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Click here to subscribeJames Malton (1761-1803) Marine School, Dublin, Looking up the Liffey Aquatint, published 1796 25.5 x 40cm; 10 x 15¾in With an aquatint of the Custom House from the Liffey by S. F. Brocas and one of Artillery Bridge, Killarney by T. Walmsley (3) The estate of Peter J. Rankin ++All framed alike, a little time-staining especially Custom House, a few light fox marks
Samuel Palmer (1805-1881) The Bellman, 1879 Etching, from an impression of 75 made in 1926 before destruction of plate from collection of Henri Petiet Paris 16.5 x 23cm; 6½ x 9¼in Provenance: Elizabeth Harvey-Lee The estate of Peter J. Rankin ++Paper rippled, some bloom a little very light discolouration and foxing to margins (framed but glass missing)
Harry Bright (1846-1895) Great white Heron; Song Thrush; Cormorant; Female Blackbird Set of four, all signed and dated 1884 All watercolour Each 28 x 22cm; 11 x 8¾in (4) ++Some time staining within earlier oval mount (now in matching rectangular frames and mounts), Cormorant with light foxing to background, others with just one or two fox marks between them
Willem Van de Velde (1633-1702) The Morning Gun Signed with initials and dated 1684 Oil on canvas 62.5 x 86cm; 24½ x 34in Provenance: Mr. William Tennant circa 1795, and by descent Mr. Hugh Buchanan, Pusey, Oxfordshire ++Relined, good restored condition, some retouching in sky and some further scattered retouchings visible under u.v. light
Thomas Fowke (1827-c.1887) Still life of pots and pans with sandals and a bust relief Signed and dated 1868 Oil on panel 35.5 x 29.75cm; 14 x 11¾in ++A small chip upper margin, (thin) panel bowed and with light crack from centre to upper margin, some retouching to table and one or two scattered areas visible under u.v. light
‡ Margaret Dovaston (1884-1955) Private H. J. Hastings D.C.M. of the 2nd Battalion, Oxfordshire & Buckinghamshire Light Infantry firing on the enemy ... October 23rd 1914 Signed Mixed media 26 x 52cm The work was reproduced in the publication of c.1919 Deeds that thrill the Empire: True Stories of the Most Glorious Acts of Heroism of the Empire’s Soldiers and Sailors during the Great War. Although Dovaston is better known for her paintings of historical English interior scenes, she was a respected war artist in WW1 ++Good condition
Badge. Princess Victoria’s (Royal Irish Fusiliers) Victorian OR’s glengarry grenade circa 1881-90. Scarce pattern die-stamped brass flaming grenade, the ball bearing eagle within circlet inscribed “Royal Irish Fusiliers 8”. (KK 969). The Eagle and tablet inscribed “8” represents the Eagle on the flagstaff of the 8th French Light Infantry captured by Sergeant Patrick Masterson of the 87th Fusiliers at Barossa on 5th March 1811. Slight polish to eagle’s breast otherwise GC. Loops
Irish. Londonderry Militia Georgian Officer’s silvered flat back coatee button. Castle within circlet ‘Londonderry M’. Approx 16 mm Raised as Londonderry Militia in 1793, redesignated Londonderry Light Infantry in 1855. See “Buttons of the Irish Militia 1793-1881” by J. McDonnell, 16.3. Slight service wear and small score Shank
Irish. Fermanagh Light Infantry Militia Officer’s silvered closed back coatee button. ‘Fermanagh’ scroll over curled bugle horn with Inniskilling Castle to centre. Approx 22 mm Raised at Enniskillen in 1793 as Fermanagh Militia, redesignated Light Infantry in 1855, became 3rd Bn. Royal Inniskilling Fusiliers on 1st July 1881. Service wear, slight blemish to reverse rim Shank Hugh Foley, Dublin
Badge. Royal Irish Fusiliers Victorian OR’s glengarry grenade circa 1890-96. Die-stamped brass flaming grenade, the ball bearing an eagle on a plinth inscribed ‘8’. (KK 970) The Eagle and tablet inscribed “8” represents the Eagle on the flagstaff of the 8th French Light Infantry captured by the old 87th Fusiliers at Barossa on 5th March 1811. VGC Loops
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