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Lot 163
A Chamberlain Worcester spirally fluted ogee oval teapot and cover, gilt with leafy pendants and ribbon border, 19cm h, painted Chamberlains Worcester Warranted in gilt script, c1800 ++Tiny nick to the tip of the spout but really in fine condition, in the interior of the pot some light crazing
Lot 173
A Chamberlain Worcester armorial soup plate, the Brunswick blue border moulded in shallow relief with gilt festoons and C scrolls, 25cm diam, c1825; a Chamberlain Worcester gros bleu ground plate or stand, enamelled with a central floral group, possibly by George Davis, 23cm diam, painted Chamberlains Worcester in red script, c1815; a Flight, Barr & Barr crested plate; a Copeland & Garrett armorial plate (4) ++The two Chamberlain plates in good condition with on the reverse of the first some light staining of the slightly crazed glaze. The Flight Barr & Barr and Copeland & Garrett plates cracked or chipped
Lot 178
A Chamberlain Worcester inkwell and stand, of drum shape, painted with scattered roses and pansies interspersed with gilt sprigs in gilt dentil rim, stand 7cm diam, painted mark in puce script, c1820 ++In fine condition with very light wear to the gilding on the upper surface of the rim of the inkwell, no restoration
Lot 201
A Minton cobalt ground coffee can and four other contemporary English coffee cans, the first painted with flowers, another with a gold ground border of flowers, the others in Japan or gilt patterns, approximately 6cm h, Minton example with painted mark and 876, all early 19th c ++Minton can in fine condition with light wear to the gilding on the rim. The others in similar condition, the Flight Barr & Barr Japan pattern example with small flat rim chip
Lot 204
Two Lowestoft saucers, painted in underglaze blue, the first with a boldly drawn garden pavilion in panelled feather border, the second painted in inky cobalt with two buildings on an island with vegetation in cross hatched border, 13 & 12cm diam, c1790 Literature: A trio of the same pattern as the first saucer in the present lot is illustrated Godden (Geoffrey A), Lowestoft Porcelains Revised Edition, 1985, plt 222. ++The first saucer with 1cm hairline crack descending from the rim at 11 o'clock which is hardly noticeable and does not detract. The second saucer with a few very light glaze scratches which again do not detract
Lot 209
A Lowestoft polychrome coffee cup, painted with a bird on the branch of a light brown tree growing from a pierced rock and with two bright pink fruits to one side, with iron red and purple flower and double line inner border, 6.5cm h, c1780-c1790 ++Almost imperceptible 2 or 3mm long hairline crack just to the left of the handle but a most attractive cup
Lot 262
A Swansea six-cup egg stand, of oval shape with gilt handle and on flared foot enamelled with an all over pattern of cornflower heads, 15cm h, c1814-1826 ++Stand - handle cleanly broken off and glued back into position. Some localised light crazing of the glaze. One egg cup damage. Some of the others with slight wear to the gilding on the rims
Lot 269
A Coalport 'Coalbrookdale' floral encrusted tea kettle and cover, the slightly domed cover with carnation finial, the kettle applied with a profusion of brightly coloured flowers on a pale green ground gilt with festoons and with gilt scrolling handle and spout, 15cm h, c1840 ++Typical but minor light chipping of the flowers and leaves but in much above average condition and a good example. No restoration
Lot 278
A pair of Minton Aesthetic Movement vases designed by Dr Christopher Dresser, of bottle shape on trompe l'oeil stands, painted in impasto colours with primroses and other flowers on a turquoise ground, the flared neck with gilt collar, 22cm h, faint impressed marks, c1869 Minton Shape no1382. ++Typical, mainly light localised crazing of the glaze where more thickly applied. Slight wear to the gilding in places but attractive. No restoration.
Lot 307
A Vienna apricot ground coffee can, painted in light blue monochrome with two sprays of flowers beneath a gilt rim and with angular handle, 6cm h, impressed 94, incised 47, painted shield in underglaze blue and painter's no 35 in blue enamel, c1800; a Meissen coffee can, Marcolini period, painted with roses and forget-me-nots and inscribed Wandle auf Und, the rim gilt, painted crossed swords and * in underglaze blue; a 'Vienna' cobalt ground coffee can painted with a bacchanal and gilt (3) ++Vienna coffee can - in fine condition with light wear to the gilding on the rim. Meissen coffee can - handle restored. 'Vienna' coffee can - in fine condition.
Lot 320
A pair of Bourdois & Bloch floral encrusted jars and covers, decorated with swags and painted in Meissen style with loose bouquets and scattered flowers, the domed covers with boy or girl finial, 43cm h, painted crossed swords mark in underglaze blue, c1890 ++Typical mainly light damage, no restoration.
Lot 379
Britannia Standard. A pair of Edward VII tankards, with slightly tapered drum and domed lid having bifurcated thumbpiece and scrolling handle, on moulded foot, 16cm h, maker MF, possibly Maurice Freeman, London 1904, 50ozs ++In good condition with light wear, the odd scratch and minor dent but no repairs, the marks, except the maker's mark, very good
Lot 383
An Irish George III waiter, engraved with a wide band of rocaille in reeded rim and on three engraved feet, 27cm diam, by Robert Breading, also marked for Clarke & West, Dublin, c1807, 19ozs ++Some slight play in the fields being evidence of an erasure, the engraving probably contemporary, no damage or repairs, only light overall wear but attractive
Lot 395
A Victorian teapot and milk jug, of compressed circular design with beaded prow lip, teapot 11.5cm h, by C T & G Fox, London 1878, 31ozs ++The lower part of the body of the jug with a large shallow dent, the jug also with numerous light old scratches around the widest part of the body. No repairs, the marks practically as struck
Lot 407
An Irish George I porringer, with cable girdle and chased with a scaly cartouche between bands of stamped ornament, the lower body lobed and fluted, 7.5cm h, maker - * W, perhaps John Williamson, Dublin, c1730, 4ozs ++A light erasure from the oval cartouche but no damage or repairs, the marks slightly rubbed, apparently no date letter
Lot 408
A George III chamberstick, the circular pan with beaded rim, having nozzle and conical extinguisher, 7.5cm h, by Robert Makepeace and Richard Carter, London 1776, 7ozs 10 dwts ++Old repair to the underside of the handle on the pan, general light wear and minor knocks and dents, the extinguisher apparently unmarked
Lot 413
A set of six George III Hanoverian pattern tablespoons and a set of five George II Hanoverian pattern dessert spoons, these later gilt, both bottom marked, both London, maker's mark rubbed, 1760 and by Paul Callard, 1757 respectively, 20ozs ++In good condition with light wear, the later gilt spoons also engraved probably c1900 with the initials MH
Lot 417
A Victorian gothic communion flagon, of baluster form on flared foot, the domed lid with beaded thumbpiece and scrolling handle, engraved on a band GLORIA IN EXCELSIS DEO, 28cm h, by Cox & Sons, London 1869, 17ozs ++Small old solder repair; general light wear to the engraving; the marks on the body rubbed
Lot 423
A pair of George III oval chambersticks and three other chambersticks, with vase shaped or waisted sconce and nozzle and reeded or beaded rims, the pair with conical extinguisher and engraved with the initial J, 10cm h, all London, by Elizabeth Jones, 1792, the others by Robert Jones, 1777 & 1779 or by Solomon Hougham, 1802, 42ozs Provenance: The initial is that of Captain John Jones of St Helens, Swansea. ++Oval examples - general light scratches and wear. One extinguisher lacking the finial, on one the handle re-attached. The three other examples all showing signs of wear. One of the R Jones chambersticks with large repair on the underside. The nozzle on the Howam example an early 19th c Birmingham replacement, the extinguisher a Sheffield Plate replacement. The extinguisher on the other R Jones example an unmarked contemporary replacement.
Lot 431
A George III oval bright cut cake basket, with pierced border and foot and reeded rims and swing handle, 28cm h, 38cm w, by Robert Hennell, London 1793, 26ozs 10dwts ++In excellent condition with one or two light dents and a few old but light scratches to the interior, insignificant slight split developing on the underside beneath one of the handles. No repairs the marks good
Lot 433
A pair of George III bright cut shell shaped butter dishes, on three whelk shell feet, engraved dragon crest and the initial B, 15cm l, by Henry Tudor and Thomas Leader, Sheffield 1786, 6ozs 10dwts ++Both in good condition, free from tears, splits, repairs with only a few light scratches consistent with light wear. A much above average pair, the engraving still crisp. On one the duty mark only slightly rubbed
![A George I mug, on moulded foot, later engraved with the initial M, 11.5cm h, by Samuel Wasstell [Grimwade 3801], London 172](http://lot-images.atgmedia.com/SR/10086/2731310/434-60-10086_468x382.jpg)
Lot 434
A George I mug, on moulded foot, later engraved with the initial M, 11.5cm h, by Samuel Wasstell [Grimwade 3801], London 1725; a George III mug, of can shape with leaf capped handle, crested, 9cm h, by Thomas Whipham and Charles Wright, London 1760, 19ozs (2) ++The George III mug with several small tears descending from the rim. George I mug in good condition with a few light old scratches but no damage or repairs. The marks on both mugs very good
Lot 437
A set of six George III oval salts, on flared foot and with reeded rims, engraved with the initial J, 6cm h, by Henry Chawner, London 1791, 12ozs 10dwts Provenance: The initial is that of Captain John Jones of St Helens, Swansea. ++Two repaired (the foot rejoined to the body), another the foot slightly pushed in. General light wear but in overall acceptable condition, the marks practically as struck
Lot 462
A George III Fiddle pattern fish slice, pierced and engraved with a fish, maker I S, London 1808; another, with pierced navette blade and threaded haft, maker's mark rubbed, London 1792, the first 3ozs 10dwts (2) ++The first slice in good condition with light wear, the second with split and repair at the join to the handle
Lot 476
Barwise, London. A George III gold hunting cased duplex watch, the movement signed Barwise LONDON, No 5373 and with gold balance and diamond endstone, the enamelled dial numbered as the movement and with gold hands, in engraved case, case maker L C a device above, London 1811 ++Wanting the glass from the bezel and lacking the second hand, the movement apparently complete and in good condition although apparently not in going order. The case with light wear and superficial scratches consistent with the age
Lot 575
Shooting. An Edward VII silver slip-case, one end of the pillar shaped case formed as a 'jig' for withdrawing a spent cartridge from a gun, the interior containing ten numbered ivory slips, 5.5cm h, engraved Rd 451968, by J C Vickery, London 1905 ++A few very light scratches consistent with light use/occasional polishing but complete, no damage or restoration
Lot 586
Crime. Lord William Russell's snuff box, the French pressed burr maple box lined in gold and with chased thumbpiece, the lid mounted with a cabochon in a gold rosette, the underside stained, 8.5cm diam, early 19th c; with a broadside - THE TRIAL CONFESSION AND EXECUTION OF F.B. COURVOISIER for the MURDER OF LORD WILLIAM RUSSELL, woodcut illustrations [London:] Paul & Co, 7 Dials, 65 x 41cm [1840] framed; Bridges (Y) Two Studies in Crime, two copies, 1959; three other books on the Russell family (7) Literature: Bridges (Y), Two Studies in Crime, 1959, illus plt 2. Lord William Russell (1767-1840) was murdered by his 23 year old Swiss valet Francois Benjamin Courvoisier at his house, 14 Norfolk Street, Mayfair on the night of 6 May 1840. The motive was robbery. The victim was the uncle of the Duke of Bedford and also of Lord John Russell, Secretary of State for the Colonies and subsequently Prime Minister. Within hours of the discovery of the crime Prince Albert informed Queen Victoria of Russell's apparent suicide at which she was very shocked. Later the same day Lord John Russell informed the Queen in person of his uncle's murder. The present snuff box was discovered beneath the bloodstained pillow of Lord William's bed. The murderer was soon apprehended and hanged. A MACABRE MEMENTO OF ONE OF THE MOST NOTORIOUS MURDERS IN THE ANNALS OF 19TH CENTURY CRIMINOLOGY. ++In fine condition with a light straight line scratch on the lid
Lot 593
An Edward VII silver spherical scent bottle and cover, embossed with flowers and rocaille, 11cm h, by J H Wynn, Birmingham 1905; a silver-mounted glass square scent bottle in silver openwork stand, by S Blanckensee & Son Ltd, Birmingham 1925 (2) ++The first with some light localised wear on the relief decoration but in basically good condition. The second in good condition
![A George II silver heart shaped nutmeg grater, the lid engraved with a flower, name PHEBE [sic] SOLOMON and 1736, the date a](http://lot-images.atgmedia.com/SR/10086/2731310/601-60-10086_468x382.jpg)
Lot 601
A George II silver heart shaped nutmeg grater, the lid engraved with a flower, name PHEBE [sic] SOLOMON and 1736, the date altered to read '1696', the hinged base engraved with a tulip between the initials 'IL', the sides with two moulded bands, 2.4cm h; 4cm long (overall), marked on lid and base, maker's mark only, by Thomas Kendrick of London, c1736 Kendrick entered his only mark, as a Smallworker in October 1731. His shop was at "Water Lane, Fleet Street, over against ye Black Lion" (Grimwade 2822). ++Tiny old solder repaired split to the tip of the hinged base and typical light old scratches and shallow dents but an excellent example considering its early date and the thin gauge of metal employed in the construction
Lot 620
By and After Robert Dodd - No1 A British Squadron....; No 2 The British Squadron....; No 3 The Renewed Action by Night...; No 4 The Port and Settlement Tamatave, a set of four, aquatints printed in colour, 40 x 66cm (4) ++Somewhat faded and even light time staining but attractive and entirely unrestored in contemporary giltwood and composition cavetto frames
Lot 642
Richard Simkin (1840-1926) ROYAL HORSE ARTILLERY signed, pencil and watercolour heightened with white, 41.5 x 79cm ++Some light easily treated foxing, free from fading the colours strong and well preserved and a particularly good example of Simpkin's familiar military uniform studies featuring over 30 mounted soldiers. Undisturbed in the original gadrooned frame with on the reverse the label of T Stanley Johnson Hereford
Lot 645
F Lindsay, 1847 HERNE BAY signed and dated, signed again and indistinctly inscribed with the artist's address on a label on the frame, pencil and watercolour heightened with white, 34 x 60cm ++In good condition with some light vertical time stains, in the original ornate giltwood and composition frame with small losses through damp
Lot 664
Bernard Benedict Hemy (1844-1910) SUNSET OVER A BAY WITH SHIPPING signed, 49 x 74.5cm ++In a fine state of preservation entirely undisturbed beneath glass in the original frame. The canvas has not been repaired or relined. In need of a light clean, the frame in need of some cleaning/cosmetic conservation
Lot 672
Charles Thomas Bale (fl 1866-1890) STILL LIFE WITH PLUMS GRAPES A MELON AND OTHER FRUIT ON A GILT SALVER WITH A ROEMER AND STONEWARE FLAGON signed and dated 1888, 70 x 90cm ++Minor bruise extreme upper right causing the loss of one or two square mms of the paint surface in an unimportant part of the composition, the canvas has not been relined and is on the original stretchers in need of a light clean and retaining the gilt inner slip (only) of the original Victorian giltwood frame
Lot 673
English School, early 19th century PORTRAIT OF A LADY bust length, seated in a sprigged white gown, with inscription on the stretcher Mrs William Turner Coraber nee Jane Helen Castleman, 25 x 22cm; and a portrait of a young woman by a follower of Lawrence, bust length in a black dress before a red drapery (2) ++First portrait general light craquelure and some discolouration of the varnish but not relined and on the original stretchers, in contemporary giltwood and composition cavetto frame. The portrait by a follower of Laurence cleaned and relined, in 18th c style giltwood frame, in attractive 'gallery' condition.
Lot 677
William Arthur Waite (fl 1875-1896) HAYMAKING signed, 50 x 75cm ++Cleaned but apparently without any restoration although not verified under UV light. Some light overall craquelure which is not too marked. An attractively lit composition with an approaching storm in the background, the canvas not relined and in 18th c style giltwood and composition frame
Lot 678
George D Callow (fl 1858-1873) FIGURES ON THE SHORE AT SEAFORD signed and dated 1872, 29 x 54cm ++In fine condition, lightly cleaned with some light overall craquelure but in otherwise excellent original condition. Not relined and in what is presumably the original ornate giltwood and composition frame with small old repair to the moulding
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