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Click here to subscribeA PEARL NECKLACE AND BRACELET SET WITH 14K GOLD CLASPS length of the single strand necklace, 38cm, pearls all approximately 6.2mm, length of the double strand bracelet 17.5cm, weight combined 43.7gms Condition Report: Bracelet; light general wear, pearls not knotted between each pearl, stringing ok at present. Necklace; knotted between each pearl, a little slack, but ok.
A PAIR OF CUFFLINKS AND A PAIR OF STUDS RETAILED BY MAPPIN & WEBB made from rock crystal and sapphire, mounted in 18ct white gold with French eagles head hallmark stamps. Retailed by Mappin & Webb Buenos Aires, Argentina. Head size of the cufflinks 11.1mm, four sapphires mounted in a block approx 5.5mm x 5.5mm. Studs head size 8.5mm x 8.5mm, sapphire block approx 4.3mm x 4.3mm. Combined weight 9.7gms Condition Report: Cufflinks; one corner has a few tiny abrasions, like it has not been fully polished. A few miniscule flea bite chips. French eagles head hallmarks to the reverse.'Sapphires very light abrasions indicative of wear. studs; As above, overall could do with a clean, light general wear .
AN 18CT WHITE GOLD RUBY AND DIAMOND STARBURST PENDANT approx ruby dimensions 7mm x 5mm x 4.1mm, with a halo of fine needle baguette diamonds, dimensions of the pendant 16.5mm x 15.2mm, length of chain 49cm, weight 7.2gms Condition Report: Light gewneral wear, diamonds bright and clean, ruby has some linear inclusions, but is a good colour, no treatments as far as I can see.
A VICTORIAN BRIGHT YELLOW METAL GARNET SET PENDANT with a Victorian kite mark to the reverse dating the pendant to 1872, length of pendant approx 4.7cm, with a 9ct gold diamond cut belcher chain, length 56cm, weight 15.5gms Condition Report: Has a Victorian kite mark on the reverse, light general wear.
A GEORG JENSEN 18CT WHITE GOLD BANGLE inner dimensions 60mm x 52mm, width 3.7mm, weight 17.1gms Condition Report: Overall; very light wear, Bears the Georg Jensen oval stamp and simply stamped 750, the previous owner (trade) has had it hallmarked to verify it is 18ct white gold with Edinburgh hallmarks.
A 15CT GOLD OPAL SET BRACELET diameter of opals approx 5.5mm, length of bracelet 20.5cm, weight approx 15.3gms Condition Report: Mount all good, very light general wear, one opal has a few scratches and one is heat cracked, but you can only see this with a loope, both are completely stable. In original box and clearly only worn on special occasions.
A PAIR OF 9CT GOLD SHIELD SHAPED DIAMOND SET CUFFLINKS each shield set with a 0.20ct old cushion cut diamond, dimensions of sheild 1.8cm x 1.3cm, engine turned engraved side approx 1.7cm x 1.1cm, weight 10.1gms Condition Report: One diamond has a cleavage chip to the side that has been polished around, see photos. both are nice clean diamonds, hallmarked 9ct no date letter. Light general wear.
AN 18CT GOLD RUBY AND DIAMOND RING set with estimated approx 0.20cts combined, largest ruby approx 4.1mm x 3.5mm x 2mm, smaller rubies approx 2.7mm x 2.5mm x 1.9mm. Finger size Q1/2, weight 6.1gms Condition Report: Mount light general wear. Largest ruby has had a unsightly inclusion drilled out from the back, from the front it looks like a spherical air bubble, but isn't , there are other natural inclusions including a crystal inclusion, diamonds bright and sparkly, with a few tiny clear feather type inclusions that can only be seen with a loope.
AN EARLY 19TH CENTURY GARNET AND DIAMOND RING of crowned double heart design, with scallop shell detail to the shoulders. All stones in closed back settings, garnets approx 7mm x 5.5mm, finger size approximately K. Weight 2.5gms Condition Report: Light general wear to the mount, left hand garnet has a chip to the top, 'in place' and held by the setting. finger size approximately K, the ring is not made 'round'.
A 9CT GOLD YELLOW AND WHITE DIAMOND, AND SAPPHIRE RING the pear shaped yellow diamond is estimated approx 0.40cts with two further brilliant cuts at 0.40cts combined, with a pear shaped sapphire of comparable size to the yellow diamond. Finger size V, weight 5.7gms Condition Report: Light general wear.
AN 18CT WHITE GOLD EMERALD AND DIAMOND ETERNITY RING each emerald is approx 3mm, and further set with 0.72cts of brilliant cut diamonds, finger size N, weight 6.1gms Condition Report:Emeralds; nice colour, probably treated to stabilise, some surface reaching inclusions, mainly transparent, with further linear inclusions, diamonds; eye bright and sparkly, some clear feather type inclusions, mount all in good order, very light wear.
AN 18CT GOLD EMERALD AND DIAMOND PENDANT BY LORIQUE the step cut emerald measures approximately 8.5mm x 6.5mm, surrounded with estimated approx 0.50cts of brilliant cut diamonds, length of pendant with bail 2cm. weight 1.5gms. With original box and The Jewellery Channel Lorique Certificate of Authenticity Condition Report: Light general wear.
A GENTS TAG HEUER FORMULA 1 ALARM WRISTWATCH CIRCA 2008 diameter of the case approx 4.5cm with winder. Length of strap approx 20cm, weight of watch 126.3gms, with original inner and outer box and booklets, weight with boxes etc 967.5gms Condition Report: Needs a good clean, otherwise light general wear, needs a battery.
AN 18CT GOLD OPAL AND DIAMOND CLUSTER RING pear shaped opal approx 21.5mm x 11.8mm x 3mm, surrounded with estimated approx 1.5cts of brilliant cut diamonds, finger size O1/2, weight 6.7gms Condition Report: Good intense play of colour mainly green, red with flashes of blue. very light abrasions to the opal surface, no chips or cracks. Diamonds good quality, a few clear crystal or clear feathers but really tiny, can only be seen with a loope, overall bright and clean by eye. Mount Light general wear.
A PLATINUM AQUAMARINE AND DIAMOND RING the step cut aquamarine measures approx 8.6mm x 6.9mm x 5.1mm, with diamond accents set tot he shoulders in pierced millgrain settings. Finger size O1/2, weight 4gms Condition Report: Well cut aquamarine, clean stone no inclusions, diamonds bright, mount all good light general wear.
AN 18CT GOLD SIX CLAW SET DIAMOND SOLITAIRE of estimated approx 0.98cts, finger size M, weight 3.6gms Condition Report: I cannot give you a full diamond report as I am not qualified to do so, but I can tell you what I can see. . diamond;- dimensions; 6.45mm x6.45mm x (approx closed back setting) 4.4mm. A cluster of five tiny carbon spots to the table, I can't see them by eye, only with a loope, otherwise nice clean diamond, they don't seem to reflect around the stone too badly, appears to be a decent colour F to H. no chips, mount light general wear.
A CHAMPAGNE AND WHITE DIAMOND RING the step cut central diamond is estimated approx 2.3cts and surrounded with approximately 0.30cts of white eight cuts. Finger size K1/2, weight 3.4gms Condition Report:Central diamond multiple clear feathers and carbon platelets mainly to one side, interesting diamond, and a nice colour, white diamonds eight cuts, some clear feathers, pretty basket mount light general wear.
A 14K GOLD EMERALD AND DIAMOND LINE BRACELET set with estimated approx 0.44cts of brilliant cut diamonds set alternately with emeralds of a similar size, length 18.5cm, weight 12.9gms Condition Report: Bracelet; pretty mount nice and flexible, clasp works well the safety clasp needs tightening. Diamonds, all heavily included with clear feather type inclusions, bit of sparkle there but not the best quality. Emeralds; pretty, light to mid green colour, heavily included, semi transparent.
AN 18CT WHITE GOLD TURQUOISE AND DIAMOND RING the central turquoise measures approx 14.7mm x 9.7mm x 6mm and surrounded with two tiers of brilliant cut diamonds with an estimated approximate total of 0.80cts. Finger size O1/2, weight 8.1gms Condition Report: Turquoise; matrix (rock base) visible at the back, so solid untreated turquoise, good colour with no staining. Diamonds bright and clean with no eye visible inclusions. Mount light general wear with Arabic hallmark stamps.
A LIGHT ERCOL 427 LOUNGE CHAIR designed by Lucian Ercolani, 75cm This item is offered for sale as a work of art, it may not comply with the Furniture and Furnishings (Fire) Safety Regulations 1988 and for this reason it should not be used in a private dwelling Condition Report: Available upon request
ROBERT WEIR ALLAN RSA, RWS, RSW (SCOTTISH 1852-1942) CHILDREN AT MONTROSE Watercolour and gouache, signed, 27 x 44cm (10 1/2 x 17 1/4") Condition Report: On inspection there are three small light horizontal mark lines near the top right corner next to the edge and similar markings, horizontal meeting vertical in proximity to bottom right corner. Ten or so small, slightly lighter than palette markings, in the area of the sky. The paper is slightly wavy in appearance. .
•HIRST WALKER RBA (BRITISH 1868-1957) HIGHLAND SHORES OCTOBER NIGHTFALL Watercolour, signed, 36 x 52cm (14 x 20 1/2") Inscribed with title on Artist's label verso Condition Report: Surface appears slightly uneven, and there is what may appear to be light yellowish discolouration in a few areas along the lower middle section.
•FRANCIS RUSSELL FLINT RSW, RWS (BRITISH 1915-1977) HMS APOLLO (ESCORTING THE ROYAL YACHT BRITANNIA) Watercolour and gouache, signed and inscribed 'HMS APOLLO', 39.5 x 56cm (15 1/2 x 22") Condition Report: The paper is noticeably wavy in appearance. There is some light foxing located in the top right hand quarter section and there is, what appears to be, an intermittent repair line running horizontally parallel to the bottom edge of the mount in the left hand section.
MAURICE WILLIAM GREIFFENHAGEN RA (BRITISH 1862-1931) MANY CARGOES Gouache and conte crayon, signed, 41 x 27.5cm (16 x 10 3/4") Bourne Fine Art label verso Condition Report: There are what appear to be tiny dots of mould over the left middle section and two very light score marks to the surface located in the right middle section.
ATTRIBUTED TO EUGENE ISABEY (FRENCH 1803-1886) FISHING BOATS ON STORMY SEAS Oil on canvas, 35 x 54.5cm (13 3/4 x 21 1/2") Condition Report: There is light to moderate craquelure over most of the canvas surface, being less apparent in the lower left quarter section. The canvas is torn, in an area of approx. 13 by 13 centimetres, a small restored damage area above this, horizontal tare to the right of this, within the top right quarter section. In the top left quarter section two tares, in an area approx. 6 by 9 centimetres, vertical and horizontal, in the shape of an inverted 'T' , with area of paint loss, approx. 1.5 centimetres above this in the same section. In the lower left quarter section a vertical tare in the canvas, approx. 3 centimetres in length. Some other tiny paint loss areas top left corner area and two top right quarter section being the ones most visible.
ROBERT WEIR ALLAN RSA, RWS, RSW (SCOTTISH 1852-1942) NEAR PALERMO, SICILY Watercolour, signed, 35.5 x 52cm (14 x 20 1/2") Condition Report: On close inspection slight diagonal line marking in proximity to top left corner. Small diagonal scoring, disruptive to the paper, at middle of lower left quarter section. Noticeable is a group of light foxing marks over and around the area of the signature and to a lighter degree along the left hand edge, in proximity to, and in the lower left corner area.
JAMES ABBOTT MCNEILL WHISTLER (AMERICAN 1834-1903) ARTHUR HADEN Drypoint etching, signed and dated 1859 (in plate), 20.5 x 13.3cm (8 1/16 x 5 1/4") Condition Report: The paper is noticeably wavy in appearance. The margins are discoloured and mildly foxed, and on very close inspection there is a small, what appears to be, vertical crease line running from eye to mouth. There is a small bleached area in the margin and edge of image upper right and very light foxing noticeable over bottom third of image being most apparent in the bottom corner areas, The paper looks slightly creased in the bottom right hand corner area.
JAMES KAY RSA, RSW (SCOTTISH 1858-1942) SUMMER EVENING - FIRTH OF CLYDE Gouache, signed, 39.5 x 49.5cm (15 1/2 x 19 1/2") Calton Gallery label verso Condition Report: Tiny dots observed over part of the area of the sky mainly in the top right quarter section suggesting foxing and 3 light diagonal line markings located in the lower left quarter section. Pin hole mark top right and bottom right corner. .
•ERNEST ARCHIBALD TAYLOR (SCOTTISH 1874-1951) HILL FARM, ARRAN Oil on board, signed, 42.5 x 56cm (16 3/4 x 22") T. & R. Annan & Sons Ltd. label verso Condition Report: On close inspection there is a very light vertical score mark, located in the right half section and another similar score mark located within the top left hand quarter section. There is a small slightly abrasive looking area, approx. 1.5 by 0.5cm, where the varnish appears removed leaving the pigment lighter, located bottom left hand quarter section. .
MAURICE GREIFFENHAGEN RA (BRITISH 1862-1931) THE DUEL Gouache, signed and dated 1902, 40.5 x 60cm (16 x 23 1/2") The Fine Art Society Ltd. label verso Condition Report: On very close inspection there are very light score marks located near the top edge on the right, adjacent to the lower left edge and in proximity to the lower right corner area.
ATTRIBUTED TO EDWARD HASTINGS (BRITISH 1781-1861) VIEW OF DURHAM CATHEDRAL Mixed media on paper laid on board, 31 x 53.5cm (12 x 21") Condition Report: The surface is slightly to moderately bowed in a concave manner and on close inspection there are a few small light marks in proximity to the top left corner area and generally some tiny specs apparent over the area of the sky, being lighter in tone, but overall the work views well and is in reasonable condition for its age.
•RICHARD NORMAN (SCOTTISH CONTEMPORARY) NORMAN GOTHIC Oil on canvas, signed and dated 1993, 86.5 x 76cm (34 x 30") Inscribed with title on Artist's label verso Condition Report: On close inspection there is a small area of very light abrasive markings on the surface at the top edge left of centre. On the whole the pigment and canvas are in good condition.
AFTER REV. JOHN THOMSON OF DUDDINGSTON (SCOTTISH 1778-1840) CARRICK CASTLE, LOCH GOIL Oil on canvas, bears signature, 51 x 61cm (20 x 24") Condition Report: The painting appears to have been lined and there is a light to moderate degree of cracking in the pigment over parts of the canvas surface, most noticeably over the middle section of the sky, where the pigment has been laid on more thickly, and also the darker passages, especially the foreground.
WILLIAM WALCOT RBA, RE (BRITISH 1874-1943) ANTHONY IN EGYPT NO. 2 Drypoint etching, signed, 50.5 x 50.5cm (20 x 20") Taylor & Brown label verso Condition Report: There is light discolouration of the margins most evident at the edge next to the mount and a few spots of light foxing around the margins, the largest in the bottom margin at middle. On close inspection the margin paper next to the edge of the plate appears slightly rubbed down the right hand edge. The paper seems slightly wavy in the lower section of the plate.
JAMES BELL ANDERSON RSA (SCOTTISH 1886-1938) SHEEP AT DUSK Oil on canvas, signed, 46 x 61cm (18 x 24") Condition Report: Overall the surface appears quite dirty and dry with blooming in evidence and generally there is cracking in the pigment noticeable over the surface from a light to fairly heavy degree.
•CHARLES JAMES MCCALL ROI (SCOTTISH 1907-1989) SUMMER BOUQUET Oil on canvas, signed and dated (19)49, 51 x 40.5cm (20 x 16") The Leicester Galleries label verso Condition Report: On close inspection there are extremely light scratch marks on the pigment, top left, bottom left, bottom right and in the top right corner areas. Again on close inspection there is a small area of tiny cracking in the pigment located in the top right corner. The canvas is lying slightly loose on the stretcher.
•ATTRIBUTED TO AUGUSTUS EDWIN JOHN RA, RP, NEA (BRITISH 1878-1961) DORELIA Charcoal, gouache and ink, brush, signed, 27.5 x 13cm (10 3/4 x 5") (sheet)Please note the change to the description for this lot. Condition Report: The sheet has been laid down and float mounted leaving the edges of the paper visible. There is a light vertical crease line in the paper, approx. 4 centimetres in length, running down from the top edge left of centre. Very light small crease in the paper in proximity to top left corner area and another very slight horizontal crease, approx. 3 centimetres, on the left , lower middle. There appears to be some fine cracking in pigment in a small area at centre, lower of middle.
•FELIX PLANQUETTE (FRENCH 1873-1964) LA POINTE DE CAROLLES (PRES AVRANCHES) Oil on canvas, signed and dated 1905, 60 x 81cm (23 1/2 x 31 3/4") Inscribed with title on stretcher bar verso Condition Report: There is light cracking in the pigment over the body of the cow on the left and cracking and subsequent flaking of paint with the loss of 5 small pieces of pigment in the area almost directly below this located at the edge of the frame, left of centre.
•CHARLES CAMERON BAILLIE (SCOTTISH 1901-1960) THE FAERY STILL Oil on panel board, 140 x 91cm (55 x 35 3/4") Condition Report: There are two light horizontal score marks showing on the surface, approx. 3 centimetres in length, in from the right edge at middle and another slightly heavier horizontal score mark, approx. 4 centimetres in length, located in from the lower left edge. There is a small hole with a small amount of paint loss and another small area of damage with paint loss, both adjacent to the upper left edge. There are many small light marks and dots, though smooth to the touch being covered with a layer of varnish, in some areas throughout the surface and ten or so small abrasive areas of pigment loss in the middle area of the top half section.
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