There are 534297 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribeDAVID SALVADO (Spanish); oil, 'Rustic Interior', signed top right, 29 x 19cm, framed and glazed. (D)Additional InformationImage is good, light wear to the frame. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
MICHAEL BAIRD (born 1928); oil on board, farm buildings, signed and dated 1957 lower left, 28 x 53cm, framed. (D)Additional InformationLight wear to the board but good condition. The frame has been later painted and there is splitting to the frame. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
CHARLES WYATT WARREN (1908-1993); oil on board, 'High Meadows, Carnarvon', signed lower left, 24 x 54cm, framed. (D)Additional InformationLosses to the frame, light scratches, craquelure to the frame. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
CHARLES WYATT WARREN (1908-1993); oil on board, Welsh landscape with river, signed lower left, 19 x 34cm, framed. (D)Additional InformationThe image is good, light wear to the frame. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
BARRY HILTON (born 1941); oil on canvas, horse and cart on street scene, signed, 40 x 29cm, framed. (D)Additional InformationThe image is good, light wear to the frame. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
JOHN DONALDSON (born 1945); oil on canvas, 'Dartmouth', signed lower left, 34 x 54cm, framed. (D)Additional InformationImage clean and bright. The frame with light wear at the corners and a small chip. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
AFTER CHARLES HUNT; hand coloured aquatint, 'The Trial of Bill Burn Under Martin's Act', published by Ackermann & Co., 49 x 59cm, framed. Additional InformationThere is a crease to the lower left hand corner, some small marks here and there, and evenly toned to the paper throughout. A small tear to the upper right corner. Lacking glazing. Frame with light wear.
HENRY WILKINSON (1921-2011); four pencil signed limited edition prints, various scenes including hunting dogs, 24/200, 17.5 x 32cm, each framed and glazed (4). (D)Additional InformationThe frames with light wear and scratches. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
ADOLPHE VALETTE (1876-1942); etching, landscape with figure, 10.5 x 12.5cm, framed and glazed. Provenance: Ex Christy's, lot 176, 15th September 1999. Additional InformationPaper lightly toned and with foxing throughout the border. The mount toned and with foxing. The modern frame with light scuffs.
PHILIP WILSON STEER (1860-1942); pencil drawing, Suffolk Estuary, signed lower right, 23 x 34.5cm, framed and glazed. Provenance: Ex Christy's Auctioneers with partial barcode label verso. Purchased Derwent-Wye Fine Art Auctions, lot 54, 27th March 2010.Additional InformationThe paper is mounted to a lighter colour tone paper and there is a slight knock to the top left corner, and odd small little speck marks in the sky, but generally clean and bright. Frame with light scuffs.
A collection of assorted cap badges, including Lancashire, Royal Corps of Signals, Royal Artillery, Royal Scottish Reserve, also a 5th Northumbrian Division Formation cloth arm badge, etc.Additional InformationTwo WWII medals and the single WWI medal are lacking ribbons, tarnishing, light wear to each example.
18TH CENTURY ENGLISH SCHOOL; three quarter portrait of a lady wearing a white dress with lace trim and pearls, signed J Wood 1742, 127 x 102cm, framed.Additional InformationCanvas relined, craquelure throughout, lightly grubby in parts, 2cm scuff to the fold of the dress to the lower part of the canvas otherwise good. The frame is a later modern copy with light wear.
ANTOINE BOUVARD (1870-1956); oil on canvas, 'A Venetian Canal', signed lower left , 49 x 64cm, in an ornate gilt frame. (D) With a copy of the original bill of sale from Fine Art of Oakham Ltd for the sum of £15,000, dated 26.02.98.Additional InformationThe canvas has not relined. Light wear and minor losses to the frame. Under UV light there are two diagonal lines from the tower to the roof of the building though there is no evidence of repair, possibility of some paint touching to the bottom left corner. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
NOEL BOUVARD (1912-1975); oil on canvas, 'Venice', signed lower right, 49 x 64cm, in an ornate gilt frame. (D)Additional InformationThe image is good. The canvas has been relined. Light wear and minor losses to the frame. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
NOEL BOUVARD (1912-1975); oil on canvas, Venice, signed lower left, 49 x 64cm, in ornate frame. (D)Additional InformationThe canvas is slightly ripples/sagging, the canvas has been relined, light wear to the canvas but good condition. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
MID-19TH CENTURY ENGLISH SCHOOL; oval oil on canvas laid on board, portrait of a grenadier guard, possibly a captain wearing scarlet tunic of the 1856 pattern, with three medals to breast, 26 x 20cm, framed. Additional InformationThe image lightly grubby with old scuffs and light scratches to the surface and slight wear visible to the edge at the top. The frame with a repair to the mount at the upper section, and other areas of regilding to the surface. The backing to the picture is not original. The painting may have had restoration work some years ago.
VICTOR WAGEMAEKERS (Dutch, 1876-1953); oil on canvas, river landscape with woods in the background, signed lower left, approx 44 x 55cm, in ornate modern frame. (D)Additional InformationCanvas slightly sagging in parts, old patch repair to right corner of image, light wear to frame. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
WILLIAM GARLAND (19th century); oil on canvas, study of two spaniels, signed and dated 1856, 62 x 74cm, framed. Additional InformationThe canvas is very dirty, there are areas where it is compressed in parts and lifting in others, there are impressed lines where the rear stretcher has pushed against the canvas, the most serious area of loss is to the lower section where there is heavy craquelure, this is throughout the image but noticeably at the bottom is flaked in parts and there are a couple of small losses elsewhere. Light scratches also to the image and the dog on the left has had some overpainting to the face. There are a couple of tiny holes to the canvas.
THOMAS JACQUES SOMERSCALES (1842-1927); oil on canvas, `Strait of Magellan, near Hassler Glacier', signed and dated 1904 lower right and indistinctly titled verso, 30.5cm x 46cm, unframed.Additional InformationThe title in ink verso is very hard to read and it is not conclusive that 'Hassler' is the name of the glacier. The image is in untouched original condition and has general age dirt throughout, some gilt paint residue from a frame, a couple of slight blemishes to the left and a few light scratches. Colour bright and overall appearance ok. The back grubby and with foxing spots.
THIRD REICH INTEREST; a material pennant, length 31.5cm, a cloth arm patch, inscribed 'Beckeln', a further cloth badge, a long service police award, First Class, and an infantry assault badge (5).Additional InformationLight wear, tarnishing, scuffs and marks to each, minor staining and marks.
A PAIR OF CARVED GILT WOOD LIGHT PENDANTS, 20th century, the leaf and berried baluster stem with pineapple finial issuing three scrolled branches each with a faux candle on turned nozzle with drip tray, 20 1/2" wide, 21 1/2" high (Est. plus 21% premium inc. VAT)Chips to gilding, one with loose arms and lacking to metal ceiling rosette, the other generally very good
IMPORTANT NEW INFORMATION RE CONDITION - AFTER BEING VIEWED, IT HAS COME TO LIGHT THAT THERE IS A CRACK RUNNING FROM THE TALLER SPOOK'S SHOULDER HALF WAY DOWN HIS BACK.No restoration. Two tiny flakes to green glaze on back of smaller figure and minute flake to front centre base, tiny flake to back of purple capeIt has been suggested that this is a prototype, hence the different colourway and lack of HN number. Lot 95 is from the same estate.Provenance: A small local deceased estate
A SILVER BASKET, maker's mark rubbed, Birmingham 1945, of circular form, the everted rim stamped and pierced with scrolls within cast border, on a swept foot, the pierced overhead swing handle with circular box hinges, 10" diameter, 15ozs 14dwts (Est. plus 21% premium inc. VAT)Light gauge, some of piercing requires attention
A PAIR OF GEORGE IV SILVER SALTS, maker Charles Fox, London 1826, of lobed squat baluster form with everted chased fruiting vine rim over similarly chased panels enclosing a rococco cartouche engraved with an armorial, 3 1/2" diameter, 6ozs 4dwts, with blue glass liners (Est. plus 21% premium inc. VAT)Armorials rubbed, minor dents, quite light gauge but generally good, liners good
A PAIR OF LATE VICTORIAN SILVER CANDLESTICKS, maker's mark JR, Sheffield 1893, with detachable drip pans in bell shaped sockets issuing from a lobed inverted baluster stem on swept shaped foot, chased with geometric panels and leaves, 7" high, loaded (Est. plus 21% premium inc. VAT)Matching marks, no engraving, drip pans very light, 1oz 3dwts total, one stick good, one has polishing "holes" and splits to extremities on base
A LATE GEORGE III SILVER TEAPOT, maker Peter and William Bateman, London 1811, of rounded oblong form with fluted angles and reeded shoulders, raised upon four ball feet, with hatch carved angular treen handle, the flat hinged domed cover with ivory knop, engraved CEC, together with a similar but plain two handled sugar basin and milk jug, maker possibly Samuel Hennell, London 1811, engraved "PK", teapot 10 3/4" wide, 31ozs 13dwts total gross (3) With non-transferable standard ivory exemption declaration number Q1SYXZ9T (Est. plus 21% premium inc. VAT)Light gauge, ivory knop cracked, otherwise generally good
A DEACTIVATED RUSSIAN DP28 7.62MM LIGHT MACHINE GUN, with removable drum magazine, moving bolt, adjustable ramp rear sight and wooden butt stock, date stamped 1944, serial HM743, 50" long, EU certificate 170979 (Est. plus 21% premium inc. VAT)Good condition, trigger compresses, bolt does not cock.
A DEACTIVATED INGLIS BREN MK.II NO.5 .303 LIGHT MACHINE GUN, with wooden carrying handle, removable magazine, adjustable rear sight, moving bolt, bipod and wooden rear stock, date stamped 1944, serial 12T7705, 46 1/4" long, together with a spare magazine, EU certificate 170980 (2) (Illustrated) (Est. plus 21% premium inc. VAT)Good condition, trigger compresses. up to new specifications, but with moving bolt, trigger and removable mag.
JOHN MORGAN (1823-1886), "The Light of the Hareem Cairo", oil on canvas, signed and inscribed on stretcher, 36 1/2" x 24", gilt frame (Est. plus 21% premium inc. VAT)Cleaned sometime on the past with some rubbing/overpainting, canvas inscribed Cairo, but perhaps originally had full title, perhaps the signature rubbed (top right corner), some crazing to area of head scarf and some paint flaking
A LOUIS XV STYLE SIX LIGHT CANDELABRUM, in gilt metal and rouge griotte marble, the vase shaped marble stem issuing six scroll and leaf cast branches with conforming nozzles and drip pan and centred by a flame finial, on moulded oblong base and scrolled feet, 24" high (Est. plus 21% premium inc. VAT)Appears to have been regilded and now with some losses to same
A CANTON ENAMEL SUPPER SET, comprising central circular dish and seven outer fan shaped segments, all painted in colours with various flowers, birds and insects on a yellow ground, turquoise bases with blue painted artemesia type flower, 10 1/2" diameter (Illustrated) (Est. plus 21% premium inc. VAT)No damage to central roundel, one segment has no damage, two have chips to turquoise bases, two have small chips to turquoise edge, one has two or three light hairlines to yellow, one has chip to turquoise base and obvious crack to one yellow outer corner and small hairlines
A PAIR OF CHINESE CLOISONNE ENAMEL KYLIN, with cast and engraved gilt metal heads, tails and hooves, the bodies with pink, white, black and green motifs on a turquoise ground, 12 1/2" wide overall, 11" high, with carved wood stands (Est. plus 21% premium inc. VAT)Hollow cast so quite light weight, each coloured "backbone" is a different colour
Loading...
