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Click here to subscribeA YELLOW METAL LONGUARD CHAIN WITH WATCH KEY AND PROPELLING PENCIL, textured belcher link chain, unmarked, suspending a yellow metal tassel, a yellow metal watch key in the form of a key unmarked, and a small yellow metal propelling pencil set with an orange paste, unmarked, length of chain 1380mm (condition report: general light wear in keeping with age and use, large bolt ring is a base metal, all pieces are untested)
A 9CT GOLD ROTARY WRISTWATCH, oval cream dial with hourly applied markers, dial signed Rotary Quartz Swiss Made, the watch is on a 9ct yellow gold bracelet, the inner case numbered 3477, with import marks for Sheffield, 1990, bracelet hallmarked 9ct gold Birmingham 1989, approximate gross weight 15.20 grams (condition report: overall condition very good, minor light scratches and tarnish present, watch not currently functioning, untested for time keeping)
A YELLOW METAL ALBERT CHAIN, graduated curb link chain each link stamped 9c, fitted with two lobster clasps and a T-bar, stamped 9c to each lobster clasp and T-bar, length 480mm, approximate gross weight 14.5 grams (condition report: general light wear, clasps working, slight dirt build up between links, would benefit from a gentle clean and polish)
A SMALL PLASTIC BOX OF WRISTWATCHES, to include two digital 'Casio' wristwatches, a 'Casio Auto Light Switch' watch, a 'Super Reflex' wristwatch, a 'Lifemax' watch, a digital 'Timex Indiglo' watch, a 'Lifemax Atomic Talking Watch', a 'Casio' digital watch with a pink strap, a 'Ravel' watch, a digital 'Timex' watch (condition report: used conditions, NOT tested, general wear, some may require attention)
AN 18CT GOLD BLACKAMOOR STYLE BROOCH, depicting a front profile of a lady, set with three small circular cut rubies and two small round brilliant cut diamonds, fitted with a brooch pin with safety clasp, also fitted with a small suspension hoop to be worn as a pendant, hallmarked 18ct Birmingham, approximate dimensions length 43.0mm x width 26.4mm, approximate gross weight 14.8 grams (condition report: overall condition good, general light wear)
A CULTURED PEARL NECKLACE, designed with three strands of individually knotted cream pearls with a pink hue, each pearl measuring approximately 7.0mm, fitted with a yellow metal push piece clasp in the form of a bow set with round brilliant cut diamonds, stamped 585, with additional figure of eight safety clasp, length 460mm, approximate gross weight 97.7 grams (condition report: general light wear, some pearls with natural blemishes, clasp in working order, overall condition good)
AN 18CT GOLD BLACKAMOOR STYLE BROOCH, depicting a front profile of a lady, headband set with a row of alternating rubies and single cut diamonds, plaited hair, and a single cut diamond set necklace, fitted with a brooch pin with safety clasp, also fitted with a small suspension hoop to be worn as a pendant, hallmarked 18ct Birmingham, approximate dimensions length 47.4mm x width 22.9mm, approximate gross weight 15.4 grams (condition report: overall condition good, general light wear)
AN EARLY 20TH CENTURY, 18CT GOLD DIAMOND BOAT RING, set with a principal single cut diamond flanked with four rose cut diamonds, polished band, hallmarked 18ct Birmingham 1915, ring size L, approximate gross weight 2.3 grams (condition report: general light wear, all stones intact, overall condition good)
AN EARLY 20TH CENTURY THREE PIECE SILVER TEA SERVICE SET, comprising of a polished teapot, raised on four cabriolet legs with shell detail, fitted with an ebonised handle and finial, hallmarked 'William Hutton & Sons Ltd' Sheffield 1914, matching sugar bowl fitted with double handles and a milk jug, each stamped to the base 28006, approximate gross weight 36.3 ozt, 1129.7 grams (condition report: light tarnishing to all pieces, would benefit from a gentle clean and polish, general light wear, overall condition good)
A SET OF SIX EDWARDIAN SILVER RATTAIL PATTERN SOUP SPOONS, engraved with initial 'E' to back of handle, makers Joseph Rodgers & Sons, Sheffield 1902, 13.85ozt, 430.9 grams (6) (Condition Report: marks are clear, spoons are all in useable condition, light surface scratches, minor wear to edges of bowls)
â–´ Joan Warburton (1920-1996)Fishpondsigned with initials and dated '62' l.r., oil on board30.5 x 40.5cmProvenance: The artist's estate;Sally Hunter Fine Art.Condition ReportFramed size 36 x 46cmSome abrasians to the left sideand lower right corner. Some small losses elsewhere. Not viewed under uv light. Please contact department for a detailed report and images.
â–´ Gerald Leslie Brockhurst RA (1890-1978)'Aglaia'etching, 1926, signed 'GL Brockhurst' in pencil l.r. and in reverse in plate l.l.plate 13.8 x 10.4cmCondition ReportFramed: 40 x 30cmLight time staining with two small brown spots to the upper right corner near the plate edge. Unexamined out of glazed frame.
David Hockney OM CH RA (b.1937)'Dog Painting 43'offset lithograph in colours,1995, published for the 'David Hockney Dog Paintings' exhibition at 1853 Gallery, Salts Mill, Yorkshiresheet 52.7 x 64.7cm, unframedCondition ReportA couple of very light handling creases visible to the reverse, but this does not detract from the image.
â–´ Nancy Sharp (1909-2001)'Pink Roses', c.1948oil on canvas51 x 30.5cmProvenance: Sally Hunter Fine Art, from the Artist's Studio Sale.Condition ReportOverall: 55 x 34cmA small loss to the extreme lower edge and a faint stretcher mark to upper edge. Ligt surface scuffs and abrasions, see images. Unexamined under UV light, for a full report please contact the department.
Biddy Jamieson (1871-1952)The Cliffssigned 'Biddy Jamieson/1911' l.l., faintly signed, inscribed and dated verso, oil on panel32 x 41cmProvenance: The Estate of Mrs Althea Lloyd.Condition ReportOverall 42.5 x 51cmGenerally good original condition.Not examined under UV light. For a full report please contact the department.
David Hockney OM CH RA (b.1937)'Montcalm Interior at Seven O'Clock'offset lithograph in colours, 1988, published for the 'David Hockney' exhibition at 1853 Gallery, Salts Mill, Bradfordsheet 70 x 83.5cm, unframedCondition ReportSome light handling crease to the right edge which are only visible from behind and do not affect the image.
Leonard Richmond (1889-1965)A collection of watercolours, and a sketchbook containing pencil and watercolour landscape studiestogether with postcards and black and white photographs 28.5 x 35cm and smaller, unframed (qty.)Provenance: Kasuke Kawase, brother of Japanese artist Hasui Kawase - Leonard Richmond was Kasuke's friend and art teacher;thence by descent.Condition ReportThe watercolour studies are time stained with ripped and dog-eared edges. Some light foxing starting to emerge to some, however the colours do not appear to have faded.
â–´ Carolyn Hubbard-Ford (b.1947)Still life with bottle, grapes, cheese, and sheet musicsigned with monogram and dated '98' l.r., oil on canvas82 x 114cm, unframedCondition ReportSome light rubbing to the edges but in otherwise good condition. Unexamined under UV light, for a full report please contact the department.
â–´ Jesús Algovi (Spanish, b.1968)'La Entrada en el Templo'; 'Sacré Coeur'screenprints in colours from The Temple Collection, both signed in pencil l.r., and numbered '43/100' and '40/100' respectivelyimage 59.5 x 87.5cm and 49.5 x 49.5cm (2) Condition Report'La Entrada en el Templo': framed 77.5 x 107.5cm. Unexamined out of glazed frame however appears to be in good overall condition. Sacré Coeur: framed 63 x 62cm. Light rippling with two small brown specks to the bottom margin. Unexamined out of glazed frame.
After Joan MiroUntitledlithograph in colours, on wove paper, after Lithograph VII, 1972sheet 33.7 x 50cm,together with:'Great Britain';'Portugal';a pair, lithograph in colours, complete with Nathan Daniel Isen, Philadelphia certificate of authenticitysheet 19.5 x 39.5cm, and'Star Scene' lithograph in colours, with Templeton and Rawlings Ltd., London, authentication label versoimage 40 x 57.5cm (visible) (4)Provenance: The first ('After Joan Miro'), with Andipa Gallery, London.Condition ReportUntitled:Framed: 58.5 x 74cmNot examined out of glazed frame, there is crease down the centre where the paper has been folded in half, otherwise well-presented and ready to hang.'Great Britain' and 'Portugal':Framed:44 x 63cmThe paper has been stuck down. Not viewed out of glazed frame.'Star Scene':Framed: 56 x 71cmTime staining and light rippling to the paper. Unexamined out of glazed frame.
A Weinberg (20th century)Harbour sceneinscribed 'A.WEINBERG' verso, oil on canvas17.5 x 23cmCondition ReportFramed: 23.5 x 30cmCraquelure with some bowing to the canvas along the bottom left edge, and visible retouching (?) to the upper left and right corners, please see images. Unexamined under UV light, for a full report please contact the department.
â–´ Hugh Boycott Brown RSMA (1909-1990)'Calm, Two Barges Anchored with a Smack'inscribed and titled on a label verso, oil on board18.5 x 24cmProvenance: The Estate of Mrs Althea Lloyd.Condition ReportOverall 32.5 x 38cmGenerally good condition. Not inspected under UV light. For a full report please contact the department.
â–´ Iain Browning (1934-2008)'The Malvern Hills'signed with a monogram and dated '55' l.r., oil on canvas76 x 102cmCondition ReportOverall 90 x 115cmA small tear lower left where pressure has been applied to the front of the canvas where a dent has appeared that has punctured the canvas however, there is no apparent paint loss. In otherwise good condition. Uninspected under UV light, for a full report please contact the department.
â–´ Iain Macnab (1890-1967)'Summer Bouquet'wood engraving, signed 'IAIN MACNAB' in pencil l.r., inscribed with title and numbered '16/50' l.l.sheet 25.5 x 32.5cm,together with four further examples of the same print which are uneditioned (5) Condition ReportThere are handling creases to two of the prints, and the editioned print has a fold to the bottom right corner. All of the prints have time staining and light surface dirt.
â–´ James McBey (1883-1959)'Rouen'etching, signed 'James McBey' in pen l.r., and numbered 'XXXV' l.l., also signed, inscribed with title and dated 1916 in plateplate 16.5 x 36cmCondition ReportFramed: 37 x 54.5cmSome light time staining. There are small indentations to the paper visible throughout the sky. Unexamined out of glazed frame.
â–´ James McBey (1883-1959)'Macduff'etching, signed 'James McBey' in pen l.r., and numbered 'IX' l.l., also signed, inscribed with title and dated 1921 in plateplate 30 x 18.5cmCondition ReportFramed: 50 x 37cmTime staining with some small specks of light surface dirt. Unexamined out of glazed frame.
Sunday B. Morning after Andy WarholMarilyn Monroescreenprint in colours on board, stamped 'published by Sunday B. Morning' and 'fill in your own signature' verso, the full sheet printed to the edgessheet 91 x 91cm, unframedCondition ReportCreasing to the corners with a diagonal fold to the lower left corner and some slight knocks to the edges. Light surface scuffs and scratches.
Sunday B. Morning after Andy WarholMarilyn Monroescreenprint in colours on board, stamped 'published by Sunday B. Morning' and 'fill in your own signature' verso, the full sheet printed to the edgessheet 91 x 91cm, unframedCondition ReportSome slight creasing to the corners with two half moon folds to the upper left corner. Some light dirty marks. Overall does not detract from image.
â–´ James McBey (1883-1959)'Avila'etching, signed 'James McBey' in pen l.r., and numbered 'IX' l.l., also signed, inscribed with title and dated 1911 in plateplate 17 x 27.5cmCondition ReportFramed: 37.5 x 46cmLight time staining with a couple of spots of foxing starting to emerge. Unexamined out of glazed frame.
â–´ John Buckland Wright (1897-1954)'Bathers'woodcut, signed and dated 'John Buckland Wright 1946' l.r.sheet 23 x 27.5cm, unframed.Condition ReportLight time staining with some foxing starting to emerge. Two small marks to the left margin and some minor staining to the upper left corner, please see images. There are two small pieces of brown tape attached to the reverse of the top edge.
â–´ Norman Ackroyd RA (b.1938)'The Flannan Isles - Roariem'etching and aquatint, signed and dated 'Norman Ackroyd 12' in pencil l.r., inscribed as titled and numbered '12/90'plate 32 x 50cmExhibited: Royal Academy of Arts, London, Summer Exhibition, 2014, cat no.176.Condition ReportFramed: 57 x 74.5cmSome light time staining. Well presented and ready to hang. Unexamined out of glazed frame.
Frank Brangwyn (1867-1956) and Yoshijiro Urushibara (1888-1953)'Leaves from the Sketch Books of Frank Brangwyn cut by Urushibara'signed 'Frank Brangwyn' and numbered 9 from an edition of 25, published by F Lewis Ltd., Leigh-on-Sea, includes one original sketch signed 'Frank Brangwyn' l.l., charcoal, sanguine pastel and watercolour21.5 x 13.5cm, unframed,the edition also includes a colour print signed by both artists, and 20 further printssheets 35 x 28 and smaller, unframed (22)Provenance: Kasuke Kawase, brother of Japanese artist Hasui Kawase;thence by descent.Condition ReportTime staining and discolouration to the paper with light foxing starting to emerge in places, please see images. All of the sheets are in 40.5 x 32.5cm mounts.
â–´ Duncan Grant (1885-1978)'Still Life' lithograph in colours, published 1947, part of a series of lithographs by leading British artists, commissioned by J Lyons & Co. at the end of the Second World War to decorate their tea shops sheet 70.5 x 96cm, unframed Condition ReportThere is 1cm x 2cm piece missing to the left edge, and a 5 x 4cm piece missing to the bottom edge, please see images. Further small rips and tears to the edges with light surface scuffs and abrasions.
â–´ John Piper CH (1903-1992)'Florence Relief Landscape' (Levinson 184) lithograph in colours, 1967, signed 'John Piper' in pencil l.r., and numbered '4/50'image 43 x 62cm (visible)Provenance: Marlborough Graphics, London, 1974.Condition ReportFramed: 64 x 84cmLight time staining to the margins. There is a small 1cm scratch in the margin in the extreme lower right corner. Unexamined out of glazed frame. The work is well presented and ready to hang.
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