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Lot 323
English School, 20th century, Portrait of a horse, unsigned, oil on canvas, 60.5 x 73.5cm, 23.75 x 29in.Condition report: The painting is in good, restored condition. There is craquelure across the surface of the painting and some minor flecks of paint loss, most notably in the sky area. There is a patch on verso with corresponding overpainting. Under UV light there is evidence of overpainting and restoration. The painting is ornately framed but not glazed.
Lot 419
Arthur Trevor Haddon (British 1864-1941), "Fruit Stall, Venice", signed, titled on mount, oil on canvas, 39.5 x 59.5cm, 15.5 x 23.5in.Condition report: The painting is in fair, restored condition. There is extensive craquelure across the surface of the painting and a patch on verso with corresponding overpainting. Under UV light there is evidence of extensive overpainting and restoration. The painting is framed but not glazed.
Lot 423
Attributed to Henry Bernard Chalon (1770-1849), Portrait of a horse in a courtyard, unsigned, attributed on gilt nameplate, oil on canvas, 29 x 39cm, 11.5 x 15.5in.Condition report: The painting is in good, restored condition. The canvas has been relined and there is some craquelure across the painting. Under UV light there is evidence of cleaning and overpainting. The painting is ornately framed but not glazed.
Lot 424
English School, 19th century, Shooting scene, unsigned, oil on canvas, 58.5 x 83cm, 23.25 x 32.75in.Condition report: The painting is in good, restored condition. The canvas has been relined and there is craquelure across the painting. Under UV light there is evidence of cleaning and overpainting. The painting is ornately framed but not glazed.
Lot 470
Edwardian light oak dining room suite comprising turned single chairs, two carvers, extending dining table with three leaves, side cabinet with storage facility for table leaves, matching sideboard and purdonium, dining chairs each with re-upholstered back and seats, with turned and fluted tapering legs, 295cm (116") x 100cm (39"), side cabinet with table leaf storage compartment fitted four short drawers, two cupboard doors each with Lion mask panels, width 153cm (60"), sideboard fitted two long drawers above three short central drawers, cupboard at opposing ends with cellarette, width 175cm (69") and matching purdonium, hinged door with zinc liner, width 44cm (17").
![Taylor (George Watson) [Sale Catalogue] Catalogue of the Choice, Curious, and Splendid London Library...removed from his Mans](https://cdn.globalauctionplatform.com/75110443-2f7d-4a9f-94bc-aa6201067336/364a258c-e5a9-4055-8b3a-aa7300f9e8ed/468x382.jpg)
Lot 103
Taylor (George Watson) [Sale Catalogue] Catalogue of the Choice, Curious, and Splendid London Library...removed from his Mansion in Cavendish Square, 2 parts in 1 vol., advertisement leaf at end, prices and some buyers' names supplied in manuscript, contemporary ink signature of Francis ?Tuckett on front free endpaper and with 20pp. manuscript notes bound in at end (mostly relating to Dibdin), title spotted, Part 1 lacking pp. 43-46, original boards, uncut, rubbed, Evans, 1823; [Sale Catalogue] Catalogue of the Magnificent Assemblage of Property at Erlestoke Mansion near Devizes, in Wilts., lithographed frontispiece of Erlestoke Park (foxed at edges and with light offsetting from title), some prices in manuscript, contemporary half calf, a little worn, upper cover becoming loose, label chipped, [Lugt 13046], George Robins, 1832, 8vo & 4to (2)⁂ George Watson Taylor (1771-1841) was an English sugar plantation owner and politician who used his wife's fortune to assemble a significant library and art collection. His library included incunabula on vellum, Caxtons, and Dibdin's works on large paper made nearly £9000. By 1832 he was in financial difficulties and was forced to sell his collection at Erlestone Park, raising £30,000. He is depicted kneeling in the painting by P.A.Wonder of Patrons and Lovers of Art of 1826, for General Murray, along with Murray, Rev. William Holwell Carr and the artist, which was used on the dust-jacket of the first edition of The English as Collectors.
Lot 119
Wilton House.- Kennedy (James) A Description of the Antiquities and Curiosities in Wilton-House, first edition, half-title, list of subscribers, 25 engraved plates, a few pencil annotations by Frank Herrmann, light water-staining to head of one plate (not affecting image) and damp-staining to final leaf, otherwise a good clean copy, bookplates of William Edward Oates and Robert Washington Oates, contemporary speckled calf, rubbed, rebacked preserving old spine, new label, corners repaired, Salisbury, E.Easton, 1769 § [Richardson (George)] Aedes Pembrochianae: A New Account and Description of the Statues, Bustos, Relievos, Paintings, Medals...in Wilton-House, tenth edition, half-title, a little browned, modern morocco, [Salisbury], H.Coward..., 1784 § Herbert (Sidney, 16th Earl of Pembroke) A Catalogue of the Paintings & Drawings in the Collection at Wilton House..., illustrations, original cloth, dust-jacket, London & New York, 1968; and 5 others on Wilton, 4to & 8vo (8)⁂ Thomas Herbert, 8th Earl of Pembroke (1664-1732) formed a celebrated collection of classical sculpture. Kennedy's description of his antiquities "is one of the few accounts which gives the principles upon which a collector formed his collection". The English as Collectors, p.96.
Lot 129
Kirby (Follower of John Joshua, 1716-1774) Perspective drawing of a tower, probably Clench's Tower, Ipswich, Suffolk, possibly intended for a book on perspective illustrating Suffolk buildings which was never published, pen and black ink, watercolour, heightened with white, on laid paper with large Strasbourg lily watermark and countermark of 'Edmeade & Pine' dated '1797', sheet 550 x 430 mm. (21 3/4 x 17 in), laid onto thin tissue support, carefully repaired tears, light surface dirt and stains, unframed, [circa 1790s]Provenance:Sale. Christie's December 1990, lot 215
Lot 130
Florentine School (probably 18th century) Palazzo, e Pianta. Francesco Riccardi, plan and elevation, possibly a design for a Marchese Francesco Maria Riccardi Del Vernaccia palace, pen and black ink, brown ink, wash, on wove paper without watermark, sheet 480 x 640 mm. (18 7/8 x 25 1/4 in), some surface dirt and light browning, unframed, [18th century]
Lot 133
Ward (James, 1769-1859) Three figure studies: Man in Scotch cloak dress; Boy with sickle; Standing man, pencil on various laid papers, all signed with initials, the first mentioned with shorthand inscription and descriptive text, various sizes between 145 x 110 mm. (5 3/4 x 4 1/4 in) and 180 x 110 mm. (7 x 4 1/4 in), some minor surface and light browning, all unframed, [19th century] (3)
Lot 137
NO RESERVE Gow (Andrew Garrick, 1848-1920) Portrait of a man (recto); Study of a hand (verso), black chalk on blue-coloured wove paper, sheet 185 x 168 mm. (7 1/4 x 6 5/8 in), minor surface dirt and light spotting, unframed.Provenance:Bloomsbury Auctions, New York, The William E. Fischelis Collection, 24th March 2010, lot 78
Lot 139
NO RESERVE Royal Military Academy, Woolwich.- Chalon (Alfred Edward, Swiss portrait painter, 1780-1860) Portrait of a young lady, watercolour and pencil on wove paper, with detached autograph inscription that reads ' Jeune Allemande à Woolwich/ Institute chez le Col. Jones./ 1827.', the portrait approx. 174 x 145 mm. (6 7/8 x 5 3/4 in), the drawing with light crease and surface dirt, both mounted together, unframed, 1827.⁂ It is likely that the young German lady depicted who caught Chalon's attention was a guest of Colonel John T. Jones, the author of the 1827 'Journals of Seiges carried on by the army under the Duke of Wellington in Spain between the years 1811 and 1814'.
Lot 140
NO RESERVE Hayman (Circle of Francis, c. 1708-1776) Young harvesters, pen and grey ink with monochrome wash on laid paper with posthorn watermark with royal initials GR, inset onto paper mount with wash border, image approx. 275 x 210 mm. (10 3/4 x 8 1/4 in), minor handling creases and light surface dirt, unframed, [circa 1770-1820]
Lot 150
Chess.- Kenny (W.S.) Practical Chess Grammar, fifth edition, half-title, title in red & black, 10 engraved plates of boards, illustrations, light foxing, old ink inscription to front free endpaper and pen & ink diagram to rear, bookplate of F.E.Dixon, original boards, rubbed, spine worn, joints split, 4to, 1823.
Lot 181
NO RESERVE Muret (Marc Antoine) Variarum Lectionum Libri VIII, title with a couple of ink inscriptions scored through, Paris, Marc Locqueneulx, 1578 bound with Muret (Marc Antoine) Ivvenilia, final f. with large woodcut ornament, otherwise blank, C8 short tear, just within text, with very minor loss, Paris, Marc Locqueneulx, 1579, together 2 works in 1 vol., Roman, italic and some Greek type, titles with woodcut printer's device, woodcut decorative initials and tail-pieces, occasional spotting, lightly browned, occasional light staining, contemporary French calf, gilt, covers with arabesque centre-pieces, spine in compartments and with small floral motifs, upper joint starting, but holding firm, rubbed, [neither in Adams], 16mo⁂ Two rare editions of works by Muret. The first work contains comments on various classical authors and contemporary humanists and short essays on diverse subjects, including libidinous women. The second work contains Muret's youthful neo-Latin renderings of poetry, including Catullus.
Lot 183
Stoer.- Quintilianus (Marcus Fabius) Institutionum oratoriarum ll. XI. - Declamationes XXI., 2 parts in 1, first Stoer edition, titles within woodcut borders, woodcut decorative initials, water-stained, some spotting and light browning, contemporary vellum, yapp edges, upper joint starting, but holding firm, stained, [Adams Q45], [Geneva], Jacob Stoer, 1591; and 2 others, Stoer, 8vo (3)
Lot 187
Quintilianus (Marcus Fabius) Les Grands et entieres Declamations, translated by Bernard du Teil, engraved additional pictorial title incorporating portrait of the translator, first few ff. with outer margin little trimmed, some spotting or light foxing, contemporary limp vellum, Paris, Jean Baptiste Loyson, 1659; De Oratoria institutione libri XII, title printed in red and black and with woodcut device, engraved vignette to head of dedication, woodcut initials, occasional spotting and staining, lightly browned, contemporary calf, rebacked, preserving majority of original backstrip, corners repaired, rubbed, Paris, Antoine Urban Coustelier, 1725; and 16 others, French editions of Quintilian, v.s. (18)
Lot 202
Bindings.- Antoine d'Orleans Duc de Montpensier.- Sussy (Honoré de) Miscellanées: essais dramatiques et poésies diverses, occasional spotting, silk endpapers, near contemporary decorative red morocco by Girard, gilt monogram 'A.O' to upper cover, g.e., Paris, Henri et Charles Noblet, 1850 § Baron (Denne) Héro et Léandre, engraved frontispiece, bookplate of Sir David Lionel Salomons, later decorative straight-grain red morocco, gilt, light rubbing to extremities, Paris, 1806 § Meidinger (J.-V.) Grammaire Allemande-Pratique, title loosely inserted, previous owner's ink signature, silk endpapers, near contemporary blind-stamped decorative morocco, a little rubbed, Paris, 1828; 8vo (3)
![Kant (Immanuel).- [Haywood (Francis)] An Analysis of Kant's Critick of Pure Reason by the translator of that work, first edit](https://cdn.globalauctionplatform.com/75110443-2f7d-4a9f-94bc-aa6201067336/f079ae36-e3d5-4a12-b8b9-aa7300f9b239/468x382.jpg)
Lot 244
Kant (Immanuel).- [Haywood (Francis)] An Analysis of Kant's Critick of Pure Reason by the translator of that work, first edition, presentation copy from the author with ink inscription on front free endpaper, inscribed on the fly-leaf "Francis Haywood to his friend the Viscount de Cussy, 1847", anchor device on title, half-title, browned, light stain on 2 facing pages, endpapers foxed, original blue cloth, lacks paper label on spine, edges uncut, 8vo, William Pickering, 1844.⁂ Haywood published in 1838 the first complete English translation of Immanuel Kant's Critique of Pure Reason.
Lot 25
Carey (William) Desultory Exposition of an Anti-British System of Incendiary Publication, &c. intended to sacrifice the honor and interests of the British Institution...to the Passions, Quackeries and Falsehoods of certain disappointed candidates for prizes at the British Gallery and Admission...into the Royal Academy..., first edition, lacking half-title, light soiling, modern morocco-backed cloth, uncut, 8vo, for the author, 1819; Observations on the Probable Decline or Extinction of British Historical Painting, from the Church Exclusion of Paintings, first edition, 1825; Patronage of Irish Genius. Two Letters...proving the Wisdom, Honor, and Permanent Public Advantage of Erecting a National Gallery, second edition, Dublin, 1823, 2 works in 1 vol., presentation copy from the author inscribed at head of first title, spotting, original boards, uncut, rubbed, spine defective, 8vo (2) ⁂ William Carey (1759-39) was an artist, art critic, dealer, and encourager of British artists.
Lot 250
NO RESERVE Mahaffy (J. P.) The Principles of the Art of Conversation, A.L.s from author loosely inserted, occasional spotting, previous owner's ink inscription to front free endpaper, 3pp. pamphlet by Mahaffy and related newspaper clippings loosely inserted, original cloth, faded spine and edges, 1887 § Skeat (Rev. Walter W.) The Complete Works of Geoffrey Chaucer, 6 vol., frontispiece, light spotting to endpapers, original cloth, a little rubbed, lightly browned spines, Oxford, 1894 § Beckett (Samuel) Dream of Fair to Middling Women, original cloth, dust-jacket, Dublin, 1992; and 9 others, including 3 additional copies of 'Dream of Fair to Middling Women', 8vo (17)
Lot 43
NO RESERVE Garlick (Kenneth, editor) A Catalogue of the Paintings, Drawings and Pastels of Sir Thomas Lawrence, Walpole Society vol. 39, original cloth-backed boards, 1964 § Bell (C.F., editor) Annals of Thomas Banks, Sculptor, Royal Academician, with some Letters from Sir Thomas Lawrence, P.R.A., to Banks's Daughter, light spotting, Cambridge, 1938 § Girtin (Thomas) & David Loshak. The Art of Thomas Girtin, 1954 § Mayer (Joseph) Memoirs of Thomas Dodd, William Upcott, and George Stubbs, R.A., 3 mounted portraits, A.N.L.Munby's copy with his signature, old cancelled library stamp at foot of title, Liverpool, 1879 § Redgrave (R. & S.) A Century of Painters of the English School, second edition, [c.1890], plates and illustrations, all but the first original cloth or boards, the third with dust-jacket, slightly rubbed; and c.15 others on British artists, 4to & 8vo (c.20)
Lot 57
NO RESERVE Jones & Co. Jones' Views of the Seats, Mansions, Castles, &c. of Noblemen and Gentlemen..., 2 engraved vignette titles and 80 views on 40 plates only, 1829 bound with Britton (John) Bath and Bristol...in a Series of Views, engraved additional title and 24 views on 12 plates only, 1829 and Shepherd (Thomas) Modern Athens!...or Edinburgh in the Nineteenth Century, engraved additional title and 48 views on 24 plates, 1829, together 3 works in 1 vol., light foxing and browning, offsetting to tissue guards, modern half calf, spine gilt, 4to; sold as a collection of plates, not subject to return
Lot 71
Neale (John Preston) Views of the Seats of Noblemen and Gentlemen, in England, Wales, Scotland, and Ireland, First & Second Series, together 11 vol., additional engraved pictorial titles and 718 plates only (of 722), all on india paper and mounted, wood-engraved vignettes, some foxing (mostly marginal) and light offsetting, contemporary half calf, spines gilt with red & green morocco labels, t.e.g, others uncut, rubbed, 4to (c.290 x 225mm.), 1818-29.
Lot 72
New Pocket Companion for Oxford (A)...to which are added Descriptions of...Blenheim, Ditchley, Heythrop , and Nuneham..., new edition, folding engraved map, 8 engraved plates, one loose and frayed at edges, original wrappers, rubbed and soiled, spine worn, preserved in modern board slip-case, Oxford, J.Cooke, 1809 § [Blore (Thomas)] A Guide to Burghley House, engraved frontispiece and plate, double-page pedigree, foxing, first few leaves loose, modern half calf preserving part of old spine, Stamford, Drakard, 1815 § Simond (Louis) Journal of a Tour and Residence in Great Britain...by a French Traveller, 2 vol., first English edition, 21 hand-tinted aquatint plates by J. Clark after the author, 2 folding tables, engraved illustrations in text, advertisements at end of vol.2, contemporary calf, a little worn, Edinburgh, George Ramsay, 1815 § [Patmore (P.G.)] British Galleries of Art, 2 vol. including an extra-illustrated volume of plates, modern morocco-backed cloth, 1824 § plates Evans (John) An Excursion to Windsor...including an account of Strawberry-Hill and of Hampton-Court, second edition, half-title, engraved frontispiece (offset on title), light staining, original cloth, uncut, damp-stained, 1827, most rubbed, 8vo et infra (6)
![Rogers (Samuel) [Sale Catalogue] Catalogue of the Very Celebrated Collection of Works of Art...also, the Extensive Library...](https://cdn.globalauctionplatform.com/75110443-2f7d-4a9f-94bc-aa6201067336/7e45cda3-3c19-42dc-bbdd-aa7300f9609d/468x382.jpg)
Lot 81
Rogers (Samuel) [Sale Catalogue] Catalogue of the Very Celebrated Collection of Works of Art...also, the Extensive Library..., 5 parts in 1 vol., ruled in red with prices and buyers' names supplied in manuscript, manuscript list of totals at end, title with short tear to lower edge and light water-staining to first few leaves, contemporary half morocco, t.e.g., rubbed, [Lugt 22964], Christie & Manson, 1856; and 2 others by or about Rogers, 8vo (3)⁂ Samuel Rogers (1763-1855) was a banker, poet, art collector and connoisseur whose lifetime spanned the peak of English collecting but he bought astutely and is supposed never to have exceeded £250 on a purchase. He acquired mainly Italian and English paintings and was one of the first to collect early Italian art but he also amassed prints & drawings, antiquities, sculpture, Greek vases, coins and furniture, and a vast library. The sale lasted for 20 days and totalled £45,188. 14s. 3d.; the National Gallery purchased several paintings besides the three Rogers bequeathed to the Gallery.Frank Herrmann's "favourite collection of 'works of art' of every kind!" The English as Collectors, p.435.
Lot 94
Stafford Gallery.- Ottley (William Young) & Peltro William Tomkins. Engravings of the Most Noble The Marquis of Stafford's Collection of Pictures in London, 4 vol., half-titles to vol.1 only, 13 engraved plans and 126 plates, many with multiple images, tissue guards, some light foxing to plates, mostly marginal, vol.1 broken and loose, modern half morocco, uncut, original paper labels preserved on upper covers (rubbed and chipped at edges), Printed by Bensley and Son, 1818 § Young (John) A Catalogue of the Collection of Pictures, of the most noble the Marquess of Stafford, 2 vol., half-titles, engraved portrait and plates, many with multiple images, foxing, contemporary burgundy straight-grain morocco, spines gilt, uncut, rubbed, spines faded, 1825 § Britton (John) Catalogue Raisonné of the Pictures belonging to...the Marquess of Stafford, in the Gallery at Cleveland House, engraved frontispiece and plan, both foxed and offset, old ownership label of Frederica Sophia Broke pasted at head of title, contemporary half calf, rubbed, 1808; and another, v.s. (8)⁂ The gallery at Cleveland house was built by the Duke of Bridgewater in 1797 to house his purchase of part of the famous Orléans Collection, and on his death his superb art collection was inherited by his nephew, George Leverson-Gower, who became the 2nd Marquess of Stafford in 1803 and the 1st Duke of Sutherland in 1833. Stafford was the wealthiest man in England for much of his life and he greatly extended the collection, adding another picture gallery by C.H.Tatham in 1805-06 which became known as the Stafford Gallery.The first item contains plans of the rooms and the pictures on the walls. "This catalogue, in four monumental quarto volumes, was probably the most luxurious to have appeared in England by 1818...The collection was not only the most important of its day but one of the few open to the public...". The English as Collectors, p.432
Lot 96
Stowe.- Stowe. A Description of the House and Gardens of the...Duke of Buckingham & Chandos, 24 engraved plates by and after Thomas Medland, 2 folding, & 7 plans, 2 folding, light offsetting, ex-Law Society library copy with stamp to head of title and verso of a few plates, later half calf, spine gilt, rubbed, 8vo, Buckingham, 1827.⁂ Guide to the house and delightful landscape gardens of Stowe, the work of Bridgeman, Vanbrugh, Kent, "Capability" Brown and Gibbs. This is the issue including engraved plates of the various temples and monuments.
Lot 98
Strutt (Joseph) A Biographical Dictionary... of all the Engravers, 2 vol. in 1, first edition, 20 engraved plates, some stipple-engraved, most printed in bistre, 4pp. errata at end, light offsetting, bookplate of William Edward Oates, contemporary russia, gilt, spine gilt, rubbed, some wear to lower joint, 1785 § Artist's Vade Mecum (The), first edition, 94 engraved plates only (of 100), rather soiled and browned, contemporary half sheep, spine worn and broken, 1762, 4to (2)
Lot 1041
A light blue glass trinket box with hinged cover, paint with a pair of swallows and flowers H 10 cms, along with a Bohemian style clear glass vase with two opaque painted panels; one side with portrait of young woman wearing light purple headdress and the other side with floral bouquet, the main body and rim with gilt detailing, Height 15.5 cms [2]
Lot 1205
Doulton Lambeth salt-glazed stoneware model of Boer War Soldier, circa 1901, modelled by John Broad, the main light and dark brown two tone salt glaze figure modelled above a circular plinth 32 cms height approx, impressed Lambeth Mark, incised artists signature. Condition: left hand broken at fingers, replacement rifle, some firing imperfections.
Lot 1214
Four Coalport South African War commemorative plates, transfer printed with Field Marshal Lord Roberts centrally placed within Victoria Cross, South African area names and anchors on chains surrounding, the names of his principal commanding officers woven on on to scrolled band as a border, semi-gadrooned rim with gold line decoration to edge, Coalport stamp in green to back along with text relevant to the commemorative event and individually numbered; two plates are blue and white transfer printed, one diameter 26 cms, numbered 794, cracked, the other diameter 26.5 cms approx, numbered 48, good condition, slight rub of gilt on edge rim; one with gilded central area circling Lord Roberts, diameter 26.5 cms, numbered 1176, some light scratches to central gilding; along with a luxury version with entire central background in gilt, diameter 27 cms, numbered 753, some light scratches to gilding, some gilt wear to edges [4]
Lot 2009
A Victorian Majolica jug, possibly Minton, registration mark for 1846, dark blue and brown mottled body, with light green interior and detailing to lip rim and spout, featuring bawdy figures drinking and dancing, large chip to base, some restoration to figures, base of one female figure is broken off and missing.
Lot 2018
Doulton Lambeth salt-glazed stoneware model of Boer War Soldier, circa 1902, modelled by John Broad, the main light brown salt glaze figure modelled above a circular dark brown plinth with green waist, soldier with original brass bayonet rifle, 30cm height approx, impressed Lambeth Mark, incised artists signature. Condition: both hands been off at wrist, right hand replaced, hat rim restored restored.
Lot 2269
A late Victorian Aesthetic cube teapot, light green ground with birds including golden crane swooping amongst foliage, chilling style dragon handle, stamped with Royal Worcester mark to base with registration lozenge for a January 1872, cube teapot 12 x 12 cms, height to highest point 19 cms, Condition: handle; spout has been off and repaired, and other side of handle near tail is the same, edge of finial has paint scuffed, most of the green painted applied foliage has been chipped.
Lot 3063
Nanking cargo: a pair of plates with central floral decoration, fence and flower border and floral sprigs, Christie’s label for Lot 3633, Diameter 23.5 cms, along with a smaller dish with scene of two story building with trees, discolouration to gilt detailing, Christie’s label for lot 5194. Condition : glaze chips to edges, one with are of crazing to centre, the other with firing imperfections, smaller dish; 1 cm hairline crack emanating from chip to rim, gilt discoloured and missing in places but original location can be seen under light.
Lot 3127
***AR PHONED 8/6 - NOTE CLIENT DOES NOT WANT THE WALL SCONCES AND AGREES THEY CAN GO TO CHARITY***A pair of late 19th Century ecclesiastical brass five light candle holders attributed to John Hardman Powell, the light holders mounted on a slanted branch with C scroll supports, circular bases, height 45cm, together with two similar triple light wall mounted sconces (4)Provenance: St Mary's Convent, Derby
Lot 4401A
An 1870/80's vintage cloth, which has a heavily hand embroidered centre in a rich embroidered and in a rainbow of colours, in a box of a scroll design, the centre piece has a carousel of a leaf design, the edging is in a graphite grey velvet which shimmers in the light, and the braiding has a silver thread and tasselled edging in a colouring of creams
Lot 792
CINEMA, posters, inc. Angel At My Table (1990), Jane Campion (Quad); Blue in the Face (1995), Harvey Keitel (US 1-Sheet); City of Lost Souls (1983), Jayne County (UK); Doll's House (1973), Claire Bloom (Quad); Exotica (1994), Atom Egoyan (UK 2-Sheet); Germinal (1995), Gérard Depardieu (Quad); Home on the Range (1982), Gil Scrine, Anti Nuclear (UK); Johnny Suede (1991), Brad Pitt (UK); Light Years Away (1981), Alain Tanner (Quad); Marseille Contract (1974), Michael Caine (Quad, pinholes); Next to no Time (1958), Kenneth More (UK 1-Sheet); Police (1985), Gerard Depardieu (French); Sea of Sand (1958), Richard Attenborough (UK 1-Sheet); Stormy Monday (1989), Melanie Griffith (UK 2-Sheet); Torpedo Run (1958), Glenn Ford (Quad), folded, G to VG, 15
Lot 801
CINEMA, posters, inc. Bofors Gun (1968), Nicol Williamson (Quad, slight creasing); Cone of Silence (1960), Peter Cushing (US 1-Sheet); 8 Women (2002), Fanny Ardant (Quad); Front Page Story (1953), Jack Hawkins (UK 1-Sheet); Going Bananas (1987), Dom Deluise (Yugoslav); Home on the Range (1982), Gil Scrine, anti nuclear (UK); Jolly Bad Fellow (1964), Leo Mckern (UK 1-Sheet); Light Years Away (1981), Alain Tanner (Quad); Meetings with Remarkable Men (1979), Terence Stamp (UK); No Way Out (1987), Kevin Costner (Quad); Plenty (1985), Meryl Streep (UK 1-Sheet, extra folds); Secret Ceremony (1968), Elizabeth Taylor (Quad); Swann In Love (1983), Jeremy Irons (French); Two of a Kind (1983), John Travolta (Quad); Wrath of God (1972), Robert Mitchum (Quad), folded, G to VG, 15
Lot 810
CINEMA, posters, inc. Arthur (1981), Dudley Moore (Quad); Brand New Day (1989), Eurythmics (French); Coming Home (1978), Jane Fonda (Quad); El Norte (1984), Gregory Nava (Quad); Full Moon In Paris (1984), Eric Rohmer (Quad); Hollywood Cowboy (1975), Jeff Bridges (Quad); Jolly Bad Fellow (1964), Leo Mckern (Quad); Light Years Away (1981), Alain Tanner (Quad); Maybe Baby (1988), Molly Ringwald (Quad); Night Sun (1990), Julian Sands (Quad); Pookie (1969), Liza Minnelli (Quad); Scorpio Letters (1967), Alex Cord (Quad); This Earth is Mine (1959), Rock Hudson (Quad, slight creasing); Walk in the Spring Rain (1970), Ingrid Bergman (Quad); Yellowbeard (1983), Graham Chapman (Quad), folded, G to VG, 15
Lot 824
CINEMA, posters, inc. Barnabo Des Montagnes (1994), Mario Brenta (French); California Split (1974), George Segal (Quad); Courage of the People (1971), Jorge Sanjines (UK); Cross Creek (1983), Mary Steenburgen (UK 1-Sheet); El Salvador: The People Will Win (1980), Diego De La Texera (UK); Four Nights of a Dreamer (1971), Robert Bresson (Quad); Golden Braid (1990), Paul Cox (Quad); Hickey and Boggs (1972), Bill Cosby (Quad); J.W. Coop (1972), Cliff Robertson (Quad); Johnny Handsome (1989), Mickey Rourke (US 1-Sheet); Law of Desire (1987), Carmen Maura (Spanish); Light Years Away (1981), Alain Tanner (Quad); Main Event (1979), Barbra Streisand (US 1-Sheet); Meetings with Remarkable Men, Terence Stamp (UK); Namu The Killer Whale (1966), Robert Lansing (Quad); No End (1984), Krzysztof Kieslowski (Quad); Peter Pan (1992 re-release), Walt Disney (Quad); Return of the Soldier (1982), Alan Bates (Quad); Royal Hunt of the Sun (1969), Robert Shaw (Quad); Song of Norway (1970), Harry Secombe (Quad); Star Is Born (1976), Barbra Streisand (Quad); Tin Men (1987), Richard Dreyfuss (Quad (small hole to lower right corner); Track 29 (1988), Gary Oldman (UK 1-Sheet); War Game (1980 re-release), Peter Watkins (UK 20x30); White Palace (1990), Susan Sarandon (French), folded, G to VG, 25
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534338 item(s)/page