A WMF Ikora bronze art deco style vase, of ovoid form and etched with stylised leafy branches resisted against a mottle 'verdigris' ground, 12.7cm high (small dent to body)Footnote: Footnote: A gummed paper label applied to this item indicates it was offered by Sotheby's, 10 May 1995, lot 225.Condition report: There is a small dent to the body in the lower half, quite shallow and around 30mm across, the centre of which has rubbing to the verdigris ground. Minor/negligible surface wear throughout. Typical light abrasions to the underside.
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A George V silver pierced bowl, Goldsmiths and Silversmiths Co Ltd, London 1915, the bowl of shaped circular form with decorative floral pierced rim and raised on three stepped hoof feet, 19.5cm diameter, 7cm high, weight approx 8ozCondition report: Hallmarks clear, general wear and light scratches but no significant visible damage, refer to images
A reproduction bronze effect composite figural three-branch electric ceiling light, late 20th century, modelled as three putti united by a central urn, each supporting a pendant lamp head, with suspension chains and rose, 54cm wide, 100cm drop.Condition report: Not tested. Negligible signs of use.
A Chinese yellow ground dragon bowl, six-character Hongzhi mark but later, of inverted bell form, the outside decorated with a yellow ground and incised with two dragons chasing flaming pearls amid clouds, 20.5cm dia.Condition report: Generally good condition with only minor signs of age including: Some light glaze wear to the inside middle. A small speck of kiln grit off centre inside.
A George III mahogany arched and painted dial longcase clock, George Monks of Prescot, the hood with swan-neck pediment and glass inserts above fluted full columns flanking the arched door, the trunk with shaped door between fluted quarter columns, the cross-banded base box with canted corners set on a later foot, the arched painted dial with painted moon phase having rural and nautical scenes, the chapter ring with Roman and Arabic numerals around two exotic birds, subsidiary seconds dial and calendar aperture, the eight-day movement with brass pates and four knopped pillars, striking on a bell, with two weights, pendulum and winder, 61cm wide x 28cm deep x 227cm high.Condition report: Hood missing bosses/caps to pediment volutes. Possible missing element to centre finial and missing moulding to top right corner. Minor wear to glass panels. Hood door has some veneer patches and areas of veneer lifting. Splits to hood sides. Trunk fair with fine splits to the sides at the top and some cracking to the centre of the door. Case back split. Base box has cosmetic marks and losses to inlay. Foot is a later replacement. Dial fair and appears to be in original condition with no evidence or repainting/retouching, some minor wear consistent with age and use and a fine light cracklure throughout - not disfiguring. Minute hand bent. Movement winds, runs and strikes but not tested for timekeeping or longevity.
Clarice Cliff for Newport potterya trio in the 'Orange Gardenia' pattern, comprising teacup, 10cm diameter, saucer and side plate, 18cm diameter, printed Bizarre Fantasque marks and facsimile signature (3)Condition report: Some scratches and wear to the green leaves on the cup. A couple of small scratches to the yellow border on the plate and likewise to this colour on the saucer. Some further light rubbing elsewhere to the painted decoration. Please see additional images. No damages or repairs.
An Edwardian silver mounted jewellery box, A & J Zimmerman Ltd, Birmingham 1907, of shaped rectangular form with lined interior and ring tray, 11cm wideCondition report: Hallmarks slightly rubbed, general wear and light scratches in keeping with age but no significant visible damage, refer to images
A nicely decorated pair of Spode 'Stone China' octagonal platescirca 1816featuring a Chinese-style scene of numerous figures in a garden, with a single figure holding an owl and chickens in the foreground, the border painted in enamels with flowers, printed black 'Copeland Stone China' fretmarks, 23cm diameterCondition report: Overall condition is good with no damages or repairs. There are a couple of light scratches to the surface of the plate and through the coloured enamels. Please see additional images.
A pair of Worcester 'Gillyflower' dessert dishes, circa 1775-80, of canted oval form with ozier-moulded border, transfer-printed in underglaze blue, hatched crescent mark, 24cm and 24.5cm wide together with a Worcester square dessert dish in the same pattern, 20cm wide(3)Condition report: Square dish - graze and loss of glaze to edge at 4 o clock. Canted oval dishes - 1 dish with small restored rim chip. Both with some light sections of glaze loss around the very edges of the rims and all pieces with light signs of use in the form of scratches. One canted dish also has a small manufacturing flaw to the interior of the foot rim. Hatched crescent marks to bases.
A Venetian style six-light glass chandelier, mid-20th century, the rose/stem and base united by 'S' scroll arms issuing six branches with lamp heads, applied with flower bosses and pendant facet droplets, 54cm wide, drop 90cm approx. (some faults)Condition report: One 'drip pan' missing. Some droplets detached and may have missing elements. Requires fully cleaning and re-wiring to re-commission.
An assembled group of early 20th century metalwares, including a Near Eastern influence embossed and jewelled brass casket, of rectangular outline and applied with simulated turquoise bosses, 22.5cm long; a small copper Arts & Crafts casket, the top inset with a Ruskin type turquoise glazed oval pottery plaque, 11cm wide; a Chinese influence embossed brass card tray, 24cm wide; an embossed and pierced brass spectacles case and other items (a lot).Condition report: Long casket: general light wear and signs of age throughout. Hairlines to some of the jewel bosses.Small casket: minor signs of age only.Card tray: minor signs of age only.Spectacle case: small loss to casting at the rim to the case. General dints and abrasions consistent with age and use.Other items: as found.
A group of Wedgwood Foxwood Tales collector's plates and a Brambly Hedge calendar plate, comprising A Letter for Rue., Jam Making At Foxwood., Tobogganing., Time For Bed., Carols At Foxwood., Grandpa's Old Bicycle., Mrs Rabbit's Kitchen., Picnic at Foxwood., Mr Gruffey's Shop., The Foxwood Library., Foxwood Regatta., A Wonderful Dream., and a 2002 collector's plate. (14) Upon initial inspection all plates appear in a good overall condition, with no signs of major damage or repair. There is wear to the foot rims generally as you would expect through light use. They are first quality.
An 18thC and later oak and elm dresser, the plate rack with out swept pediment above four shelves, above a base with two frieze drawers, raised on vase shaped frontal supports united by a box stretcher, 186.5cm high, 129cm wide, 51cm deep. (AF) Upon initial inspection there is some light wear to the top of the piece and light scraping, the two drawers appear good overall, the piece is structurally sound and there is a few knocks to the base as you would expect, two shelves have bowed over the years.
John Speed (1552-1629). Map of Lincolnshire, c.1676, hand-coloured copper engraving on laid/chain-lined paper, featuring armorial shields, sea monsters, ships and inset view of Lincoln, published by Bassett & Chiswell, 41.5cm by 54.5cm. Framed and glazed recto & verso (both sides visible). Well-preserved with light, even toning; a couple of pale marks/discolouration at lower-right; short tear at right-hand margin, just into engraved border
Artist James Preston, Born in Birmingham and moved to Derbyshire as a teenager. He studied history of art at Derby art collage. His work is recognised internationally and his compositions are inspired by beauty and the light of the surrounding Derbyshire countryside. Original oil on canvas lily Pads size 60cm H X 80cm W
Artist James Preston,Born in Birmingham and moved to Derbyshire as a teenager. He studied history of art at Derby art collage. His work is recognised internationally and his compositions are inspired by beauty and the light of the surrounding Derbyshire countryside. Original oil on canvas, Daffodils size 60cm H x 60cm W

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