(See English version below)Thomas Ruff (Zell am Harmersbach 1958 – lebt in Düsseldorf). „Zeitungsfoto 257“. 1991C-Print, vom Künstler gerahmt. 44 × 32,2 cm (Passepartout: 65,1 × 51,2 cm) ( 17 ⅜ × 12 ⅝ in. (Passepartout: 25 ⅝ × 20 ⅛ in.)). Signiert, datiert und bezeichnet: Th Ruff 1991 257. Auf der Rückseite des Unterkartons erneut signiert, datiert und bezeichnet: Th Ruff 1991 257.Liebermann ZEI 257.–Ex. 1 von 12 nummerierten Abzügen. [3782]Zustandsbericht: Ex. 1/12. In gutem Zustand. Die Blattkanten ohne Einrisse oder Fehlstellen. Unter UV-Licht sind keine Restaurierungen oder Aufheller erkennbar. Das Blatt ist rückseitig entlang der Oberkante mit einem Klebefilmstreifen auf den Unterkarton montiert. Schöner harmonischer GesamteindruckWir berechnen auf den Hammerpreis 30% Aufgeld.Thomas Ruff (Zell am Harmersbach 1958 – lives in Düsseldorf). ”Zeitungsfoto 257”. 1991C-print, framed by the artist. 44 × 32,2 cm (mount: 65,1 × 51,2 cm) ( 17 ⅜ × 12 ⅝ in. (mount: 25 ⅝ × 20 ⅛ in.)). Signed, dated and inscribed: Th Ruff 1991 257. Signed, dated and inscribed again on the reverse of the support cardboard : Th Ruff 1991 257.Liebermann ZEI 257.–No. 1 of 12 numbered prints. [3782]Condition report: No. 1/12. In good condition. The sheet edges without tears or losses. Under ultraviolet light no repairs or fluorescence visible. The sheet is mounted on the reverse along the upper edge with an adhesive tape on the support cardboard. Fine harmonious overall appearanceWe charge 30% premium on the hammerprice.
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(See English version below)Anri Sala (Tirana 1974 – lebt in Berlin). „Airport“. 2005C-print. 42 × 60 cm (52 × 70 cm) ( 16 ½ × 23 ⅝ in. (20 ½ × 27 ½ in.)). Auf dem beiligenden Zertifikat signiert.Ex. 34 von 60 nummerierten Abzügen aus einer Gesamtauflage von 80 Exemplaren. Zürich/New York, Parkett Editionen, 2005. [3925]Provenienz: The Blake Byrne Collection, Paris/Los AngelesZustandsbericht: Ex. 34/60. In gutem Zustand. Die Blattkanten ohne Einrisse oder Fehlstellen. Entlang der Blattränder stellenweise mit winzigen dunklen Spuren und Fleckchen. Unter UV-Licht sind an zwei Stellen minimale Retuschen erkennbar. Schöner harmonischer GesamteindruckWir berechnen auf den Hammerpreis pauschal 30% Aufgeld und 7% verauslagte Einfuhrumsatzsteuer.Anri Sala (Tirana 1974 – lives in Berlin). ”Airport”. 2005C-print. 42 × 60 cm (52 × 70 cm) ( 16 ½ × 23 ⅝ in. (20 ½ × 27 ½ in.)). Signed on the accompanying certificate.No. 34 of 60 numbered prints from a total edition of 80 copies. Zurich/New York, Parkett Editions, 2005. [3925]Provenance: The Blake Byrne Collection, Paris/Los AngelesCondition report: No. 34/60. In good condition. The sheet edges without tears or losses. Minimal dark traces and tiny stains in places along the sheet margins. Under UV-light minimal retouchings become visible in two places. Fine harmonious overall appearanceWe charge 30% premium and 7% import tax on the hammerprice.
(See English version below)Wilhelm Sasnal (Tarnów, Polen 1972 – lebt in Krakau). „Concorde is Dead“. 2004C-print. 31 × 47 cm (32 × 48 cm) ( 12 ¼ × 18 ½ in. (12 ⅝ × 18 ⅞ in.)). Signiert.Ex. 35 von 60 Abzügen aus einer Gesamtauflage von 80 Exemplaren. Zürich/New York, Parkett Editionen, 2004. [3925]Provenienz: The Blake Byrne Collection, Paris/Los AngelesZustandsbericht: Ex. 35/60. In sehr gutem Zustand. Die Blattkanten ohne Einrisse oder Fehlstellen. Unter UV-Licht sind keine Restaurierungen erkennbar. Sehr harmonischer GesamteindruckWir berechnen auf den Hammerpreis pauschal 30% Aufgeld und 7% verauslagte Einfuhrumsatzsteuer.Wilhelm Sasnal (Tarnów, Poland 1972 – lives in Kraków). ”Concorde is Dead”. 2004C-print. 31 × 47 cm (32 × 48 cm) ( 12 ¼ × 18 ½ in. (12 ⅝ × 18 ⅞ in.)). Signed.No. 35 of 60 prints from a total edition of 80 copies. Zurich/New York, Parkett Editions, 2004. [3925]Provenance: The Blake Byrne Collection, Paris/Los AngelesCondition report: No. 35/60. In very good condition. The sheet edges without tears or losses. There are no repairs visible under UV-light. Very harmonious overall appearanceWe charge 30% premium and 7% import tax on the hammerprice.
(See English version below)David Schnell (Bergisch-Gladbach 1971 – lebt in Leipzig). Spielplatz. 2006Farbserigrafie auf Papier. 39 × 58,5 cm (55,5 × 76 cm) ( 15 ⅜ × 23 in. (21 ⅞ × 29 ⅞ in.)). Signiert und datiert.Ex. 13 von 35 nummerierten Abzügen aus einer Gesamtauflage von 45 Exemplaren. [3925]Provenienz: The Blake Byrne Collection, Paris/Los AngelesZustandsbericht: Ex. 13/35. In gutem Zustand. Die Farben frisch und leuchtend. Die Blattkanten ohne Einrisse oder Fehlstellen. Die obere rechte Ecke mit einer leichten Bestoßung. Am linken Bild- bzw. Blattrand zwei kleine braune Fleckchen. Unter UV-Licht sind keine Restaurierungen erkennbar. Sehr schöner harmonischer GesamteindruckWir berechnen auf den Hammerpreis pauschal 30% Aufgeld und 7% verauslagte Einfuhrumsatzsteuer.David Schnell (Bergisch-Gladbach 1971 – lives in Leipzig). Playground. 2006Colour silkscreen on paper. 39 × 58,5 cm (55,5 × 76 cm) ( 15 ⅜ × 23 in. (21 ⅞ × 29 ⅞ in.)). Signed and dated.No. 13 of 35 numbered prints from a total edition of 45 copies. [3925]Provenance: The Blake Byrne Collection, Paris/Los Angeles Condition report: No. 13/35. In good condition. The colours fresh and luminous. The sheet edges without tears or losses. A light nick in the upper right corner. Two tiny brown stains on the left of the image margin, and on the left sheet margin. There are no repairs visible under UV-light. Very fine harmonious overall appearanceWe charge 30% premium and 7% import tax on the hammerprice.
(See English version below)Cindy Sherman (Glenridge, New Jersey 1954 – lebt in New York). UNTITLED. 1986/93Farbfotografie. 17,7 × 33 cm (27,9 × 35,6 cm) ( 7 × 13 in. (11 × 14 in.)). Signiert und datiert.Ex. 65 von 200 nummerierten Abzügen. Köln, Edition Texte zur Kunst, 1993. [3513]Provenienz: Privatsammlung, BerlinZustandsbericht: Ex. 65/200. In gutem Zustand. Die Blattkanten ohne Einrisse oder Fehlstellen. Die rechte obere Blattecke minimal bestoßen. Die Blattränder etwas gebräunt. Unter UV-Licht wird ein minimaler Lichtrand sichtbar sowie einige helle Spuren entlang der Ränder und punktuell im Foto. Sehr harmonischer GesamteindruckWir berechnen auf den Hammerpreis 30% Aufgeld.Cindy Sherman (Glenridge, New Jersey 1954 – lives in New York). UNTITLED. 1986/93Colour photograph. 17,7 × 33 cm (27,9 × 35,6 cm) ( 7 × 13 in. (11 × 14 in.)). Signed and dated.No. 65 of 200 numbered prints. Cologne, Edition Texte zur Kunst, 1993. [3513]Provenance: Private Collection, BerlinCondition report: No. 65/200. In good condition. The sheet edges without tears or losses. The upper right corner is minimally bumped. Slight time staining in the sheet margins. Under UV-light, a minimal light staining becomes visible, as well as occasional light traces along the margins and sporadically in the photo. Very harmonious overall appearanceWe charge 30% premium on the hammerprice.
(See English version below)Wolfgang Tillmans (Remscheid 1968 – lebt in London und Berlin). Conor PSB stage II. 2001C-Print. 30,5 × 40,5 cm ( 12 × 16 in.). Bezeichnet, datiert und signiert.Ex. 4 von 10 nummerierten Abzügen aus einer Gesamtauflage von 11 Exemplaren. [3956]Provenienz: Privatsammlung, HessenZustandsbericht: Ex. 04/10. In gutem Zustand. Die Farben leuchtend. Die äußerste untere Blattkante sehr leicht gebräunt. Die Blattkanten ohne Einrisse. Die obere linke Blattkante mit winziger Bestoßung. Unter UV-Licht sind keine Restaurierungen erkennbar. Schöner harmonischer GesamteindruckWir berechnen auf den Hammerpreis 30% Aufgeld.Wolfgang Tillmans (Remscheid 1968 – lives in London and Berlin). Conor PSB stage II. 2001C-print. 30,5 × 40,5 cm ( 12 × 16 in.). Inscribed, dated and signed.No. 4 of 10 numbered prints from a total edition of 11 copies. [3956]Provenance: Private Collection, HesseCondition report: No. 04/10. In good condition. The colours luminous. Very pale time staining on the lower sheet edge. The sheet edges without tears. A minuscule nick on the upper left sheet edge. There are no repairs visible under ultraviolet light. Fine harmonious overall appearanceWe charge 30% premium on the hammerprice.
(See English version below)Andy Warhol (Pittsburgh 1928 – 1987 New York). „Neuschwanstein“. 1987Farbserigrafie auf Karton. 85 × 60 cm ( 33 ½ × 23 ⅝ in.). Signiert und gestempelt.Feldman/Schellmann/Defendi II.372.–Ex. 8 von 100 nummerierten Exemplaren aus einer Gesamtauflage von 140. München/New York, Edition Schellmann und München, Sabine Knust 1987. [3525]Zustandsbericht: Ex. 8/100. In gutem Zustand. Die Farben frisch und leuchtend. Die Blattkanten ohne Einrisse oder Fehlstellen. Entlang der linken Kante stellenweise mit minimalen Anhebespuren. Die rechte untere Blattecke mit einem leichten Knick. Unter UV-Licht sind keine Restaurierungen erkennbar. Schöner harmonischer GesamteindruckWir berechnen auf den Hammerpreis 30% Aufgeld.Andy Warhol (Pittsburgh 1928 – 1987 New York). ”Neuschwanstein”. 1987Colour silkscreen on cardboard. 85 × 60 cm ( 33 ½ × 23 ⅝ in.). Signed and stamped.Feldman/Schellmann/Defendi II.372.–No. 8 of 100 numbered copies from a total edition of 140. Munich/New York, Edition Schellmann and Munich, Sabine Knust 1987. [3525]Condition report: No. 8/100. In good condition. The colours fresh and luminous. The sheet edges without tears or losses. Minimal handling creases in places along the left edge. Light crease in the lower right corner. There are no repairs visible under UV-light. Fine harmonious overall appearanceWe charge 30% premium on the hammerprice.
(See English version below)Andy Warhol (Pittsburgh 1928 – 1987 New York). „Photo Edition for Parkett“. 1987Buch mit 4 Fotografien, maschinell vernäht, in Pergamenthülle. Buch: 25,5 × 21 cm; Fotografien: 24,5 × 19,5 cm ( 10 × 8 ¼ in.; Fotografien: 9 ⅝ × 7 ⅝ in.). Signiert.Ex. 25 von 120 nummerierten Exemplaren. Zürich/New York, Parkett Editionen, 1987. [3513]Provenienz: Privatsammlung, BerlinZustandsbericht: Ex. 25/120. In sehr gutem Zustand. Die Blattkanten ohne Einrisse oder Fehlstellen. Unter UV-Licht sind keine Restaurierungen erkennbar. Schöner harmonischer GesamteindruckWir berechnen auf den Hammerpreis 30% Aufgeld.Andy Warhol (Pittsburgh 1928 – 1987 New York). ”Photo Edition for Parkett”. 1987Book with 4 photographs, machine sewn, in a parchment cover. Book: 25,5 × 21 cm; photographs: 24,5 × 19,5 cm ( 10 × 8 ¼ in.; photographs: 9 ⅝ × 7 ⅝ in.). Signed.No. 25 of 120 numbered copies. Zurich/New York, Parkett Editions, 1987. [3513]Provenance: Private Collection, BerlinCondition report: No. 25/120. In very good condition. The sheet edges without tears or losses. There are no repairs visible under UV-light. Fine harmonious overall appearanceWe charge 30% premium on the hammerprice.
CHANEL Umhängetasche "DOUBLE FLAP BAG MEDIUM", Koll. 2010/2011. Akt. NP.: 6.050,-€. Feines Leder in Hellbeige mit silberfarbener Hardware, Überschlag mit klassischem CC-Steckverschluss, Gliederkettenriemen mit Leder durchflochten. Doppelte Pattentasche mit Druckknopfverschluss und sechs Innenfächern sowie einem Außenfach. Leichter Abrieb ab den Kanten und Verfärbungen vorhanden, dennoch schöner Erhalt. Staubbeutel anbei. 25,5x6,5x15,5cm. CHANEL purse "DOUBLE FLAP BAG MEDIUM", coll. 2010/2011. retail price: 6.050 €. Light beige leather. Abrasion and discoloration. Comes with dust bag. 25,5x6,5x15,5cm.
HERMÈS VINTAGE Gürtel "COLLIER DE CHIEN", Länge: 80cm. Koll. 1991. Fein genarbtes Leder in Hellblau mit goldfarbener Hardware. Breite: 5cm. Leichte Tragespuren vorhanden. HERMÈS VINTAGE belt "COLLIER DE CHIEN", l.: 80cm, coll.: 1991. Light blue leather with gold coated hadrware. Minor signs of wear.
1979 Honda CB400N Super Dream cafe racer, 396 cc. Registration number GNA 603V. Frame number CB400N 2000185. Engine number CB400NE 2000196. The Honda CB250N and CB400N Super Dream were produced from 1978 to 1986, they were the successor to the short lived Dream model. It had a series of revisions including a six-speed gearbox and what Honda termed as European styling which resembled the CB750F and CB900F. The Super Dream was fitted with a four stroke, air-cooled, twin-cylinder engine. It had three valves per cylinder, two inlet and one exhaust, operated by a chain-driven overhead camshaft. Ignition was provided by capacitor discharge ignition with a 360° crank layout similar to many traditional British parallel twins, but with two balance shafts to reduce unwanted vibrations. Fuelling was provided by twin Keihin carburettors. The CB400N was very similar to the 250N variant, however, it differed with its larger engine capacity, twin front brake discs and a halogen front head light. The front instrument had different markings for the rev counter and speed to reflect the lower maximum engine speed and higher top speed of the 400N. The CB400N had several revisions during its production run. The launch model CB400N (1979-1980), CB400NA (1980-1981), CB400NB (1981-1983), CB400NC (1982-1985) and CB400ND (1983-1986). GNA was first registered on the 18th September 1979 and by November 2013 it was with William Wilkinson of West Lothian by which time the mileage was 21,258 miles. Over the next two years he restored and converted it to a cafe racer with a CRK kit at the cost of some £1,150 and reset the speedo so when MOT'd in 2015 it had covered only 6 miles. One presumes a full engine refresh was undertaken during this period as there are several receipts from David Silver. Sold by these rooms in March 2020 our vendor bought it to hill climb but finds the pegs do not suit him so he has hardly used it. Sold with the V5C, MOT history from 2013, CRK instruction book and various receipts.
Marks & Spencer's solid light oak dresser, raised back with two sliding display doors above three short and two drawers, two cupboards, stile supportsDimensions: Height: 198cm Length/Width: 131cm Depth/Diameter: 55cmClick here to view further images, condition reports, sale times & delivery costs for this lot.
Light oak triple wardrobe, projecting cornice, three doors enclosing fitted interior above one long and one short drawer, stile supports Dimensions: Height: 203cm Length/Width: 153cm Depth/Diameter: 55cmClick here to view further images, condition reports, sale times & delivery costs for this lot.
A large quantity of scripts and other paperwork relating to a selection of made and unmade films: WALKING STICK (1970) and DEATH VALLEY (1980), TALLER THAN TREES (John Briley), THE FORTY DAYS OF MUSA DAGH, LIGHT IN AUGUST (based on William FAULKNER), SUMMERTIME BLUES (Eddie Cochran biopic), CONQUISTADOR, A LICENCE TO KILL: THE FBI AND ITS INFORMANTS, A COFFIN FOR DEMETRIUS (Guillermo Cain based on Eric Ambler), THE LIST, BAD NIGHT'S WORK (aka INSIDE STRAIGHT), JERICHO and RPG 1 and II
BLACK JOY (1977) - A selection of memorabilia to include vinyl soundtrack album x2, plus poster, promo single x2, logo'd matchbooks, flyer, synopsis, 3x scripts written by Anthony Simmons based on the stage play by Jamal Ali, 'Dark Days and Light Nights' - magazine advertising material, press campaign book, photographs from Cannes Film Festival (historically credited as the only example of a UK 'blaxploitation' film)
A matched pair of iron framed and green tinted bubble glass ceiling light fittingsCondition report: Metal work has some signs of rusting. Rust primarily to upper area of smaller light. Iron work is not galvanised. Glass is good with some bubble inclusions. 5cm crack to central area of larger light. Lights measure approx 40cm. £20 to post (UK)
A large late 19th century Burmese teak dressing box, the whole profusely carved with foliage, the oval cartouche with brass floral inlay, the hinged lid opening to reveal a bevelled glass mirror with sillk lined interior, the lock stamped with a crown and numbered 4, width 46cm, depth 30cm, height 20cmCondition report: Now locked shut and we have not got a key which fits.Appears to have been some damage and surrounding the escutcheon.Some light watermarks to cartouche on the lid.Some scratches to the lid and the front.Lid does not sit quite level.Teeth on the lock are slightly bent – possibly why we’re unable to open it again now.
A Moorcroft pottery jug in the Anenome pattern on dark blue ground with typical tube lined floral decoration, impressed Moorcroft Made in England verso, No. 34/94 WM monogram, height 15cm; together with one other Moorcroft pottery jug on pale cream ground with tube lined floral decoration, impressed Moorcroft Made in England WM monogram, height 15cm (2)Condition report: Cream jug – heavily crazed.Blue jug – some light areas of crazing only.Otherwise good.
A George VI silver table cigarette box of plain undecorated rectangular form having cedar lined interior, width 10cmCondition report: Large crease to the reverse.Several very small dents all over.Larger dent to the corner of the lid and light dent to the centre of the lid.The lid closes flush.Interior very clean.Hallmarks are clear.
An early 20th century continental silver snuff / pill box, of serpentine form, the hinged lid relief decorated with a courtship scene, having gilt-washed interior, London import marks, further marked for Singleton Benda & Co LtdCondition report: Some very light nibbles to the edge of the lid.Otherwise appears good and intact.
A Victorian silver vinaigrette, having engraved case, the gilt-washed interior with pierced hinge grille, maker George Unite, Birmingham 1875, w.38mm; together with a silver picture locket; and a white metal neck chain (3)Condition report: Silver all good, appears little handled. The smaller one is dented to both sides. The larger is actually in quite good condition. It closes fine and the hinge works. The hallmarks are clear and the interior is clean. Three is some light surface scratching but otherwise condition is ok.
A reproduction Chinese figure of mother and daughter, height 33cm, together with a Chinese vase of cylindrical form decorated with dragons having four character mark verso,and one other turquoise glazed vase (3)Condition report: Blue vase – one small chip to rim, some areas of discolouration.White vase – some tiny nibbles to rim, decoration with some light wear.
A Parian figure of a female Grecian water carrier, dressed in robes in standing pose with urn upon her shoulder, height 36cm, together with one other Parian figure of a lady in cassock in prayer pose, height 31cm (2)Condition report: Both figures in very good condition with some light grubby marks only.
Three boxes of miscellaneous china to include Masons Elizabeth II Jubilee ginger jar and cover, modern Chinese bowl, Royal Stafford bone china tea wares, Wedgwood jasper wares, continental bier stein, etcCondition report: Blue Chinese jar and cover – some light surface marks but generally very good condition.Denby vase – excellent condition.One ginger jars with tape marks.Otherwise condition throughout is good to very good.
Robert Heritage for Archie Shine, a mid-century teak sideboard, with four drawers above four pairs of cupboard doors enclosing fitted interiors, on tapering square legs, 87cm high x 238cm wide x 46cm deep. Note; Drawers are removed in the picture due to being slightly swollen, light restoration should resolve this. We believe the attribution to be correct, please be aware before bidding that it is up to the buyer to make themselves satisfied.
John Ernest Foster (1877-1968) - Moorland scene, oil, signed lower right, 39 x 29cm; and one other Still life by the artist (2)Condition report: Moorland scene – vertical scratch to left hand side running through the tree down to the grass, some light dirt marks to the sky.Otherwise overall good condition.
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