once at the half hour on a bell mounted within the superstructure of the case over engraved signature Estienne Le Noir A Paris to the lower margin, the 8.5 inch circular twelve-piece cartouche numeral dial with centre incorporating scroll cast decoration and an portrait bust of Louis XVI over a crown within chapter ring with enamel Roman hour numerals and rococo scroll cast borders and every minute numbered to outer track, with sculpted blued steel hands, the engraved cut brass and brown stained shell marquetry veneered case with cast winged putto surmount and gilt flambeau urn finials applied to the ogee shaped upstand veneered with figural scrollwork and with acanthus corner mounts over contra-parti frieze emerging from the sides of the gilt architectural moulded break-arch cornice, the front with heavy cast break-arch glazed hinged bezel enclosing scroll cast apron mount centred with a spread-eagle over enamel nameplate Estienne, Le Noir, AParis within floral trail and panel inlaid surround, the canted front angles applied with fine scroll-cast mounts incorporating musical trophies and the angled sides with brass bordered rectangular windows and further conforming mounts to rear over swollen marquetry decorated lower sections, the base with generous gilt brass scrolls flanking shaped apron centred with a female mask, on leaf cast bun feet, 81cm (32ins) high. Two generations of clockmaker with the name Etienne LeNoir were working at the time the current lot was made. Etienne LeNoir I was born in 1675 and died in 1739, whilst his son was born in 1699 and became a Master in 1717. Etienne LeNoir II was subsequently joined in partnership by his son Pierre-Etienne (born in 1724) after he became a Master in 1743 which lasted until around 1778 when Etienne II died.Condition Report: Movement is in fine clean fully working condition having been recently serviced. The escapement appears to be a very well executed restoration as evidence in the form of a filled-in slot to the centre of the top of the backplate would suggest that it had been previously converted to anchor/recoil at some point in the past. The dial has hairline cracks to the XI and III cartouche numerals as well as the signature plaque (all visible only on closer examination), otherwise faults to the numerals are limited to a few very light blemishes. The case is generally in good condition for a Boulle case of this type with some slight lifting and some historic localised replacements to the brass in places. The mounts are all present and in good condition. Clock has pendulum, case key and a winding key.Dimensions at the base 43cm (17ins) wide; 15cm (6ins) deep at the feet (18cm, 7ins deep including from mount). Condition Report Disclaimer
Y A fine French Louis XV gilt brass mounted small Boulle bracket timepiece with silent pull quarter-repeatAntoine Thiout, Paris, mid 18th centuryThe eight-day movement with tapered plates incorporating concave lower angles united by four angular baluster pillars pinned through the backplate signed Thiout AParis to lower margin, the silent pull repeat mechanism sounding on a bell mounted within the superstructure of the case, the 5.5 inch circular thirteen-piece cartouche numeral dial with convex white enamel centre within chapter ring with blue-on-white Roman hour numerals within rococo borders and Arabic five minutes to outer track, with sculpted blued steel hands the engraved cut brass and brown shell marquetry decorated case with seated putto surmount to the concave-sided superstructure veneered with leafy scroll decoration and applied with foliate mounts to angles over generous leaf cast arched cornice, the front with brass-framed arched glazed door enclosing marquetry decorated floor and back panel to interior and incorporating cast panel featuring an eagle grappling a serpent to apron, the surround decorated with leafy scrolls within line border, the sides with recessed arched windows within leaf cast surrounds over hipped swollen base sections, on feet cast as dragons with foliate apron between, 49.5cm (19.5ins) high. Antoine Thiout is recorded in Baillie, G. H. Watchmakers & Clockmakers of the World as a 'very famous maker' born in 1692, appointed Jure in 1743 and dying in 1767. He is perhaps best known for his 1741 publication Traite d'horlogerie which is generally considered as one of the classic horological works of 18th century. Amongst his patrons were the duc d'Orleans and the Dowager Queen of Spain; examples of his work reside in many important European collections including a bracket clock in the Garde Meuble, Paris.Condition Report: Movement has been converted from verge escapement to anchor and the going train will run. The wheelwork of the repeat train is complete however the rack-pull lever is lacking (snail and starwheel are present). The spring box is intact and the train will run through. One of the two vertical hammer arbors are lacking as are both the hammer arms. The dial has hairline crack across the enamel disc centre and the I, IIII and VI cartouche numerals have small edge chips; the rear is lacking a securing latch otherwise dial is in good original condition albeit a little tarnished/discoloured and with finely worked hands.The case is in fine condition with faults limited to some light blooming to the shell veneers in places and some patchy tarnishing to some of the brass marquetry.Clock has a case key but no pendulum or winder. Condition Report Disclaimer
A George II parquetry inlaid oak eight-day longcase clockJohn Seddon, Frodsham, circa 1740The four finned pillar inside countwheel bell striking movement with anchor escapement regulated by seconds pendulum, the 12.5 inch square brass dial with ringed winding holes, calendar aperture and subsidiary seconds dial to the matted centre decorated with an engraved concentric herringbone band and signed John Seddon, Frodsham to a decorative panel above the calendar, within applied silvered Roman numeral chapter ring with elaborate foliate half hour markers and arcaded minute ring with Arabic five minutes to outer track, with scroll pierced steel hands and mask and scroll cast spandrels to angles, the case with ogee caddy over generous double-ogee cornice, fretwork frieze and hinged glazed dial aperture applied with three-quarter columns to angles, the sides with break-arch windows over concave throat moulding and shaped 'Dutch gable' shaped top crossbanded trunk door centred with a parquetry star and flanked by chevron banded uprights to surround, on conforming star decorated plinth base with parquetry border, ogee top mouldings and caddy moulded skirt, 216cm (85ins) high. Records relating to the Seddon family of clockmakers from Frodsham, Cheshire first appear in the Parish baptismal entries for the children of Mary Cook and John Seddon (described as a clockmaker by trade) in 1676, followed by the supposed supplying of a turret clock by John Seddon to Poole Hall in 1704. Frodsham Parish records apparently further record a John Seddon complaining of an Edward Cook in 1713. Finally Daniel Seddon, Clockmaker from Frodsham, is recorded as working 1754-85. John and Daniel Seddon were makers of very fine clocks some of which incorporated spherical globe moons in the arch and invariably displayed fine engraved detail. The current lot is typical of Seddon's work with fine decorative detailing to the movement and lively engraving to the dial. The case also exhibits parquetry star motifs which again is often seen on those housing movements by the Seddon family.Condition Report: The movement is complete and in clean working condition with no evidence of alteration or noticeable replacements. The dial is also in clean condition and free from visible defects other than a few light spots of discolouration.The movement has a replacement seatboard which rests on sections separately applied to thin the side uprights of the case. The presence of a replacement seatboard and sections applied to case uprights means that we cannot offer any assurances that the movement and dial are original to the case however we are generally of the opinion that they probably are (on stylistic grounds) and that the replacements to the seatboard and cheek uprights were most likely done for purely practical reasons. The case generally is in good condition having fairly recently had cosmetic work by the previous owner (an elderly lady now deceased) done to make it eminently presentable. Consequently the base has been rebuilt with a new skirt. Faults are therefore otherwise generally limited to some historic bumps, scuffs, shrinkage and other age related blemishes.Clock is complete with two weights, pendulum, case key and winder. Condition Report Disclaimer
A George III mahogany eight-day quarter chiming longcase clockRobert Sampson, London, dated 1785The substantial five pillar movement with anchor escapement regulated by seconds pendulum, chiming the hours on a graduated best of four bells and rack striking the hour on a further larger bell, the 12 inch brass break arch dial with subsidiary seconds over calendar dial incorporating recessed silvered signature plate engraved Rob't, Sampson, Petty France, Westmin'r to the matted centre within applied silvered Roman numeral chapter ring, with pierced blued steel hands and cast rococo scroll spandrels to angles beneath arch applied with silvered chime/silent selection dial unusually engraved Joseph Harborne, 23th Feb'y: 1785 flanked by conforming rococo mounts, in a mahogany pagoda-top case with oval burr yew inlaid panel to superstructure, cavetto cornice and arched fretwork frieze over brass stop fluted columns flanking the glazed dial aperture, the sides with rectangular windows and quarter columns applied to bargeboards at the rear, the trunk with keystone decorated crossbanded break-arch door flanked by quarter columns over plinth base fronted with conforming shaped raised panel and turned roundels to angles, on moulded double skirt, 240cm (94.5ins) high. Provenance: The property of a private collector, Hertfordshire. Robert Sampson is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in Westminster, London 1779-93Baillie also notes that Sampson was awarded a prize from the Society of Arts for a chiming mechanism.The engraved inscription to the circumference of the silvered chime/silent ring to the arch of the dial of the current lot is unusual and suggests that the clock was supplied as a presentation piece. A cursory online search by the cataloguer for any records relating to Joseph Harborne has so far failed to yield any information however more exhaustive genealogical research will no doubt shed some light on who was almost certainly the original owner of the present clock.Condition Report: The movement is in clean working condition having been well maintained and used in the vendors house right up to consignment for sale. The mechanism appears to be fundamentally original with no visible alterations or noticeable replacements. The dial is generally in good condition; the matting has some discolouration/dirt ingrained and the lower two spandrels are missing the lower tip to each casting. The hour and minute hands are possibly well made replacements.The movement rests on what appears to be its original seatboard which also incorporates an approximately 1/8th inch thick iron plate of the same size and shape applied to the underside to strengthen it. This plate appears to have significant age hence was most likely applied early in the clocks life. The cheek uprights of the case are notched downwards to take the seatboard and have bracing blocks applied to the inside edges, from this no absolute conclusions can be drawn as to whether the movement and dial are original to the case or not however both movement and case are very well suited hence, on balance, are most likely are original to reach other. The case is generally in good condition with faults mainly limited to age related bumps, scuffs, wear, a few small repairs/replacements to the mouldings and a little shrinkage. The finish is somewhat flat and uneven hence case would benefit from a good polish. There are no finials present.Clock is complete with three modern brass-cased weights, pendulum, two case keys and a winder. Condition Report Disclaimer
An impressive George III brass mounted musical quarter-chiming automaton table clock made for the Spanish marketRobert Higgs and James Evans, London, circa 1775The substantial six pillar triple fusee movement with verge escapement regulated by short lenticular bob pendulum and playing/chiming a choice of four tunes via 3 inch diameter pinned cylinder on a graduated nest of twelve bells with twelve hammers comprising notations for the quarters and full tune at the hour before counting the hour on a further larger bell, the backplate engraved with geometric border and symmetric foliate scrolls around a central reserve inscribed Higgs y, DIEGO EVANS, Bolsa Real, Londres over further reserve decorated with a musical trophy, with external fly for the music train and holdfast for the pendulum, the 8.5 inch arched brass dial applied with circular white painted disc signed Higgs y, DIEGO EVANS, BOLSA REAL, LONDRES to centre within Roman hour chapters and Arabic five minutes to outer track, with scroll-pierced and engraved gilt brass hands and leafy scroll cast spandrels to angles with the upper pair interrupted by white painted subsidiary calendar and MINUETTA, ARIA, DANCA and SONATA selection dials flanking MUSICA/SILENCIO switch, the arch with painted automata incorporating two sets of pleasure craft, rowing boats and a swan parading during the operation of the music train at the hour and quarters before a recessed scene finely painted with a harbour mouth guarded by a castle and a fortress, the case with flambeau urn finial set on a pedestal flanked by foliate scroll pierced fretwork mounts over raised brass-fillet moulded inverted bell-top superstructure adorned with lambrequin above festoon husk mounts, with repeating lozenge cast sound fret to the upstand beneath flanked by conforming urn finials set on cavetto double top mouldings, the front with brass fillet inset glazed dial aperture to the door incorporating foliate scroll cast brass quadrant frets to upper angles, flanked by canted angles applied with gilt female terms over floral trails, the sides with hinged carrying handles over cherub mask centred sunburst and scroll cast brass arched sound frets, the rear matching the front, on generous cavetto moulded skirt base applied with further festoon mounts over repeating leafy apron mounts to front and sides and with foliate scroll cast feet, 68.5cm (27ins) high excluding top finial and plinth; 85cm (33.5ins) high overall; with a modern gilt brass mounted mahogany wall bracket, applied with Empire style mounts to the platform edge and the twin down-curved supports, 27cm (10.75ins) high, (2). Robert Higgs is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as apprenticed in 1743 and gaining his Freedom of the Clockmaker's Company in 1750. He worked from Sweetings Alley and took his brother Peter into partnership in 1770. James Evans is also recorded by Baillie as working from Sweetings Alley from 1773. In 1775 Evans entered into partnership with Robert and Peter Higgs; the firm subsequently moved to Exchange Alley and continued in business until around 1825. The partnership of Higgs and James Evans specialised in producing clocks for the export market - particularly to Spain hence a significant proportion of surviving examples (including the current lot) being annotated and signed in Spanish. The current lot retains rare traces of an original paper trade label applied to the rear of the movement seatboard inscribed ...DIEGO EVANS, ...XERO, ...SWEETINGS ALLEY..., de LONDRES. Condition Report: Movement is in relatively clean condition and is fully-operational with all four tunes of the music playing well. There is no visible evidence of alteration or significant replacements. The hands are currently 30 minutes out of sync with the chiming/hour striking train however this is very heasily rectified. The dial is also generally in fine condition with the centre retaining its original painted decoration with relatively light wear to the winding holes, some slight concentric smudging (will probably clean-off) and a few arear of sensitive restoration (most notably under the right hand winding hole). The hands are undamaged however the minute hand is not gilded (hence is now dull in appearance) hence could be a well-executed replacement. The right hand subsidiary has touched-in chipping to the centre otherwise both are in good original condition. The dial plate has some stress marks around the lower dial feet (just visible behind the lower spandrels on close examination); the spandrel mount below the right hand subsidiary had a soldered repair. The painted scene has some retouching/restoration to the sky otherwise is also in fine original condition. The automaton is complete and in working order, the various elements are generally in fine condition and very nicely detailed. The case is generally in very good original condition. The concave section of the the 'bell-top' superstructure has a horizontal join half way up suggesting at one time this part of the structure was reduced in height and has subsequently restored to its original profile This is the only significant/noteworthy fault. Lesser faults include a loss to the front edge of the slim pad to the top finial plinth (just beneath the top finial), wear/light surface scratching around both the front and rear door keyholes, and a small veneer chip to the lower edge of the left hand side fret. Otherwise case has minor shrinkage, light bumps, scuffs commensurate with an easy life and is generally of fine colour. All mounts are present and appear undamaged.The modern wall bracket is in sound condition with only light bumps and scuffs in places.Generally a fine impressive clock which has survived in very good original condition only requiring fairly minor mostly cosmetic attention to bring it up to 'retail' condition.Clock has pendulum, winder and a case key. Condition Report Disclaimer
A fine Charles II eight-day longcase clock movement Edward East, London circa 1675-80The six finned and latched pillar movement with plates measuring approximately 7.75 by 5 inches enclosing fine delicate wheel-work, the going train with bolt-and-shutter maintaining power and anchor escapement for regulation by seconds pendulum and the strike train with external countwheel striking on a domed bell mounted above the plates, with a 9.5 inch square gilt brass dial with slender subsidiary seconds dial and calendar aperture to the matted centre within applied narrow silvered Roman numeral chapter ring with stylised fleur-de-lys half hour markers and Arabic five minutes within the outer minute track, with fine pierced and sculpted steel hands and winged cherub head cast spandrels to angles and engraved Edwardus East Londini to lower margin. Edward East was born in Southill Bedfordshire in 1602 and was apprenticed in 1618 to Richard Rogers until 1626, gaining his freedom of the Goldsmith's Company the following year. He was appointed as one of the first Assistants of the Clockmakers Company (a year after the charter was granted by Charles I in 1631) later becoming Master twice in 1645 and 1653. He worked first from Pall Mall, London subsequently moving to the Fleet Street/Temple Bar area by the 1640's, in November 1660 he was appointed chief clockmaker to King Charles II. Edward East certainly had the longest and perhaps one of the most distinguished careers in English clockmaking during the 'Golden Period' taking on eight apprentices between 1643 and 1676 (including Henry Jones from 1654 to 1663). East was the only original Assistant surviving when the Grant of Arms was awarded to the Clockmakers' Company in 1671. Edward East drafted his Will in 1688 and on his death in 1696 he was clearly a wealthy man leaving property to his four children including a residence in Hampton, Middlesex and a coaching Inn called 'The Swan with Two Necks' which was bequeathed to his daughter, Anne Saunders. The current movement can be compared to an example offered at Bonhams in their sale of Fine Clocks held on 10th December 2014 (lot 85) which sold for £116,500. In particular the positioning of the movement pillars and layout of the wheel trains is very similar to that of the current lot as is the script of the signature to the lower edge of the dial. The backcock follows East's unusual practice in having the pendulum suspension block cast separate and sliding into a tapered dovetail slot. This detail is noteworthy as it facilitates the end-float of the pallet arbor to be checked hence allowing the pivot to run more efficiently.Condition Report: The movement has survived in fine original condition with no visible evidence of alteration and with minimal replacements for a mechanism of this age. The third wheel of the going train has probably been re-set/re-mounted on its arbor probably to allow the wheel to engage with a less worn part of the escape wheel pinion. The escapement pallets appear to be 19th century replacements, the escapewheel itself appears original. The strike train appears entirely original with the exception of the warning wheel which has been re-pinioned. The trains generally exhibit evidence of historic moderate pinion wear to the upper wheels of the train with some very slight careful adjustments to ensure that wheels are meshing with lesser worm parts of the pinions. The under-dial work appears complete and all-original with the possible exception of the strike lift detent which being noticeably cleaner than the remaining steelwork may be a replacement. There is one small vacant threaded hole next to the seconds arbor, the purpose of this is not obvious but it is not considered indicative of an alteration having taken place. The movement overall exhibits light pitting to the steelwork and the brass now has medium brown oxidised patination and although is essentially in working condition a very sentitive precautionary service is advised before putting into long-term service.The dial is finely proportioned and well finished but would appear to have had relatively recent work undertaken to restore the gilding and silvered surfaces. The gilding to the plate appears to have either been cleaned or most likely re-done to a high standard hence is now in fine condition exhibiting only a few very light blemishes. The un-gilded section beneath the chapter ring exhibits what appears to be old surface, this coupled with the quality of the signature and the general overall general feel and 'softness' to the angles to the front of the plate would suggest that the dial has age and, as there is no evidence to suggest otherwise, is original to the movement. The rear of the plate has a very slight 'purple' hue to the colour - this would appear to be from a coloured wax applied most likely in an attempt to darken the colour of the plate a little which may have looked a little light in colour compared to the movement after work had been done to the gilding.The spandrels appear are in fine condition; the hands are well made and show old surface to rear however they could be well executed replacements.There is no pendulum, lines or weights present with the clock although there is a crank winding key. Condition Report Disclaimer
A figured walnut eight-day longcase clock with moonphaseThe dial signed for John Hodges, London, circa 1730 and laterNow with purpose made four pillar rack and bell striking movement incorporating anchor escapement regulated by seconds pendulum, the 12 inch brass break-arch dial with subsidiary seconds dial and Ho-Ho bird decorated calendar aperture to the matted centre within applied silvered Roman numeral chapter ring with fleur-de-lys half hour markers and Arabic five minutes to outer track, with pierced steel hands and female mask and scroll cast spandrels to angles within a herringbone engraved border now incorporating Strike/Silent switch at 9 o'clock, the arch with rolling moonphase featuring aperture revealing age of the moon at the apex flanked by herringbone engraved infill over scroll engraved lunettes and with applied silvered plate engraved JOHN HODGES, ST CLEMENTS LANE, LONDON to upper margin, in a case with ogee cornice and scroll-pierced quadrant sound frets over hinged break-arch glazed dial aperture flanked by columns and rectangular side windows with conforming quarter columns set against bargeboards to the rear, the trunk with concave throat over triple-line strung break-arch door with fine crossgrain mouldings over conforming plinth base with later moulded skirt incorporating shaped apron, 231cm (91ins) high. A John Hodges is recorded in Loomes, Brian Clockmakers of Britain 1286-1700 as born around 1700 and apprenticed to Francis Chapman in 1714. He gained his freedom of the Clockmakers' Company in 1722. These records are believed to relate to the maker of the same name who is known to have been working from St. Clements Lane, London in 1729 and Exchange Alley in 1738.The movement of the current lot has been renewed most likely in the mid 19th century with the original substituted by a well-executed mechanism made to fit the original dial without alteration to the latter.Condition Report: As catalogued the movement is a 19th century replacement purpose made for the movement and dial hence all functions are connected and there is no awkward 'adaptations' to the dial to make the movement fit. The mechanism is working order but requires a clean/service before putting to use. The dial is in sound but dirty/discoloured condition. The left hand margin has a strike/silent lever which is probably and addition including the engraved text to the chapter ring. The hands are 19th century replacements.The dial is probably original to the case however as the movement is a replacement no categorical assurances can be given. The case is generally in good original unrestored condition. The hood may have originally had a caddy superstructure and the frets have some lifting/distortion as well as one or two small losses. The right hand throat moulding has a horizontal crack. The trunk door has relatively light horizontal shrinkage cracking to the base of the arch and just up from the lower edge; the frame around the door also has a couple of cracks. The plinth has some edge chipping and wear to the veneers otherwise appears in sound condition, the skirting is a later addition. Faults are otherwise generally limited to relatively light age related bumps, scuffs, shrinkage and wear commensurate with age.Clock has two weights, pendulum, case key but no winder. Condition Report Disclaimer
A George III brass mounted mahogany musical table clock with fired enamel dialsHare, London, late 18th centuryThe compact five pillar triple chain fusee movement with plates measuring 5.5 by 4.5 inches fitted with transverse arrangement of 3.25 inch pinned barrel and twelve hammers for playing a choice of six tunes on a graduated nest of nine bells after the hour has sounded on a further separate bell, with verge escapement regulated by short bob pendulum and signed Hare, London within a delicate floral engraved cartouche to backplate, the 5.75 inch circular convex white fired enamel Roman numeral dial signed HARE, LONDON to centre, with Arabic five minutes to outer track and pierced gilt brass hands beneath separate small 1.5 inch circular enamel subsidiary tune selection dial radially inscribed BELLISLEDON, MILL MILLONE, ANONYMOUS, WHITE COCKADE, CORN GIGS and TWEED SIDE, in a brass mounted mahogany break-arch 'triple pad top' case with hinged brass carrying handle and fillet edged raised panels to top over cavetto moulded arch and full-height front door fitted with separate cast brass moulded convex-glazed bezels for both the dial and subsidiary above within an arrangement of scroll pierced brass blind fret infill panels and flanked by moulded brass inserts to angles, the sides with brass arcade-bordered arched apertures and the rear with full-width door inset with brass fillet bordered fishcale frets and flanked by moulded inserts to angles, on brass ans mahogany stepped ogee mounded skirt base with ogee bracket feet, (case with probable alterations and adaptations), 37cm (14.5ins) high excluding handle. The current lot is most likely by Alexander Hare who is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as apprenticed in 1776 and working in London 1781-1824.Condition Report: The movement appears complete and is in relatively clean working condition with no noticeable evidence of alteration or significant replacements. Although the musical mechanism is operational the alignment of many of the hammers with regards to the tails engaging with the barrel pins and the heads striking the bells requires attention causing the tunes to have 'gaps'.The dial has repaired enamel chips to the edge between the I and II numerals, at nine o'clock and at six-o'clock as well as some touched-in wear to much of the edges of the enamel. The lower part of the dial has a series of light hairline cracks and there are also a few more beyond the minute ring at 2 o'clock. The winding holes also have some light edge chipping. The tune selection dial appears free form visible damage.The case presents in good decorative order however exhibits details in its construction and detailing which are unusual. The top mouldings are as finely cut as the base mouldings hence are most likely all later replacements. Indeed the dovetail joints of the case can just be seen below the lower edge of these mouldings at the sides suggesting that the original mouldings would have been taller. The form of the set-mask around the dial is unusual as is the way in which it is fitted in the case, this may cause some to suspect that the case has been adapted to take the movement and dial however we cannot see any direct evidence to confirm that this has happened. There is no evidence of the dials having brass bezels fitted to close the gap where they project forward from the mask. The front door is of fairly heavy construction but does not appear to be an obvious replacement. Many of the veneers show very little figuring hence may well be fruitwood stained and polished to resemble mahogany, therefore it is most probable that when made the clock was most likely ebonised; if this is the case then the veneers which are mahogany will replacements. The lower section of the skirt (between the bottom brass moulding and the feet) is a replacement. With the above in mind we have catalogued the clock cautiously as we cannot rule-out the possibility of the case being adapted to take the movement and dial. On this basis we would recommend that prospective purchasers satisfy themselves as to the likely originality of the case or bid in the knowledge that no assurances have been made.Clock does not have a case key or winder. Condition Report Disclaimer
A Regency brass inlaid mahogany bracket clockThe dial signed for William Turner, London, circa 1825The five pillar twin fusee bell striking movement with anchor escapement regulated by lenticular bob pendulum and geometric border engraved backplate, the 8 inch circular white Roman numeral dial inscribed W'M TURNER, Fenchurch Steet, LONDON to centre and with pierced blued steel spade hands set behind convex glazed hinged cast brass bezel, the case with brass acorn finial and pyramid upstand over brass trident motif decorated triangular tympanum, the front with stylised leafy spray upper quadrant decoration over shaped line-bordered panel enclosing further brass motifs beneath dial flanked by slender baton-and-dot decorated uprights, the sides with generous rosette cast brass ring handles over rectangular fishscale sound frets, the rear with rectangular glazed door, on shallow skirt base with brass ogee bracket feet, 52cm (20.5ins) high. A William Turner is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as a maker of watches and marine chronometers working from Fenchurch Street, London, circa 1825-40.Condition Report: Movement is in clean working condition with no visible alteration or replacements however the backplate is lacking its pendulum holdfast bracket and screw. The dial has been restored to a high standard hence is in fine condition. Case is also in good cosmetically restored condition with faults limited to filled shrinkage crack to the front panel beneath the dial and a few very light bumps, scuffs etc. The bezel may benefit from some adjustment to the hinge as it is currently closing a bit loose.Clock is complete with case key and winder. Condition Report Disclaimer
A Victorian oak architectural wall timepieceVulliamy, London, circa 1846-47The four columnar pillar single chain fusee movement with half deadbeat escapement regulated by 14 inch pendulum with heavy brass bob stamped with serial number 1721 and T-bar suspension, the backplate inscribed VULLIAMY, LONDON, No.1721, the 12 inch circular silvered brass Roman numeral dial signed VULLIAMY, LONDON to centre and with steel spade hands, the architectural case with triangular ogee moulded pediment over full-height rectangular door incorporating moulded silvered brass fillet insert to the inside of the circular glazed aperture and carved foliate strapwork scroll blind fretwork panel infill to the upper quadrants and conforming apron panel, the base with shallow ogee moulded skirt over a pair of scroll outline brackets with pendulum access flap to the baseboard between fronting pendant backboard set to against the wall at the rear, 78.5cm (30.75ins) high. Provenance: The property of a private collector, Hertfordshire; purchased at Bonhams, New Bond Street, sale of Fine Clocks 12th December 2006 (lot 126) for £1,875. Benjamin Lewis Vulliamy is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as born 1780 to Benjamin Vulliamy and gaining his freedom of the Clockmakers' Company in 1809. He worked from 52 Pall Mall, served as Warden 1821-5 and was appointed Master five times. He was the last of the celebrated dynasty of Royal clockmakers which started with his grandfather, Justin, forming a partnership with George II's clockmaker, Benjamin Gray. Benjamin Lewis Vulliamy was perhaps one of the most influential horologists of his time publishing many works and undertaking numerous high profile public commissions as well as holding the Royal Warrant. He supplied many clocks to the Royal family including the turret clock for Windsor Castle in 1829 (replacing an earlier movement by Joseph Knibb); however his horological legacy is perhaps somewhat slightly blighted by his tendency to undertake controversial alterations to earlier important clocks by makers such as Tompion. The Vulliamys started numbering most of their clocks from 1788 until 1854. Two of the original Vulliamy work books still survive in the library of the British Horological Institute at Upton Hall, these often can provide valuable information regarding the manufacture and provenance of many clocks made by the workshop. Unfortunately the records are incomplete hence only note clocks with serial numbers 296-469 and 746-1067. There is also a third surviving Vulliamy workbook, relating only to repairs and servicing dating to the period 1846-53. Interestingly this volume records at least sixty five clocks being in the possession of the government 'Office of Works' and another forty being in the possession of Queen Victoria at Buckingham Palace.Roger Smith in his article entitled Vulliamy Clock Numbering, A Postscript, published in Antiquarian Horology Vol. 21 No. 5 (September 1994), used surviving data in the records of the British Horological Institute at Upton Hall and known documented examples to compile a graph from which unrecorded clocks can be fairly accurately dated. According to this chart number 1721 would date to around 1846-7; this date is further corroborated by the recent discovery of Vulliamy number 1630 (see Bruun Rasmussen, Copenhagen, sale of Selected furniture, clocks and carpets, 15th December 2020 lot 2051/8078) which is dated 1844.Condition Report: The movement is in relatively clean working condition with no visible evidence of alteration or significant replacements. The original pendulum is present and is complete with its T-bar suspension block. The movement is secured in to the case with two hand screws through the seatboard, there are holes/threaded bracket for a third screw which is no longer present (and not really required!). The dial is in good original condition but has overall moderate discolouration/tarnishing to the silvering.The case is generally in sound original condition and is free from serious defects. There is some historic opening/movement to the joints to the superstructure as well as noticeable wear to the edges of the pediment mouldings. The base backboard has been drilled to assist with the wall mounting and overall the case has been repolished taking-on a light honey-coloured hue contrasting with the frets which are stained darker. Case otherwise is very presentable with faults limited to age related bumps, scuffs and shrinkage.In addition to the pendulum the timepiece has a case key but no winder. Condition Report Disclaimer
A Scottish Victorian mahogany eight-day longcase clockThe dial signed for H. Connel, Glasgow, mid 19th centuryThe four pillar rack and bell striking movement with anchor escapement regulated by seconds pendulum, the 12 inch circular cream painted Roman numeral dial with subsidiary seconds over calendar dial and inscribed H. CONNEL, GLASGOW to centre and with blued steel spade hands, the unusual case with drum-head hood applied with baroque scroll carved crest over moulded glazed hinged dial surround incorporating angled gilt fillet to interior and with leafy ears beneath, the trunk modelled as a stylised Greek Doric half elliptic section column with the deep fluted tapered shaft veneered in flame figured mahogany and incorporating removable panel for pendulum access to the right hand side, on half octagon section triple recessed panel fronted plinth base incorporating angled skirt over bun feet, 208cm (82ins) high. Provenance: The property of a private collector, Hertfordshire. A Hugh Connell is recorded in Loomes, Brian Watchmakers & Clockmakers of the World, Volume 2 as working in Glasgow circa 1860.The unusual form of the case of the current lot appears to have been unique to Glasgow and surrounding areas and is reminiscent of Scandinavian examples made in the Biedermeier manner. Condition Report: The movement is in clean working condition with no obvious evidence of alteration or significant replacements. The dial has been refinished hence is now in clean condition with visible defects limited to a couple of light surface scuffs which would probably clean/buff out. The minute hand is probably a replacement. The movement and dial sit on the seatboard at the correct level in the case hence the movement and dial are most likely original to the case.The case is generally in good original condition with faults limited to minor shrinkage, slight bumps, scuff and scratches commensurate with age and use.Clock has pendulum, two weights a case key but no winder. Condition Report Disclaimer
A group of eleven copper-plate engravings PLANETARY MACHINESEach engraved by Wilson Lowry for The Cyclopedia and inscribed Published as the Act Directs, by Longman, Hurst, Rees, Orme, & Brown (except for numbers I and IV which excludes & Brown) Paternoster Row, including a COMETARIUM by W. Jones (numbers I and II); a PLANETARIUM, of the Royal Institution by Mr. Pearson (number X); Janvier's Orrery (number VI); and a Section of the improved ORRERY for mean motions with dates ranging from 1808-17 and framed as two pairs, a group of three and a group of four within blue mounts and glazed frames, each image approximately 20 by 26cm (8 by 10.25 inches) to mount; the group of four with external frame measurements 41 by 135cm (16 by 53 inches).Condition Report: Prints are in good clean condition with no visible foxing and only very light creasing visible to some. Prints are mounted so we cannot ascertain whether all of the margins are present. Frames are generally presentable but with some slight bumps and scuffs. Condition Report Disclaimer
Lee, Ronald A. The Knibb Family * Clockmakers , OR AUTOMATOPAEI KNIBB FAMILIAEIManor House Press, Byfleet, Surrey 1964, 1st limited edition numbered 201/1,000, blue cloth, dj. Condition Report: Spine is sound, all pages present with none detached from the binding with some slight edge soiling, boards have a little wear, fading towards edges and light scuffing. Has two dust jackets - original has wear and losses to edge, later one over top has selotape repair for tear to upper right at front and lesser wear to edges.Condition Report Disclaimer
A Victorian 18ct gold keyless half-hunter pocket watchDent, London, 1895/6The circular frosted gilt three-quarter plate movement with lever escapement regulated by sprung bimetallic balance incorporating ruby cabochon endstone and F/S regulation lever to backcock, the backplate centred with triangular DENT trademark over Watchmaker to the Queen., 61, Strand & 4, Royal Exchange, London, N'r 48816, the white enamel Roman numeral dial with subsidiary seconds and further inscribed DENT, 61 STRAND 7, 4 ROYAL EXCHANGE, LONDON, 48816 to centre and with blued steel spade hands, the three-piece consular case with blue enamel Roman numeral chapter ring and small convex glass to front cover, knurled winding crown to suspension post and monogrammed A.P.P. beneath stag head crest to rear cover, case marked for London 1895, makers mark J.W., 5.1cm (2ins) diameter; with original blue velvet and silk lined tooled morocco leather covered presentation case applied with DENT service label inscribed A.P. Parkes to verso. The highly renowned clock and watch making business Dent was established by the talented horologist Edward John Dent, who at the age of 17, transferred his apprenticeship from the trade of tallow chandler to watchmaking under the charge of Edward Gaudin in 1807. By 1817 he had become well known as a watch and clockmaker receiving commissions from the Admiralty for a 'Standard Astronomical Clock' and pocket chronometers for the Colonial Office Africa Expedition. In 1830 Dent went into partnership with the renowned watch and chronometer maker John Roger Arnold which continued until 1840 when he left and set up business alone as E.J. Dent at 82 Strand, London, primarily making marine chronometers, watches and precision clocks. In 1843 the firm expanded taking on a second premises at 33 Cocksur Street, with the Strand premises moving down the road to number 61 by 1851. In 1852 Edward Dent successfully tendered to make the 'great clock' to be housed in Stephen's tower at the New Palace of Westminster. The clock was completed by 1859, apparently at a financial loss to the firm, however it ensured that Dent became a household name synonymous with fine clockmaking. Unfortunately Edward John Dent did not live to see the installation of the 'great clock' as he died in 1853. He was succeeded by his stepson Frederick Rippon Dent, who, in partnership with his brother Richard, continued to expand the business. By 1862 the firm had added 34 Cockspur Street and 34 & 35 Royal Exchange to their list of addresses and, although having seen natural passage of ownership over the intervening years, the business still continues to trade today as Dent & Co.Condition Report: Movement appears complete and original, is wound but currently not running; the escapement appears undamaged so probably only requires a clean/relubrication. The hand setting function is operational. The dial has light hairline cracks through the centre and there is no inner glass or bezel fitted (no obvious evidence of one being fitted). The case is in good condition with the only notable gault being delamination/significant losses to the gold covering the brass base metal knurled winding crown. The box is in good original condition.Gross weight of watch 106.7 grammes. Condition Report Disclaimer
A rare Regency mercury balloonist's stick barometerCox, London, early 19th centuryWith brass suspension ring above hinged long rectangular door enclosing canted silvered Vernier register plates calibrated from 20 to 31 inches divided into tenths and annotated with the usual observations to the upper left section over signature Cox, London, the inside of the door now applied with mercury Centigrade and Fahrenheit scale thermometer, the rectangular section trunk with slightly bowed sides above stepped moulded ebonised cylindrical cistern cover, 91.5cm (36ins) high; with a brass wall mounted suspension hook. The current lot was almost certainly made by James Cox who is recorded in Clifton, Gloria Directory of British Scientific Instrument Makers 1550-1851 as an optician, mathematical and philosophical instrument maker working in the Parish of St. Giles, Cripplegate, London from 1810. He is subsequently noted as working from 3 Beach Street, Barbican from 1816 and several addresses including 5 Barbican, 51 Banner Street (St. Lukes) and 85 Lombard Street from 1822 until 1855. A related instrument (also by Cox) was sold at Bonhams, London Fine Clocks 17th June 2008 (lot 13) for £3,600. The scale ranging down to 20 inches would allow the balloonist to take readings up to just over 10,000 feet in altitude. Condition Report: Tube is filled with mercury with no air locks. The silvered scale is in good condition with only a few very light/small belmishes. The thermometer is probably later in good condition with the silvering matching that of the register plate. The case is in fine condition with no visible significant faults other than probable attention to the areas around the hinges for the front cover. Condition Report Disclaimer
A Regency brass inlaid mahogany clock wall bracketAnonymous, circa 1825The rectangular platform to take a clock with maximum base dimensions of 15 inches wide by 8.5 inches deep and decorated with rosette and star motifs within a brass strung border to fascia, over twin down-curved tapered supports inlaid with elongated arrow-shaped panels, 25.5cm (10ins) high. Condition Report: The top edge is bordered with a thin (approx. 1/8 inch thick by 1/3 inch wide) slip of timber moulded with a bullnose - this slip is missing a section approx 2ins long to the rear of the left hand side and has some general rubbing/bruising. Otherwise bracket is in good condition with only light bumps, scuffs and other minor blemishes commensurate with age and use. Condition Report Disclaimer
A gilt brass 'Atmos' timepiece Jaeger-LeCoultre, model 519, 1950sThe single train movement wound via the expansion and contraction of an aneroid chamber mounted to the rear of the mechanism and regulated by torsion escapement with rotating balance suspended at the base of the movement and numbered 25733 to suspension platform, the circular gilt on white baton numeral chapter ring with Arabic quarters and inscribed JAEGER LECOULTRE, ATMOS, SWISS MADE enclosing motionwork to centre and with gilt spear hands, the rectangular five-glass case with canted angles to the 'bell-jar' cover over plinth base incorporating bubble level and three screw adjusting feet to underside (applied with inscribed presentation panel to front), 23.5cm (9.25ins) high; with original mottled cream paper covered display case.Condition Report: Movement has been put on test for 24 hours, after this time the mechanism was still running and giving correct time. The gilt finish has overall some light discolouration/degradation to the lacquer otherwise timepiece is in good original condition. The protective case is has overall light rubbing and wear to exterior but is free from major damage. Condition Report Disclaimer
A French burr walnut drum-head mantel clockUnsigned, Late 19th centuryThe circular countwheel bell striking movement with visible Brocot escapement regulated by disc bob pendulum incorporating Brocot regulation to suspension, the backplate stamped with serial number 1073 to upper left and further numerals 7 7 to lower edge, the 5.5 inch circular white enamel Roman numeral dial incorporating visible escapement with jewelled pallets to the recessed centre and with blued steel moon hands set behind hinged bevel-glazed cast brass bezel, the case with cylinder housing the movement cradled between two serpentine-shaped side scrolls over generous ogee and cavetto moulded inverted breakfront skirt base inset with panels to front and on squab feet, 30cm (11.75ins) high. Provenance: The property of a private collector, Hertfordshire.Condition Report: Movement is complete, original and in clean working condition. The dial appears free from visible damage although the front glass has a few scratches. The case is in fine condition and with good figured veneers of nice colour; faults are very much limited to a few very light surface scuffs and bumps. The rear brass cover has overall light denting and closes very tight.Clock is complete with pendulum and winding key. Condition Report Disclaimer
A German oak quarter-striking bracket clockWinterhalder and Hoffmeir, Schwarzenbach, early 20th centuryThe four pillar twin train movement with anchor escapement regulated by lenticular bob pendulum, ting-tang striking the quarters on a graduated pair of gongs and sounding the hour on the larger of the two, the backplate stamped W.&H., Sch over single digit 0, the 6.5 inch square brass dial with matted centre within applied silvered Roman numeral chapter ring incorporating cruciform half hour markers and Arabic five minutes to outer track, with steel hands and winged cherub mask spandrels to angles behind hinged bevel-glazed square brass bezel incorporating silvered canted surround to interior, the architectural case with rosette and leafy scroll carved infill to the tympanum over moulded cornice, rusticated frieze and Corinthian inspired reeded pilasters flanking the dial, on conforming stepped moulded base and with rectangular brass grille inset door to rear, 42cm (16.5ins) high. Provenance: The property of a private collector, Hertfordshire.Condition Report: Movement is complete, original and in working condition although a gentle clean/service is advised. The dial has some slight spotting to the matted centre otherwise is in good clean condition. Case has a few light surface scuffs and scratches but is generally in very good original condition with no serious defect.Clock is complete with pendulum and winding key. Condition Report Disclaimer
A rare German Black Forest inlaid mahogany spring-driven musical cuckoo mantel clockAttributed to Johann Baptist Beha, Eisenbach, and retailed by A. Wherly and Sheraton, Sunderland, circa 1880The wooden framed twin fusee movement with anchor escapement regulated by short pendulum with brass-faced bob, the hour strike train with outside countwheel and linkages to two bellows and a cuckoo automaton which appears from behind the door above the dial to announce the hour with a two-note call alternating with a hammer sounding on a gong fitted to the inside of the rear case panel prior to releasing a musical mechanism mounted within the base playing a tune via a 5 inch pinned cylinder and tuned steel comb, the 6 inch circular white enamel Roman numeral dial with pierced blued steel hands set within canted silvered metal surround behind hinged glazed brass bezel, the shallow-arch top case with twin doors for the cuckoo automaton to the foliate scroll inlaid tympanum and satin birch cavetto cornice over conforming scroll decorated spandrel infill to the line-bordered fascia, the sides with hinged doors with the right hand side accessing levers for silencing either the hour gong or cuckoo call, the rear with full-height lift-out panel applied with paper trade label inscribed A. WHERLY & SHERATON, CLOCKMAKERS, JEWELLERS, & c., 66 HIGH STREET WEST, (Opposite King Street), Bp Wearmouth, Sunderland... to interior, on tall ogee-outline skirt base decorated with further marquetry motif within line border to front over squab feet, 44cm (17.25ins) high; with a modern walnut wall bracket, of complex stepped moulded profile, the clock and wall bracket, the clock and wall bracket 56cm (22ins) high overall. Provenance: The property of a private collector, Hertfordshire. Johann Baptist Beha was born in Oberbrand, 1815 and was trained as a clockmaker by his father, Vinzenz, before setting-up on his own in Eisenbach in 1845. He specialised in cuckoo clocks and through his continuous development became the leading maker of fine and complex examples. His main export markets were to Russia (where he had a distribution warehouse in St. Petersburg) and the British Isles. He died in 1898 leaving the business to be continued by his sons Lorenz and Engelbert.Condition Report: Movement appears complete and fundamentally all-original and has been fairly recently (within the last five years or so) overhauled/restored to a high standard by a suitably skilled horologist hence is in full working order including the automaton and music mechanism in the base. The bellows for the bird call have been re-lined and the music mechanism in the base overhauled with no visible damage/losses to the teeth of the comb.The dial has numerous light hairline cracks to the enamel and some filled-in chips around the right-hand winding hole. The case is in good condition with significant faults limited to a well-executed repair to the left hand tip of the cornice mouldings, a patch repair to the rear panel, overall light bumps, scuffs, shrinkage and wear commensurate with age and use.Clock has pendulum and winding keys both for the clocks and music mechanisms. Condition Report Disclaimer
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