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Lot 515

F.A. Cup fixtures 1967-68. Includes song sheet.   Mixed condition. Home programmes have attendances noted. 2nd Replay v Liverpool @ Man. City has folds and match details. Portsmouth creased and light stains. Liverpool fold. Colchester light creasing. S/F very good. Final slight wear to covers. Song sheet folds and creased.

Lot 616

Light stain, otherwise very good.  

Lot 813

Good condition, apart from small light stain.

Lot 845

Results noted and small light stain on cover.

Lot 935

 Fully completed.   Good condition apart from a few light marks.

Lot 940

First Division fixture 1954/55.   February 5th, 1955. Light fold and staples removed, otherwise very good.

Lot 209

TABLE LAMP, vintage ship search light inspired design, 42cm H.

Lot 2691

An unusual Bacardi Bat light fitting.

Lot 2749

A 4 lamp adjustable ceiling light (all angles).

Lot 2750

A 4 lamp adjustable ceiling light (all angles).

Lot 132

An Edwardian copper rise and fall hanging light, circular (lacking shade). Diameter 47cm

Lot 161

A period style gilt-metal and moulded glass five light chandelier. Excluding chain 40cm

Lot 162

A brass three-light rise and fall ceiling lamp, with brass rose, the ring pierced and chased with square bosses and with fringed green silk shade. Diameter 46cm

Lot 22

Two vintage Poole Pottery biscuit barrels and a spherical opaque glass light shade. (3) First 14cm

Lot 97

A group of vintage clocks including a Smiths Enfield painted metal wall clock; a 1940's twin-light mirrored dressing table clock; a Continental porcelain mantel clock on stand in the Rococo taste and four mahogany cased mantel clocks. (7)

Lot 133

Two Chinese watercolours of warriors in light wooden frames, 53cm long (2)

Lot 122

Four Brooklin Collection die cast 1/43 scale models, a No. 43 1948 Packard Station Sedan in cream, a No.27 1957 Cadillac Eldorado Brougham in black, a No. 30a 1954 Dodge Royal 500, in pale metallic green, and a No. 38 1939 Graham Combination Coupe in light brown missing car mascot, three with correct original boxes but no Packard box just another Graham Combination Coupe box. (4)

Lot 151

Eight Scalextric model racing cars without boxes, an SRS Mercedes 190E 2.3 16 (C019), a Police Car with roof light (C362), a Bardahi XR3i (C126), a Mobil XR3i (C376), a Pirelli XR3i (C433), A Supasnaps XR3i (C446), a MG Metro Total (C214), and a MG Metro Valvoline (C215), together with two empty Scalextric boxes for a STP Escort XR3i (c460) and a Ford Escort Cosworth Panasonic (C204), all in a play worn condition. (1 box)

Lot 152

Five Scalextric model racing cars with boxes, comprising two 'Power and the Glory models' a Bentley (C305) and a Mini Cooper in green (C099), together with a Police car with roof light (C362), a PMG Rover (C280), and a Ford XR3i in silver (C342), all in a play worn condition. (5)

Lot 153

Eighteen 1/43 scale die cast model cars, Comprising two Model Road Reproductions models, a boxed Austin A30 saloon in blue, an unboxed Ford Consul Mk 2 in pale yellow a/f with loose tyres and door handle, three unboxed Landsdown Models, a 1957 Vauxhall Cresta in dark grey, an MG Magnette Type ZA in light grey, a 1957 Vauxhall Cresta in green, unboxed models three Vitesse boxed models a 1957 Chevrolet Nomad with white roof and blue body, a 1955 Chevrolet Bel Air in two tone blue and white, a Renault Twingo in red, also an unboxed Vitesse Mercedes 600 in light bronze, a two 1/24 scale Franklin Mint models, a 1967 VW Beetle in cream and a 1985 Lamborghini Contach 5000 S, both with polystyrene cases, a boxed Rio model 1955 Citroen DS Salon de Paris in green with cream roof, a boxed limited edition Suburu World Rally Team 2001 racing car, a Western Models 1993 Aston Martin Vantage in green, a Mini Classics Mini Traveller in green, and three other models. (18)

Lot 16

A pair of Chinese early 20th century famille rose porcelain vases, of inverted baluster form with flared rim and high spreading foot, decorated in pale polychrome enamels as a mirrored pair, each with a bearded man and a smaller figure gazing upwards to a crane in flight, iron red four character seal mark to base, each 11.5 by 26cm high. (2)Condition: one vase has one small chip to rim and one dirt filled pressure chip to rim, both with various frit inclusions to glaze, plus light scratches and wear from use.

Lot 225

A Gazak rug, with orange, purple and light green diamond shaped decoration, latch hook edges, 117 by 113cm.

Lot 232

A retro eight branch ceiling light fitting, with brass arms and black cone shaped bulb holders, in the style if Italian Stilnovo designs on the 1950's & 1960's, 66 by 66 by 40cm.

Lot 95

Over one hundred and fifty British military and naval buttons, including Tank Corps, Duke of Cornwall's Light Infantry, Royal Army Medical Corps, all displayed across three cardboard mounts. (1 bag)

Lot 99

Over one hundred and fifty British and Commonwealth military buttons, including a 19th century 8th Bengal Light Cavalry button, an Edward VII Australian Commonwealth button, as well as buttons for the Princess Charlotte of Wales Royal Berkshire regiment, Black Watch, together with smaller buttons for Parachute, Sikh and other regiments. (1 bag)

Lot 100

Modern Light Oak Small Pedestal Desk: red leathered top

Lot 13

A wooden market umbrella: with light. 270cm diameter. Boxed

Lot 744

Chinese late 18th / early 19th century porcelain dishes: A pair with some losses to left edges and chips, also some light rubbed wear to decoration. Measuring 26cm wide.

Lot 333

Unusual ceramic and glass light fitting

Lot 205

A miniature cider press, of traditional form, in light wood and iron, mounted on a board, 55cm high

Lot 298

A large vintage theatre stage light, with mounting bracket and filter clips, 44cm high x 48.6cm wide

Lot 321

A gilt metal six light chandelier, with six frosted glass petal shaped shades issuing from leafy and s scroll branches, with stiff leaf cast ceiling rose, electrified, 67cm high overall

Lot 495

A Royal Worcester Sevres style cabinet plate with a central polychrome floral panel of roses, a passion and other flowers, signed by E Phillips, on a light green ground, the border with three floral vignettes in gold rococo scroll borders and three gilt panels of rococo strap work, 22cm diameter

Lot 94

A WWI four medal group to 4396 Sgt H Tadd, Somerset Light Infantry, comprising the 1914 Star, the War Medal, Victory Medal and the Long Service and good conduct medal, the War and Victory medal, named to H Todd

Lot 120

A Retro light wood and green canvas relaxer chair.

Lot 123

A Victorian brass rise and fall paraffin lamp converted to an electric standard light. Comes with a hide style shade.

Lot 178A

Antique light wood child's spindle back chair.

Lot 203D

An art Nouveau cast metal base free standing light, set with an ornate painted shade. Measures 81.5cm in height. In a working condition.

Lot 229B

A Contemporary solid light oak console table designed with two drawers and under shelf. Measures 77x100x32cm

Lot 364A

A Highly detailed Tiffany style fruit design ceiling light shade.

Lot 388A

A Tiffany style ceiling light shade.

Lot 394A

A 1960's Tiffany style German made stain glass ceiling light.

Lot 433A

Two Tiffany style wall hanging light fittings together with a Tiffany style shade.

Lot 475C

After Thomas Kinkade A Limited edition canvas print released in 2002. Titled "Mountain Majestic" Comes with Certificate of Authenticity. Thomas Kinkade painter of light classics collection, Frame measures 48x57cm

Lot 476C

After Thomas Kinkade A Limited edition canvas print released in 1999. Titled "Glory of Morning" Comes with Certificate of Authenticity. Thomas Kinkade painter of light classics collection. Frame measures 34.5x40cm

Lot 477C

After Thomas Kinkade A Limited edition canvas print released in 1998. Titled "Golden Gate bridge, San Francisco" Comes with Certificate of Authenticity. Thomas Kinkade painter of light classics collection, Frame measures 47x61.5cm

Lot 483C

Antique light wood wardrobe with single mirror door and under drawer. Measures 96x128x43.5cm

Lot 52

Antique brass weighted ships desk lamp, designed with an angle light bracket. [37cm in height]

Lot 636D

An Art Deco ceiling light designed with brass body and 4 white globe shades. Two shades damaged

Lot 109

Muhammad Akbar Aref Muhammad Arzani, Hudud al-Amraz (a medical treatise), in Arabic, decorated manuscript on polished paper [Mughal India, first half of seventeenth century] single disbound volume, 44 loose leaves, text apparently complete in itself with catchwords throughout and earlier foliation, single column, 19 lines of black naskh with headings and important words in red, title to fol. 1r and some marginalia in a later hand, extensive worming to inner edges, most outer edges repaired, ink ownership stamp to title and inscription on final leaf, some light damp-staining, 275 by 195 mm.; housed in modern card portfolio-style folder Provenance: With seal of Qadir Bakhsh Kan'Murah on first leaf, and inscription to the final leaf of Qadir Bakhs ibn Abd'Al-Baqi bin Abdul-Rahman, these probably both eighteenth and early nineteenth century respectively. Text: Muhammad Arzani was a celebrated physician and author of a number of influential treatises on medicine and disease including the Qarbadini Qadiri (on skin diseases), the Mizan al-Tibb (a handbook of practical medicine), and Mujarrabat-i Akbari (on compound remedies). The present text expands on an existing work by Nafis ibn 'Iwad al-Kirmani entitled Shahr al-Asbab wa al Alamat, dealing exclusively with illness of infants, pregnant and breast-feeding women.  

Lot 125

George Landseer (attributed to), Indian Khanjar and Ballam studies, original illustrations, watercolours on paper [India, c. 1860]2 loose leaves, watercolours on western paper, depicting: (i) an Indian Khanjar against a striking black background, ruled within yellow and light blue, "Khanjar" inscription in Udru above the image, pencil inscriptions on the reverse erroneously identifying the artist as Charles Landseer, a few very faint spots, overall excellent condition, 300 by 240 mm.; (ii) a detailed Indian Ballam, against a cream background within a grey ruled border, "Ballam" inscription in Urdu above the image, pencil inscriptions as before, lightly rubbed and some slight surface soiling, overall very presentable and crisp condition, 300 by 240 mm.; both in modern card mountsGeorge Landseer (1829-1878) was a British artist, nephew of Sir Edwin Henry Landseer and son of Thomas Landseer, who was best known for his landscapes of India in watercolour and oil paintings. These are probably extracted from a larger body of work on Indian armoury that would have formed the personal album of a collector.

Lot 130

Group of 12 Company School Costume and Trade illustrations, with an illustration of the Taj Mahal, on paper [India, early twentieth century] thirteen loose sheets, 12 of these of traditional Indian costume designs or showcasing various trades, with an illustration of the Taj Mahal, some of these ruled in black, all revere on the back, some light finger soiling else clean and attractive condition, each c. 320 by 230 mm.

Lot 2

Ɵ C. Niebuhr, Description de L'Arabie d'apres les observations et recherches faites dans le pays meme, by Nicholas Möller [Copenhagen, 1773]single volume, complete, half-title, title and dedication with engraved vignettes, large folding engraved map of Yemen with colour addition, 25 engraved plates and maps (9 of these folding and 2 with coloured additions), errata leaf at the end, some very light offsetting and faint darkening to some leaves, overall clean and crisp condition, "Adolpho Burgery" inscription to front free endpaper and bookplate of Carlos Alberto Ferreira da Costa to upper pastedown, 4to (255 by 200 mm); contemporary quarter mottled calf, extremities rather scuffed, upper board detached, edges stained red

Lot 57

Ɵ Abd al-Ghani al-Nabulsi, Al-Hadra al-Unsiyya fi al-Rihla al-Qudsiyya, also known as "al-Rihla al-Wustd" (a travel journal for al-Nabulsi's journey to Palestine, specifically Jerusalem and Hebron), among other extracts, working authorial manuscript copy and first appearance of the text, in Arabic, decorated manuscript on paper [various places throughout the Ottoman Levant, probably c. 1101 AH (1690 AD)]single volume, 154 leaves, informal spacing with single and double columns, varying line counts and extensive marginal annotations throughout in the author's hand, occasional overlining in red, some scattered faint staining or light browning, overall clean and crisp condition, 210 by 145 mm.; fine dark brown morocco over pasteboards with flap, Ottoman style blind-stamped medallions to covers, with ruling and arabesque borders also in blind, hinges of spine cracked and spine ends worn, slightly scuffed else attractive bindingA monumentally important authorial manuscript copy of an eye witness account of the author's journey across Palestine, Jerusalem and Hebron, compiled during his travels in the 1690sText: Abd al-Ghani bin Ismail bin Abd al-Ghani al-Nabulsi was a poet, mystic and an esteemed scholar of theology and literature. He was born in Damascus in 1050 AH (1641 AD) and was a great traveller in his lifetime, notably visiting Baghdad, Palestine, Lebanon, Egypt and Hijaz, before retiring back to Damascus. By the age of twenty, al-Nabulsi was formally teaching legal Fatwa in Damascus, and later spent seven years in isolation to devote himself to the mystic orders of Qadiriyya and Naqshbandi. His father Isma'il bin Abd al-Ghani bin Ismail ibn Ahmad al-Nabulsi was of Palestinian descent, the name 'Nabulsi' meaning 'from Nablus' (a village just North of Jerusalem), and was a scholar and jurist in the Hanafi School. Despite his Palestinian roots, al-Nabulsi (junior) very much associated himself with Damascus and often refers to himself as 'al-Nabulsi al-Damashqi' (al-Nabulsi of Damascus) in the present manuscript. Al-Nabulsi was a prolific writer and compiled many authoritative texts including both theological, poetic and travel treatises. Some of his notable texts are: Idah al-Maqsud min wahdat al-wujud (clarifying what is meant by the unity of Being), Sharh Diwan Ibn Farid (commentary on the poetic works of Ibn al-Farid), al-Sulh bayn al-ikhwan fi hukm ibahat al-dukhan (a legal treatise advocating the lawfulness of smoking tobacco) and Al-Hakika wa al-Majaz fi al-Rihla ila Bilad al-Sham wa Masr wa al-Hijaz (the truth and metaphor in travel to Syria, Egypt and Hejaz). On him see further Brocklemann (II, pp. 473); E. Sirriya 'Ziyārāt" of Syria in a "Riḥla" of 'Abd al-Ghanī al-Nābulusī (1050/1641 - 1143/1731)', Journal of the Royal Asiatic Society, (1979), pp. 109-122; and J. Gildermeister, 'Des 'Abd al-Ghani al-Nabulsi reise von Damascus nacht Jerusalem', Zeitschrift der Deutschen Morgenlandischen Gesellschaft, 36 (1882), pp. 385-400).This manuscript includes the original commentaries by the author on a journey to Palestine, Jerusalem and Hebron from which al-Nabulsi's text Al-Hadra al-Unsiyya fi al-Rihla al-Qudsiyya was compiled. Given the author's spiritual background, al-Nabulsi was primarily interested in visiting mosques, tombs and shrines in the region for ziarat (a form of pilgrimage to sites associated with Prophet Muhammad), however his mystical beliefs also drew him to spiritual and holy personalities on the journey as well. These human encounters with dignitaries, of past and present worlds, gained him barakat (blessings) and were just as important to al-Nabulsi as his visits to structural places of worship. Thus as well as descriptions of historical sites, which are documented over a period of about 45 numbered days throughout the text, this manuscript also includes descriptions of many encounters with important and influential figures along his journey, some of which come in the form of an Ijazah between al-Nabulsi and a respective recipient. Contemporary manuscript copies of al-Nabulsi's travel codices are rare. An autograph manuscript copy of his al-Hakika wa al-Majaz appears to be among the holdings of the Zahiriyya library in Damascus, where a revised edition of the present text is also listed (Ms. 95661, signed Ali Seyyed Muhammad al-Bashir al-Nadir and dated 1224 AH [1809 AD]). The present text has also been printed, with a summarised version issued in Cairo in 1902 and a publication devoted entirely to his description of the Haram-i Sharif edited by R. Gaf and lithographed by Sallfeld appeared in 1918. The hand in the present manuscript is consistent with an example of al-Nabulsi's signature in the al-Alam bibliography (IV, pp. 32).This manuscript is most probably one of only three copies to come to the open market in living memory. An incomplete nineteenth-century copy of al-Nabulsi's travel journal to Syria, Mecca and the Hejaz, entitled Al-Hakika wa al-Majaz fi al-Rihla ila Bilad al-Sham wa Masr wa al-Hijaz, was sold in Christie's, 7 October 2011, lot 104, signed by the scribe Salih al-Nabulsi (possibly a descendant of the author) and including a colophon that indicated that the manuscript was corrected against the author's copy. Also, an early twentieth-century manuscript copy of this text, signed 'Abd al-Ghani bin 'Abd al-Jalil bin Mustafa bin Isma'il, was sold by Christie's, 9 October 2015, lot 326.

Lot 68

Ɵ An Astronomical treatise, in Arabic, decorated manuscript on blue paper [Ottoman Turkey or possibly Qajar Persia, dated 1231 AH (1816 AD)] single volume, 32 leaves (uncollatable), apparently complete, single column, 15 lines of fine black nasta'liq, some headings in red, illustrated with over 40 tables and diagrams, most of these ruled in red with annotations in black nasta'liq (by the same hand), some later comments and ownership inscriptions to endpapers, some light finger-soiling, else clean condition, a few early ownership seals, 220 by 170 mm.; contemporary brown leather over pasteboards, ruled and tooled with central medallions in blind, spine strengthened at ends (tightening the binding), a little worn at extremities An appealing work on astronomy with over 40 skilfully diagrams of a celestial nature, together with numerous charts and tables probably pertaining to the movements of the sun and moon.

Lot 87

Leila and Majnun fainting at the sight of each other, scene from Nizami's Khamsa, leaf from an illuminated manuscript in Farsi, on paper [Safavid Persia, second half of the sixteenth century] single folio, miniature depicting Leila and Majnun surrounded by animals including a lion, leopard, deer and rabbits, villagers seen watching them from a distance with bedouin tents in the background, ink and gouache heightened in gilt, text in four columns of fine black nasta'liq, reverse with 21 lines, leaf ruled in gilt, some light surface scratching with slight loss of pigment, 315 by 195 mm.; in modern card mount  

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