A brass Corinthian column standard lampOf typical form, the capital above a reeded support on a stepped square base and dragon cast feet, with a twin branch brass desk lamp, on a square support mounted with anthemions on four down-swept legs, drilled with holes possibly for attaching to desk, 48cm wide x 48cm deep x 128cm high, (18 1/2in wide x 18 1/2in deep x 50in high) height not including light fittings, the desk lamp 7cm wide, 7cm deep, 60cm high (2 1/2in wide, 2 1/2in deep, 23 1/2in high) (2)This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
We found 534325 price guide item(s) matching your search
There are 534325 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
534325 item(s)/page
A pair of French 19th century patinated and gilt bronze figural five-light candelabraAfter Claude Michel 'Clodion' (French, 1738-1814)The winged putti holding aloft a flowering bouquet of lilies, on fluted marble bases, each later drilled and adapted for electricity, with two cream shades, excluding fitments: 32cm wide, 20cm deep, 59cm high (12 1/2in wide, 7 1/2in deep, 23in high) (2)Footnotes:Removed from the vendor's London property.For further information on this lot please visit Bonhams.com
A large pair of Italian 18th century carved giltwood and gesso torchères or candle standsWith carved acanthus and moulded tripartite supports, adapted for electricity, 48cm wide x 48cm deep x 188cm high, (18 1/2in wide x 18 1/2in deep x 74in high) (height not including light fittings) (2)This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
STUART DEVLIN: A set of eight silver and silver-gilt gobletsStuart Devlin, London 1968 The tapering polished bowls with a light spot hammered surface, the narrow waisted band above the silver-gilt stems and circular foot, with a simulated rocky textured surface, the bowls with gilt interiors, height 18.5cm, weight 54.2oz. (8)For further information on this lot please visit Bonhams.com
A pair of blue and white porcelain vases, later adapted to lampsWith adjustable brass light fittings and moulded gilt bases, 15cm wide, 15cm deep, 63cm high (5 1/2in wide, 5 1/2in deep, 24 1/2in high) (2)This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
SA VICTORIAN ERA INDIAN GENERAL SERVICE MEDAL, with Burma 1885-7 clasp, the medal is correctly named to 613 Private T DATE Somerset Light Infantry, this comes with some copy papers of the muster rolls, well worthy of further research, Customers must satisfy themselves prior to sale in regards to conditions and authenticity, viewing is advised, condition reports are available on request
THREE WWII ERA ARP BADGES, to include Cheshire, Derbyshire and Gravesend, the Chesire badge is the Corps of Air Raid Wardens with button hole fixing, the other two both have pin fixings on the reverse of the badges, the Derbyshire badge has light scratches to the front, Customers must satisfy themselves prior to sale in regards to conditions and authenticity, viewing is advised, condition reports are available on request
A WWI GERMAN BUTCHER BAYONET, this was made by Alex Coppel of Solingen Germany, the blade has some pitting and is missing its scabbard, the crossguard does have some light surface rust but overall it is in good condition, Customers must satisfy themselves prior to sale in regards to conditions and authenticity, viewing is advised, condition reports are available on request
A BOXED LIMITED EDITION CORGI AVIATION ARCHIVE BOEING B-17G FLYING FORTRESS 1:72 DIE-CAST MODEL MILITARY AIRCRAFT, WWII in Europe 43-37756/G 'Milk Wagon', numbered AA33321, model in new condition with stand and bagged wheels in the polystyrene insert, collector card numbered 0509 of 1400, box in a good condition with only light scratches
A COLLECTION OF BOXED BLUEBIRD POLLY POCKET SETS, mainly from the 1990's, to include Polly's Dream World, Pop-Up Party Play House, Tiny World Funtime Collection, Fairylight Ball, Candy Box Party, Starlight Castle Play Set, Secret Diary, Princess Diary (last two not tested), contents not checked, majority of boxes have been opened and re-sealed, with a quantity of clamshell compact pocket play sets, contents not checked, Polly Pocket satchel, small quantity of unboxed items (3 boxes), clam shell boxes all contain some figures and/or accessories, fairy light ball set missing figures, Pop-up Party Playhouse has some figures, Dreamworld set has some figures, Tiny world set has some figures, starlight castle has some figures and Candybox Party has some figures
Manner of Jessie King (1875-1949), a fine Arts & Crafts style silver table box / casket, circa 1900, unmarked, in the style of the Liberty 'Cymric' range, of shaped octagonal form on four corner-set pairs of double feet, each panel and the cover set with a large protruding iridescent enamel roundel, set within stylised Tudor Rose reserves,14.5 cm high x 19 cm x 14 cm.Private collection.The cover is loose on the hinges and requires repair to return it to the original form. Not hallmarked, but tests as silver. Small dents visible on close inspection, with some unevenness to the edges, but nothing too detrimental. Light surface scratches.
Guild of Handicraft Ltd: a silver box, London 1903, with an enamel plaque by Fleetwood Charles Varley (1863-1942), decorated with trees, the sea beyond, signed 'Varley' to lower left corner, of rectangular form with hammered finish on four bun feet, inscribed 'Lady Day 1844-1904' to the front side, 4.5 cm high x 12.5 cm x 9.5cm, (365g).Dent to back right corner of the cover. Small area of enamel missing to left hand side (see image), and rubbing to the edges where it meets the silver. Similar small area of enamel loss/rubbing to the centre, between the two trees. Hairline cracks visible to the underside of the enamel. Silver is tarnished in places, with light scratches to the underside.
A 1930s Shelley 'Vogue Sunray' tea set, designed by Eric Slater, comprising: six teacups, six saucers, six side plates, a teapot, a square sandwich plate cream jug and an open sugar bowl, with printed marks and painted pattern number '11742'.No damage or repair. Some slight rubbing to footrims, but no chips. Minor enamel loss in places and only light crazing visible close inspection.
Georg Jensen; a 925 sterling silver 'Bird of Paradise' openwork brooch, depicting a bird spreading wings amongst foliage, in an oval frame, hinged pin stem and roll-over catch fittings, designed by Gundorph Albertus, No. 238, post-1945 maker's mark, 3 cm x 4.5 cm.In good order, with signs of only light use.
Georg Jensen; a 925 sterling silver pendant, openwork design of a kneeling deer and flowers, attached to a cable chain and toggle clasp, designed by Arno Malinowski, No. 95, 1933-44 maker's mark, the pendant 4.2 cm wide.In good condtion, with signs of only light use. Chain is not marked as silver.
Georg Jensen; a 925 sterling silver butterfly brooch, of pierced circular form, depicting two butterflies resting upon bellflowers, fitted with hinged pin-stem and roll-over safety catch, designed by Arno Malinowski, No. 283, with 1933-44 maker's mark, 5 cm diameter.In good order, with signs of only light use.
Agnes Baigent (active 1901-1910) for Doulton Lambeth; a pair of Art Nouveau faience vases of inverted baluster form with everted rims, painted with foxgloves on a celadon green ground, bearing the Doulton Lambeth mark and artist's monogram AEB to the bases. 25.5 cm high A private estateAgnes E M Baigent worked for Doulton Lambeth from 1901 to 1910. She specialised in stylised floral designs. These are usually accentuated by the use of a dark outline to the flowers, against contrasting light-coloured or pastel ground colours.One vase has a crack to the everted rim
A Hunting Hanger with Silver and Moss-agate Hilt, silver maker’s mark of William Knight of London, circa 1690/96, the hilt formed of a polished agate grip swelling to form a flat-sided pommel with projecting tips and capped by a chased silver washer seating a silver button, a silver collar enclosing the base, struck with the silver maker’s mark, silver crosspiece moulded at its centre, with short quillons with disc terminals each cast in relief with a horseman; the blade retaining traces of an etched classical figure at its base (blade with wear and light pitting), blade length 48cmWilliam Knight (recorded 1678- circa 1702) was a maker of silver sword and bayonet hilts and cutlery, having been sworn free of the Grocers’ Company by servitude in 1685. Knight was active in New Street in the Parish of St. Brides, in the City of London ward of Farringdon Without, and is recorded in the Land Tax Assessment book as working there in 1692. The present hilt bears Knight’s first mark, WK conjoined in a shield; this was succeeded by his second mark in 1697. Provenance: By tradition, George Venables Vernon of Sudbury (b. 1709/10 – d. 1786), created Lord Vernon, Baron Kinderton by letters patent in 1762. This entitlement had descended through his mother, the Kinderton male line having become extinct upon the death of his maternal grandfather in 1669.
An etched State Halberd, Central European or Russian, circa 1740, the head with ridged blade, both sides decorated with scrollwork framing an oval filled with a cross device, possibly that of the Russian Order of St. Anna, a small armorial cartouche below, the lower portion formed with a distinctive axe-blade cut with an acutely concave recess in its leading edge and with flat hook-like fluke, etched with an elaborate trophy-of-arms over its centre, and tubular socket with moulded collars: on a wooden haft (light wear), head length 29cmNote: Another, closely comparable but with neither the cross nor the armorial cartouche included its etched design is in the Higgins Armory collection, now at the Worcester Art Museum, Massachusetts (image WAM 2652412)
A 1796 Pattern Light Cavalry non-commissioned Ranks Sabre and Scabbard, circa 1808, of regulation specifications throughout, the blade with Ordnance inspector’s stamp and the cutler’s stamped signature ‘Woolley, Deakin …’, the hilt retaining its original leather-covered wooden grip and the scabbard stamped with the cutlers’ signature ‘Woolley, Deakin, Dutton’ (In untouched oxidised condition, the cutlers’ signature on the blade apparently incomplete, the grip with light worm damage), blade length 84cm
A Light Dragoons non-commissioned Ranks Sabre, circa 1770, with slender slightly curved blade formed with a clipped point and boldly stamped ‘GR’ crowned, the cutler’s name ‘Drury’ stamped beneath, slotted hilt drawn-up to a slender knuckle-guard, spirally moulded wooden grip retaining an early fishskin covering, probably the original, and with domed cap pommel surmounted by a prominent button, blade length 81cm
A pair of Flintlock Turn-off Pistols by William Henshaw, Strand London, circa 1765, with three-stage cannon barrels, the breeches inscribed ‘Strand London’, private proof marks, differing locks, one signed and border engraved, walnut butts, and brass mounts including grotesque mask butt-caps cast in relief (the steel parts with wear and light pitting, one lock unsigned and not decorated, an early working replacement, one cock and steel missing, one butt detached) (2)
A Flintlock Holster Pistol by Robert (1) Silke, circa 1690, with three-stage barrel struck with maker’s mark, signed rounded lock engraved with scrolling strawberry foliage and involving monsters’ heads below the pan, walnut full stock, silver trigger-guard and ramrod-pipe, engraved flat iron side-plate of scrolling form, engraved spurred iron pommel fitted with silver cap, and flat iron escutcheon (the barrel worn, perhaps cut back at the muzzle, light pitting throughout, the stock replaced, perhaps within the working life of the pistol, ramrod missing)
A pair of Chinese export porcelain blue and white serving dishes, Qianlong (1736-1795) each of canted rectangular form and decorated with pagodas in a Chinese river landscape design and Fitzhugh type border, 29.5cm wide (2)Condition report; No obvious cracks or signs of restoration. General glaze chips and firing pits can be seen to the rims of the plates. Some light surface scratching commensurate with age.
A Chinese Peking glass green overlay, yellow snuff bottle, 19th century, of high shouldered form, depicting a house within a rocky landscape with prunus trees, coral coloured stopper, 7cm highCondition report; No obvious chips to the body. Some light scratching and grubbiness can be seen. The stopper appears to be an orange coloured agate and show signs of historic glue residue.
A Parian ware 'Well Spring Vase' designed by Richard Redgrave (1804-1888), of ovoid form with foliate handles, the body relief moulded with bladed foliage, 22cm high NOTE: Redgrave's vase was created for Henry Cole's Summerly's Art Manufactures, which aimed to encourage artists to design functional objects. The design was handed over in 1847 and manufactured in porcelain and Parian versions by Minton. This lot is unmarked, but believed to be a mid 19th century example by Minton. Condition report: The vase shows minor firing cracks to both lower handle terminals. Areas of the interior of the vase are somewhat translucent when held up to light. The piece shows ingrained dirt across the surface, and small nibbles to the tips of the handles, but no obvious damage or signs of restoration.
* A George III brass fender, of pierced foliate serpentine form, centred with a cast shell crest extending to a foliate scrolled and swept top rail, 147cm wideCondition report: Internal width 144cm, internal depth at sides 28cm extending to 33cm in middle. Some polish residue and light tarnishing. Minor blemishes, no obvious serious faults. Right side lacking 10cm top rail to inside edge. Some warping to the openwork panel, separation from the bottom rail.
A 19th century ‘sycamore’ Welsh love spoon, the terminal with openwork heart detail above carved decoration and two openwork columns with carved balls within, the carved stem leading to a shallow oval bowl, 21.7cm longCondition report1cm split to the terminal above the heart shaped aperture, further very minor splits and chips around the other four apertures.Lacking two beads on one side (four and two), minor residue deposits to the underside of the bowl, with minor fading and wear to the tip of the bowl.General minor light rubbing and wear commensurate with age and use
A walnut nutcracker, possibly late 17th century, the spherical nutcracker with engraved rope and scalloped border above screw out key with flower head detail, engraved 'MB 1670' with conforming border to base with similar flower head detail, 4.5cm highCondition reportScrew mechanism operates although there is excessive play in the threads, key has pitted wear to the thumb grip.Rubbing wear to the threaded aperture entrance along with a very minor chip.Otherwise general light rubbing wear commensurate with age and use
* Two pairs of interlined duck egg foliate damask curtains, embellished with silver coloured thread, with conforming tie-backs, 285cm H x 300cm W, and 285cm H x 200cm W (measurements approximate) Condition report: The pattern repeat is 55cm in length. Some fading particularly to the centre of the curtains, and to edges where light has caught (both pairs) Interior edges of curtains are in good condition with no fraying. Curtains have been swagged back 1/3 of way up, but with no evidence of permanent damage. Cotton lining without obvious stains or marks. No obvious aroma. Pleats to the top with hook and eye attachment.
A Chajli pattern rug, the three geometric medallions enclosed by blue openwork spandrels and recurrent borders, 196cm x 110cmCondition reportGeneral light wear overall, however there are some threadbare patches particularly to the centre of the two outer medallions.20cm repair running from the outer edge of the rugOutline of the rug is slightly 'deformed' with a bowed side
A Kazak wool rug, in red blue and brown colourways, the central field with alternating geometric medallions upon a blue ground, within a conforming border, 195cm 126cmCondition reportGeneral light wear particularly to the centre of the rug, multiple minor threadbare lines and small repairs, see additional images
* A George III oak and mahogany crossbanded eight day longcase clock by Joyce of Whitchurch, the twin swan neck pediment over fluted columns flanking the 33cm painted square dial, applied with Roman and Arabic numerals, centred with a subsidiary seconds dial and crescent date aperture, along with the makers name, the two train movement striking on a saucer bell, the case with a shaped and cross banded door over a conforming lower panel, upon bracket feet, 210cm high, two weights and pendulum, running and keeping timeCondition report: Side rails to cheek pieces appear to be later. Movement board also possibly later, indicating some historic restoration. Some light fading wear to the dial. Otherwise general light marks and fading commensurate with age. Backboard appear original. Later lock to the door.
* A George III mahogany cased eight day longcase clock, signed Read, Tarporley, the moulded twin swan neck pediment with flower head terminals over gilt embellished glazed panels, extending to freestanding fluted pillars flanking the 33cm gilt metal and silvered break arch dial, with a painted moon phase over the dial applied with Roman and Arabic numerals, enclosing a subsidiary second dial and date aperture along with the makers name, the two train movement striking on a saucer bell, the trunk with a dentil frieze and blind fretwork frieze above a shaped and beaded door flanked by conforming quarter pilasters, the lower board with applied beaded detail, conforming blind fretwork canted corners, upon bracket feet, 225cm H, two weights and pendulum, running and keeping time, by repute the kitchen clock of Joseph Dutton, Burland Hall Condition report: Top of hood some evidence of historic worm. Clock glass appears to be later.Bocks added to inside of hood, indicating evidence of restoration. Some light wear to the gilt detail, tarnishing to the chapter ring and then centre of dial. Some light fading, rubbing, wear, minor gouges and scratches to case and lower panel.
* A 17th century oak Wainscot chair, the shaped top rail with three roundels over a back panel carved with flowerhead and leaf detail, above a board seat enclosed by downswept armrests and cylindrical supports, upon conforming turned font supports and plain rear legs, united by peripheral cross stretchers, seat height 49cm, 107cm H x 68cm W x 56cm D Condition report: Some evidence of historic worm to the feet, and cross stretchers. Rear stretcher with possible historic repair. Bracing bar applied to the rear of the chair. Very minor evidence of worm in the seat boards, with small chip to front right hand corner. Otherwise general scuffs, marks and light gouges commensurate with age and use.
* A 17th style carved oak Flemish bookcase, 19th century, the cornice carved with scrolling foliate detail punctuated by relief carved lion masks over an arrangement of three open shelves, upon the breakfront base with a gadroon and lion mask frieze above five cupboard doors carved with arcaded figural scenes and punctuated by figural terms, upon a profusely carved plinth base, 240cm H x 194cm W x 43cm DCondition report: Bookcase appears to be fixed, will requite some disassembly to be removed. Upper rail of bookcase shelves appears fixed, will need to be dismantled for transportation. Pediment possibly earlier with cut away sections to both sides, probably later constructed. Some minor losses to carving on three uprights. Moulding missing from some carvings. Otherwise no visible evidence of woodworm. Very light rubbing and fading to carvings commensurate with age.
* A Louis XVI style walnut jardinere stand, late 19th century, the octagonal rouge marble top with a pierced lattice gilt metal gallery, upon four tapering and fluted supports extending to out swept feet, united by an ‘X’ cross stretcher, applied overall with gilt metal applique, 79cm H x 30cm DCondition reportHeavy corrosion and deposits to the gilt metal applique on one leg, lacking finial on under tier.General light tarnishing ta all gilt metal, minor wear and stains commensurate with age and use
* A Louis XVI style kingwood and marquetry centre table, late 19th century, in the manner of Pierre Langlois, the shaped serpentine top centred with an inlaid spray of blooms, enclosed by four panels depicting birds in flight, with gilt metal banding to the edge, over a single frieze drawer and shaped apron similarly detailed, upon four French cabriole legs applied with gilt metal figural mounts and sabot, 73cm H x 133cm W x 83cm DCondition reportEvidence of historic woodworm to the table top and apron, with a minor split to the veneer on the right hand side apron.General tarnishing to the gilt metal banding and appliques.General light scratching and rubbing marks to the table top although the table appears to be structurally sound
* A Chubbs of London mahogany safe cabinet, late 19th century, formed as a Wellington chest, the single door moulded as two short and four long drawers with integral fluted pilasters, over a drawer and plinth base, makers mark to the brass interior plaque, 105cm H x 66cm W x 66cm D, along with an R .Tann’s of London 'twelve corner defiance safe’, applied with a brass makers plaque, 60cm H x 45cm Sq (2) Condition report: Light water marks and fading to the top, similarly to the front panel. Moulding below right hand column above plinth missing from right hand side. Otherwise only light commensurate wear.
* A late 19th century three seater sofa, in the manner of Howard & Sons, the undulating back rest extending to padded scrolled arms enclosing the three seat cushions, upon front bun feet inset with castors, later re-covered in William Morris type bird and foliage pattern fabric, 84cm H x 200cm W x 94cm D Please note: This lot is not part of the Tushingham Hall Collection Condition report: Minor amount of play to backrest, particularly to left hand side. Minor play to left arm. Springs appear soft, although comfortable (tested by 6'2" individual) Some slight 'bulging' to the springs at the rear of the backrest. Light fading/staining to the fabric.
* A 19th century twin section teak campaign chest of drawers, applied with brass corner brackets and side lug handles to both sections, formed with four long drawers each with inset drawer pulls, upon bun feet, 100cm H x 92cm W x 44cm DConditiopn report: General water marks, light stains, fading, and scratches to the chest top. All drawers runs smoothly. Minor chips and nibbles to the drawer edges. General light wear commensurate of age and use.
Full title: An Egyptian light brown limestone canopic lid in the shape of a falcon head, Late PeriodDescription:H.: 11 cm (incl. the stand) H.: 8,5 cm (the lid) The lid representing Kebehsenouf, son of Horus. Provenance:- The collection of Mr. and Mrs. S., Gent, Belgium.- Acquired from Cultures and Civilisations, Paris, in March 2002, for 1.600 Euro. (as per the owner's inventory note)
Lourdes Castro (1930-2022)Book composed by rhodoïd front and back cover, half transparent paper and silkscreens on paper and half transparent paper based on photographs of the shadow play by Lourdes Castro (50 pp.)Signed by the artist and printer on the inside and unnumberedEd. Guy Schraenen, Antwerp, 1974 (250 signed and numbered plus 4 HC plus 20 with a signed and numbered silkscreen)(cover and back cover light scratches)Literature:Paulo Pires do Vale e Ana Barata (org.), "Lourdes Castro, Todos os Livros, Catálogo Comprovado", p. 116.20x30 cm
Loading...-
534325 item(s)/page