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Click here to subscribeGary Hume (b.1962) 'Angel C#', signed and dated 00 in pencil, screen print, image 107 cm x 86 cm, sheet 126 cm x 100.5 cm, framed and glazed, frame 137.5 cm x 112 cm.In very good condition and from a private collection. The print is on a floating mount with very slight warping of the paper as a result. Gallery standard frame in very good condition with only very light blemishes.
17th-Century Dutch School, three-quarter length portrait of a gentleman holding a handkerchief, oil on panel, 114 x 84 cm, framed 130 x 100 cmProvenance unknownPanel of planked construction with cracks visible from the front. Some small areas of overpainting visible under UV light, especially along the cracks and top right side. Would benefit from cleaning. Reverse of panels show signs of previous woodworm.
Paul Lucien Maze (1887 - 1979), French, Children on a beach (1954), Fishers Island USA, signed, oil on board, 15.5 x 60 cm, framed 28 x 72 cmBrowse & Darby, Cork St London, label versoOverall in very good condition. Signs of an overpainted line under UV light. Very slight wear to the gilding on the frame. From a private collection.
Coca-Cola Hitman Roadshow (1990) a pair of vintage jackets produced for the later European tour that followed the ensemble show in Asia featuring Kylie Minogues debut concert tour with Stock Aitken and Waterman in 1989, includes, a red fleece baseball style jacket with faux white leather sleeves and red lining, embroidered across the back and left breast, zip and popper fastenings to front, label reads XL; together with a white nylon baseball style jacket with red and white Coca-Cola lettering across the back and Hitman Roadshow lettering to left breast, label reads Made Exclusively for Eueni, Ex. Large. (2) Provenance: The Collection of Jerry Judge who was Johnny Depps long-time personal bodyguard and confidant for nearly twenty years. Jerry himself cameoed in many of Depps Hollywood films and through his private security company provided services for numerous celebrities in the film and music industries, including Frank Sinatra, Julia Roberts, Paul McCartney, Jason Donovan, A-ha, Antonio Banderas and Arnold Schwarzenegger to name a few. Condition Report: overall both good conditions.red fleece baseball style jacket - with some light marks to white faux leather sleeves. white nylon jacket with mark to left sleeve and a few marks to lower back.
CRUMB (Robert). Three Limited edition Signed hardback books includes, My Troubles with Women, numbered 26/200 copies; and R. Crumb draws the Blues, numbered 12 of 200 copies; R Crumbs America, numbered 45 of 200 copies, each books Signed by the artist on illustrated bookplates, black and white comic-strip illustrations throughout, original publishers black and blue boards, lettered in gilt on fronts and spines, 4to, published by Knockabout Comics, 1990,1992 & 1994 (3) Condition Report: some light foxing to top edges, otherwise overall good conditions with strong signatures.
Berni Wrightson and Harlan Ellison Signed Limited edition prints includes, Berni Wrightson, Limited edition print, Graphic Collectibles, 1987, numbered 345/350 and Signed by the artist on lower margin, flat, 17 x 27 inches; together with, Harlan Ellison, The Night of Black Glass, a printed broadside written and published specifically for the benefit of the Clarion Writers Workshop: 1981, first edition, limited to 326 copies, of which 300 are Signed and numbered, this being copy 201, Signed by Harlan Ellison in black ink lower right, flat, 19 x 25 inches. (2) Condition Report: Berni Wrightson, Limited edition print, Graphic Collectibles, 1987 - light creasing to lower r.h. corner, otherwise overall good condition with strong signature. Harlan Ellison, The Night of Black Glass, printed broadside - overall good condition with strong signature.
HOCKNEY (David). David Hockney by David Hockney, Presentation Copy, hardback book, published by Thames and Hudson, 1976 - first edition, Inscribed by the artist in black ink on half-title, edited by Niko Stangos, 434 illustrations, of which 60 are in colour, dust-jacket unclipped, green cloth with publishers device in gilt on front cover, gilt lettering to spine. The artist's first volume of autobiography, 4to. Provenance: Inscribed for the vendor in person by the artist when they were working as an Art Trade Photographer in David Hockneys studio. Condition Report: light creasing and marks to dust-jacket, some toning to edges, cloth boards clean and bright, with strong signature.
Novels, a group of six hardback books, three of which are Signed - includes, CHIZMA (Richard, editor). Cold Blood, Multi-Signed Limited edition, numbered 276 of 500 copies, with sixteen signatures on limitation page, dust-jacket unclipped, within slipcase, Mark V. Ziesing, 1991; GIBSON (William) and Bruce Sterling. The Difference Engine, first edition, Signed by William Gibson on title, dust-jacket unclipped, Bantam, 1991; GIBSON (William). Virtual Light, first UK. edition, Signed by the author on half-title, dust-jacket unclipped, Viking, 1993; SKIPP (John, editor). Book of the Dead, first hardcover edition, foreward by George Romero, Introduction by John Skipp and Craig Spector, dust-jacket unclipped, within black pictorial slipcase, Mark V. Ziesing, 1989; JONES (Stephen, editor). Dark Voices: The Best from the Pan Book of Horror Stories, first edition, stories by Robert Bloch, Ray Bradbury, Stephen King, John Lennon and others, dust-jacket unclipped, Pan Books, 1990; and WARREN (Bill). The Evil Dead Companion, soft covers, St. Martins Press, 2000. 8vo. (6) Condition Report: overall good conditions with strong signatures
Costume and Tour Shirts a group of six shirts, includes, Sheriffs Department Marin County, a beige short sleeve shirt, embroidered badges on both sleevs, label reads Styled Service Shirt by Conqueror Union Made, Size L; Torrance Police, a navy-blue short sleeve shirt, embroidered badges on both sleeves, label reads Flying Cross All Weather De Luxe Tropical, buttons and half zip fastening to front, Size L; B.B. King King of the Blues Worldwide, a light blue denim shirt, printed with red glitter text across the back, label reads Campus XL; Jason Donovan Doin Fine, a white Lee shirt, embroidered on left and right breasts, pearl metal popper fastenings to front and pockets, lable reads Lee Western Clothes Shawnee Mission USA. Size XL; Michael Bolton, a Lee blue denim shirt, embroidered on left breast, pearl metal popper fastenings to front, label reads Lee Sanforized Size L; and A-Ha, a light blue Levis denim shirt with Scoundrel Days printed in white text across the back, pearl metal fastenings to front and pockets, label reads Levis Shirt Family Levis Strauss California Size XL. (6) Provenance: The Collection of Jerry Judge who was Johnny Depps long-time personal bodyguard and confidant for nearly twenty years. Jerry himself cameoed in many of Depps Hollywood films and through his private security company provided services for numerous celebrities in the film and music industries, including Frank Sinatra, Julia Roberts, Paul McCartney, Jason Donovan, A-ha, Antonio Banderas and Arnold Schwarzenegger to name a few.
HAYLEY BELL, Mary (1911-2005). Whistle Down the Wind, Signed first edition paperback book, published by Hodder and Stoughton, 1997 -Signed in black ink by the author on title, illustrations by Oven Edwards, 8vo; together with, Him, Her & Me, The Autobiography of Mr. Chips, A Yorkshire Terrier, Authors Signed Presentation copy, first edition hardback book, published by Weidenfeld & Nicolson, 1981, Inscribed by the author in blue ink on the front endpaper to her personal assistant Lynn, . . . on whom we depend continuously from John and Mary, 1986, illustrated by Molly Blake, dust-jacket unclipped, 8vo. Lady Mills was an English actress and writer, married for 64 years to actor Sir John Mills. Her novel Whistle Down the Wind, adapted for film release in 1961, was produced by Richard Attenborough, directed by Bryan Forbes, and starred her daughter, Hayley Mills. (2) Provenance: The Collection of John Willis, Publicity Director, and later Production Executive for Sir John Mills on his one-man show. John Willis wife, Lynn, was Personal Assistant to Sir John and Lady Mills for many years. Condition Report: Whistle Down the Wind - light creases and marks to covers, internally clean with a clear but slightly shaky signature.Him Her & Me - rubbing to cloth on spine ends, with some sunning to verso of dust-jacket, with a strong inscription.
Hamadan Carpet, the faded crimson field of angular vines around and ivory medallion framed by spandrels and meandering vine borders, 553cm by 332cmBoth ends complete. Selvedges original, one in good/fair order, the other with losses to binding cords. Pile is generally fair but with localised light wear. Colour is uneven and faded in areas.
18ct White Gold Single Stone Prong Set Diamond Pendant 0.41 Carats - Valued By IDI £2,680.00 - This dainty and luxurious solitaire diamond pendant sparkles beautifully when it catches the light. The diamond is set in fine 18ct white gold for a polished look. A perfect gift for someone you love. This pendant is supplied with a 9ct white gold chain. Colour-I, Clarity-SI1, Certificate Number 120195587, Certificate Link: https://www.idi-lab.com/reportcheck/viewpdfreport.php?id=120195587 - 3303035
An opulent demitasse cup and saucer set exhibiting regal encrusted gold-tone trim, embossed floral designs, light blue design ground, and singing birds. CH Haviland Limoges backstamps. Cup: 3"L x 2"W x 2.25"H; saucer: 4.5" dia. Manufacturer: Charles Field HavilandCountry of Origin: FranceCondition: Age related wear.
Inspired by African wildlife and nature, this adorable lion cub is crafted in light brown crystal with an impressive 788 facets for maximum sparkle. Lion cub sits safely within its pride. SCS club exclusive. Swarovski logo etched on bottom. Swarovski #5135896. This item has its original box which measures 5"L x 5"W x 3.25"H. Artist: Heinz TabertshoferIssued: 2016Dimensions: 3"L x 1.5"W x 2"HManufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.
Ercol Burford 954 light elm extending dining table, having a pull-out action and three extra drop-in leaves, raised on faceted square-end supports united by stretchers, approx 160.5 cms (closed) and with two leaves 252 cms x 92 x 73 h cms together with four Wheatsheaf chairs 49 cms x 58.5 d x 106 cms h and a single carver approx 60 cms w x 58 cms d x 106 cms h.
Dame Beryl Grey - orchestral scores of her principal and most notable roles. The box contains a collection of orchestral scores, many handwritten with light annotation or dynamics added by Dame Beryl and others. These include amongst them Tchaikovsky's Swan Lake Divertissement including her role as the Black Swan both full score and orchestral parts; Tchaikovsky's The Sleeping Beauty Piano Score annotated and signed to composer John Lanchbery from Peter and Joe 1950. Arthur Bliss Checkmate ballet music annotated by the conductor for Dame Beryl Grey; Frederick Delius Irmelin Prelude score; Léo Delibes Sylvia handwritten score Act I; Tchaikovsky Sleeping Beauty 'Aurora' Pas de Deux full score annotated by Dame Beryl Grey; Schumann 'Papillons' score orchestrated by the late David Tidboald; Frédéric Chopin's Les Sylphides full score and orchestral parts; Léo Delibes Sylvia Divertissement full score and orchestral parts including woodwind, brass and timpani amongst it. Handwritten manuscript for Panorama from the Sleeping Princess; Ludwig Minkus Don Quixote handwritten score and a Pas de Deux arrangement by Tim Killar. This lot includes Beryl Grey Award Solo 'Tout Á Vous' sheet music and also contains assorted piano music in both book and sheet form. An interesting insight into this fascinating field and the synergy between conductor and principal dancers. Note: Property of Dame Beryl Grey CH, DBE, FRSA Prima Ballerina.
Approx. 33 LP records from the 1960s and 1970s, includes The Magnificent Moodies by The Moody Blues Decca LK 4711 unboxed red/silver label, Bob Dylan mono 62022, The Freewheelin' Bob Dylan 62193 mono, Another Side of Bob Dylan 62429 mono, Blonde on Blonde mono gatefold with nine photos (some scratches), Steeleye Span - Hark The Village Wait stereo SF8113 with insert and Please To See The King CAS1029, Incredible Spring Band - The Hangman's Beautiful Daughter EUK258, Wee Tam and The Big Huge 2 LP gatefold EKL4036/37, Country Joe and the Fish – Here We Are Again SVRL19048, plus four LPs by The Beatles including The Beatles PMC 1206 large mono on the front cover, Help PMC 1255 small mono outline on front cover, A Hard Day's Night PMC 1203 small mono on front cover, Beatles For Sale PMC 1240 outline mono on front cover gatefold sleeve. All records are in original or early pressings bought by the vendor at the time of release. Inspection is recommended as some records may have light marks.
Francis Ragot, Pieter Paul Rubens - Assumption of the Virgin / Description: The Assumption of the Virgin; the Virgin in the sky led upward by angels toward a burst of divine light, two of them holding a floral crown and a palm; Christ above welcoming her; the twelve apostles gathered around the open tomb, some of them stretching out their arms; St John the Evangelist at right and looking up at the Virgin; three women probably Mary Magdalene and Virgin Mary's sisters, one of them holds a flower referring to the blossoms that miraculously filled the empty coffin; three books lying in foreground; arched composition. Engraving made by Francois Ragot showing painting in Museum Kunst Palast, Düsseldorf, inv.no.2309 (Rooses 358). After Paulus Ponitius. / Dimensions: 65,00 x 44,00 cm / Condition: This very large engraving is in good condition considering it's format. The image is complete with with text lines and trimmed outside the borderline, narrow on top with perhaps one or two millimeter of loss. The thick laid paper has some flattened folds on the backside. Schneevoogt 1873 / Catalogue des estampes gravées d'après P.P.Rubens (78.29) Engraving /Circa: 1630-1670 360
Cornelis Galle (1576-1650) - Portrait of Carolus Quintus after Titian Portrait of Emperor Charles V (1500-1558). Charles was the eldest son of Philip the Handsome and Joan of Castile, who would enter history as Joan the Mad. The countries he ruled, the Spanish Empire, together formed the largest European empire since that of Charlemagne. In fact, his entire empire, so including the American and Asian territories, was even larger than the earlier Roman Empire and it can rightly be called one of the first world empires of the New Age. In this bust portrait, he is shown in profile. The light reflects on his shining armor. We also recognize the chain of the Order of the Golden Fleece. The Subscript "En fulminanti similis inuic ta Herculis, Ultra labores arma sic Carolis tulit" links to the motto of arms 'Plus Ultra' chosen by Emperor Charles V. It was a variation on 'Non plus ultra', the text Hercules is said to have chiselled on the Pillars of Hercules on either side of the Strait of Gibraltar to mark the end of the world in classical antiquity. Under Charles's reign, Spain experienced tremendous colonial expansion and with the new motto, he wanted to indicate that the Strait of Gibraltar was no longer the end of the world and that Spain's ambitions extended further. 22,00 x 17,00 cm Excellent condition, nice dark sharp print, clearly defined plate edges. With full plate border and wide margins in the full sheet of watermarked laid paper (Weapon of Amsterdam) Hollstein / Dutch and Flemish etchings, engravings and woodcuts c.1450-1700 (133) Engraving 1630-1650 220
Adolphe Appian - Chemin de L'etang de Frignon - 1877 / Description: CHEMIN DE L'ETANG DE FRIGNON (ISERE) 1877 ( J.40, P.45 ). A winter scene. Signed Appian 77 in top right corner. / Dimensions: 10,80 x 19,80 cm / Condition: Impression on laid paper with margins. In very good condition. / Literature: Curtis & Prouté 1968 / Adolphe Appian, son oeuvre gravé et lithography (45) --- Jennings.40 ---- Appian was one of the outstanding landscape painters of the 19th century in Lyon. He was also an excellent etcher who was extremely sensitive to light and atmosphere. He was able to create a mood with line and by carefully leaving a fine layer of ink on the surface of the copper plate which prints as pale tone. Adolphe Appian studied at the École de Dessin et Beaux-Arts in Lyon, where he was taught by Jean-Michel Grobon (1770-1853). In 1851 he debuted at the Salon of Lyon with three paintings. In 1852 he moved to Crémieu, where he painted the region. He befriended Corot and Daubigny and they influenced his work. 1854 he made his first excursion to the forest of Fontainebleau, In 1861 Appian settled in Creys, located twenty-five kilometers from Crémieu and ten kilometers from Morestel. In 1863 he became an active member of the new Société des Aquafortistes founded by Alfred Cadart in 1862.F. In 1866 the two works he exhibited in Paris were bought by Napoleon III and by princess Mathilde. From 1871 until the early nineties he often visited the Mediterranean coast.Appian is one of the regional artists who showed their territory with love and grace. Besides his paintings he made 76 etchings and 4 litho. Appian was one of the artists closely followed by the publisher Cadart who's merit it was to publish their genius graphical work. Appian was responsible together with Corot and Daubigny for the renewal of the etching in the middle of the 19th century. The great esteem for his work was boosted by Atherton Curtis for Paul Prouté who published his catalogue raisonné in 1968.He based his catalogue on that one of H. Jennings published in the Print Collector's Quarterly" from February 1925 / Medium: Etching /Circa: 1873 160
Anthonie Wierix, Maerten de Vos - The Resurrection, first state / Description: Passion of Christ: The Resurrection; Christ seen holding a cross and levitating above his coffin; scared guards seen sheltering themselves from the light coming from Christ; in a decorative border with four narrative ovals with miracles of Christ and other stories from the Old and New Testament. Engraving made by Antonius Wierix (1552-1604) after the design drawing by Maarten de Vos (1532-1603), published by: Eduard van Hoeswinckel (fl. 1570s-died 1583). A first state before the number. The border reminds the decoration on hand painted miniatures, especially the ones in the style of Bruges from 15th century. This one with the pot of flowers and Jonas with the Whale is a very nice one, in the series. / Dimensions: 19,00 cm x 15,60 / Condition: Excellent brilliant early impression of the first state, on a dense clearly watermarked laid paper. In an excellent untouched condition. / Literature: A preparatory drawing by Maarten de Vos is in the Staatsgalerie, Stuttgart, inv.no.C1745 --- Hollstein / Dutch and Flemish etchings, engravings and woodcuts c.1450-1700 (201.I) -----Maquoy-Hendrickx 1979 / Les Estampes des Wierix ... catalogue raisonné (139. I/IV) -----Alvin 1866 / Catalogue raisonné de l'oeuvre des trois frères Jan, Jérome et Antoine Wierix (336) / Medium: Engraving /Circa: before 1583 400
Pierre-Auguste Renoir, "Sur la plage à Benneval" / Description: Sur la plage à Benneval. Etching with drypoint made by Pierre-Auguste Renoir (1841-1919) in Paris in 1892. Edition of Loys Delteil in 1923 Le Peintre-graveur illustré, vol 17, Paris 1923. Reference : D. 5 iii (Delteil 5.3). Etching printed on cream wove paper, Van Gelder laid paper, with large margins. Light browning caused by the framing. Good dark impression with some drypoint. Traces of aging not disturbing. / Dimensions: 13,8 cm x 9,5 cm / Condition: Etching printed on cream wove paper, Van Gelder laid paper, with large margins. Light browning caused by the framing. Good dark impression with some drypoint. Traces of aging not disturbing. / Literature: D. 5 iii (Delteil 5.3) / Medium: etching /Circa: 1892 300
Adolphe Appian - Une noria a Bordiquier (Italy) - 1873 / Description: UNE NORIA A BORDIQUIER (ITALIE) 1873. ( J.33, P.37 ). Exhibited in the Paris Salon. This is a very unusual subject for Appian, but it is, nonetheless, a strong image. Bordighera is on the Italian coast between Monaco and San Remo. This is a larger print: 29 by 20,5 cm on plate border. It is signed upper left 'Appian 1878'.With full plate border and 1 cm margins. / Dimensions: 29,00 x 20,50 cm / Condition: Impression on laid paper with 1 cm. Margins. In very good condition. / Literature: Curtis & Prouté 1968 / Adolphe Appian, son oeuvre gravé et lithography (37) --- Jennings.33 ---- Appian was one of the outstanding landscape painters of the 19th century in Lyon. He was also an excellent etcher who was extremely sensitive to light and atmosphere. He was able to create a mood with line and by carefully leaving a fine layer of ink on the surface of the copper plate which prints as pale tone. Adolphe Appian studied at the École de Dessin et Beaux-Arts in Lyon, where he was taught by Jean-Michel Grobon (1770-1853). In 1851 he debuted at the Salon of Lyon with three paintings. In 1852 he moved to Crémieu, where he painted the region. He befriended Corot and Daubigny and they influenced his work. 1854 he made his first excursion to the forest of Fontainebleau, In 1861 Appian settled in Creys, located twenty-five kilometers from Crémieu and ten kilometers from Morestel. In 1863 he became an active member of the new Société des Aquafortistes founded by Alfred Cadart in 1862.F. In 1866 the two works he exhibited in Paris were bought by Napoleon III and by princess Mathilde. From 1871 until the early nineties he often visited the Mediterranean coast.Appian is one of the regional artists who showed their territory with love and grace. Besides his paintings he made 76 etchings and 4 litho. Appian was one of the artists closely followed by the publisher Cadart who's merit it was to publish their genius graphical work. Appian was responsible together with Corot and Daubigny for the renewal of the etching in the middle of the 19th century. The great esteem for his work was boosted by Atherton Curtis for Paul Prouté who published his catalogue raisonné in 1968.He based his catalogue on that one of H. Jennings published in the Print Collector's Quarterly" from February 1925 / Medium: Etching /Circa: 1873 180
Paulus Potter - The Cow Herd Paulus Potter The herd of cows. Etching. 1649. sign in the plate. u. dat. Hollstein IV (VII). - Strong pressure from the smaller plate. - Light foxing, otherwise in good condition. - 18,30 x 20,30 cm Very good impression, with full plate border and margins on a laid paper sheet. A couple of faded rust stains upper left. Remains of two old hinges on the backside of the top margin Hollstein IV (VII)Bartsch 14 - "Le Vacher". Engraving 1649 560
Tag Heuer Monaco gentleman's automatic chronograph wristwatch, circa 2005, Ref. CW2111-0, black dial with date aperture at 6 o'clock, subsidiary dials at 3, 6 and 9 for seconds, 30 minute and 12 hour recording, on black leather strap with original fold-over claspCondition Report:Movement functioning, dial good, cover with some light scratches, light scratches to case, star / stop functioning, the centre seconds hand does not jump back to 12 when bottom push button is operated, crown and hands good, clasp and strap good, case diameter = 38mm (excluding crown)
Longines ladies 9ct gold manual wind wristwatch, Cal. 410, on integral 9ct gold bracelet, London 1972, boxedCondition Report:Approx 21.8gm (excluding movement), bracelet non magnetic, movement functioning, couple of very light pale marks to dial (not detrimental) otherwise good condition, replacement Longines crown, length = 18.5cm, case diameter = 1.8cm
Victorian silver centre seconds key wound chronograph pocket watch by Joseph Mellanby, Stockton, No. 126109, white enamel dial with Roman numerals, outer seconds track numbered 5-60, case by The Lancashire Watch Co Ltd, Chester 1896, on silver Albert chainCondition Report:Movement functioning, stop/start lever functioning, few scratches to glass cover, dial a couple of very light marks otherwise good, case diameter = 5.3cm, chain length = 31cm (links wearing thin in areas)
18ct gold single stone old cut diamond ring of approx 2.80 carat, with eighteen round brilliant cut diamond set shank of approx 3.00 carat, total diamond weight approx 5.80 caratCondition Report:Approx 7.8gm, tested 18ctsize O-P, band depth = 5mm, principal diamond 9.3mm x 9mm x 5.25mm with a large culet, slight chip to facet edge, diamond colour approx K-M, bright with good movement, clarity approx SI1 - eye clean with some very light specks only visible under 10x loop, diamonds within shank bright with good movement, approx colour H-J, clarity VS-SI, each approx 3.5mm diameter
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