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Lot 138

NO RESERVE Gaelic.- Smith (John) Galic antiquities: Consisting of a history of the druids, particularly of those of caledonia; a dissertation on the authenticity of the poems of Ossian; and a collection of ancient poems, translated from the Galic of Ullin, Ossian, Orran, &c., first edition, title spotted and lightly browned, occasional spotting and light browning elsewhere, engraved armorial bookplate of James, Duke of Monrose, original boards, lacking backstrip, lower cover detached, taking it with it final sig., corners worn, rubbed, Edinburgh, Printed for T. Cadell, London, and C. Elliot, Edinburgh, 1780; and a presentation copy of John Sinclair's Scottish Dialect, 1782, 4to & 8vo (2)

Lot 77

Economics.- [Calonne (Charles Alexandre de)] Requête au Roi, 2 parts in 1, half-title to part 2, errata f. at end, [T.Spilsbury], 1787 bound with Necker (Jacques) Compte Rendu au Roi...au mois de Janvier 1781, folding letterpress table, Paris, L'Imprimerie Royale, 1781 bound with a group of 18th century parliamentary 'Discours', occasional spotting, some light browning, contemporary half calf, gilt spine in compartments and with red morocco label, marbled boards scuffed, 4to

Lot 23

Middle East.- Mayer (Luigi) [Views in Egypt, Palestine and other parts of the Ottoman Empire], 62 loose plates only, some duplicates, the majority from vol. I, etchings and aquatints with hand-colouring on Whatman wove paper, some with watermark dates '1801', each approx. 295 x 390 mm. (11 5/8 x 15 1/2 in) or the reverse, some sheets trimmed slightly irregularly, minor surface dirt and light browning, all unframed, [1804]; together with a further group of ten loose and unframed plates from Mayer's 'A Selection of the most interesting ... Views in Egypt, Asia Minor, &c., &c.', published by Bowyer, 1812 (72).

Lot 159

Yellow and white diamond 2-tier cluster ring with diamond set shoulders , the central light yellow diamond weighing approx. 1.23 carats, 4-claw set to tiered diamond cluster surround and diamond set shoulders (total weight 0.70 carats), plain polished 18ct yellow gold shank, gross weight 6.7g, ring size L 1/2. For condition reports go to www.peterwilson.co.uk

Lot 52

GOTHIC REVIVAL, OF ALFRED WATERHOUSE INTERESTSIX-LIGHT WROUGHT AND PAINTED STEEL CHANDELIER, CIRCA 1880 the corona suspending metal chain sections and pierced spheres, above a foliate banded ring formed with a series of turrets, candle arms and coats of arms, electrified, the chains stamped SG, possibly for the metalworkers J. Starkie Gardner Ltd87cm diam, 130cm high approxProvenance: Lingholm House, Cumbria Note: Alfred Waterhouse (1830-1905), best-known for his design for Manchester Town Hall and the Natural History Museum in London, designed Lingholm, on the banks of Derwentwater, in 1871-1875 for the brewer Colonel Greenall. It was one of two houses that were rented by Beatrix Potter and her family between 1885 and 1907, and where the young Beatrix Potter gained inspiration for some of her stories including ‘The Tales of Peter Rabbit’ and ‘The Tale of Squirrel Nutkin.’

Lot 202

SIR ROBERT STODART LORIMER (1864–1929)ARTS & CRAFTS CHANDELIER, CIRCA 1920 polished and cast brass alloy, with four arms cast with vines suspending floret light fittings with turned and knopped central column suspending a flying bird41cm diameter, 63cm highLiterature: Savage, Peter 'Lorimer and the Edinburgh Craft Designers', pub. London 1980, p. 72Note: For cast light fittings Lorimer would normally use Henshaws of Edinburgh, however he also used the Bromsgrove Guild of Craftsmen for cast lead tanks, garden figures and some light fittings.

Lot 223

JOHN HASSALL (1868-1948) PROBABLY RETAILED BY LIBERTY & CO, LONDONARTS & CRAFTS STAINED OAK SIDE CHAIR, CIRCA 1910 the shaped back with circular piercing above a solid seat and planked support linked by a stretcher, branded facsimile signature to front J. HASSALL45cm wide, 91cm high, 50cm deepNote: John Hassall was an illustrator and designer who became one of the early 20th century's most influential poster artists. Hassall was also a regular contributor to publications including the Illustrated London News and The Sketch. He was best known for the poster 'Skegness is so Bracing' (1908), which was imitated by generations of poster designers and became one of the most iconic posters in British history. These interesting chairs are rare and other no other examples have come to light. Similar chairs appear in his illustrations for NORMANS AND SAXONS AND SUCH, by Marriott Edgar and published by Francis, Day & Hunter Ltd., London in 1949 (see illustration).

Lot 264

GLASGOW SCHOOL, ATTRIBUTED TO JOHN NISBET (1868-1951)ART NOUVEAU OAK DOOR, CIRCA 1900 with later central clear glass panel enclosed by carved stylised plant forms, above plain panels and fitted with opposed and decorative embossed copper door plates, one with inscription PAX INTRANTIBUS222cm x 97cmLiterature: The Studio Yearbook, 1906, page 136 where similar doors are illustratedNote: The design of the present oak door and design of the preceding lot demonstrate similarities to doors designed by the architect John Nisbet for 'Kelmscott', built for Sir John McTaggart, a Glasgow property developer and builder, in 1900. The house is now a Grade B listed building and retains many of its original features, including an impressive installation of stained glass by Oscar Paterson who also designed stained glass for the doors. Nisbet, a long-time collaborator with Mactaggart, had been a student and classmate of Charles Rennie Mackintosh at Glasgow School of Art. For this commission he incorporated Scots Baronial and English Queen Anne elements in his design, and the house was decorated and furnished with pieces from the leading Arts & Crafts designers and artists of the day, including Frank Brangwyn, from whom Mactaggart is said to have commissioned two paintings. Nisbet was McTaggart's principal architect and together they were instrumental in the residential development of Glasgow's West End, where no less than 300 tenements were built by his company at the end of the 19th and the first half of the 20th century.Further evidence has come to light that this door (and by extension the door in lot 263) have been used in buildings designed by other Glasgow architects including the celebrated architect James Salmon (1874-1924) (or his firm Salmon, Son & Gillespie) in a house interior at 12 University Avenue, built around 1900 and now part of a run of general University of Glasgow buildings (see illustration of a door very similar to this lot in situ at University Avenue with original glass). Like 'Kelmscott' the building also was fitted out with stained glass by Oscar Paterson.

Lot 190

MANNER OF C.F.A. VOYSEYARTS & CRAFTS BRASS MOUNTED HANGING LIGHT, CIRCA 1900 flattened ovoid cut glass shade, supported by a leaf cast cresting and three linked arm supports with flattened disc spacers surmounted by a corona ceiling rose26cm diameter, 56cm highNote: For a similar hanging light see V&A CIRC.148-1956, a brass and moulded glass hanging light designed by Voysey for the offices of the Essex and Suffolk Equitable Insurance Society's in 1906.

Lot 19

AUGUSTUS WELBY NORTHMORE PUGIN (1812-1852)PAIR OF GOTHIC REVIVAL PAINTED IRON AND BRASS MOUNTED CHANDELIERS, CIRCA 1850 each with quatrefoil pierced and scalloped hoops, with original polychrome painted decoration, supporting six candle sconces with scalloped drip trays suspended by three chains and with original filigree ceiling roses (2)58cm diameter, 72cm highNote: For comparable light fittings designed by Pugin see Our Lady and St Wilfrid's Church, Warwick Bridge, completed in 1841.

Lot 37

GOTHIC REVIVAL, WITH MOUNTS ATTRIBUTED TO FRANCIS ALFRED SKIDMORE (1817-1896)LARGE PITCH PINE CABINET, CIRCA 1870 the superstructure with an arrangement of open shelves and central arch set with painted and gilded wrought iron insert, the whole decorated with enamelled copper roundels, depicting floral and foliate motifs, the base with two cupboards and central open shelves above three base drawers on a plinth211cm wide, 252cm high, 55cm deepNote: Francis Skidmore is best-known as an exceptional metalworker and the maker of the Albert Memorial (1863-1876) and the Hereford Screen (which was exhibited in London at the International Exhibition of 1862 and now held at the Victoria & Albert Museum), both designed by Sir George Gilbert Scott (1811-1878). Based in Coventry Skidmore also produced church plate, light fittings and furniture.

Lot 250

CONTINENTAL SCHOOLJUGENDSTIL BRASS AND TORTOISESHELL DESK LIGHT, CIRCA 1920 the adjustable cowled tortoiseshell shade with brass openwork frame on a marble plinth15cm wide, 48cm high, 23cm deepNote: Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside the EU, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit http://www.defra.gov.uk/ahvla-en/imports-exports/cites/

Lot 7

AFTER JOHN BELL (1811-1895)BRONZE TABLE LAMP, CIRCA 1895 cast as the figure of a boy, crouching down and holding aloft the light fitting, raised on a stepped marble base, fitted with a frilled glass shade28cm high to top of fitting, 36cm high with shadeNote: This bronze lamp base is based on 'The Bride's Inkstand', modelled by Bell and made by the Felix Summerly Art Manufactory around 1847. Felix Summerly was a pseudonym used by Henry Cole (1802–82), who worked closely with Prince Albert on the organisation of the Great Exhibition, and later the South Kensington Museum. The workshop oversaw the production of a number of small-scale works of art designed by contemporary artists intended for the dissemination of good design.

Lot 194

MANNER OF C.F.A. VOYSEYARTS & CRAFTS BRASS FIVE-LIGHT CHANDELIER, CIRCA 1900 the shaped ceiling rose with repoussé heart-shaped motifs suspending a chain and globed spacer and five radiating chains holding a shaped dish and further suspending five globe lights50cm diameter, 128cm high

Lot 183

WILLIAM ARTHUR SMITH BENSON (1854-1924)RARE ARTS & CRAFTS BRASS AND COPPER TABLE LAMP, CIRCA 1890 with flared reflector raised on curved brackets above a conical shade and domed reservoir, the whole raised on tapered column support with moulded domed base on a square plinth61cm high (to top of reflector shade)Exhibited: Madrid, Fundación Juan March and Barcelona, Museu Nacional d'Art de Catalunya 'William Morris and the Arts & Crafts Movement in Great Britain' October 2017-May 2018, No. 184.Note: W.A.S. Benson was admired in the arena of the Avant Garde in Europe and his work was sold through the influential Maison de L’Art Nouveau in Paris. The magazines The Studio, Art et Decoration and Dekorative Kunst all regularly featured his work. The Studio Magazine observed that WAS Benson’s lamps “may ultimately influence the taste of a greater number than the superb Morris-Burne Jones tapestries” whilst The Magazine of Art referred to his lamps as “palpitatingly modern”.Walter Crane in “The Bases of Design” marked W.A.S. Benson’s lamp with a finned copper shade as a good example of modern design. The Studio Yearbook of 1906 praised his experiments with reflectors, as in this example. Hermann Muthesius in his influential book “ Das Englische Haus” stated that WAS Benson was “the first to illuminate dining room tables with light reflected from a shiny metal surface, while keeping the actual source of illumination hidden”.

Lot 263

GLASGOW SCHOOL, ATTRIBUTED TO JOHN NISBET (1868-1951)ART NOUVEAU OAK DOOR, CIRCA 1900 with later central clear glass panel enclosed by carved stylised leaf apertures with coloured glass inserts above plain panels and fitted with opposed and embossed copper door plates226cm x 96cmLiterature: The Studio Yearbook, 1906, page 136 where similar doors are illustratedNote: The design of the present oak door and design of the preceding lot demonstrate similarities to doors designed by the architect John Nisbet for 'Kelmscott', built for Sir John McTaggart, a Glasgow property developer and builder, in 1900. The house is now a Grade B listed building and retains many of its original features, including an impressive installation of stained glass by Oscar Paterson who also designed stained glass for the doors. Nisbet, a long-time collaborator with Mactaggart, had been a student and classmate of Charles Rennie Mackintosh at Glasgow School of Art. For this commission he incorporated Scots Baronial and English Queen Anne elements in his design, and the house was decorated and furnished with pieces from the leading Arts & Crafts designers and artists of the day, including Frank Brangwyn, from whom Mactaggart is said to have commissioned two paintings. Nisbet was McTaggart's principal architect and together they were instrumental in the residential development of Glasgow's West End, where no less than 300 tenements were built by his company at the end of the 19th and the first half of the 20th century.Further evidence has come to light that this door (and by extension the door in lot 263) have been used in buildings designed by other Glasgow architects including the celebrated architect James Salmon (1874-1924) (or his firm Salmon, Son & Gillespie) in a house interior at 12 University Avenue, built around 1900 and now part of a run of general University of Glasgow buildings (see illustration of a door very similar to this lot in situ at University Avenue with original glass). Like 'Kelmscott' the building also was fitted out with stained glass by Oscar Paterson.

Lot 208

MILITARY MEDAL 1914/15 TRIO to 52031 Pte W Jones 6 Som LI / Late Durh L I William Jones was from Craghead in Durham, a member of the 12th battalion Durham light Infantry he landed in France on 25th August 1915. He was transferred to the 6th Somerset Light Infantry, winning the Military Medal which was gazetted 7th February 1919. He was discharged 26th February 1919. Military Medal = 52031 Pte W Jones 6 / SOM LI ( L I is officially corrected) 1914 / 15 Star = 19658 Pte W Jones Durh L I British War Medal = 19658 Pte W Jones Durh LI ( from the style of naming this is a replacement) Victory Medal = 19658 Pte W Jones Durh L I Condition = GVF

Lot 194

IGS WAZIRISTAN 1894/5 to 2329 Pte J Aldridge 2nd Bn Border Regt / Spent most of the time in prison John Aldridge was born in Spitalfields, London, Middlesex in 1870. A labourer by trade he joined up aged 18 in 1888 at Carlisle. He was already serving with the 5th Royal Fusiliers, but this was declared. Somehow his medal wasn't forfeited, in fact, after his discharge he was recalled and served in the Boer War, earning the Queens South Africa Medal! Regularly in prison for drunkenness, sleeping at his post, drunk at his post, theft. Service papers make interesting reading. The medal is correctly engraved = 2329 Pte J Aldridge 2nd Bn Border Regt Condition = GVF (light edge bruise, naming not affected, suspender is a little loose)

Lot 268

HUSSARS TUNIC AND TROUSERS dated 1914 to J Thurlby - Sherwood rangers - later commissioned Jack Thurlby was a pre-war regular. He served with the Sherwood Rangers, service number 1643. Thurlby saw service served in Salonika with the Nottinghamshire Yeomanry, before being transferred to the Lincolnshire Regiment and commissioned, he was subsequently attached to the Somerset Light Infantry. Original label in the trousers with details handwritten in. Jacket has his name in ink written in the liner.

Lot 209

MILITARY MEDAL 1914 TRIO to 1252 Pte A Richardson ACC / late 2 DLI Albert Richardson served with the 2nd Battalion Durham Light Infantry in the BEF during 1914. Subsequently transferred to the 14th Army Cyclist Corps and while serving with them was awarded the Military Medal, gazetted 11th October 1916. Contemporarily swing mounted MM = 1252 Pte A Richardson A.C.C 1914 Star = 10520 Pte A Richardson 2/Durh LI Pair = 10520 Pte A Richardson Durh LI

Lot 190

CRIMEA AND TURKISH CRIMEA to Major Charles Le Mesurier Carey 63rd Foot with family medals consisting of 1939 to 45 Star, France And Germany Star, Defence and End of War. With calling out notice to 1431264 Gunner G C Carey 51st London AA Regiment RA TA. With transmittal slip. Crimea Medal engraved in a contemporary style to Capt C Le M Carey 63rd Regt Turkish Crimea unnamed as issued Turkish Crimea Contemporarily engraved Bt Major Chas L M Carey 63rd Regt Charles Le Mesurier Carey was born on Guernsey in 1827. He joined the army as an ensign on 13th August 1847. He was promoted to Lieutenant on 18th January 1850 and Captain on 6th November 1854. Carey served in the Crimean war with the 63rd Foot and was awarded the Crimea Medal with Clasps Alma, Balaklava, Inkermann and Sebastopol. Along with the Turkish Crimea. He resigned his commission in 1862 and then commanded the Royal Guernsey Light Infantry Militia as Lieutenant Colonel. Carey was at the centre of a most scandalous defamation case and family feud. His Brother in Law retired Colonel De Vic Tupper seems to have suffered with mental health. In his 1891 biography, he wrote a section stating Carey had had him illegally committed. The Star Newspaper on Tuesday 10th February 1891 covered the libel suit; the following was the basis of the lawsuit. 'On the 9th February 1875, Major Charles Le Mesurier Carey, brother-in-law of the undersigned, Vice President of the Asylum Board, in which capacity he had charge thereof, obtained by surprise, or, bought, at all events obtained from Dr A. K. Corbin, who was Just beginning to practice (son of Dr Jasil Corbin) the last named being the regular medical attendant of the undersigned, a certificate certifying the undersigned to be mad, and the said day, 9th of February, 1875, the undersigned saw his house invaded by four artillerymen and a corporal, and despite his resistance, which can be well understood, he was apprehended, bound, and carried off as a dangerous man to the Asylum, where he was thrown, bruised, covered with blows and blood, into a cell, without receiving any attention until the following morning'. It was proved to be a complete falsehood, and Carey was awarded £50 in damages, and Tupper was fined £50. Carey passed away in 1905, his death was announced in the Army and Navy Gazette. ' Major Charles Le Mesurier Carey, late 63rd Regiment, died at Beaumont, Guernsey, on the 30th ult., aged 78. He joined the Army as Ensign Aug. 13, 1847; was promoted to Lieutenant Jan. 18, 1850; Captain Nov. 6, 1854; and Major June 6, 1856. He resigned by a sale of his commission in 1862 and had since that time been Lieutenant-Colonel in the Royal Guernsey Light Infantry Militia. Major Carey served in the Eastern Campaign of 1854 and to July 1855, including the battles of Alma, Balaclava, and Inkerman, and the siege of Sebastopol (medal with four clasps, brevet of Major, and Turkish medal).

Lot 165

Pair of vintage mirror-backed wall lights each with bayonet socket beneath D-shaped frame supporting lustre drops, together with a similar lustre ceiling light fitting Condition:

Lot 327

Pair of 19th Century Staffordshire pottery figures, depicting The Princess Royal and the Prince of Wales seated on the back of goats, together with a Continental porcelain fairing 'The Last In Bed To Put Out The Light' Condition:

Lot 390

A c1970s Rolex Datejust Oysterquartz stainless steel gentleman's wristwatch, 37mm case, ref. 17000, dial with batons and date aperture, appears to run, on stainless steel bracelet stamped 17000, with box and International Service Guarantee from 2007, pad and booklets (6) overall in very good condition, some light stratches to case and bracelet, glass is good, movement not inspected, Guarentee stated serial no. 5489580, box overall good just some light wear

Lot 13

An Edwardian 15ct gold and aquamarine necklace, the chain supporting a round cut light blue stone with bar and further pear shaped light blue stone, 3.3g

Lot 108

A late 19th Century Chinese jade brooch, the oval carved and pierced light coloured hardstone panel with a bird amongst scrolling foliage, 5.8cm high and 22.5g, with a gold pin applied to reverseNo chips or cracks, in general good condition,

Lot 141

WROUGHT IRON TEA LIGHT STAND

Lot 180

STAR SHADE CENTRE LIGHT FITTING

Lot 411

MATT BLACK NEW ANGLE POISE LIGHT

Lot 63

A large collection of Wedgwood and Jasperware, in light, mid and dark blue, and green, including three jugs and four jars and covers

Lot 275

A First World War Canadian memorial cross, presented to 2-Lieut. C. M. Chaplin, Princess Patricia's Canadian Light Infantry and Cambridgeshire Regiment 1st Battalion, cased

Lot 470

Rolex, a 1930's gent's Art Deco 9ct gold Rolex wristwatch, 2cm rectangular champagne dial with subsidiary seconds dial, Superbalance movement, backplate No. 29230, 2536, leather strap Condition: ticking, sold as seen, service advised, light wear only to case

Lot 1147

Country Artists; First Light group, ceramic with Land Rover and farmer by Keith Sherwin 117/850, 1996

Lot 2329

A replica French Napoleonic Pattern Light Cavalry Sabre. Heavy brass stirrup guard. Leather covered wire bound grip. 85cm long curved single edged blade bearing Klingenthal markings to spine of blade and inspector’s markings to the fuller. Brass mounted scabbard with two suspension rings with steel drag and central leather panel. Overall length 105cm.

Lot 1345

Box of early 20th Century glass light shades

Lot 3261

Collection of Hornby Railway Accessories including 3 x viaduct, 4 x platform canopy, 4 x level crossing, colour light signal, footbridge, signal box, platforms, pack of 3 Ford Sierras (18)

Lot 2292

A Scottish Dress Dirk with 74th Highland Light Infantry insignia affixed. 28cm long blade, no makers marks. Complete with scabbard with knife and fork. Plated brass fitttings. Amber glass stones to hilts. Overall length 47cm. Comes with matching Sgain Dubh with 8.5cm long blade and grip set with amber glass stone. (2) (boxed)

Lot 1450

A late 19th Century gas light wall fixture, once housed in The Vernon Arms Sudbury Derby, with Art Nouveau burnished metal design

Lot 3101

A Replica 1854 Balaklava medallion. The obverse illustrates Lord Cardigan leading a line of Lancers over the Russian cannon, inscribed "BALAKLAVA". The reverse lists all the regiments, corps and divisions who were present at the battle, inscribed "1st Division / Grenadier Guards / Coldstream Guards / Scots Fusilier Guards / 42nd 79th AND 93rd REGts / 4TH Division / 63rd 20th 21st and 57th REGts / 2 Companies of the 46th REGt / 68th REGt / 1st BATTn Rifles / Cavalry Division / 4th & 5th Dn Gds 1st 2nd & 6th Dns / 4th 8th 11th 13th & 17th Light Dragoons / Royal Artillery / Royal Engineers" and dated "OCTr 25th 1854". Together with a 1891 dated Victorian Crown. (2)

Lot 1422

Light oak small canteen of cutlery along with mid 20th Century flatware pewter tea pot made by James Dixon of Sheffield

Lot 1446

10 x ormolu 20th Century wall light fittings

Lot 1456

2 porthole style ceiling light fittings

Lot 1358

1930's vanity mirror, light up

Lot 1194

Collection of Art Nouveau Langley Ware, light and dark blue ground, beige interior

Lot 2162

35 ml cameras and accessories to include Praktica LTL, Minolta A, Zeiss Ikon Contax S,Dallmeyer projection f=2 1/2 lens, Apollo television lens 1:1.8 18-90mm No. 785530 and two photometers, light meters, flash gun .

Lot 2168

Early 20th century brass spot light on original adjustable tripod base

Lot 2069

Queen Victoria South Africa medal to Lieut. F. L. Hingston. 2/D of C L. I. with 1901 date clasp and five battle / state clasps BELFAST, DIAMOND HILL, JOHANNESBURG, DRIEFONTEIN and CAPE COLONY together with WWII pair to W. Hyde.Captain Frederic Leonard Hingston, 1st Battn. The Duke of Cornwall's Light Infantry, was killed in action near Ypres on 26th April 1915, and buried in the Military Cemetery at Poperinghe. He joined the Duke of Cornwall's Light Infantry from the Militia in October, 1899, and took part in the South African War, in which he was employed with the Mounted Infantry, and was present at operations in the Orange Free State from February to May, 1900, including actions at Poplar Grove, Driefontein, Vet, and Zand River; in the Transvaal in May and June, again, from July to November, 1900; and a third time from November, 1900, to October, 1901, including actions near Johannesburg, at Pretoria, Diamond Hill, and Belfast. He was mentioned in Despatches (London Gazette, 10th September, 1901); and received the Queen's medal with six clasps. He was promoted Lieutenant in May, 1901, and Captain in February 1909; and in December, 1911, was appointed Adjutant of the 3rd Battalion, Duke of Cornwall's Light Infantry. He held this appointment until March, 1915, when he rejoined the 1st Battalion, which formed part of the Vth Division.

Lot 297

A group of eleven stained glass wall lights and one double wall light, shade Dia. 20cm.

Lot 162

A 1970's light oak Ercol type side board, W. 130 H.76cm.

Lot 174

Six gilded crystal ceiling light fittings, largest Dia. 55cm.

Lot 439

A heavy bronzed and copperized metal ceiling light centrepiece mounted as a wall hanging, Dia. 47cm.

Lot 558

A 1960's orange perspex light fitting, Dia. 40cm.

Lot 2

Cook (James). The Voyages of Captain James Cook Round the World, 2 volumes, John Tallis, [1852], engraved portrait frontispieces and additional titles, engraved plate (Death of Captain Cook), four maps with colour outline, a little light spotting, original red cloth gilt, small chips and tears at spine ends, tall 8vo There is another more usual edition by Tallis with twelve maps and three plates. (2)

Lot 45

Langley (Batty). New Principles of Gardening: or, the Laying Out and Planting [of] Parterres, Groves, Wildernesses, Labyrinths, Avenues, Parks, &c., after a more Grand and Rural Manner than has been done before..., 1st edition, for A. Bettesworth and J. Batley, 1728 [1727], title-page printed in red and black with advertisement to verso (some soiling, two marginal tears with blank loss, repaired to versos), 27 folding or double-page engraved plates and plans, two detached and several with closed tears, closely trimmed with occasional loss of plate numbering and caption information, some occasional spotting and soiling, old light damp stain to lower outer corner of early leaves, lacks engraved frontispiece, contemporary calf, rebacked with remains of original spine and new spine label relaid, fore-edges restored, 4to (25 x 20cm) Berlin Cat. 3414; Henrey 927. (1)

Lot 25

Camden (William). Britain, or a Chorographicall Description of the Most Flourishing Kingdomes, England, Scotland, and Ireland, and the Ilands Adioyning, out of the Depth of Antiquitie: Beautified with Mappes of the Severall Shires of England..., Translated Newly into English by Philemon Holland..., 1st English edition, 1st state, George Bishop & John Norton, 1610, letterpress title, eight engraved plates of coins, 56 engraved maps only (of 57, lacking Ireland), mostly folding or double-page, some with a marginal tear, Surrey with small hole at foot, Cambridgeshire with 5.5cm closed tear, Lincolnshire with long closed tear at gutter (repaired to verso), woodcut head- and tail-pieces and initials, numerous woodcut illustrations to text, without additional title and dedication leaf, early ink annotations, few repairs mostly to first and last few leaves, head and fore-edge close-trimmed in places (affecting some maps, headlines and annotations), one leaf with 8cm closed tear, one leaf lacking outer tail corner (torn away, slightly affecting text), occasional light dampstains, verso of front free endpaper with early ink ownership names dated 1653, 20th century tree calf, rubbed in places, rear cover with minor insect damage to surface, folio Chubb XIX; Skelton 6. (1)

Lot 171

Lang (Andrew). The Green Fairy Book, 1st edition, 1892, numerous back & white illustrations to text, some full-page, including frontispiece, publisher's advertisement leaf at rear, lightly spotted throughout, stitching a little strained in places, all edges gilt, original gilt decorated green cloth, extremities a trifle worn, 8vo, together with The Brown Fairy Book, 1st edition, 1904, 8 colour plates, including frontispiece, numerous black & white illustrations to text, light spotting to first and last few leaves, preliminary blank with early ink ownership name dated 1906, stitching a little strained in places, all edges gilt, original gilt-decorated brown cloth, spine ends lightly frayed, 8vo, with 7 other first editions comprising: The Olive, Grey, Orange, Yellow, Crimson and Lilac Fairy Books, and the Red True Story Book, and five other Andrew Lang later editions (14)

Lot 182

Rackham (Arthur, illustrator). The Dolly Dialogues, by Anthony Hope, reprinted from the Westminster Gazette, 1st edition, 1st issue, 1894, Westminster Gazette Library Vol. 1, four black & white plates, some spotting to fore-edge and first and last leaves, inside front wrapper with armorial bookplate of C.F.J. Beausire, and loosely inserted bookplate of Eugene Grosman, original yellow wrappers printed in blue, toned and spotted, rear cover a trifle marked, spine relaid, front joint with short tear at head and small repair at tail, contained in drop-back box, 8vo, together with Cowper (William), The Diverting History of John Gilpin, Illustrated by Chas. E. Brock, 1898, 11 (of 12) etched plates, illustrations to text, light spotting throughout, original blue cloth gilt, spine somewhat darkened, extremities lightly rubbed, 8vo, with a copy of The Tempest, by William Shakespeare, illustrated by Robert Anning Bell, 1901, in original grey/green cloth Dolly Dialogues: Rial page 2. The first book wholly illustrated by Arthur Rackham. The first issue with the short running headline "Dolly", instead of "The Dolly Dialogues" used in later issues. (3)

Lot 166

Guillim (John). A Display of Heraldry... 6th edition, 1724, title printed in red and black, 64 engraved portraits and coats-of-arms (complete), woodcut armorials in text, some coloured, a few laid down, one or two small repairs, occasional light soiling and toning, front endpaper detached, contemporary calf, joints splitting, rubbed, folio, together with Fleming (Philippe). Oostende, Vermaerde gheweldighe lanckduyrighe ende bloedighe belegeringhe bestorminghe ende stoute aenvallen, The Hague: A. Meuris, 1621, engraved vignette to title, black letter text, engraved portrait and three folding engraved plates only, small worm track to lower margin of first few leaves, occasional minor mark, contemporary vellum, dust soiled, manuscript title in ink to spine, 4to, plus [Gillies, Robert Pearse]. Tales of a Voyager to the Arctic Ocean, 3 volumes, 1st edition, Henry Colburn, 1826, a little dust-soiling and occasional minor mark, contemporary calf, gilt arms of Signet Library to upper and lower boards, joints cracked, a little rubbed at extremities with slight loss to head and foot of spine, spine labels lacking, 8vo, and other miscellaneous antiquarian interest (14)

Lot 187

Bible [English]. The Holy Bible, containing the Old and New Testaments: Newly Translated out of the Original Tongues; and with the former Translations Diligently Compared and Revised, Oxford: Printed by John Baskett, 1715, bound with the Book of Common Prayer (lacking title) at front and The Whole Book of Psalms..., Printed by W. Pearson for the Company of Stationers, 1715 at rear of volume, numerous pencil & ink underscoring and annotation marks throughout, some light toning and occasional spotting, contemporary calf, upper board & spine detached, worn, 4to, together with Cassell's History of England, 9 volumes, circa 1880s, and The Family Physician, 5 volumes, New enlarged edition, Cassell, circa 1880s, and Picturesque England, by L. Valentine, circa 1870s, plus other miscellaneous books (a carton)

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