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Lot 1123
Tiberius(AD 14-37), AR Denarius, (or Tribute Penny), Lugdunum, post AD 16, laureate head right, ti caesar divi avg f avgvstvs, rev. pontif maxim, Livia as Pax seated right, holding sceptre and branch, the chair legs plain and over double line (BMC 34; RIC 26; RSC 16), a few light scratches behind portrait, almost extremely fine provenanceSpink auction 169, 15 April 2004, lot 24Subject to 20% VAT on Buyer’s Premium. For more information please view Terms and Conditions for Buyers.
Lot 788
George IV (1820-30), Farthing, 1823, I for 1 in date, laureate and draped bust left, rev. Britannia seated right (P.1413; S.3822), a light mark by chin, about unciculated, with lustre and attractive toning, rare variety Subject to 20% VAT on Buyer’s Premium. For more information please view Terms and Conditions for Buyers.
![Roman Republic (c.270 BC), AE cast As, 305.08g, diademed head of Apollo right, [I] above, rev. same type left (Vecchi 33; RRC](https://cdn.globalauctionplatform.com/4d17ebb8-6586-443a-9c6e-a5b6010ea148/f4d9ec0c-95b9-4534-a2fa-a5b700d74acb/468x382.jpg)
Lot 1065
Roman Republic (c.270 BC), AE cast As, 305.08g, diademed head of Apollo right, [I] above, rev. same type left (Vecchi 33; RRC 18/1; Haeberlin pl.35, 5), light green patina, good very fine provenanceNAC 7, 1 March 1994, lot 308Subject to 20% VAT on Buyer’s Premium. For more information please view Terms and Conditions for Buyers.
Lot 529
George II (1727-60), Guinea, 1736, second young laureate head left, larger lettering, rev. crowned shield (MCE 312; S.3674), very fine with a light red tone provenanceSpink auction 210, 6 October 2011, lot 409Purchased from Seaby, 4 October 1955, £11-0-0Subject to 20% VAT on Buyer’s Premium. For more information please view Terms and Conditions for Buyers.
Lot 530
George II (1727-60), Guinea, 1745, intermediate laureate head left, larger lettering, rev. crowned shield (MCE 319; S.3678), light haymarking, extremely fine with lustre provenancePurchased from Spink, July 2009Subject to 20% VAT on Buyer’s Premium. For more information please view Terms and Conditions for Buyers.
Lot 560
George III (1760-1820), Half-Sovereign, 1818, laureate head right, date below, rev. crowned shield (MCE 468; S.3786), light surface marks, about extremely fine provenanceSpink auction 201, 26 November 2009, lot 356Subject to 20% VAT on Buyer’s Premium. For more information please view Terms and Conditions for Buyers.
Lot 595
Viking kingdom of York, Cnut (c.895-920), Penny, 1.34g, patriarchal cross, cnvt rex around, rev. cvnetti, small cross patteé, pellets in two angles (N.501; S.993), good very fine, light even tone Subject to 20% VAT on Buyer’s Premium. For more information please view Terms and Conditions for Buyers.
Lot 612
Elizabeth I (1558-1603), Crown, 28.09g, m.m. 1, crowned bust left with orb and sceptre, rev. shield over long cross fourchée (N.2012; S.2582), small marks on cheek and a few small scratches on reverse, good very fine with light grey tone provenanceSt James's Auctions, 13 October 2004, lot 131Captain Edward Shepherd, Glendining, 19 September 1918, lot 219Subject to 20% VAT on Buyer’s Premium. For more information please view Terms and Conditions for Buyers.
Lot 965
Poland, John II Casimir (1648-68), 3-Ducats, 10.28g, 1659, Thorn, iohan. cas. d. g. rex. polon. &. sve. m. d. l. r. p., crowned, draped and cuirassed bust right, rev. ex avro. solido. civit. thorvnensis: fierif:, view of the city, angels bearing city shield above, monogram of HDL (for hans David Lauer) dividing date in foreground below (F.64; H.Cz.2134 but var. reverse legend - cf. 9805; Kubicki 1428), creased and some light hairlines in obverse fields, otherwise about extremely fine provenancePurchased from Spink, 15 October 1965, £196Subject to 20% VAT on Buyer’s Premium. For more information please view Terms and Conditions for Buyers.
Lot 1067
Roman Republic (c.265 BC), AE cast Triens, 81.09g, thunderbolt, four pellets across field, rev. same type (Vecchi 43; Hist. Num. 290; RRC 21/3), light smoothing, very fine provenanceNAC 11, 29 April 1998, lot 1469Subject to 20% VAT on Buyer’s Premium. For more information please view Terms and Conditions for Buyers.
Lot 627
William and Mary (1688-94), Crown, 1692, qvinto, conjoined busts right, rev. four crowned shields cruciform, die axis inverted (ESC 85; S.3433), light grey tone, extremely fine, rare provenancePurchased from Roderick Richardson, January 2003Subject to 20% VAT on Buyer’s Premium. For more information please view Terms and Conditions for Buyers.
Lot 844
Victoria (1837-1901), Centenary of the Foundation of the Wesleyan Methodist Society 1839, silver medal by C F Carter, bust of John Wesley left, rev. bust of Charles Wesley three-quarters left, 38mm. (BHM 1899; E.1330), light marks before bust on obverse otherwise extremely fine, in fitted case Subject to 20% VAT on Buyer’s Premium. For more information please view Terms and Conditions for Buyers.
Lot 626
James II (1685-88), Crown, 1686, secvndo, laureate and draped bust left, no stops, rev. four crowned shields cruciform, die axis inverted (ESC 77; S.3406), good fine, light grey tone provenanceBonhams, 2 October 2002, lot 636Subject to 20% VAT on Buyer’s Premium. For more information please view Terms and Conditions for Buyers.
Lot 565
George IV (1820-30), Half-Sovereign, 1821, laureate head left, rev. garnished crowned shield (MCE 482; S.3802), light hairlines on obverse, some surface dirt, otherwise as struck, rare provenanceSpink auction 211, 1 December 2013, lot 228Subject to 20% VAT on Buyer’s Premium. For more information please view Terms and Conditions for Buyers.
Lot 675
Victoria (1837-1901), Shilling, 1841, second head left, no initials on truncation, rev. value within wreath (ESC 1287; S.3904), light toning, about extremely fine with lustre, rare provenanceDNW, 12 December 2005, lot 696Subject to 20% VAT on Buyer’s Premium. For more information please view Terms and Conditions for Buyers.
Lot 655
William IV (1830-37), proof Crown, 1831, bare head right, W.W. on truncation, rev. shield on mantle, plain edge, inverted die axis (ESC 271; S.3833), light hairlines on obverse, otherwise good extremely fine provenanceBaldwin's, 8 May 2002, lot 467Spink Numismatic Circular, April 1987, no. 2308Subject to 20% VAT on Buyer’s Premium. For more information please view Terms and Conditions for Buyers.
Lot 1179
Period of Constantine (5th -6th cents AD), AR Half Siliqua, 1.07g, Constantinople, helmeted and draped bust of Roma right, rev. large P (Bendall, Rev. Num. 158 (2002), p.140, type 2), narrow flan-crack and light graze before bust, good very fine and rare provenanceDiscovered in Berkshire in February 2014 and registered with the Portable Antiquity Scheme as BERK-4AF254Subject to 20% VAT on Buyer’s Premium. For more information please view Terms and Conditions for Buyers.
Lot 781
George III (1760-1820), Halfpenny, 1770, laureate and cuirassed bust right, rev. Britannia seated left, with stop after britannia (Peck 893; S.3774), light brown with some lustre, some 'handling' marks on the reverse, about uncirculated Subject to 20% VAT on Buyer’s Premium. For more information please view Terms and Conditions for Buyers.
Lot 533
George III (1760-1820), Guinea, 1761, first laureate head right, rev. crowned shield (MCE 367; S.3725), a few light marks, extremely fine, very rare provenanceSpink auction 214, 26 September 2012, lot 638Subject to 20% VAT on Buyer’s Premium. For more information please view Terms and Conditions for Buyers.
Lot 651
George IV (1820-30), proof Crown, 1826, septimo, bare head left, rev. shield with crest (ESC 257; S.3806), toned, extremely fine, some light contact marks provenanceBonham's, 2 October 2002, lot 459Subject to 20% VAT on Buyer’s Premium. For more information please view Terms and Conditions for Buyers.
Lot 1146
M. Aurelius (AD 161-180), AR Denarius, as Caesar, bare head right, rev. Virtus standing left, holding parazonium and spear (RIC 468; RSC 703), about very fine, and another, obverse similar, rev. Spes walking left, holding flower (RIC 431; RSC 103), light scratches behind head, good very fine, reverse very fine, together with Macedon, Philip III (323-317 BC), AR Drachm, Sardes, head of young Herakles right in lion's skin, rev. Zeus enthroned left, holding eagle and a sceptre, rose (?) on left, TI below throne (cf. Price P102ff), good fine (3) Subject to 20% VAT on Buyer’s Premium. For more information please view Terms and Conditions for Buyers.
Lot 522
Anne (1702-14), post-Union Guinea, 1714, third draped bust left, rev. four crowned shields cruciform, sceptres in angles (MCE 226; S.3574), light scratch on breast and small mark on edge below bust, otherwise very fine / good very fine with light toning around the edges provenanceSpink auction 210, 6 October 2011, lot 389Subject to 20% VAT on Buyer’s Premium. For more information please view Terms and Conditions for Buyers.
Lot 524
George I (1714-27), Guinea, 1714, Prince Elector type, first laureate head right, rev. four crowned shields cruciform, sceptres in angles, legend ends et.pr.el (MCE 245; S.3628), very light adjustment marks on reverse but extremely fine, a rich yelow gold colour and lustrous, rare provenanceSpink auction 207, 23 March 2011, lot 578Subject to 20% VAT on Buyer’s Premium. For more information please view Terms and Conditions for Buyers.
Lot 778
George III (1760-1820), 'Cartwheel' coinage, Twopence, 1797, Penny, 1797, ten leaves, laureate and draped bust right, rev. Britannia seated left (S.3776, 3777), first with light edge bruising, very fine, second good very fine (2) Subject to 20% VAT on Buyer’s Premium. For more information please view Terms and Conditions for Buyers.
Lot 576
Victoria (1837-1901), proof Half-Sovereign, 1839, struck en médaille, young head left, date below, rev. crowned shield, edge plain (WR 343; S.3859), two light scratches behind head, otherwise some light hairlines, almost uncirculated, very rare provenanceSpink auction 210, 6 October 2011, lot 488Subject to 20% VAT on Buyer’s Premium. For more information please view Terms and Conditions for Buyers.
Lot 518
Anne (1702-14), pre-Union Guinea, 1705, draped bust left, rev. four crowned shields cruciform, sceptres in angles (MCE 211; S.3562), some light flecking on obverse otherwise about as struck, with attractive deep red tone and with underlying brilliance, a superb coin with a good provenance and very rare thus provenanceSpink auction 207, 23 March, 2011, lot 563Slaney part 1, Spink auction 163, 15 May 2003, lot 84Bought from Baldwins, 1948, £35Subject to 20% VAT on Buyer’s Premium. For more information please view Terms and Conditions for Buyers.
Lot 334
Kenya, Uganda and Tanganyika. Revenues; Kodi (Poll Tax). 1952 2/- green in a lower right corner block of four, mint, hinged on the selvedge only, with Plate number 1. Some split perfs at right and light natural bends, a wonderful and unique block, ex Spink sale 23.10.13 where it realised £3000 plus premium. Barefoot unlisted
Lot 60
PLEASE PLEASE ME BLACK GOLD STEREO FACTORY SAMPLE - incredible stereo 1st pressing of the LP issued with a "Factory Sample NOT FOR SALE" sticker on Side 1. The condition of the record has to be one of the best we have ever had and looks like it has not been on a turntable. The labels are bold and bright and one minor problem is that some of the gold has lifted off in a few areas. Stampers 1G/1R with ZMT tax code. The sleeve again is in archive condition with only a few minor faults - there is some light lifting to the flipback and an imprint on the flipback of the catalogue number PMC1020 (as pictured). Note - lots 55-60 have come from an executive who worked in the music industry and was given these records along with numerous other Factory Sample LPs & 7" which we will have in future sales.
Lot 6
LADY MADONNA - 1st pressing 7" single (R 5675) b/w The Inner Light complete with fan club inner that was only issued with this 1st pressing. The record is in great Ex+ condition with just traces of a wispy mark or two on the A side. The insert is in lovely clean condition. With original Parlophone company sleeve.
Lot 40
THE BEATLES - PLEASE PLEASE ME MONO THIRD - A rare third mono pressing of the debut LP from the Beatles (PMC 1202). This pressing is identified by the small 33 1/3 on the labels. The vinyl is in VG condition with a few light surface marks but no deeper scratches of any note. MATRIX: XEX 421-1N 1 PM + 422-1N 1 R R. The sleeve is in G+ condition with the flipback designed sleeve on the reverse damaged and shows signs of tape repair. A rare copy.
Lot 43
THE BEATLES - PLEASE PLEASE ME 3RD STEREO - very rare and nice UK example of the stereo 3rd pressing of their debut album on the Parlophone label (PCS3042) with the small 33 1/3 underneath the Parlophone sign on the label. Correct early sleeve with large Stereo and Angus Mcbean credit in bottom right corner. The record is in a strong VG+ condition with just light surface marks and very minor hairlines. Labels are nice and clean and grade Ex with some light spindle wear. Sleeve is in Ex condition with light creasing and wear at edges and minor discolouration on rear.
Lot 35
RUBBER SOUL 2ND MONO PRESS - A well presented 2nd UK mono pressing of the fantastic 1965 album (PMC 1267). Serif typeface, -4/-4 matrix codes. The record is in Ex+ condition with only one or two very light markings and some light spindle wear. The sleeve is in Ex condition with a little wear to the lamination.
Lot 57
YELLOW SUBMARINE STEREO FACTORY SAMPLE - UK 1st Factory Sample (stickered on side 1 label) of the 1969 release (PCS 7070). The record is in strong Ex condition with a light marks on side 1. The 'two red line' sleeve is Ex with a catalogue number written in red pen on the reverse. Note - lots 55-60 have come from an executive who worked in the music industry and was given these records along with numerous other Factory Sample LPs & 7" which we will have in future sales.
Lot 32
WITH THE BEATLES - MONO 1st - Lovely 1st UK mono pressing of the 1963 release (PMC 1206). This pressing has 'Parlophone Co. Ltd.', and 'Recording First Publsihed' texts. MATRIX: 1N/1N. The record is in great Ex+ condition with very few markings but it must be noted there is a light 'shadowing' effect on side 1; this should not cause any disturbance to playback. The EJ Day sleeve is in Ex condition with some minor wear on the reverse.
Lot 214
BEATLES HELLO LITTLE GIRL/'TIL THERE WAS YOU ACETATE - (***Please notify the auctioneer by email/phone of your intention to bid on this lot otherwise your bid may not be accepted on the day***) this unique 10" 78RPM acetate record featuring 'Hello Little Girl' on one side and 'Til There Was You' on the other was cut in the Personal Recording Department of the HMV record store on Oxford St, London. Brian Epstein had the disc cut from the Decca audition tapes before presenting it to George Martin (EMI) on 13th February 1962 in his desperate attempt to get them a recording contract. This meeting, despite Martin's initial reticence, was to eventually lead to the breakthrough they were looking for. The disc was later given to The Fourmost to record their own version of Hello Little Girl (recorded 3 July 1963) and then to Les Maguire of Gerry & The Pacemakers (recorded Hello Little Girl 17th July 1963). This is the first time it has come to the marketplace, having been tucked away in Maguire's loft until now. Epstein's handwriting on the labels reads as follows: side 1 Hullo Little Girl, John Lennon & The Beatles, Lennon,McCartney' and side 2 'Til' There Was You Paul McCartney & The Beatles'. The acetate is in VG (Very Good) condition with light scuffs and scratches - nothing heavy. It has been played through once when digitally recorded at BBC studios and it played through well with crackle but no skips or jumps. In his book Tune In, the leading Beatles historian Mark Lewisohn said of the disc, 'Its uniqueness is enhanced by Brian Epstein's handwriting on the labels, and the recognition of what it led to - making it one of the rarest and most collectable of all Beatles records.' According to Ian Shirley, Record Collector Rare Record Price Guide Editor "This is one of those Holy Grail items like the original Quarrymen acetate that the band recorded themselves. This acetate is a unique item that, in many respects, helped Brain Epstein to start the ball rolling to musical world domination'. Interviews with Mark Lewisohn and Ian Shirley can be found on our website. The lot also comes with a CD containing the digital recording taken from the disc at BBC studios on 19th February 2016. This is understood to be the first time the disc had been played since the 1960s. Background Information Extracted with permission from Tune In by Mark Lewisohn (volume one of The Beatles: All These Years), pages 1105-1108. Text © Mark Lewisohn Brian's April 1961 visit to Hamburg and Hanover as a guest of Deutsche Grammophon had already proven fruitful in getting My Bonnie released in Britain, and now it paid dividends a second time. Another delegate on the course was Robert Boast, manager of His Master's Voice (HMV), the self-proclaimed world's largest record store, situated on Oxford Street in the heart of London. After Decca's rejection, Brian took the opportunity to renew Boast's acquaintance; he had no obvious plan in mind, but Boast was an address-book contact and he was exploring every possibility. Brian had with him the Beatles' Decca tape and sat in Boast's office saying his boys would become very big stars if only someone would take a chance with them. 'He said he'd had a very wearing two days visiting record companies. It seems they just weren't prepared to listen. I was, though it was beyond my powers to help him. But at that time we had a small recording studio on the first floor, where budding artists could make 78rpm demonstration discs. I took Brian there and introduced him to our disc cutter, Jim Foy.' It made sense for Brian to pitch the Beatles from discs rather than a reel of tape. Every recording manager had an office gramophone (as they were still called), not everyone had a tape deck. The first floor at HMV included the Personal Recording Department, a smart counter beyond which customers could make one-strike records of personal greetings. Musicians used it too (the room contained a grand piano) and it was here, in 1958, that Cliff Richard recorded Lawdy Miss Clawdy c/w Breathless, which prompted Norrie Paramor to sign him to EMI's Columbia label. Jim Foy and Brian Epstein chatted while a lathe cut the Beatles' sound into 78rpm acetate discs of heavy black lacquer. As Foy would remember: 'I remarked that the tape sounded very good, to which he replied, rather proudly, that some of the songs were actually written by the group, which was uncommon. I asked whether they had been published, and when he said they hadn't I told him that the office of Ardmore and Beechwood, one of EMI's music publishing companies, was on the top floor of the shop. Should I fetch the general manager, Sid Colman? He said yes, Sid came down, listened to the tape and he too expressed interest. When I'd done the cutting, he and Brian went back up to the office.' ...George Martin's desk diary for 13 February 1962 includes Judy Lockhart Smith's lightly-pencilled untimed entry for 'Bernard Epstein'. Brian was chancing his arm at EMI, trying to wrest a Yes where there'd been a No. The recording managers had already turned down the Beatles on the basis of their appearance on the Tony Sheridan disc; Brian must have been hoping this wouldn't be remembered, and that he might score a better result with a personal approach and different product. It could also be that he was after any appointment at EMI House and George Martin was the only man available - two of his three A&R colleagues, Norman Newell and Norrie Paramor, were on holiday this week. George wasn't there when Brian arrived, so the first person he met was Judy. She would always remember appreciating how well-dressed, well-mannered and well-spoken he was, not at all like the other managers who came into the office, while Brian would later write, genuinely, of how he and Judy developed 'an instant friendship.' George's day was filled with appointments, and when he arrived he wouldn't have been able to give his visitor much time. The two sat across a desk - one man aged thirty-six, the other twenty-seven, both in smart suits and ties, and with polite, cultured voices that had benefited from self-improvement. Brian was desperate but trying not to seem so, George was tolerant, pleasant and in a position of power. Brian told him about the Beatles, saying how big they were in Liverpool and affecting surprise when George said he hadn't heard of them. This somewhat riled his host: as George would reflect, 'I almost asked him in reply where Liverpool was - the thought of anything coming out of the provinces was extraordinary.' By interpreting the way Brian remembered the meeting, there was probably time to hear only one of his new-cut records - a ten-inch 78 acetate with Hello Little Girl on one side and Till There Was You on the other. He'd written the essential details on the labels in blue fountain-pen. With limited space, and constantly keen to demonstrate the Beatles had more than one singer, he wrote that Hullo Little Girl [sic] was John Lennon & The Beatles - adding too the songwriting credit Lennon, McCartney - and that Til There Was You [sic] was Paul McCartney & The Beatles. Brian's recollection two years later was: 'George liked Hello Little Girl, Till There Was You. Liked George on guitar. Thought Paul was the one for discs'.
Lot 24
PLEASE PLEASE ME 2ND STEREO - A fantastic 2nd UK 'Northern Songs' Black and Gold stereo pressing of the heralded debut LP from The Beatles. It is estimated that there are 5 times less copies of this second pressing than the 1st as the design quickly changed to the 'yellow and black' label deisign quickly. Mother stampers are 1G/1R. The record is in Ex+ condition with just one or two light wispy marks. The labels are superbly clean. The 1st pressing cover is very clean and in Ex to Ex+ condition with some minor wear to the flipback on the reverse and rubbing at bottom corners.
Lot 34
HARD DAY'S NIGHT - Lovely clean 1st UK mono pressing (PMC 1230). This pressing has 'Parlophone Co. Ltd.', 'Sold In UK' and 'Recording First Published' texts. MATRIX: 3N/3N. The record is Ex+ with two extremely light marks on track B1. The sleeve EJ Day flipback sleeve is Ex+ with the lightest of wear. No need for upgrades.
Lot 51
BEATLES FAN CLUB FLEXIS - their first 3 fan club flexis. 1963 vinyl is VG+ with a few marks while sleeve has some light staining and has been taped inside gatefold so grades Good+. Another Christmas Record (1964) vinyl grades Ex with sleeve again in Good condition due to writing on front. Finally Third Christmas Record (1965) grades Ex but has missing label while sleeve grades VG due to a small area of loss at top left corner.
Lot 58
YELLOW SUBMARINE MONO FACTORY SAMPLE - Rare original 1969 mono LP with Factory Sample Not For Sale (stickered on side 1 label). The copy has No Garrard And Lofthouse or patent number. The record is in Ex+ condition with just one or two very light wispy marks. The 'two red line' sleeve is in Ex condition with a catalogue number written in red pen on the reverse. Note - lots 55-60 have come from an executive who worked in the music industry and was given these records along with numerous other Factory Sample LPs & 7" which we will have in future sales.
Lot 2
BEATLES PLEASE PLEASE ME - the original mono black and gold 1st pressing of their debut album on Parlophone (PMC 1202). A decent example with the vinyl showing plenty of signs of play with lots of light marks and scuffs - there is one feelable (just about!) scratch at the end of Side 2 - grades Good+. The labels grade VG with spindle wear and fading over gold lettering concentrated around spindle. The sleeve grades Good+ - the front cover is clean with laminate creasing at corners and a 3cm tear along the bottom right corner. The rear of the sleeve has staining. Stampers are 2GM/1GA.
Lot 25
PLEASE PLEASE ME 1ST MONO - A solid 1st UK mono pressing of the 1st studio album (PMC 1202). This copy has Dick James credits with early 1 G/1 R mother stampers. The labels are unusual as the labels do not align (this can be seen as the matrix on side 1 is at the 7 o Clock position). The record is in VG+ condition with some light surface marks but no deeper scratches. The sleeve is in VG condition with some general wear to the flipback design with 'LP 8.' written in black pen on the reverse and a black rectangle shaped mark to the left of 'Please Please Me' on the reverse.
Lot 61
PLEASE PLEASE ME BLACK GOLD MONO - nice example of their 1st press debut LP with Dick James credits. 1G/1R stampers. Vinyl has light marks and scuffs but nothing heavy at all - grades VG. Labels are bright and clean with some spindle wear - grade Excellent. Sleeve has light creasing around edges of laminate, splits at top and bottom openings measure between 4 cm and 6cm, some damage to flipback - grades Good+.
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534338 item(s)/page