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Lot 524
An early 20th Century photograph album containing photos from World War I relating to HMS Albemarle, the front board depicting hand-drawn map and inscribed "HMS Albemarle", left Rosyth 7th January 1916 arrived Kildin Island 14th January 1916 left Semenova 3rd September 1916 arrived Portsmouth 12th September 1916, signed Douglas Bailey to top, also shows photos from HMS Dreadnought, the surrender German fleet in Scapa Flow November 28th 1918 and reproduced images from the surrender of the German Light Cruiser Dresden 7th December 1918 and Battleship Coenig 6th December 1918 etc
Lot 31
Pierre-Auguste Renoir (1841-1919) Tête de Femme, Oil on canvas, Signed with initials `AR` lower left. Painted between 1896-1900. h: 10.50 x w: 8.25 in. Note condition: this painting is not lined or re-varnished. There is no inpainting visible under ultra-violet light. There is minor paint loss above crown of head. There is minor frame abrasion along all four edges
Lot 134
Ansel Easton Adams (1902-1984) Monolith, The Face of Half Dome, Yosemite National Park, CA c. 1926, Gelatin silver print, Signed Ansel Adams on the mount lower right. Photo attached to mat with mounting tape. Studio stamp on the verso: `Photograph by Ansel Adams, Monolith, The Face of Half Dome, Yosemite National Park, CA , c. 1926, Rout I Box 181 Carmel California 93921, UL 8.14 UR Light LR A34`. h: 19.25 x w: 14 in. Note condition: minor surface scratches to photo in upper left section of photo.
Lot 377
BONAR, Andrew A (1810-1892) and Robert Murray MCCHEYNE (1813-43). Narrative of a Mission of Inquiry to the Jews from the Church of Scotland in 1839. Philadelphia: Presbyterian Board of Publication, [1843]. 8vo. Half-title. 2 engraved folding maps, one engraved plan, two plates, and numerous engraved vignettes throughout text. (Some occasional dampstaining and spotting, some offsetting from plates onto text leaves.) Original green cloth, elaborately stamped in blind on covers, central gilt-stamped cartouche on front cover, spine gilt-lettered (some fading, light dampstaining at head of spine). THIRD EDITION as stated in the preface. Undertaken at the request of the Committee of the General Assembly of the Church of Scotland for the Conversion of the Jews, the work describes Bonar`s and McCheyne`s mission trip to Palestine in 1839. Minimum shipping costs apply, please request quote before bidding.
Lot 380
BYRD, Richard Evelyn (1888-1957). Little America. Aerial Exploration in the Antarctic. The Flight to the South Pole. New York and London: G.p. Putnam`s Sons, 1930. 8vo. Title-page printed in orange and black. Frontispiece portrait of Byrd, 69 photographic illustrations, and 4 maps (2 folding) (folding maps with a few slight creases). Original blue cloth, gilt-lettered on front cover and spine, pictorial endpapers (some minor soiling and fading, occasional light rubbing). Provenance: ownership name and address on front pastedown. FIRST EDITION, SIGNED BY BYRD underneath his portrait. Minimum shipping costs apply, please request quote before bidding.
Lot 403
LAWRENCE D.H. (1885-1930). A Collection of Four Novels. Sons and Lovers. New York: The Modern Library, 1922. With an introduction by John Macy. 183 x 124 x 25mm. Dust jacket with moderate wear and loss to edges. Green cloth cover. Overall fair condition. The Virgin and the Gypsy. New York: Alfred A Knopf, 1930. Posthumous Novel, published November, 1930; First and second printings before publication; third printing November 1930. 196 x 133 x 26mm. Dust jacket with moderate wearing, loses along edges. Light brown cloth cover. Women in Love. New York: Modern Library, [1922]. 182 x 125 x 28mm. Dust jacket in fair condition with minor loss to edges and fading over brown cloth cover. Overall good condition. Lady Chatterly`s Lover. New York: Grove Press Inc., [1928-1959]. This edition is the third manuscript version, first published by Giuseppe Orioli, Florence, 1928. 206 x 142 x 37mm. Dust jacket with some sunning and wear over cloth boards. Overall good condition. Minimum shipping costs apply, please request quote before bidding.
Lot 43
*GEORGE F. MORRELL (fl. c.1910-1950) A Collection of Drawings - subjects include Jupiter above Trafalgar Square; Coming of Saturn; Cyclone or Low Pressure System; Lunar Landscape Drawing; Point Where the Harvest Moon rises; The South East Heavens; Enke`s Comet; Jupiter`s Present Proximity; Jupiter rising from the Sea; Path of Orkisz`s Comet in the Northern Heavens; Path of the Star`s Light through the Ether; Marconi, Mars and the Mysterious Messages; white, black and grey wash heightened with white, on card, unframed, varying sizes 12 x 14 in (30.5 x 35.6cm) and smaller; (39) George Morrell worked as an illustrator, designer and poster artist. He had a particular interest in Astronomy. He wrote and illustrated articles on the planets and their Orbits within the Solar System. Publications that he worked for included The Illustrated London News, Popular Science Weekly and The Graphic. For a drawing by George Morrell comparable in date to others in this group cf. Christie`s, Niall Hobhouse Collection, 22nd May 2008 Lot 219
Lot 89
A pair of French silvered metal mounted moulded and cut glass seven light candelabra, by Baccarat, 20th century, each with a beaded and lobed urn socket above a dished drip pan hung with pendants, on a lobed baluster stem above six conforming sockets and drip pans on twist moulded arms, rising from a lobed fitting above a standing caryatid portrayed draped in the Classical style, the lobed, circular bases inscribed ‘BACCARAT’ to the undersides, 64.5cm high, 36cm wide
Lot 93
A set of four Victorian gilt metal and cut glass mounted four light wall appliques, late 19th century, each with a foliate urn cast socket raised above three others on scrolled arms, all with dished glass drip pans and hung with faceted glass bead swags, on openwork foliate cast backplates, 38cm high, 39cm wide, 26.5cm protrudence
Lot 99
A pair of gilt metal eight light chandeliers in the Louis Philippe taste, early 20th century, the foliate cast urn sockets on scrolling foliate cast arms, issuing from dished bodies, each with three suspension chains rising to a corona, 78cm high, 61cm widePlease note: These are not a pair. The image of one has been duplicated for the catalogue. They are similar in design, however do bear differences.
Lot 100
A Continental glass and silvered metal mounted fourteen light chandelier in the George III style, last quarter 20th century, the electrical sockets above foliate drip pans, on serpentine twist-moulded branches issuing in two tiers from the dished boss, a faceted and knopped stem rising to inverted, dished mouldings, hung overall with faceted glass bead swags and pendants, 145cm high, 86cm wide
Lot 106
LATE NINETEENTH CENTURY GILT METAL THREE LIGHT CANDELABRA, modelled as a winged serpent around a rustic column applied with a measuring fruiting vine, issuing two conforming scroll arms and sconces, raised on a pierced scrollwork, the form base, mounted on a shaped ebonised plinth, 22" (55.9cm) high, converted to electricity
Lot 170
Armand-Jean Duplessis (1585-1642), Cardinal Richelieu, cast Bronze Tribute Medal, 1631, bust right wearing biretta and robes, signed below, ARMANVS IOAN CARD DE RICHELIEV, rev globe within circle of stars, guided by a winged genius, MENS SIDERA VOLVIT, 50.5mm, cast with integral shaped suspension loop (BMC [Jones] 187-192; Jones, Warin, 5; Pollard [2007] 662; Kress 576; Mol 251; Clifford 455-458; Baldwin`s Auction 31, lots 1040-1041). A contemporary cast with light patination, very fine
Lot 55
Franz Bergman, Austrian 1838-1894, a cold painted bronze figural table light of the elephant rider, with boy riding the elephant, the light supported upon cushion attached to elephant`s back and housed within rectangular glass panelled frame with dome surmount, bears Bergman seal under elephant, height 37 cm. (It is the buyer`s responsibility to ensure that electrical items are professionally rewired for use.)
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