There are 534297 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribeA LATE VICTORIAN SILVER DOUBLE-LIPPED MILK AND CREAM JUG by Atkin Brothers, Sheffield 1894, retailed by Thornhill, Bond Street, London, circular with twin loop handles, the interior with twin sections and fixed cover engraved 'MILK' and 'CREAM'. 13.5cm across handles, 5.3 troy ouncesMonogrammed to side. Very light surface scratching.
A GOLD AND INTAN RING With a single intan to the centre arranged in a floral design, with stamped Chinese character mark to the shank US size 7.5 4.2g Provenance: Property from a significant local collection Condition: Some light signs of age and use, character marks are clear This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
A PAIR OF GOLD AND INTAN EARRINGS Flower shaped, each earring composed of ten intans, mounted on gold, screw-thread post fittings With box 1.2cm diameter 4.7g Condition: Some light signs of age and use, generally in good condition. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
TWO SIGNED BATIK SARONGS Comprising a Tiga negeri batik decorated with birds, butterflies and floral motifs, the other example with chrysanthemum bouquets and butterflies One example signed Tjoa Siang Gwan, and the other Hoo J Kheng Belle of Pekalongan 103cm x 105cm Condition: The purple/orange example with some light staining/foxing in many areas. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
A MINIATURE PINK GROUND PORCELAIN SPITTOON Decorated with peonies and lotus motifs and a light teal outer rim of auspicious symbols Iron red four character mark to the base 5.5cm highProvenance: Lots 17-73: Property of a prominent local Peranakan family Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
George III silver coffee pot, of bellied form with scroll detail to spout, urn finial to the hinged cover and wooden scroll handle, upon a stepped circular foot, hallmarked Hester Bateman, London 1788, H31.5cm, approximate gross weight 27.97 ozt (870 grams)Condition Report:General good overall condition, some light surface scratches. Hallmarks generally clear and legible, with some slight wear.Makers mark visible to interior rim of cover, but no example visible to body.
Large George III silver cream jug, of part fluted oval-helmet form, with engraved crest beneath lip, curved handle, and gilt interior, hallmarked William Bateman I, London 1816, including handle H4.5cm, approximate weight 11.20 ozt (348.6 grams)Condition Report:General good overall condition, with light wear predominantly in the form of surface scratches and nicks.Interior gilding good, with minimal wear towards rim.Hallmarks with some wear, but still legible.
George III silver sugar basket and cream jug, the basket of navette form with strap border to rim, swing handle and gilt interior, upon oval pedestal foot, the body engraved with greyhound crest, not including handle H10cm W13cm, the cream jug of conforming design, including handle H11cm, both hallmarked Peter and Ann Bateman, London 1794, approximate total weight 8.79 ozt (273.3 grams)Condition Report:General light wear commensurate with age and use, predominantly in the form of surface scratches and nicks.Handle to sugar basket leans slightly more towards one side, but should be easily rectified.Gilding to interior slightly worn in parts.Hallmarks clear and legible.
George IV silver card waiter or tray, of oval form with reeded rim and engraved monogram to centre, upon four splayed feet, hallmarked John Mewburn, London 1822, W26cm, approximate weight 15.74 ozt (489.4 grams)Condition Report:General light wear commensurate with age and use, predominantly in the form of surface scratches and nicks.Small surface imperfection/loss to edge of rim visible to underside, probably caused during production.Hallmarks clear and legible.
George III silver teapot stand, of shaped form with engraved foliate border and central initial, upon four bracket feet, hallmarked John Langlands I & John Robertson, Newcastle, no date letter present, W18.5cm, approximate weight 4.65 ozt (144.7 grams)Condition Report:General light wear commensurate with age and use, predominantly in the form of surface scratches and nicks. Some wear to engraved decoration, in particular central intial. Solder collection around legs, visible when salver is inspected from beneath. Thought to be either from construction, or possibly historic repairs. Personal scratched inscription beneath. Hallmarks clear and legible.
Early 20th century German silver table wares, comprising eleven soup cups and twelve saucers, six chocolate cups, twelve ramekin holders with tapering handles, large sauce boat with fixed stand, a butter dish and cover, and twelve side plates, each with wrythen or lobed detail, all marked with crown and crescent mark, and bearing other marks including 800 or 830, most marked A Roesner Dresden, the sauce boat marked Schnauffer Dresden, soup cups, cholate cups, ramekin holders and butter dish and cover all with ceramic or glass liners, approximate total silver weight 169.8 ozt (5281.8 grams) Condition Report:General wear commensurate with age and use, including surface scratches, nicks and some small indentations. Some wear to interior gilding. Marks generally clear and legible. Liners not known if original, and with light general wear commensurate with age and use.
Pair of 20th century German silver three light twin branch candelabra, with wrythen twist detail throughout, each with crown and crescent mark, stamped 835 and bearing mark for Bruckmann & Sohne, Heilbronn, H21cm W25cmCondition Report:General wear commensurate with age and use, predominantly in the form of surface scratches and nicks, and a few small indentations. Marks generally clear and legible.
Set of four modern silver neck-rings or collars, detailed 'Gin', 'Port', 'Sherry' and 'Whisky', together with a modern silver neck-ring bottle ticket, detailed 'Whisky', each hallmarked Simon J Beer, London 1986, approximate total weight 1.42 ozt (44.2 grams)Condition Report:Good overall condition, light general wear, including surface scratches.Hallmarks clear and legible.
Modern silver mounted cut glass claret jug, in the Victorian style, the tapering cylindrical body with foliate embossed collar, Bacchus mask spout, conforming mask and foliate detail to angular scroll end handle, and hinged cover, hallmarked London 1994, makers mark W W, H27.5cmCondition Report:General light wear, predominantly in the form of surface scratches and nicks.Hallmarks clear and legible.
Large early 20th century cut glass punch set, comprising ovoid punch bowl with domed cover, ladle, twelve cups and circular stand, with sharp star cut decoration, bowl including cover H33cm stand D43cmCondition Report:General light wear commensurate with age and use, predominantly in the form of surface scratches, nicks and nibbles.
Pair of Edwardian Stourbridge style glass claret decanters and stoppers, of ovoid form with tall tapering necks, supporting hollow stoppers, the bodies and stoppers etched with fruiting vines, upon folded circular feet, H13.5cmCondition Report:Good overall condition, with some general light wear commensurate with age, predominantly in the form of surface scratches and some nicks.
19th century oversized drinking glass, the balloon shaped bowl upon a short thick stem and thick circular foot, H18.5cm bowl rim D12..5cmCondition Report:General light wear commensurate with age and use, including some surface scratches, and mossing to underside of foot.Some production flaws.
Early 19th century Continental soda glass jug, the wrythen bulbous body with thick rim and lip and hollow curved handle, upon a circular foot, H28.5cmCondition Report:General good overall condition, with light wear commensurate with age including surface scratches.Production bubbles and flaws to glass.
18th century drinking glass, probably Continental, the rounded funnel bowl with moulded part fluting upon a colour twist stem with alternating red and white spirals surrounding a white fine spiral gauze, and conical foot, H13.5cmCondition Report:General light wear, predominantly in the form of some surface scratches.Pontil smoothed. Glass rings clear.
Large 18th century Lowestoft sauce boat, circa 1770, the body decorated with Hughes type floral moulding, and painted in underglaze blue with an Oriental landscape, and foliate sprigs, L23cmCondition Report:General light wear commensurate with age, including some surface scratches, and two small losses to rim.Some typical production flaws, including spit-out to interior.
Mid 18th century Chelsea red anchor period plate, circa 1752-1754, hand painted in enamels in the Kakiemon palette with flowering peony and chrysanthemum issuing from rock work, and butterfly in flight above, the shaped rim detailed with conforming floral sprigs and butterflies within a iron red line border, with red anchor mark beneath, D22cmCondition Report:General light wear commensurate with age, including surface scratches, and some slight wear to enamel and iron red border. Small knock to rim, not visible from above, probably from production.
Early 19th century Barr, Flight and Barr Worcester plate, the centre painted with the Warren impaling Mangles coat of arms, within a grey marble effect surround and gilt border to edge, with impressed and painted marks beneath, D23.5cmCondition Report:General wear commensurate with use, predominantly in the form of surface scratches, and light wear to decoration, including to gilding and to one area of marble effect.
Early 19th century Barr, Flight and Barr dessert dish painted by William Billingsley, circa 1807-1813, of shell shaped form painted with a central floral spray surrounded by floral sprigs, within a gilt line border, with impressed and printed marks beneath, D18.5cmCondition Report:General light wear, predominantly in the form of some surface scratches.
Three 19th century plates, comprising two circular examples and one oblong, each with osier moulded sides, the centres decorated in underglaze blue with Gillyflower type pattern, circular examples D25cm oblong example W27cmCondition Report:General light wear commensurate with age and use, predominantly in the form of surface scratches and some discolouration.
19th century Minton cabinet plate, with central hand painted rural scene with figure stood before a cottage, birds upon a lake to the fore, and church in the distance, within a turquoise border and tooled gilt rim, with impressed marks beneath, including year mark, probably for 1873, and painted pattern number in iron red A6802, D23cm, together with a 19th century Grainger & Co cabinet plate, with central hand painted loch scene, within a deep blue border and beaded gilt inner border and rim, with impressed mark beneath, painted pattern number 2490, and titled 'Loch Oich with Invergarry Castyle Invernessshire', D24cmCondition Report:General light wear, predominantly in the form of surface scratches.
19th century Wedgwood dark blue dipped Jasperware Portland vase, of ovoid form with twin handles to shoulders and waisted neck, and flared rim, the body decorated with a continuous scene of classical figures in relief, the base decorated with portrait in relief, H26cmCondition Report:General light wear, including some surface scratches and some discolouration and small splits to decoration.Some bubbling to decoration, not post production.
Modern Spode coffee and dinner wares for six place settings, decorated in the Fleur De Lys Gold pattern, comprising dinner plates, dishes, side plates, one handled fan shaped serving dish, coffee pot, coffee cans, saucers, open sucrier and cream jug, with red and black printed marks beneath Condition Report:General light wear to most pieces, including surface scratches.Handle to one coffee can repaired, cream jug with small loss to rim, and sucrier also with small loss to rim with crack running from loss.
Mid/late 20th century Royal Worcester vase and cover decorated by John Smith, of slender ovoid form with twin key and husk handles, and gilt cover, upon a gilt circular pedestal foot, the body hand painted with a still life of fruit upon a mossy ground, signed J Smith, with black printed mark beneath and painted shape number 2713, H20.5cmCondition Report:Appears to be in very good overall condition, with no visible signs or damage or repairs.Very light surface wear here and there, including to handles and finial which have a tarnished effect in comparison to other parts of gilding.
Mid/late 20th century Royal Worcester vase and cover decorated by Alan Telford, of slender ovoid form with scroll handles, and gilt cover, upon a gilt circular pedestal foot, the body hand painted with a still life of fruit upon a mossy ground, signed Telford, with black printed mark beneath and painted shape number 2710, H25cmCondition Report:Appears to be in very good overall condition, with no visible signs or damage or repairs.Very light surface wear here and there, including to handles which have a tarnished effect in comparison to other parts of gilding.
Pair of mid/late 20th century Royal Worcester vases and covers decorated by John Freeman, each of slender ovoid form with twin key and husk handles, and gilt covers, upon a gilt circular pedestal foot, the body hand painted with a still life of fruit upon a mossy ground, signed Freeman, with black printed mark beneath and painted shape number 2713, H25cmCondition Report:Both appear to be in very good overall condition, with no visible signs or damage or repairs.Very light surface wear here and there, including to handles and finials which have a tarnished effect in comparison to other parts of gilding.
Two late 18th/early 19th century Chinese export teapots, the largest example of globular form with curved handle and straight spout, decorated in the Mandarin style with figural scenes surrounded by red scale reserves, H13.5cm, the second smaller example decorated in underglaze blue with two musicians in a landscape set with willow tree and fence, H10.5cmCondition Report:Wear commensurate with age and use, including surface scratches and nicks.Large teapot with craze line around where base of handle meets body, some wear to decoration in places, wear and losses to edge of spout, with remnants of later gilding to edge.Two visible metal pins either side of spout, securing an interior strainer.Cover with loss to edge. Not particularly secure, and a later replacement. Smaller teapot with craze lines to body above where base of handle meets body. Small patch to top of handle illuminating under UV light, possible overpainting, no overtly visible without UV.Loss to rim, somewhat hidden when cover in place.Finial to cover has been reattached.Production firing crack by side of spout, also visible to interior.
Pair of George III style oak candlesticks, each with fluted brass socket with removable brass nozzle, upon a tapering column and turned circular stepped foot, H38cm Condition Report:General light wear commensurate with age and use, including surface scratches and nicks.Some wear around edges of bases.Brass nozzles loose.
Victorian silver plated dessert set by Elkington & Co for twelve place settings, each reeded handle with vacant cartouche, each with Elkington & Co mark, date letter for 1861, and registration lozenge, contained within a mahogany case with vacant brass cartouche to the hinged cover, opening to reveal a Royal blue baize lined interior with removable tray, case H6cm W29.5cm D26.5cmCondition Report:Flatware with general light wear commensurate with age and use, including surface scratches and nicks. Some light wear to plating. Case with some scratches and knocks to exterior, interior also with light general wear, particularly to baize in some areas where forks of knives have sat.
Pair of 20th century bronze effect four light candelabras, modelled in the Grand Tour style, each with stepped trefoil base leading to three paw legs cast with masks and palmettes and surmounted by zoomorphic figures, encasing a central turned column supporting a central stem with socket above drip pan, and three scrolling arms with conforming sockets and arms, H63cmCondition Report:General wear including surface scratches, deeper scratches, nicks and some knocks.Casting lacking detail.Wear to bronze finish.
19th century mother of pearl and abalone needle packet box of wedge form, with compartmented interior, H5cm, together with a mother of pearl thimble box of similar form, H3cm, a mother of pearl Palais Royal style needle case of flat rectangular form with vacant silver cartouche, H9cm, and a mother of pearl page marker with vacant silver cartouche, H8cm, (4) Condition Report:General wear commensurate with age and use, including surface scratches and nicks.Needle packet box with loss to abalone edge on cover and back left corner of body, and a few cracks to abalone edges in general. Underneath push release for cover small pin which may have held a cartouche or panel at one stage which is now lacking. Interior with two loose dividers which are still present. Thimble box with some small losses and wear, particularly to right hand side. Palais Royal needle case with small cracks to top of cover. Page marker with small light crack to right of cartouche.
Archibald Knox (1864-1933) for Liberty & Co, Tudric pewter tulip vase, with bulbous bowl upon a tapering stem leading to a spreading foot issuing twin tendril handles that rise to meet the bowl, stamped beneath 029, H25cmCondition Report:General light wear, predominantly in the form of surface scratches and nicks.
Archibald Knox (1864-1933) for Liberty & Co, pair of Tudric pewter candlesticks, the bud shaped sockets raised upon three angular fin supports and a slightly domed circular base with cast stylised foliate decoration, each stamped beneath Tudric 0223, H30cmCondition Report:Good overall condition, some light wear in the form of surface scratches and nicks.
Rare early 20th century Martin Brothers stoneware tobacco jar and cover designed by Robert Wallace Martin, modelled in relief as a smirking face to one side, the other side modelled as the same subject wearing a quizzical expression, the cover formed as a sack hat, incised marks to base 'R W. Martin London & Southall. 10.1.1910', and to inner rim of cover 'R. W. Martin. & Bros London & Southall. 10.1.1910', H18cm Cf. Waddington's Canada Lot 51 A Private Collection of Martin Brothers Stoneware 06/12/2017 Woolley & Wallace Lot 37 British Art Pottery 01/12/2010Condition Report:General light surface wear commensurate with age and use. Plus small loss to eyebrow on of side, and a couple of small losses to hair. Hat with loss to side, further smaller loss to inner fold of hat, and two small losses to inner rim. Crazing to glaze visible to interior. For a full report please contact the saleroom.
Arts & Crafts copper lantern with Vaseline glass shade, of cylindrical form with domed top and large circular suspension ring, overall H40.5cmCondition Report:General wear commensurate with age and use, including surface scratches, and some light knocks.Small split to edge of copper base.Glass appears to be free of damage, as far as can be inspected.
Arts & Crafts Jesson, Birkett & Co, brass table lamp or wall light, designed by Thomas Birkett, the tapering stem with adjustable ball pivot supporting a conical shade with tapering final with ball terminal, upon a circular domed base pierced for wall mounting, shade positioned upright overall H57cm Often misattributed to Arthur Stansfield Dixon for Birmingham Guild of Handicraft, this particular lamp was designed by Thomas Birkett. In the late 1890's Birkett worked as a metalwork at the Birmingham Guild, before later joining the Faulkner Bronze Company which went on to become Jesson, Birkett & Co in 1904. The lamp features in lighting catalogues from the firm under the model no E490.Condition Report:General wear commensurate with age and use, including wear to patina, surface scratches, small nicks and indentations. Planished finish to shade worn down, edge of shade with a few knocks, and finial slightly knocked to side.
A continental porcelain mantle clock with a French striking movement c1820, rectangular case with raised gilt rococo decoration and carrying handle, hand painted panel to the front portraying a picturesque lakeside scene and courting couple, contrasting light green background with raised gold decoration to the sides and a depiction of love birds within a scrollwork cartouche, white enamel dial with a cast brass bezel, Roman numerals, minute track and steel trefoil hands, dial inscribed Henry Marc, Paris, eight-day countwheel movement with a silk suspension, striking the hours and half hours on a bell. Dimensions: Height: 24cm Length/Width: 15cm Depth/Diameter: 10cm
An early 20th century white marble mantle clock in a break front case with an arched top and finial, gilded scroll work to the sides and pierced foliate panels to the front, plinth raised on five bun feet, enamel dial with garland decoration, Arabic numerals, minute markers and Louis XV gilt hands, within a convex glazed bezel, eight-day Parisian striking movement striking the hours and half hours on a bell, with two conforming single light candlesticks. With Pendulum.Dimensions: Height: 29cm Length/Width: 19cm Depth/Diameter: 12cm
A late 19th century profusely decorated brass cased timepiece mantle clock with two matching five light candelabra, break front case raised on cast feet with decorative scroll work and a shaped urn to the pediment, eight-day spring driven French timepiece movement with an enamel dial, steel fleur di Lis hands, Roman numerals and minute track, egg and dart slip within a flat glazed bezel. With Pendulum.Dimensions: Height: 50cm Length/Width: 26cm Depth/Diameter: 14cm
A 20th century continental gilt metal Lyre mantle clock with a pair of matching six light candelabra, spring driven movement housed in a gilt drum case on a brass and cobalt blue base with paw feet, two bronzed metal figures of mythological cherubs with animal legs and cloven hooves supporting a festooned garland swag, eight-day twin barrel striking movement with a floating lever balance escapement, striking the hours and half-hours on two bells, white enamel dial with roman numerals, minute track and pierced steel hands, dial inscribed �Imperial�. Dimensions: Height: 60cm Length/Width: 34cm Depth/Diameter: 20cm
A fine and early Pioneer motoring era specially commissioned leather-cased travelling tea-set for two persons by Walter Thornhill & Co. of 144 & 145 New Bond St. London, circa 1893,the brown honey leather case with leather handle and brass clamps to lid with impressed initials 'A.L.', opening to light grey suede-lined compartmentalised interior fitted with silver plated kettle, engraved 'A.L.', with black African hardwood handle, containing sugar bowl, with burner and folding tripod stand, with silver-plated tea-caddy, engraved A.L.', containing two stacked drinking beakers suede cushion pad, and tea infuser with suspension chain, with one large and two smaller heavy cut-glass drinks bottles with sterling silver lids by Hubert Thornhill, hallmarked London 1893, each also with engraved initials 'A.L.', and with two bone chine tea-cups housed in black leather stand, with bone china saucers and two silver-plated tea-spoons housed behind suede straps in the lid, several pieces bearing Thornhill maker's markings, the case with silver gilt maker's marks to front edge and incorporating high-quality Bramah lock with key, the case measuring 28 x 21 x 16cm, in seemingly good order throughout. This lot is subject to the following lot symbols: †◊†VAT at the prevailing rate on Hammer Price and Buyer's Premium.â—Š £30 + VAT uplift and storage at £6 + VAT per lot per day.For further information on this lot please visit Bonhams.com
Two Louis Vuitton cases and an umbrella, late 20th Century,both zip-fastening soft-sided cases with monogram pattern, the first with tan leather handles and banding, with luggage tag and Prestolock combination padlock, beige canvas interior with pockets, numbered 'SP1010' to interior leather patch, some light use and in seemingly good overall order, approximately 72cm wide, the second produced under license by The French Company, USA, with lower and upper rigid tan leather panels, trim, handle, and luggage tag, (upper panel creased and kinked with travel label), black cloth-lined interior with straps, some travel wear and scuffs in places, 72cm wide, the Classic style umbrella with wooden handle and push button mechanism. (3)This lot is subject to the following lot symbols: â—Šâ—Šâ—Šâ—Š £60 + VAT uplift and storage at £12 + VAT per lot per dayFor further information on this lot please visit Bonhams.com
A Pininfarina carbon fibre limited edition briefcase, by Redwall of Pianoro, Italy, 1980s,hard-sided case with carbon fibre finish with angled edges, titanium corners, locks and handle with wooden grip, the interior in maroon leather with documents pouch and other pockets, bearing Redwall plaque inscribed 'Art. 104591' and limited edition number 'XCIV/C' (94/100), some light use but in seemingly good order, the case 45cm wide, offered with key. (2)For further information on this lot please visit Bonhams.com
A unique Lenticular image 'Avro Lancaster over Beachy Head' by Jim Dooley Living Pictures Limited,a Lenticular Animation picture, whereby the image of the Lancaster moves across the width of the picture together with the movement of the viewer, whilst the background stays static. This is the only image of a Lancaster aircraft in this format, common mounted with 8 signatures of members of 617 Squadron including Johnny Johnson and Leonard Cheshire. in Gilded frame, 116 x 150cm overall. The successful bidder will receive a letter from 617 Squadron Association confirming the picture's authenticity and with an endorsement by Guy Gibson VC., plus an invitation to the Dambusters 80th anniversary dinner. This exclusive work is donated by Jim Dooley Living Pictures Ltd., Jim was chairman of fundraising for the much acclaimed RAF Bomber Command Memorial in Piccadilly. Footnotes:This lot is offered for sale to raise funds for the 617 Squadron 80th Anniversary Appeal in aid of the Scampton Chapel Windows and Guy Gibson Flying Scholarships for the disabled.The Lenticular Process. The genesis of this unique piece of interactive wall art was first created by using an original sequence of images captured by an extremely high resolution digital camera. Each frame was then hand picked by Jim Dooley to maximise the drama of this Avro Lancaster flying over the iconic white cliffs of Beachy Head. The selected images were then converted into an HD GIF by computer modelling. Once the GIF was received by the printers, the lenticular conversion process could begin. Firstly, the correct lens pitch needed to be chosen (how many lenses to use per inch) in order to project the best and most realistic movement across the entire picture. This part of the manufacturing process was pivotal and needed to be accurate within 1/100mm tolerance. Weather and temperature changes can affect image quality, so this unique Living Picture was created within a controlled environment. Once the correct lens width had been selected, they were individually laid by hand across the entire length of the picture (this is always the most time consuming part of the manufacturing process). It was then ready to print using a UV flatbed printer. In order for the UV ink to bond with the individual lenses, they were secured by using a powerful vacuum. The inks were printed and cured to the back of the picture, the final colour finish for this unique Living Picture being white. The 3mm resin print then needed to harden for a further 24 hours before the picture was ready to be cut, sized and framed. This Living Picture doesn't require any power cell to project movement, this is achieved by using just optics and natural light.For further information on this lot please visit Bonhams.com
A hand-painted 'Aston Martin DBR1 1959 Le Mans' celebratory oval plaque and an 'Aston Martin' light box sign,both modern, the oval plaque with fibreglass raised laurel leaf surround, celebrating 1st and 2nd place for the 6-Cylinder 3-Litre DBR1 at the 1959 24-Hour event, 120cm wide, the single-sided light box with brushed aluminium frame, with Perspex panel painted with Aston Martin emblem and 'Sports Racing Sales and Service' lettering, requiring wiring for illumination, 74 x 40 x 11.5cm overall. (2)This lot is subject to the following lot symbols: â—Šâ—Šâ—Šâ—Š £60 + VAT uplift and storage at £12 + VAT per lot per dayFor further information on this lot please visit Bonhams.com
Loading...
