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Lot 444
Henry Pickering (c.1720-c.1775)Portrait of Charles, second son of Sir R Bradshaigh by Rachel, Daughter to Sir I Guise, wearing a powdered wig, a dark coat, claret-coloured waistcoat embroidered with gilt flowers and white stock in feigned oval, inscribed "H Pickering Pxt 1755" and titled, oil on canvas, 74 x62 cms Not lined. Craquelure throughout, with some surface dust/dirt, and minor discolouration to the varnish. Not examined under UV light.
Lot 24
Thomas Worlidge (1700-1766)Sir Bernard Astley, etching, 23 x 18cm; Samuel & Nathaniel Buck - The South West View of Melton Constable in the County of Norfolk, engraving with hand-colouring, 36 x 57cm; an antique Toile-de-Jouy panel, framed, and two further prints (5) Astley portrait - time staining to the margins and some scattered light foxing. Buck - some creases and time staining, and light foxing and staining. Remainder good overall.
Lot 405
Attributed to Raoul Dufy (1877-1953)Sail boats near Nice, Cote d'Azur,circa 1922-1924, watercolour, 42.5 x 56.5cm Formerly in the collection of Miss Adelaide Milton de Groot (1867-1967) and purchased by our current vendor from a member of the family in the Autumn of 1973 at their apartment on the Upper West Side near 79th Street, New York city(More information available on request) Sheet is time stained. There is a small tear/scuff to the paper surface lower left area, and a light vertical scratch near to the boats. Repaired tear to the upper edge in the tree area. A few scattered spots of foxing. Not examined out of the frame.
Lot 271
George Romney (1734-1802)Portrait of Madame de Hodenet, oil on canvas, 73 1/2 x 61 cms; in period giltwood frameProv: Sothebys 13th July 1994 Lot 61Lit: Kidson, Alex: George Romney: A Complete Catalogue of his Paintings", no. 360, pg 181 Has been lined and cleaned, with a slightly patchy/uneven varnish surface. There is a scratch approx 5cm long to the lower right area, and fine craquelure throughout. Minor scratches. Under UV light there are some very minor areas of retouching, the main one being a small area under the sitter's chin, and a few background areas, most being very small.
Lot 133
17th century Flemish schoolMoses at the parting of the Red sea, oil on canvas, 59 x 76cm Has been lined. There are probable areas of overpainting and retouching to the sky and background. Some fine craquelure in a few places. Surface dirt and varnish discolouration, not examined under UV light - framed behind glass.
Lot 339
Frederique Emile O'Connell (1823-1885)Portrait of Edward Astley in scarlet uniform, signed, painted oval, 77.5 x 63.5cm Edward, 2nd son of Henry Astley, Bart, Colonel of 1st lifeguards, b. 1799 and d.1840 (killed in a duel at Hotton, Belgium) Has been lined. Some surface scuffs and scratches, and small splash marks. Minor craquelure to the face area. Surface dirt and varnish discolouration, not examined under UV light.
Lot 218
Reuben Ward Binks (1880-1950)A group of three otter hounds at a stable door, signed, watercolour, and companion, a pair, 20 x 33cm; and an etching of a pointer by the same hand, signed in pencil, unframed (3) One has a V shaped tear to the upper edge, and is quite brown/time stained. The other is fairly good overall, with minor time staining and a few spots of scattered light foxing.
Lot 217
After Carlo DolciThe Penitent Magdalene, oil on canvas, 72 x 57cm 72cm x 57cm Some minor marks, the painting lined, craquelure throughout with paint seperation. Possible repaired tear to the lower left area, some retouching, stretcher marks visible to the upper area. Surface dirt and varnish discolouration, not examined under UV light. The frame with some minor marks and losses and later repainted.
Lot 282
William Thornley (act. 1858-1898)Coastal scene with numerous figures on the beach, signed, oil on canvas, 59 x 105cm Not lined, has been cleaned and varnished though. There is a small area of possible repair/restoration to the sky on left, with wax strengthening to the back of the canvas, and further small areas of retouching. Small dark mark to central area. Minor varnish discolouration. Not examined under UV light.
Lot 135
18th century Italian schoolFigures amidst ruins, possibly the Forum, Rome, oil on canvas, 36.5 x 61.5cm Not lined. Paint is bubbling and flaking/unstable to the lower edge, extensive craquelure throughout with further minor paint loss. Possible minor overpainting to right area of the sky. Surface dirt and varnish discolouration. Not examined under UV light.
Lot 177
PEAKE (Mervyn): The Gormenghast Trilogy, comprising 'Titus Groan' (second impression, 1946): 'Gormenghast' (FIRST EDITION, 1950): 'Titus Alone' (FIRST EDITION, 1959): publishers red cloth with dustjacket, first named somewhat browned to spine, torn round foot of lower hinge, general light toning but otherwise a good clean set, 8vo. (3)
Lot 347
TRAVEL: BUCKINGHAM (James): 'Canada, Nova Scotia, New Brunswick, and the other British Provinces in North America...': London, Fisher, Son & Co, n.d (c.1850): folding map frontispiece, 540pp, contemporary half calf gilt, recased, light wear, 8vo: HOOKER (Joseph Dalton) 'Himalayan Journals': London, Ward, Lock & Co, 1905: publishers red cloth gilt, a bit rubbed and sunned, 8vo: with a box of misc. other travel books, 19th century and later. (Box)
Lot 13
YEATS (William Butler): 'The Green Helmet and Other Poems..': Churchtown, Cuala Press, 1910: one of 400 copies, Dun Emer device to title and errata slip present, publishers cloth backed boards with printed label to spine, backstrip and free endpapers a bit browned, edges partially unopened, light wear but a very good copy, 8vo. (1)
Lot 224
MAPS: Darton & Harvey (publisher): 'London Westminster and Southwark shewing the various alterations...': 1804, copper engraved map with hand colouring, 46 x 58cm, vertical centre fold, light toning and creasing, a few short tears and chips to margins: together with 'Cary's Reduction of his Large Map of England and Wales, with part of Scotland, containing the whole of the Turnpike Road, the principal rivers & the course of the different navigable canals..', printed by J Cary, 1805: folding map laid on linen, slipcase with printed label, a little rubbed and marked: with another 19thc folding map. (3)
Lot 20
YEATS (William Butler): 'Reveries over Childhood and Youth..': Churchtown, Cuala Press, 1915. No.383/425 copies: FIRST EDITION: 2 vols in slipcase, comprising separate portfolio of plates (3 loose plates - one in colour - and one looseleaf of text), original grey/blue boards with titles printed in black to upper, linen-backed, edges rough trimmed, very light wear and browning but an excellent copy, 8vo. The book was originally announced under the title 'Memory Harbour, a Reverie on my Childhood and Youth', published on 20 March 1916 at 10s 6d. (1)
Lot 96
ROBERTS (David): 'The Holy Land, Syria, Idumea, Arabia, Egypt & Nubia..': London, Day & Son, 1855: 6 vols in 3, portrait frontispiece, 6 pictorial lithographic titles, 241 tinted lithographs, 2 maps, tissue guards, light toning and scattered foxing, heavy around end leaves, contemporary blind ruled full calf over bevel-edged boards, recased preserving backstrips and labels replaced, page edges red, a good set, 4to. (3)
Lot 21
POUND (Ezra, editor): Ernest Fenollosa: 'Certain Noble Plays of Japan...with an introduction by William Butler Yeats': Churchtown, Cuala Press, 1916: No.292/350 copies, partially unopened, publishers cloth backed grey boards lettered in black to upper, very light wear and browning else an excellent copy: together with 'Passages from the letters of John Butler Yeats: selected by Ezra Pound': Cuala Press, 1917, one of 400 copies, original linen-backed blue boards with printed label, a little rubbed and marked, 8vo. (2)
Lot 41
YEATS (William Butler): 'Words for Music Perhaps and Other Poems..': Dublin, Cuala Press, 1932: one of 450 copies, sword of light device by A E in red to second page, original linen-backed blue boards, printed label to spine and lettered in black to upper, residue from bookplate removed to upper pastedown but a good clean copy: ROSSI (Mario) 'Pilgrimage in the West': Cuala Press, 1933, one of 300 copies, linen-backed boards, VG: HIGGINS (F R) 'Arable Holdings: Poems', Cuala Press, 1933: one of 300 copies, signed by Higgins to title page in blue ink: original linen-backed boards, small chips to label, a little browned and bumped but a good clean copy, 8vo. (3)
Lot 454
FAY GODWIN (PHOTOGRAPHER 1931-2005): CALDER VALLEY: 'West Laithe, Heptonstall': 'Storm-Light, Alcomden': gelatin silver prints, largest approx 18.5 x 19cm, mounted on card, signed by photographer lower right, photographer's ink stamp, pencil title and reference numbers to verso, some light spotting to mounts. (2)
Lot 34
PARNELL (Thomas): 'Poems...selected by Lennox Robinson': Dublin, Cuala Press, 1927: limited to 200 copies. Original linen-backed blue boards, printed label to spine and lettered in black to upper, light wear and browning, contemporary bookplate and bookseller's label to upper pastedown, partially unopened, a very good copy, 8vo: together with Lennox Robinson's 'A Little Anthology of Modern Irish Verse', Cuala Press 1928, one of 300 copies, VG in original boards, 8vo. (2)
Lot 185
POE (Edgar Allan): 'Tales of Mystery and Imagination..': illustrated by Harry Clarke: London, Minerva Press, 1971. Publishers blue cloth with dustjacket, teg, fine with light sun to spine, 4to: SPARK (Muriel) 'Not to Disturb', London, Observer Books, 1971: illustrated by Michael Ayrton, signed by author and illustrator to half title: publishers buckram backed boards, 8vo: with 14 other books, misc. illustrated/erotica, various sizes, G-VG. (16)
Lot 28
YEATS (William Butler): 'Seven Poems and a Fragment': Dundrum, Cuala Press, 1922: one of 500 copies, printer's device in red to title, original linen-backed grey paper covered boards, lettered in black to upper, light wear and browning, a few minor marks, leaves partially unopened, small bookseller's label to front pastedown, 8vo: together with a second copy of the same. (2)
Lot 58
MILNE (Alan Alexander): Winnie The Pooh series in deluxe bindings, comprising: 'When We Were Very Young', (17th edition, 1928); 'The House at Pooh Corner' (FIRST EDITION, 1928); 'Now We Are Six', (4th edition, 1928); and 'Winnie The Pooh', (6th edition, 1928): uniform original blue publishers crushed morocco gilt, each title with 5 differing characters from the drawings by E H Shepard gilt to upper covers, gilt ruled and lettered, spines a little sunned, light wear and rubbing, some minor scuffs and marks but an attractive set overall, 12mo. (4)
Lot 35
YEATS (William Butler): 'October Blast..': Dublin, Cuala Press, 1927: one of 350 copies, includes the first appearance of Yeats' iconic 'Sailing to Byzantium': woodcut title device by T Sturge Moore, colophon printed in red, original linen-backed blue paper covered boards, printed label to spine, lettered in black to upper, partially unopened, some light browning else VG: together with a second copy of same, 8vo. (2)
Lot 390
BINDINGS: DICKENS (Charles): 'Works': Vols 1-15 only, Chapman & Hall, c.1880: uniform period calf, spines richly gilt with twin morocco labels, marbled edges, light sunning and wear else VG: with Vols 1-8 'Histoire de L'Empire de Russie' by Karamsin, Paris 1819, contemporary full red morocco gilt, 8vo. (23)
Lot 349
SILVERBERG (Robert, editor): 'Legends...Eleven New Works by the Masters of Modern Fantasy': Harper Collins, 1998: includes contributions by Terry Pratchett, Ursula LeGuin, George R R Martin et al: together with 'Legends II', 2003, both good in d/j, 8vo: KING (Stephen) 'Firestarter': London, Macdonald, 1980: publishers black cloth with d/j, light wear and rubbing else good: with a box of other fantasy/horror, including other titles by King. (Box)
Lot 20A
Emile Galle, 1846-1904 - An Art Nouveau light oak and beech two tier table, the quarter cut veneered sqaure top having blossoming flowers marquetry inlaid decoration, opening to reveal a tea table top, beech splayed legs united by a lower shelf with similar marquetry inlaid, signed to the table top, 76cm high x 45cm wide x 88cm wide when opened
Lot 286
A pair of continental bisque head dolls, to include: - Gerbruder Heubach 8192, with blue weighted eyes, light brown hair and open-mouth, length approximately: 23cm - Simon and Halbig / Kammer and Reinhardt, with blue weighted eyes and blonde hair, wearing blue and white patterned dress, length approximately: 38cm
Lot 75
AN ENGLISH TRIANGULAR STAINED GLASS PANEL probably West of England, 15th century, painted with a chalice with the Host radiating beams of light, the background with scrolls in yellow and clear glass and enclosed by a yellow border, 25cm x 18.5cm; and a Flemish oval stained glass panel of the Crucifixion, 16th century, 24cm x 19.5cm (2)Provenance: The English panel of stained glass in this lot is believed to have come from Bishops Caundle Church but there is no documentary evidence to support this.
Lot 137
A PAIR OF 1796 PATTERN LIGHT CAVALRY OFFICER"S SABRESone blued and gilt with foliage, a stand of arms, crowned "GR" cypher, the Royal Arms, and a mounted cavalryman, regulation steel stirrup hilt with facetted back piece, wire bound leather covered grip, in its steel scabbard with two suspension rings, the second is seized in the scabbard with some blue and gilt visible and with fish skin grip, both with inscriptions on the locket for Charles Hutchings, East Somerset, Yeomanry Cavalry, Yeovil Troop, on the locket, 83cm blades; and a 19th century percussion d.b. box-lock pocket pistol with carved stock (3)
Lot 914
18K Yellow gold ring set with a rose cut diamond in silver surrounded by blue enamel. Set with one rose cut diamond set in a silver setting (approx. 7.20 x 6.40 x 1.70 mm, VS / I-J). In reasonable condition, small repair at the bottom of the setting and light signs of use on the enamel. Hallmarks: Dutch assay mark 750. Ring size: 17.5 mm / 55 mm. Weight: 4.17 grams.
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534297 item(s)/page