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λ A collection of jewellery including a jadeite bangle, comprising: a white and russet jadeite bangle; a light bluish green j

Woolley & Wallis

Lot 29

λ A collection of jewellery including a jadeite bangle, comprising: a white and russet jadeite bangle; a light bluish green jadeite bangle, broken and restuck; two dark green nephrite jade bangles; a jadeite bead necklace; an amazonite bead necklace; a white coral bead necklace; a jadeite and gold ring, size O; a synthetic ruby and jadeite brooch; a nephrite and quartz pendant; a gold bead and turquoise bangle; a soapstone pendant carved with the face of a bearded man; and a synthetic colour-change sapphire ring, size P

Live Auction

Van Cleef & Arpels, a Fancy Light Yellow diamond cluster ring, set with a fancy coloured old circular-cut diamond weighin

Woolley & Wallis

Lot 464

Van Cleef & Arpels, a Fancy Light Yellow diamond cluster ring, set with a fancy coloured old circular-cut diamond weighing 6.63cts, within a surround of round brilliant-cut diamonds within diamond shoulders in yellow gold, stamped VCA, maker's mark and 750, central diamond a later replacement, size M Accompanied by GIA report number 5222508562, stating the round brilliant diamond is fancy light yellow with VS2 clarity, 6.63cts

Live Auction

A collection of fob seals, 19th century, comprising seven seals mounted in gold: one in carnelian carved with a figure of fam

Woolley & Wallis

Lot 57

A collection of fob seals, 19th century, comprising seven seals mounted in gold: one in carnelian carved with a figure of fame blowing her trumpet; one in citrine carved with a coat of arms; one in white chalcedony with initals in a garter border reading 'Thomas's Hotel Berkeley Square'; one in light yellow chalcedony with a knot and the motto 'A Toi Seul' ('Yours Alone'); one in plain bloodstone; one in carnelian with a tree and the motto 'Nec Fluctu Nec Flatu' ('Neither Wind nor Wave'); and one in white chalcedony with the name 'Isabella', tallest 3.6cm; together with two smaller gilt metal seals, tallest 1.9cm

Live Auction

Andre Marchal, Twin birds on branches Vallauris lamp, circa 1950s, Earthenware with lava glaze, Inscribed signature 'MARCHAL'

Roseberys London

Lot 1018

Andre Marchal, Twin birds on branches Vallauris lamp, circa 1950s, Earthenware with lava glaze, Inscribed signature 'MARCHAL' to foot, 69.5cm high to bulb holder (VAT charged on the Hammer price)It is the buyer's responsibility to ensure that electrical items are professionally rewired for use.Both birds have been off and have been re-glued, there is a re-glued chip with some small losses to base next to signature. There is a chip to the back edge of one leaf, Otherwise only light general surface wear and dust/dirt build up throughout commensurate with age. Light fitting appears to be later

Live Auction

Fase, Desk lamp, circa 1960, Lacquered steel, chromed metal, plastic, Cast manufacturer's mark to underside, 58cm high

Roseberys London

Lot 1019

Fase, Desk lamp, circa 1960, Lacquered steel, chromed metal, plastic, Cast manufacturer's mark to underside, 58cm high It is the buyer's responsibility to ensure that electrical items are professionally rewired for use.Overall general wear throughout to include light scratches. The shade with minor surface wear, some paint loss to inner shade. the stand with scratches and only very minor oxidisation marks, the base with small dent with scratches/paint loss

Live Auction

Bruno Gatta (1904-1976) for Stilnovo, Model '288' Pendant light, circa 1954, Enamelled aluminium, glass, electrical fittings,

Roseberys London

Lot 1022

Bruno Gatta (1904-1976) for Stilnovo, Model '288' Pendant light, circa 1954, Enamelled aluminium, glass, electrical fittings, Manufacturer's label to frame, 75cm high. Literature: Alex Coles, Pierre Doze, Didier Krzentowski, 'The Complete Designers' Lights 1950-1990 II: Catalogue Raisonné', RP Ringier; New edition, 2014, see similar example illustrated p.54 It is the buyer's responsibility to ensure that electrical items are professionally rewired for use.Some minor surface wear to enamelled shade to include light scratches/scuffs and minor flea bite nicks to finish, metal fittings with signs of oxidisation throughout. The glass disc is in good condition no chips or cracks, would benefit from cleaning. One of the three chords housing electrical wires has been entirely replaced with black electrical tape. The light has six light fittings. The light does not come with a ceiling mount however, it looks from the top of the ceiling rose as if it would require one large bolt to secure.

Live Auction

Designer Unknown, a pair of modern iron four light chandeliers, circa 2000, patinated iron, each 80cm high (2) It is the buye

Roseberys London

Lot 1024

Designer Unknown, a pair of modern iron four light chandeliers, circa 2000, patinated iron, each 80cm high (2) It is the buyer's responsibility to ensure that electrical items are professionally rewired for use. Please refer to department for condition report

Live Auction

Michael Kucera, German b. 1958 - Shadows Series Light 004 and Dark 003, 2007; a pair of acrylic, resin and wood installations

Roseberys London

Lot 1034

Michael Kucera, German b. 1958 - Shadows Series Light 004 and Dark 003, 2007; a pair of acrylic, resin and wood installations, each signed and dated on the reverse, each 90 x 125 cm (unframed) (ARR) (2) Please refer to department for condition report

Live Auction

A pair of white glazed ceramic lamps, 20th century, each designed as an elephant with howdah supporting a plinth with moulded

Roseberys London

Lot 1042

A pair of white glazed ceramic lamps, 20th century, each designed as an elephant with howdah supporting a plinth with moulded cave-type decoration, each 40.6cm high excluding electrical fittings; together with a modern white fibreglass lamp in the form of an owl perched on a rocky outcrop, with blue glass inset eyes and white painted wood base, 56cm high excluding electrical fittings (3)It is the buyer's responsibility to ensure that electrical items are professionally rewired for use.One elephant lamp at fault to the plinth with repaired cracks. General surface dirt, light scratches and staining to each lamp.

Live Auction

Jasper Morrison for Flos, a 'Smithfield' ceiling light, of recent manufacture, with domed white powder coated aluminium shade

Roseberys London

Lot 1043

Jasper Morrison for Flos, a 'Smithfield' ceiling light, of recent manufacture, with domed white powder coated aluminium shades enclosing three lights, with injection moulded opalescent methacrylate diffuser, 22cm high, 60cm diameter It is the buyer's responsibility to ensure that electrical items are professionally rewired for use Please refer to department for condition report

Live Auction

An Italian ten light brass chandelier, c.1950, with four glass shades and five egg shell enamelled shades, 64cm high chair (

Roseberys London

Lot 1044

An Italian ten light brass chandelier, c.1950, with four glass shades and five egg shell enamelled shades, 64cm high chair (VAT charged on hammer price)It is the buyer's responsibility to ensure that electrical items are professionally rewired for use Please refer to department for condition report

Live Auction

Gaetano Sciolari, a pair of white metal wall appliques, c. 1970s, with two light fittings, moulded glass drops, each 25cm hig

Roseberys London

Lot 1045

Gaetano Sciolari, a pair of white metal wall appliques, c. 1970s, with two light fittings, moulded glass drops, each 25cm high (2)It is the buyer's responsibility to ensure that electrical items are professionally rewired for use.Possible later replaced lights.

Live Auction

Ron Arad (b.1951) for Moroso, Pair of 'Victoria & Albert' lounge chairs, circa 2000, Leather, internal steel frame, Each with

Roseberys London

Lot 1055

Ron Arad (b.1951) for Moroso, Pair of 'Victoria & Albert' lounge chairs, circa 2000, Leather, internal steel frame, Each with manufacturer's label to underside, Each 76cm high, 74cm wide (2) Both chairs structurally sound and sturdy, light marks, minor scuffs to leather, both chairs with very minor dark marks/stains to backs.

Live Auction

A G Plan Nest of tables, c.1960, with three graduated tables, largest 48.5cm high, 53cm wide, 43cm deep, together with a G pl

Roseberys London

Lot 1058

A G Plan Nest of tables, c.1960, with three graduated tables, largest 48.5cm high, 53cm wide, 43cm deep, together with a G plan 'Fresco' coffee table, 43cm high, 137cm wide, 51cm deep (2)light scratches

Live Auction

Paul Gaisford, British b.1941- Summer near Chasleton, Gloucester; oil on board, signed lower left, 23.2 x 28.7 cm. (ARR) Fram

Roseberys London

Lot 1102

Paul Gaisford, British b.1941- Summer near Chasleton, Gloucester; oil on board, signed lower left, 23.2 x 28.7 cm. (ARR) Framed, and unexamined out of frame. General marks and scuffs to the frame. The paint surface is stable on the support. Fine and settled craquelure in areas. Areas of impasto are well-preserved. Light surface dirt generally. Otherwise in good condition overall.

Live Auction

Faith Kenworthy-Browne, British 1882-1973- Portrait of a lady seated full-length in an interior; oil on canvas, signed with i

Roseberys London

Lot 1103

Faith Kenworthy-Browne, British 1882-1973- Portrait of a lady seated full-length in an interior; oil on canvas, signed with initials (lower left), 61 x 45.5 cm.: together with another work by the same artist depicting an interior scene with flowers in a vase and paintings; oil on canvas, signed with initials and dated '1968' (lower right), 61 x 50.9 cm. (part unframed) (ARR) (2) Portrait of a lady: Framed, unexamined out of frame. Light marks and chips to the frame generally. Stretcher bar marks visible to the upper and right edges of the canvas. Fine and settled craquelure in areas. Two repair patches visible to the verso, one larger patch towards the upper centre of the canvas, and the other smaller patch towards the centre of the lower section of the canvas. Evidence of light abrasions and marks of surface dirt to the canvas generally. Areas of impasto are well-preserved. Interior scene: Unframed. Stretcher bar marks visible to the upper and lower edges. Light abrasions visible to the canvas, particularly towards the corners and edges but also generally across the canvas. Surface dirt across the canvas. Areas of impasto are well-preserved. Otherwise in fair condition overall.

Live Auction

Faith Kenworthy-Browne, British 1882-1973- View in India, 1926-1929; oil on board, signed with initials (lower right), 21.5 x

Roseberys London

Lot 1104

Faith Kenworthy-Browne, British 1882-1973- View in India, 1926-1929; oil on board, signed with initials (lower right), 21.5 x 27.3 cm.: together with two watercolours by the same artist, the first depicting the Chapel at Settignano, Italy; pencil, watercolour, and gouache on paper, signed 'F. Kenworthy-Browne' (lower right), 26 x 21 cm., the second depicting a View in Shropshire; pencil and watercolour on paper, 25.5 x 43.7 cm. (ARR) (3) View in India: Framed and glazed, unexamined out of frame. Light marks and chips to the frame generally. Very minor chips and abrasions in areas, and light surface dirt generally. Otherwise in good condition overall. Chapel at Settignano: Framed, mounted, and glazed, unexamined out of frame. Light marks and chips to the frame generally. Possible very minor marks and spots of foxing to the sheet in areas. No evidence of tears, creases, or further damage to the sheet. Otherwise in good condition overall. View in Shropshire: Framed, mounted, and glazed, unexamined out of frame. Light marks and chips to the frame generally. Evidence of discolouration/browning, particularly towards the edges of the sheet. Spots of foxing visible in areas across the sheet. A very minor spot of possible damage towards the lower centre of the sheet. Otherwise in fair condition overall.

Live Auction

Faith Kenworthy-Browne, British 1882-1973- Daffodils and Irises in a blue and white jug; oil on canvas, signed with initials

Roseberys London

Lot 1105

Faith Kenworthy-Browne, British 1882-1973- Daffodils and Irises in a blue and white jug; oil on canvas, signed with initials and dated '1945' (lower left), bears label from the Society of Women Artists to the reverse of the frame, 53.5 x 42 cm: together with another work by the same artist depicting Honeysuckle in a vase; oil on canvasboard, signed with initials (lower right), 30.5 x 37.5 cm. (part unframed) (ARR) (2)Daffodils and Irises: Framed, and unexamined out of frame. Light marks, chips, and surface dirt to the frames generally. The canvas is slightly loose on the stretcher, with corresponding light undulations generally. Stretcher bar mark visible to the upper edge of the canvas. Light abrasions in areas, particularly towards the edges, due to contact with the frame. Minor dents, chips, and pinholes in areas, along with surface dirt generally. Otherwise in fair condition overall. Honeysuckle: Held in a mount, unexamined outside. Possible light abrasions and surface dirt in areas. Areas of impasto are well-preserved. Otherwise in good condition overall.

Live Auction

Faith Kenworthy-Browne, British 1882-1973- Flowers before a mirror; oil on canvas, signed with initials and dated '1947' (low

Roseberys London

Lot 1106

Faith Kenworthy-Browne, British 1882-1973- Flowers before a mirror; oil on canvas, signed with initials and dated '1947' (lower right), bears inscribed label to the reverse of the frame, 61 x 50.7 cm. (ARR) Framed, unexamined out of frame. Light marks, chips, and dirt to the frame generally. Light abrasions to the canvas in areas, particularly towards the edges, due to contact with the frame. Further minor abrasions and surface dirt generally. Otherwise in good condition overall.

Live Auction

William D. Clyne, Scottish 1922-1981- Montmartre; pen and black ink and watercolour on paper, inscribed 'MONTMARTRE' (lower e

Roseberys London

Lot 1121

William D. Clyne, Scottish 1922-1981- Montmartre; pen and black ink and watercolour on paper, inscribed 'MONTMARTRE' (lower edge), 29.5 x 29.5 cm. (ARR) Framed, mounted, and glazed. Unexamined out of frame. General marks and scuffs to the frame. Significant general creasing to the sheet. Possible light spots of foxing and general dirty marks to the sheet in areas. Otherwise in fair condition overall.

Live Auction

William D. Clyne, Scottish 1922–1981- Bartholomew Fair; pen, black ink, watercolour, and gouache on paper, 24 x 34.4 cm. (unf

Roseberys London

Lot 1122

William D. Clyne, Scottish 1922–1981- Bartholomew Fair; pen, black ink, watercolour, and gouache on paper, 24 x 34.4 cm. (unframed/mounted) (ARR) Unframed and mounted. Light creases and folds to the sheet consistent with handling, particularly towards the edges and corners. Evidence of spots of light foxing in areas. Possible further dirty marks in areas. Otherwise in good condition overall.

Live Auction

William D. Clyne, Scottish 1922–1981- Study of a seated man with a hat and a ruff; pen, black ink, watercolour, and gouache o

Roseberys London

Lot 1124

William D. Clyne, Scottish 1922–1981- Study of a seated man with a hat and a ruff; pen, black ink, watercolour, and gouache on paper, 34.4 x 24.5 cm. (unframed/mounted) (ARR) Unframed, mounted. Light creases and folds, particularly towards the edges and corners. Dirty marks to the sheet consistent with handling, and possible spots of foxing. Otherwise in good condition overall.

Live Auction

American School, late 20th century- Fred Flintstone; pencil on paper, 21 x 24 cm. Framed, mounted, and glazed. Unexamined out

Roseberys London

Lot 1138

American School, late 20th century- Fred Flintstone; pencil on paper, 21 x 24 cm. Framed, mounted, and glazed. Unexamined out of frame. General marks and scuffs to the frame. Evidence of creasing to the paper generally. Possible light dirty marks consistent with handling. Otherwise in good condition overall.

Live Auction

Ben Sunlight, British 1935-2002- Untitled; pencil, watercolour, and gouache on paper, signed and dated 'BEN SUNLIGHT - 1st No

Roseberys London

Lot 1145

Ben Sunlight, British 1935-2002- Untitled; pencil, watercolour, and gouache on paper, signed and dated 'BEN SUNLIGHT - 1st Nov 1960' (lower right), 56.5 x 76.5 cm.: together with six collages by the same artist, 56 x 76 cm. and smaller (unframed) (ARR) (7) Provenance: The Estate of the Artist. Unframed. Creases and folds across the sheets, particularly towards the edges. Pinholes to the corners and further minor tears generally. Light discolouration and spots of foxing to the sheets. Further dirty marks generally. Some of the collage pieces have become detached. Otherwise in fair to poor condition overall.

Live Auction

British School, late 20th/early 21st century- Muckish from Glenveigh National Park; oil on canvas, signed 'Winter' (lower rig

Roseberys London

Lot 1152

British School, late 20th/early 21st century- Muckish from Glenveigh National Park; oil on canvas, signed 'Winter' (lower right), 40.7 x 50.8 cm (unframed) (ARR) The canvas is taut on the stretcher and the paint surface is stable on the support. Light marks and surface dirt generally. Light abrasions in areas, particularly towards the edges. Otherwise in good condition overall.

Live Auction

British School, late 20th/early 21st century- Muckish from Ballymore; oil on canvas, signed 'Winter' (lower right), 40.8 x 50

Roseberys London

Lot 1153

British School, late 20th/early 21st century- Muckish from Ballymore; oil on canvas, signed 'Winter' (lower right), 40.8 x 50.8 cm (unframed) (ARR) The canvas is taut on the stretcher, and the paint surface is stable on the support. Areas of impasto are well-preserved. Light marks and surface dirt generally. Some abrasions to the surface in areas, particularly towards the edges. Otherwise in good condition overall.

Live Auction

British School, late 20th/early 21st century- Muckish from Dunfanaghy; oil on canvas, signed 'Winter' lower right, 40.7 x 50.

Roseberys London

Lot 1154

British School, late 20th/early 21st century- Muckish from Dunfanaghy; oil on canvas, signed 'Winter' lower right, 40.7 x 50.6 cm (unframed) (ARR) The canvas is taut on the stretcher, and the paint surface is stable on the support. Light marks and surface dirt generally. Possible slight abrasions, particularly towards the edges. Otherwise in good condition overall.

Live Auction

British School, early/mid 20th century- View of a landscape with cypresses; oil on canvas, bears inscribed label for C.D. Soa

Roseberys London

Lot 1157

British School, early/mid 20th century- View of a landscape with cypresses; oil on canvas, bears inscribed label for C.D. Soar & Son, Kensington, to the reverse of the stretcher, 23 x 33.2 cm. Framed, and unexamined out of frame. General dirty marks and scuffs to the frame. The canvas is taut on the stretcher, and is slightly loose within the frame. Relined. The paint surface is stable on the support. General dirty marks and light abrasions to the canvas. Areas of impasto are well-preserved. Otherwise in good condition overall.

Live Auction

Deborah Jones, British 1921-2012- J. Meadows, Antiques; oil on board, signed 'Deborah Jones' (lower left), 31 x 38.2 cm. (ARR

Roseberys London

Lot 1171

Deborah Jones, British 1921-2012- J. Meadows, Antiques; oil on board, signed 'Deborah Jones' (lower left), 31 x 38.2 cm. (ARR) Framed, and unexamined out of frame. Light marks and scuffs to the frame generally. Very minor abrasions and possible marks/spots of surface dirt in areas. Otherwise in very good condition overall.

Live Auction

Bert Kitchen, British b.1940- Triptych; oil on panel with hinged doors, signed 'B. KITCHEN' and titled on the reverse, 91 x 6

Roseberys London

Lot 1197

Bert Kitchen, British b.1940- Triptych; oil on panel with hinged doors, signed 'B. KITCHEN' and titled on the reverse, 91 x 60.2 cm. (closed), 91 x 120.5 cm. (open) (ARR) The paint surface is stable on the support. Light abrasions and marks across the work. General surface dirt throughout. Otherwise in fair to good condition overall.

Live Auction

Natalie Muir, British, late 20th/early 21st century- Blue Triptych I-III; resin, acrylic inks and metallic pigment on alumini

Roseberys London

Lot 1199

Natalie Muir, British, late 20th/early 21st century- Blue Triptych I-III; resin, acrylic inks and metallic pigment on aluminium, each dia. 80 cm (3) (unframed) (ARR) General marks and dirt to the surface. Possible light abrasions and scratches in areas. Otherwise in good condition overall.

Live Auction

Michael Cline, American b.1973- Heads-N-Feds, 2009; pastel on paper, 63.5 x 63cm (framed) Provenance: Daniel Reich, New York,

Roseberys London

Lot 1201

Michael Cline, American b.1973- Heads-N-Feds, 2009; pastel on paper, 63.5 x 63cm (framed) Provenance: Daniel Reich, New York, where purchased by the present owner.Framed and glazed. Unexamined out of frame. Damage and marks to the frame generally. Minor tears, folds, and creases to the edges generally, with particularly noticeable tears and losses to the corners of the sheet. Possible light creases and marks to the sheet generally. Otherwise in good condition overall.

Live Auction

Emil Nolde, German 1867-1956- Mann und junges Mädchen; woodcut on wove, 27.5 x 19 cm. (unframed) (ARR) Note: This was publish

Roseberys London

Lot 1216

Emil Nolde, German 1867-1956- Mann und junges Mädchen; woodcut on wove, 27.5 x 19 cm. (unframed) (ARR) Note: This was published after the original set of woodcuts Some discolouration to the paper, and light handling indentations, otherwise in good condition.

Live Auction

Edward Wolfe, South African/British 1897–1982- Self-Portrait; lithograph, signed and numbered '13/53' in pencil, 52.5 x 42 cm

Roseberys London

Lot 1217

Edward Wolfe, South African/British 1897–1982- Self-Portrait; lithograph, signed and numbered '13/53' in pencil, 52.5 x 42 cm. (ARR) Framed and glazed, unexamined out of frame. Marks and damage to the frame generally. A small loss to the glazing lower right. The sheet appears to be cockling slightly within the frame. Evidence of browning/discolouration and spots of foxing generally. Light dirty marks and creases to the sheet consistent with handling. Otherwise in fair condition overall.

Live Auction

Henri Matisse, French 1869-1954- Un meuglement different des autres, no.4, from Pasiphaé,1981; linocut in black and white on

Roseberys London

Lot 1220

Henri Matisse, French 1869-1954- Un meuglement different des autres, no.4, from Pasiphaé,1981; linocut in black and white on wove, numbered 79/100 in pencil, with the HM blindstamp, sheet 32 x 25 cm (unframed) (ARR)Provenance: Alan Cristea Gallery, London W1 Literature: Catalogue raisonne des ouvrages illustres, Claude Duthuit, Paris 1988, no.54 Note: The linocut plate was made by Matisse in his life time but this edition was issued by the heirs of Matisse in 1981. Printed by Fequet et Baudier, ParisSome very light areas of surface dirt, otherwise in very good condition.

Live Auction

Henri Matisse, French 1869-1954- Un meuglement different des autres (8), 1981, from Pasiphae; linocut in black and white on w

Roseberys London

Lot 1221

Henri Matisse, French 1869-1954- Un meuglement different des autres (8), 1981, from Pasiphae; linocut in black and white on wove, numbered in pencil 79/100, with the HM blindstamp, sheet: 32.2 x 25 cm, (unframed) (ARR)Provenance: Alan Cristea Gallery, London Literature: Catalogue raisonne des ouvrages illustres, Claude Duthuit, Paris 1988, no.57 Note: The linocut plate was made by Matisse in his life time but this edition was issued by the heirs of Matisse in 1981.Printed by Fequet et Baudier, Paris Very light area of surface dirt to the lower left corner, otherwise in very good condition.

Live Auction

Salvador Dalí, Spanish 1904–1989- Purgatory 31, Divine Comedy; woodcut, plate: 25 x 17.5 cm (framed) (ARR) Framed, mounted, a

Roseberys London

Lot 1227

Salvador Dalí, Spanish 1904–1989- Purgatory 31, Divine Comedy; woodcut, plate: 25 x 17.5 cm (framed) (ARR) Framed, mounted, and glazed. Unexamined out of frame. General marks and scuffs to the frame. The sheet is cockling very lightly within the mount. Possible slight discolouration/browning to the sheet, particularly towards the edges. Evidence of very light spots of foxing in areas. Evidence of a minor crease to the sheet, and evidence of a white substance, in the lower right corner. Otherwise in good condition overall.

Live Auction

Property from the estate of the late David Cornwell, best-known as the author John Le CarréTimothy Paul, British school, late

Roseberys London

Lot 1231

Property from the estate of the late David Cornwell, best-known as the author John Le CarréTimothy Paul, British school, late 20th/early 21st century- Portrait of a boy, turned to the left; etching, signed and dated 'Timothy Paul / 'Nov 90'' and inscribed 'A/P' in pencil, 8.7 x 10.3 cm. (ARR) Framed, mounted, and glazed, and unexamined out of frame. Minor marks and scuffs to the frame. Light cockling to the sheet within the frame. Minor spots of foxing and possible light creasing consistent with handling. In fair condition overall.

Live Auction

Vanessa Bell, British 1879-1961- Amaryllis; lithograph on wove, signed in the plate with initials, published by Millers of Le

Roseberys London

Lot 1232

Vanessa Bell, British 1879-1961- Amaryllis; lithograph on wove, signed in the plate with initials, published by Millers of Lewes in 1945, ed. 18/250, sheet: 44.6 x 35 cm, (unframed) (ARR) Note: In 'The Bloomsbury Artists: Prints and Book Design', Scolar Press 1999, no. 13, Tony Bradshaw writes about Amaryllis Virginia Garnett (1943-1973) who was Vanessa Bell’s first grandchild. The child’s mother, Angelica, was the daughter of Bell and Duncan Grant. A rift occurred between mother and daughter as a consequence of her marriage in 1942 to David Garnett, as he was 25 years her senior, and had been Duncan Grant’s former lover. Amaryllis drowned in the Thames at the age of 29.Light creases and marks to the sheet generally, consistent with handling. Evidence spots of minor foxing in areas. Very small pin holes towards the centre of all four edges. Otherwise in fair condition overall.

Live Auction

John Scorror O'Connor, British 1913-2004- The Boy and Heron, 1977; woodcut on wove, signed, dated and numbered 43/100 in penc

Roseberys London

Lot 1234

John Scorror O'Connor, British 1913-2004- The Boy and Heron, 1977; woodcut on wove, signed, dated and numbered 43/100 in pencil, sheet: 28.3 x 19.3 cm, (unframed) (ARR)Light creases and marks consistent with handling. A crease towards the lower edge. Possible very light discolouration/browning towards the edges. Uneven edges, original to the sheet. Otherwise in good condition overall.

Live Auction

Ben Sunlight, British 1935-2002- Untitled; etching with aquatint, inscribed and dated '29/1/63' upper left, 25 x 20.2 cm.: to

Roseberys London

Lot 1236

Ben Sunlight, British 1935-2002- Untitled; etching with aquatint, inscribed and dated '29/1/63' upper left, 25 x 20.2 cm.: together with six further etchings with aquatint by the same artist, some variously inscribed and dated, each 25 x 20.2 cm. (unframed) (ARR) (7) Provenance: The Estate of the Artist. Unframed. Minor creases and marks to the sheets, consistent with handling. Some browning and discolouration to some of the sheets, alongside light marks generally. Otherwise in fair condition overall.

Live Auction

Mark Rothko, Latvian/American 1903-1970- Untitled, c.1950-2; offset lithograph poster in colours on wove, published in 2005 b

Roseberys London

Lot 1241

Mark Rothko, Latvian/American 1903-1970- Untitled, c.1950-2; offset lithograph poster in colours on wove, published in 2005 by Tate Publishing, image: 79 x 47.6 cm, (framed) Note: from the original oil on canvas 189 x 100.8 cm, 1998 Kate Rothko Prizel & Christopher Rothko/ DACS 2014.In good condition overall, with very light discolouration and slight undulation to the surface.

Live Auction

John Behan, RHA, Irish b.1938- Circular still life, 1979; etching with aquatint, signed, titled, dated, and numbered '13/50'

Roseberys London

Lot 1255

John Behan, RHA, Irish b.1938- Circular still life, 1979; etching with aquatint, signed, titled, dated, and numbered '13/50' in pencil, 81.5 x 62 cm. (ARR) Framed, mounted, and glazed. Unexamined out of frame. Light chips and marks to the frame generally. Evidence of very light cockling to the sheet generally. Possible minor spots of foxing in areas. General marks and light creases to the sheet. No evidence of further creases or tears. Otherwise in good condition overall.

Live Auction

Vincant Haddeley, British 1934-2010- Untitled, Village square; offset lithograph on wove, signed and numbered 139/175 in penc

Roseberys London

Lot 1257

Vincant Haddeley, British 1934-2010- Untitled, Village square; offset lithograph on wove, signed and numbered 139/175 in pencil, image: 45.5 x 58.5 cm, (framed) (ARR)Framed and glazed, unexamined out of frame. Minor marks and scuffs to the frame generally. Light cockling to the sheet within the frame. Evidence of light foxing to the sheet in areas. Otherwise in good condition overall.

Live Auction

Michael Atkin, British b.1952- Barn Owl; and Baysdale; etching and aquatint, two, the first signed, titled, and inscribed 'Ar

Roseberys London

Lot 1258

Michael Atkin, British b.1952- Barn Owl; and Baysdale; etching and aquatint, two, the first signed, titled, and inscribed 'Artists Proof' in pencil, the second signed, titled, and numbered '5/30' in pencil, 37 x 24.6 cm. and 31 x 49 cm. respectively (2) (ARR) Both framed and glazed, both unexamined out of frame. General marks, scuffs, and damage to the frames. Barn Owl: The edges of the sheet are uneven, this appears to be original to the work. Possible light creasing to the sheet. Dirty marks/spots of foxing in areas. Baysdale: Damage to the frame and glazing. Evidence of light creasing to the sheet generally. Dirty marks/spots of foxing in areas. The edges of the sheet are uneven, this appears to be original to the work. A small tear evident to the lower left edge. Otherwise in fair condition overall.

Live Auction

Donald Sultan, American b.1951- Morning Glory, 1991; etching with aquatint on wove, initialed, dated, titled and numbered A/P

Roseberys London

Lot 1259

Donald Sultan, American b.1951- Morning Glory, 1991; etching with aquatint on wove, initialed, dated, titled and numbered A/P 10/13 in pencil, sheet: 123.5 x 155.4 cm (unframed) There are light handling indentations, very small creases, mainly to the margins and corners, and very minor surface marks, otherwise in good condition.

Live Auction

Norman Dilworth, British b.1931- Untitled; screenprint, signed, dated '77', and numbered '45/100' in pencil, 58.5 x 58.2 cm.

Roseberys London

Lot 1260

Norman Dilworth, British b.1931- Untitled; screenprint, signed, dated '77', and numbered '45/100' in pencil, 58.5 x 58.2 cm. (ARR) Provenance: University of Sussex Art Collection, as part of 'Rational Concepts', a series of 7 prints by English Artists, according to the inscription to the reverse of the frame. Framed and glazed, unexamined out of frame. Minor marks and scuffs to the frame generally. Light cockling to the sheet within the frame, and minor creasing in areas. Spots of foxing and light marks to the sheet throughout. Otherwise in fair condition overall.

Live Auction

G-PLAN; an Astro teak nest of three tables.51 x 98 x 49cmThere are some deep scratches on the top, water marks, fading and ge

Adam Partridge Auctioneers & Valuers

Lot 32

G-PLAN; an Astro teak nest of three tables.51 x 98 x 49cmThere are some deep scratches on the top, water marks, fading and general knocks to the main table. One of the side tables has two ring water marks, the other has general water marks, both with light scratching and fading/colour changes.

Live Auction

An Edwardian Chippendale-style mahogany glazed display cabinet with blind frieze and pair of doors enclosing shelves, on brac

Adam Partridge Auctioneers & Valuers

Lot 36

An Edwardian Chippendale-style mahogany glazed display cabinet with blind frieze and pair of doors enclosing shelves, on bracket feet, 129.5 x 123 x 39cm.Dimensions: 129.5 x 123 x 39cmCondition Report: Light scratches, a few heavier scratches, knocks to the feet. You can see where someone has written something on the top and it has gone through to the surface. Generally ok.129.5 x 123 x 39cm

Live Auction

A reproduction oak tallboy with pair of fielded panel doors above a base of two drawers, raised on bracket feet, 130 x 76 x 4

Adam Partridge Auctioneers & Valuers

Lot 46

A reproduction oak tallboy with pair of fielded panel doors above a base of two drawers, raised on bracket feet, 130 x 76 x 46cm, together with another similar example with single frieze drawer above pair of doors and a base of two further drawers, to bracket feet, 121 x 75 x 47cm (af).Qty: 2Both pieces could do with re-finishing and some light restoration.

Live Auction

AFTER TONY FORREST; five signed limited edition prints, no.328/850 'Snow Leopard', signed in pencil lower right, no.96/500 'T

Adam Partridge Auctioneers & Valuers

Lot 507

AFTER TONY FORREST; five signed limited edition prints, no.328/850 'Snow Leopard', signed in pencil lower right, no.96/500 'Tiger in Snow', no.328/850 'Tiger', no.328/850 'Leopard', and no. 328/850 'Lioness', largest 36 x 52cm, after Raymond Alfred Gilronan; a pair of signed limited edition landscapes, no.843/850 'Autumn Mountains' and no.35/850 'First Light Glen Allan', 22 x 38cm, also no.74/850 'Autumn in Paris 11', 34 x 62cm, all framed and glazed.Qty: 8

Live Auction

ERCOL; a mid-20th century teak dining suite comprising a rounded rectangular drop-leaf table, 71 x 140 x 75cm and four stick

Adam Partridge Auctioneers & Valuers

Lot 63

ERCOL; a mid-20th century teak dining suite comprising a rounded rectangular drop-leaf table, 71 x 140 x 75cm and four stick back chairs (af)Qty: 5The table is in fairly good order, showing light signs of use throughout, with slight sun fading to one of the leaves. The chairs are slightly more worn, with the stick back section on one of the chairs being loose and in need of re-setting. Further wear to the top rails on all of the chairs. In need of some tlc.

Live Auction

A 1960s ceiling pendant light in the style of Joe Hammerborg, in orange, cream and chrome effect.Height approx. 26cmThe bulb

Adam Partridge Auctioneers & Valuers

Lot 93

A 1960s ceiling pendant light in the style of Joe Hammerborg, in orange, cream and chrome effect.Height approx. 26cmThe bulb fitting is separate to the light, but everything appears to be present. Overall in good condition.

Live Auction

A light oak two door glazed bookcase

Boldon Auction Galleries

Lot 311

A light oak two door glazed bookcase

Live Auction

Two modern light oak narrow wardrobes

Boldon Auction Galleries

Lot 316

Two modern light oak narrow wardrobes

Live Auction

Art Nouveau Liberty style copper ceiling light fitting with pierced decoration and turquoise Ruskin style inset stone tablets

Peter Francis

Lot 376

Art Nouveau Liberty style copper ceiling light fitting with pierced decoration and turquoise Ruskin style inset stone tablets. (B.P. 21% + VAT)40cm diameter approx at the widest point.

Live Auction

Two trays if metalware: four pairs of cast brass candlesticks with candle pushers and a brass night light with candle pusher,

Peter Francis

Lot 425

Two trays if metalware: four pairs of cast brass candlesticks with candle pushers and a brass night light with candle pusher, oval copper kettle, small copper trough etc. (2) (B.P. 21% + VAT)

Live Auction

Collection of vintage clothing to include: light brown 3/4 length fur coat, a similar faux fur coat and a vintage (20's-30's)

Peter Francis

Lot 486

Collection of vintage clothing to include: light brown 3/4 length fur coat, a similar faux fur coat and a vintage (20's-30's) kimono style embroidered burgandy crepe robe with embroidered peacock and flowers to the back and drawstring tie. Together with a vintage 30's style white lace wedding dress with long sleeves, button detail and ruched bodice and a tulle bridal veil with embroidered edging and applique bow detail. (5)(B.P. 21% + VAT) Both have minor wear and some small stains to lining. Generally good. Some pulls in fabric/embroidery. One small brown stain, otherwise good. Veil: no obvious damage.

Live Auction

Three opalescent glass light shades, two brass oil lamps, four plates a copper pan and a copper jelly mould.

Ewbank's

Lot 154

Three opalescent glass light shades, two brass oil lamps, four plates a copper pan and a copper jelly mould.

Live Auction

Pair of Christopher Wray style leaf form glass light pendants, 35 cm diameter and three pairs of green glass wall lights (5)

Ewbank's

Lot 165

Pair of Christopher Wray style leaf form glass light pendants, 35 cm diameter and three pairs of green glass wall lights (5)

Live Auction

534297 item(s)

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