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Lot 1

A VICTORIAN PINK SATINGLASS HANGING LIGHT

Lot 1

DICKENS, Charles,' Bleak House', Bradbury and Evans, 1853. 1st edn. book form. light foxing to some plts. T.e.g. Rebacked.

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A Victorian light infantry officer's sword with slightly curved single edged blade, steel hilt and fishskin covered grip (pitted overall) and two practice swords (rusted overall).

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A stirrup hilted light cavalry trooper's sword (some restoration).

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A .177 B.S.A. improved Model D underlever air rifle (surface rush and light pitting).

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A late 19th Century Sitzendorf porcelain figural candelabra, modelled as a female figure supporting a putto above a shaped floral encrusted base, the four light candelabra with stiff leaf moulded sconces and floral encrusted arms, underglaze blue mark, overall height approx 46cm, together with another similar slightly larger example, overall height approx 50.5cm (faults).

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PHOTOGRAPHS. – An album containing numerous albumen-print photographs of Britain and Europe. [N.p.: n.d. but circa 1880.] Oblong folio (263 x 352mm.) 96 albumen print photographs including a folding panoramic view in four sections of ‘Malta Harbour’, stamped ‘H. Agius, photographer, Malta’ verso, (many loose, all topographical views. (Some fading and light browning.) Contemporary half-morocco (worn).

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MINIATURE BOOKS. – The Believer’s Daily Treasure… fourth edition. London: R.T.S., 1852. 16mo (68 x 55mm.) Original light brown sheep, elaborately blocked in gilt, g.e., early blue velvet chemise. – And eleven others, including five other miniature books and a medallion-shaped folding panorama of views of Paris (12).

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WILKINSON, Robert (publisher). Wilkinson’s Atlas Classica. London: [n.d. but 1798-1808.] Folio (348 x 280mm.) Engraved decorative title, 45 hand-coloured engraved maps (7 folding) and 7 hand-coloured engraved charts (1 folding) only. (Some spotting to first few leaves, occasional light browning.) Nineteenth century half-calf (scuffed and rubbed, spine slightly chipped). (See illustrations)

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SPEKE, John Hanning. Journal of the Discovery of the Source of the Nile. Edinburgh & London: William Blackwood and Sons, 1863. First edition, 8vo (212 x 130mm.) Numerous plates and illustrations. (Lacking maps, some spotting and light creasing.) Modern red morocco. Provenance: Julius Jeppe (ink-stamp to title page).

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CRUIKSHANK, George (illustrator). – Three courses and a dessert… second edition. London: 1830. 8vo (205 x 125mm.) Numerous plates and illustrations, all after Cruikshank. (Plates browned and spotted, occasional light spotting to text.) Contemporary morocco-backed cloth (spine rubbed and scuffed). – And 102 other volumes, the majority nineteenth century literature (103).

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Three china fairings - 'Returning at 1 o'clock', 'Three o'clock in the Morning' and 'The Last in Bed to put out the Light'

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MUDFORD, William. An Historical Account of the Campaign in the Netherlands, in 1815… comprising the Battle of Ligny, Quatre Bras, and Waterloo. London: printed for Henry Colborn, 1817. 4to (320 x 268mm.) Hand-coloured aquatint additional title, 1 hand-coloured aquatint double-page map, 1 folding aquatint map (printed in green and finished by hand), 27 hand-coloured aquatint plates (1 double-page). (The additional title shaved with slight loss at foot, some light spotting, half-title lacking.) Contemporary russia, elaborately tooled in gilt and blind, marbled endpapers, g.e. (extremities scuffed). Provenance: John Ashton Bostock (inscription dated 1889). (See illustrations on back cover & inside pages)

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KITTON, Frederic G. Dickens and his illustrators. London: 1899. Large 8vo (285 x 225mm.) Portrait frontispiece and numerous plates. (Some light spotting.) Original green cloth, t.e.g.

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NATURAL HISTORY. – C.A. JOHNS. British Birds in their Haunts. London & New York: 1838. 8vo (197 x 123mm.) Numerous illustrations. (Some light spotting and soiling.) Original cloth (extremities slightly bumped). – And thirty-six other works of natural history interest (37).

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TOPOGRAPHY. – James S. OGILVY. A Pilgrimage in Surrey. London, New York, [etc.]: 1914. 2 vols., 8vo (272 x 202mm.) Titles printed in red and black, numerous colour plates. (Some light spotting.) Original cloth (Vol. II rebacked). – And twenty-two others, all of topographical interest (24).

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BINDINGS. – William Makepeace THACKERAY. The Works. London: 1887-1886. 13 vols., 8vo (188 x 125mm.) Frontispieces. (Some light spotting or browning.) Contemporary green half-calf gilt, the spines in six compartments with raised bands, lettered in the second and fourth, the others with repeat decoration in gilt (extremities slightly rubbed and scuffed).

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BINDINGS. – William SHAKESPEARE. [The Works.] London: 1788-1786. 12 vols., small 8vo (138 x 85mm.) Occasional plates. (Some light browning.) Nineteenth-century tree-calf, spines gilt with morocco lettering pieces (hinges weak or split, some chipping and repairs to spines, vol. I re-backed). – And two other leather-bound works (14)

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DICKENS, Charles. The Life and Adventures of Nicholas Nickleby. London: Chapman and Hall, 1839. First edition in book form, 8vo (214 x 135mm.) Engraved portrait frontispiece and 39 plates after ‘Phiz’ [Hablot Knight Browne]. (Plates browned as usual, some light browning or spotting to text leaves.) Contemporary half-calf (extremities and spine rubbed). – And twenty other works by Dickens, including a few other first editions (21).

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DICKENS, Charles. The Mystery of Edwin Drood. London: Chapman and Hall, 1870. First edition bound from original parts, 8vo (212 x 135mm.) Portrait frontispiece, engraved additional title and 12 wood-engraved plates after S.L. Fildes. (Some light spotting or browning.) Contemporary half-calf, upper cover of one original blue paper-wrapper bound-in. – And three other works by Dickens, all first editions in six vols. (7).

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[SCOTT, Sir Walter.] The Monastery. A Romance. Edinburgh and London: 1820. 3 vols., 12mo (175 x 100mm.) Half-titles (Some light soiling.) Contemporary calf (worn). – And seventy-five others, the majority leather-bound, nineteenth century literature (78).

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COBURN, Alvin Langdon. London… with an Introduction by Hilaire Belloc. London & New York: [n.d. but circa 1909.] Folio (410 x 304mm.) 20 tipped-in plates after Coburn. (Occasional light spotting to text.) Original green morocco-backed boards (head and foot of spine slightly chipped and scuffed), dust-jacket (dust-jacket with slightly tattered edges). Provenance: George Harry Milsted (bookplate). – And a 4pp. folio advert for H.G. Wells’ The Door in the Wall (1911), illustrated by Coburn with a single plate (2). (See illustrations on front cover & inside pages)

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CALVERT, Samuel. A Memoir of Edward Calvert artist by his third son. London: 1893. Limited edition of 350 copies, this number 7 signed by the author, folio (372 x 270mm.) Portrait frontispiece, title printed in red and black, 34 plates on 30 leaves after Edward Calvert. (Some light spotting, browning and marginal staining.) Original brown cloth, t.e.g. (somewhat scuffed, spine darkened and soiled). Provenance: George Harry Milsted (bookplate). (See illustrations)

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MESSEL, Oliver (illustrator). – William SHAKESPEARE. Romeo and Juliet. London: B.T. Batsford Ltd., 1936. 8vo (282 x 196mm.) Coloured title vignette, numerous plates (8 colour and mounted). (Occasional light spotting.) Original cloth, dust-jacket, spine faded and with nicks to edges).

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DULAC, Edmund (illustrator). – Omar KHAYYAM. Rubaiyat… rendered into English verse by Edward Fitzgerald. London: Hodder & Stoughton, [n.d. but 1909.] 4to (278 x 213mm.) Title printed in brown and green, decorative borders printed in brown, 20 mounted colour plates. (Light spotting.) Original cream buckram (slight soiling, spine slightly darkened).

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BARKER, Cicely Mary. Spring Songs with Music from “Flower Fairies of the Spring”… music by Olive Linnell. London & Glasgow: Blackie & Son Limited, [n.d. but circa 1929.] 8vo (242 x 183mm.) 12 mounted coloured plates after Barker. (Occasional light spotting.) Original cloth-backed pictorial boards, dust-jacket (dust-jacket slightly chipped). – And two other similar song books by Barker (3).

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COLE, Herbert (illustrator). – Samuel Taylor COLERIDGE. The Rime of the Ancient Mariner. London: Gay & Bird, 1900. 4to (218 x 170mm.) 6 photogravure plates, occasional wood-engraved decorations and tail-pieces. (Some light spotting.) Original cloth (extremities slightly bumped and soiled).

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ASHFORD, Daisy. The Young Visiters or, Mr. Salteenas Plan… with a preface by J.M. Barrie. London: 1919. First edition, 8vo (168 x 116mm.) (Occasional light spotting.) Original cloth-backed marbled boards, dust-jacket illustrated after a design by Norman Wilkinson (extremities slightly scuffed, nicks to dust-jacket).

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BINDINGS, ART NOUVEAU CLOTH. – H.F. GETHEN. Sydney’s Chums. London, Glasgow, etc.: [n.d. but circa 1909.] Small 8vo (178 x 124mm.) Coloured frontispiece and two uncoloured plates. Original blue cloth, upper-cover and spine decorated in gilt and colours in an Art Nouveau design after E.L. (light scuffing and bumping to extremities). – And fifty-four other children’s books and popular literature, all bound in original cloth with Art Nouveau designs to spines and upper covers (55).

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KIRBY, W.F. European Butterflies and Moths. London: 1882. One work in 2 vols., 4to (275 x 215mm.) 62 lithographic plates (61 hand-coloured). (Occasional light spotting and browning.) Contemporary half-calf (worn, spines lacking, covers detached, stitching broken and some leaves now loosely inserted). – And two other volumes (4).

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GUIDI, Tommaso dei, called Masaccio (1401-1422). Le appresso sei storie appartengono alla celebre Capella dell’ estinta famiglia Brancacci nella nuova Chiesa del Carmine di Firenze… Tommaso Piroli incisore. [N.p. but ?Rome or Florence: n.d. but circa 1771-1775.] Oblong folio (370 x 460mm.) Engraved title, 6 engraved plates by Tommaso Piroli, after Masaccio. (Title page with small marginal tear, some light browning or spotting, slight dampstaining to first few leaves.) Near contemporary paper wrappers (torn with loss, edges slightly tattered). Note: The engravings depict pictures by Masaccio formerly in the Church of the Carmelites at Florence. (See illustrations)

Lot 1

CALDECOTT, Randolph (illustrator). – The Complete Collection of Randolph Caldecott contributions to the “Graphic”. London, Glasgow, etc.: 1888. Limited edition of 1250 copies, this number 183, large 4to (376 x 318mm.) Portrait frontispiece, title printed in red and black, numerous lithographic illustrations, some printed in colour. (Occasional light spotting.) Original cloth (worn, spine chipped with loss and hinges weak). – And thirty-three others, the majority illustrated works (34).

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CHILDREN’S BOOKS. – Harry ROWNTREE (illustrator). Aesop’s Fables. London & Glasgow: The Children’s Press, [n.d.] 4to (260 x 182mm.) 8 coloured plates, numerous illustrations. (Occasional light spotting.) Original cloth-backed pictorial boards (extremities bumped). – And sixty-two others, the majority children’s books (63).

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BOSSCHÉRE, Jean de (illustrator). – Miguel de CERVANTES. The History of Don Quixote De La Mancha. London: 1922. Large 4to (280 x 212mm.) Colour frontispiece, 24 plates printed in up to two colours on coloured leaves, numerous uncoloured illustrations, all after Jean De Bosschére. (Occasional light spotting.) Original black cloth (slightly scuffed, spine faded and chipped at head and foot). – And five others (6).

Lot 1

KELLY, Christopher. A New and Complete System of Universal Geography. London: 1814-1817. 2 vols., 4to (259 x 205mm.) Engraved frontispieces and additional titles, 32 engraved maps (13 folding), 48 engraved plates. (some light browning and marginal tears to a few plates.) Contemporary half-calf (rubbed and scuffed).

Lot 1

JOHNSON, Samuel. A Dictionary of the English Language… eighth edition; corrected and revised. London: 1799. 2 vols., large 4to (278 x 215mm.) Engraved portrait frontispiece. (Occasional light spotting.) Nineteenth century diced calf (worn, covers detached).

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AESOP. Fables… with Morals and Reflections by Sir Roger L’Estrange. London: 1692. Folio (310 x 196mm.) Engraved portrait frontispiece, 1 engraved plate. (Light browning and occasional light spotting.) Old speckled calf (worn, covers detached). Wing A706.

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A Bing stationary steam engine and generator comprising horizontal boiler, spirit fired, flywheel, separate transformer unit and electric light, all mounted on tinplate and wood base, 11 x 9 1/2, some components missing, AF, P .

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Hornby No.2 clockwork 4-4-2 tank finished in L.N.E.R. light green 1784, some paint retouching, F.

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A late 19th Century Davidson's blue pearline water jug in the Brideshead pattern, together with Davidson's Richelieu pattern footed sugar and a small assorted parcel of late 19th Century glass ware to include a miniature Jack in the Pulpit and a graduated cranberry glass light shade, (7).

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Three early 20th Century glass light shades to include floral and marbled examples. (3).

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A late 19th Century Davidson's Primrose opal pressed night light shade of fluted form raised to a similar period flint pedestal stand decorated with daisy & button pattern, height 8.25".

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A later 20th Century Thomas Webb clear cut crystal candle light having a baluster form stem and ovoid shade with a collar of strawberry diamond cut below a facet cut collar, together with a similar example having a pale blue foot, both retain labels, height 10.5".

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A later 20th Century Thomas Webbs clear crystal candle light having a star cut circular foot, hollow baluster form stem rising to a white metal plated collar, the whole set with an ovoid form flared rim shade decorated with traditional diamond cut, together with a matched pair of butlers lights, tallest 16".

Lot 1

Three 19th and early 20th Century oil on canvas portrait studies, an elderly man opening a bottle of wine, another man reading music and holding a flute 9" x 6" approximately and a third depicting a young girl reading a book by candle light, 5.5" x 8.25", framed. (3). S/D

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An Art Deco style chrome and frosted glass single light fitting.

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A parcel lot of 1970's Action Man items to inculde three dolls (two with eagle eyes) army light aircraft, Special Mission pod, etc.

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C19th Continental Tortoise Shell Veneered Sewing Box approx. 10" x 7" x 3", interior fitted with ebony & boxwood & tortoise shell veneered compartments with cotton spools on a satinwood carcass light veneer damage & some lifting

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Early C20th Board Game Aviation by H Gibson & Son's Ltd the aerodrome board divided into squares with large quantity of card playing pieces including search light, bomber, observation balloons etc. etc. all with tin stands & original instruction booklet

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Boxed Hornby platform canopies plus one coloured light signal, boxed

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Dinky Volvo 122S red 184 Humber Hawk green and black 165, Singer Vogue light green 145 Mini red and repainted black roof 183 and four others, all playworn.

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502 Garage Light Grey English Version. (see lot 333 for illustration)

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Corgi Commer Police van with flashing light, No. 464, boxed

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Matchbox 1-75 Series - Mb1B Diesel Road Roller MB5 London Bus MB12 Land Rover (no driver) 14a Daimler Ambulance 2 x MB19a MG's (No Drivers) MB22 V.Cresta Red and White Roof 2 x MB31 Ford Station Wagons MB33 Ford Zodiac MB39 Zodiac Convertible Pale Peach and Light Green with driver MB43 Hillman Minx Blue/Pale Grey MB44 RR Silver Cloud MB45 Vauxhall Victor Yellow MB54 Saracen Personnel Carrier MB65 Claas Combine (16) All played with condition.

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Matchbox 1-75 - MB39(a) pale peach and light brown.

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Matchbox 1-75 - Diamond T Mover MB15(a) and Transporter Trailer MB16 Bedford Low Loader Green MB27(b) Daimler Ambulance MB14(a) Wreck Truck MB13(a) Scammell Mechanised Horse MB10(a) Quarry Truck MB6(a) ERF MB20a (Silver Trim) Bedford Tipper MB40 Commer Pick-Up 50a (Light Brown) Dennis Fire Escape MB9(a) and 9(c) (12)

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Old unnamed set of bagpipes with nickel ferrule and light brown tartan bag; also a contemporary set of bagpipes made in Pakistan (2)

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WELSH VIOLA BY DON TATEM labelled Bernalyn, Don Tatem, Cardiff, no. 393 June 1996, the one piece back of faint medium curl with similar wood to the sides and head, the table of a medium grain and the varnish of a light reddish-brown colour, 16 1/2", 41.90cm

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Pierre-Jacques Pelletier (1829-1931)Steam And Sail, in dramatic evening light Oil on 47cm x 73cm

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