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A collection of miscellaneous china to comprise two Old London ware light green comic ceramic cats, 26 cm tall approx, a collection of cream and gilt coffee cups by John Bates & Company, Auckland, made for the New Zealand Centennial Exhibition 1939-1940, three toast racks including a Poole example, etc
An early 20th century watercolour of a river scene at night with reflective light, signed bottom left I Kirkpatrick, 13 x 18 cm in gilt frame together with a late 19th century pencil and watercolour study of a seated mother and child, 16 x 11 cm in wide frame with silver coloured distressed finish
A LIGHT OAK CUPBOARD with chamfered edges, the upper part enclosed by a pair of panelled doors, three graduated long drawers beneath 51ins.(130cms.) high x 30ins. (76cms.) wide x 18ins. (46cms.) deepCondition reports are available via the ‘View Complete Catalogue’ link at www.lawrences.co.uk
A GEORGE IV IRISH COFFEE POT of baluster form with a flower finial, the body & foot profusely chased & embossed with floral scrolls, two eagles, fruit & two vacant cartouches, inscribed under the rim "Presented to the officers, 1st (light) Bn. Royal Tank Corps by the officers, 4th Bn. Royal Tank Corpos, March 1935", by Edward Power, Dublin 1826; 11.4" (29 cms) high; 32.9 ozCondition reports are available via the ‘View Complete Catalogue’ link at www.lawrences.co.uk
A PAIR OF 20TH CENTURY FRENCH TWIN-LIGHT DWARF CANDELABRA with tapering, reeded columns, scroll branches & bobbin-like borders, traces of gilding, by Risler & Carre, Paris; 9.1" (23 cms) high (loaded) (2)Condition reports are available via the ‘View Complete Catalogue’ link at www.lawrences.co.uk
A PAIR OF 20TH CENTURY PLATED THREE-LIGHT DWARF CANDELABRA with gadrooned circular bases, reeded scroll branches & torch finials, together with a pair of similar plated, dwarf candlesticks; the latter 5.25" (13.4 cms) high (4)Condition reports are available via the ‘View Complete Catalogue’ link at www.lawrences.co.uk
THREE PIECES WITH ENAMELLED DECORATION: A dark blue compact with the Royal Naval crown in the centre, a light blue cigarette case & a glass dressing table jar with a pink cover, various makers & dates; the latter 2.5" (6.3 cms) high (3)Condition reports are available via the ‘View Complete Catalogue’ link at www.lawrences.co.uk
JOHN GENDALL (1790-1865) BRENT BRIDGE, SOUTH DEVON Watercolour, charcoal and pencil, heightened with white 25 x 35cm. Exhibited: Exeter, Museums and Art Gallery, John Gendall: Exeter`s Forgotten Artist, July-October 1979, no.120 Provenance: Eastbourne, E. Stacy-Marks Ltd, 1977 (260gns) ++ Paper light stained; some fadingCondition reports are available via the ‘View Complete Catalogue’ link at www.lawrences.co.uk
EDWARD LEAR (1812-1888) ON THE NILE, 1867 Inscribed 3.10.PM.Feby.2.1867 and (329), also inscribed with a few artist`s notes, watercolour with pen and ink 7.25 x 13.5cm. * Lear fell in love with Egypt upon his first visit in 1849 and returned eagerly in 1853. Just as enchanted by the abundance of nature on the Nile as he was by the historical sites and the light, Lear worked rapturously on numerous small sketches and studies for larger oils to be devised more fully once back in England. Lear`s final visit to the Nile lasted from December 1866 to March 1867 and yielded many more quick sketches (or `outlines` as he liked to call them), often in small or unconventional formats. ++ A little foxing and some slight time staining; needs a cleanCondition reports are available via the ‘View Complete Catalogue’ link at www.lawrences.co.uk
ATTRIBUTED TO EDWARD MIDDLETON BARRY, RA (1830-1880) FIGURES AND CARRIAGES BY A CIVIC BUILDING Watercolour and pencil 62 x 92cm. * E. M. Barry was the third son of Sir Charles Barry (1795-1860), whose greatest achievement was the New Palace of Westminster, a vast project completed by the son ten years after his father`s death. Edward Barry designed the Royal Opera House in Valletta, the New Covent Garden Theatre, extensions to the National Gallery (the `Barry Rooms`), Canford School in Dorset and Crowcombe Court in Somerset. See Barry`s large watercolour design for St. Pancras Station (Christies, London, November 17th 2005, lot 70) ++ Needs a light cleanCondition reports are available via the ‘View Complete Catalogue’ link at www.lawrences.co.uk
SIR EDWIN HENRY LANDSEER, RA (1802-1873) GOAT, WITH KID Ink and brush, heightened with white, on thin card, unframed 44.5 x 56cm. Exhibited: Windsor, Loan Exhibition, 1881, (as `Goat`), lent by Lord Wriothesley Russell Provenance: Lord Wriothesley Russell (1804-1886), son of the 6th Duke of Bedford, Canon of Windsor, (1840-1886); the Rev. G. Edwards (of The Cloisters, Windsor Castle), by 1886 ++ Needs a light cleanCondition reports are available via the ‘View Complete Catalogue’ link at www.lawrences.co.uk
•SIR DAVID YOUNG CAMERON, RA, RSA, RWS (1865-1945) SOUND OF SEIL Signed and inscribed with title, watercolour and pencil 17 x 33cm. ++ A very few pale spots of foxing; needs a light cleanThe Property of Mr and Mrs Geoffrey Philipps removed from Slebech Park, PembrokeshireCondition reports are available via the ‘View Complete Catalogue’ link at www.lawrences.co.uk
•ROWLAND SUDDABY (1912-1972) STONEY MIDDLETON CHURCH Signed and dated 37, watercolour with pen and black ink 43.5 x 55.5cm. Provenance: London, The Redfern Gallery Ltd, July 1939 (bt. Capt. Eric Villiers) ++ Good colour; needs a light cleanThe Property of Mr and Mrs Geoffrey Philipps removed from Slebech Park, PembrokeshireCondition reports are available via the ‘View Complete Catalogue’ link at www.lawrences.co.uk
FOLLOWER OF FRANCOIS LEMOYNE (1688-1737) NARCISSUS AT A POOL, HIS HOUNDS NEARBY Oil on panel 27 x 32.5cm. Provenance: Ballyfin, Co. Laois, Ireland; Sir Charles Coote, MP, 9th and Premier Baronet of Ireland; thence by descent ++ A few slight grazes; needs a light cleanCondition reports are available via the ‘View Complete Catalogue’ link at www.lawrences.co.uk
FOLLOWER OF GEORGE ROMNEY (1734-1802) PORTRAIT OF A BOY Quarter length, wearing a pink coat with a large white collar, oil on canvas 47 x 38.5cm. ++ Lined; a little retouching; needs a light clean; period gilt frameCondition reports are available via the ‘View Complete Catalogue’ link at www.lawrences.co.uk
AFTER SIR THOMAS LAWRENCE, PRA (1769-1830) PORTRAIT OF FREDERICK AUGUSTUS, DUKE OF YORK (1763-1827) Half length, wearing a black coat the Star of the Garter, oil on panel 28.5 x 22.5cm. ++ Good condition; needs a light cleanCondition reports are available via the ‘View Complete Catalogue’ link at www.lawrences.co.uk
FOLLOWER OF SIR JOHN WATSON GORDON (1788-1864) PORTRAIT OF A YEOMANRY OFFICER Standing, long half length, in uniform, oil on canvas 125.5 x 95.5cm. ++ A few old damages needing retouching; needs a light clean; marks from stretcher barsCondition reports are available via the ‘View Complete Catalogue’ link at www.lawrences.co.uk
JAMES HARRIS OF SWANSEA (1810-1887) A TWO-MASTED SAILING SHIP AND OTHER CRAFT IN COASTAL WATERS NEAR A LIGHTHOUSE Signed Harris, oil on canvas, unframed 32.5 x 55.5cm. ++ Some craquelure; needs a light cleanCondition reports are available via the ‘View Complete Catalogue’ link at www.lawrences.co.uk
ATTRIBUTED TO AUGUST VAN BAYER (1803-1875) FIGURE BY A CHALET ON AN ALPINE ROAD Signed and dated ABayer 1856, oil on panel 18 x 23cm.; with a similar subject of figures by a chapel, signed Martin, 20 x 25.5cm. (2) ++ Each needs a light cleanCondition reports are available via the ‘View Complete Catalogue’ link at www.lawrences.co.uk
A** S** BOULT (Fl.1815-1853) 2ND ROYAL NORTH BRITISH DRAGOONS (SCOTS GREYS); 17TH LANCERS [see illus]; TRUMPTER, ROYAL HORSE GUARDS (THE BLUES); 2ND LIFE GUARDS Four, each signed, c.1843, oil on board Each 15 x 19cm. (4) ++ Each needs a light cleanCondition reports are available via the ‘View Complete Catalogue’ link at www.lawrences.co.uk
WILLIAM BEATTIE BROWN, ARSA (1831-1909) EVENING Signed and inscribed with title verso, oil on card, laid on board 10 x 17cm.; with a still life of a garland of flowers c.1920, signed MEG, oil on board, 16.5 x 11.5cm. (2) ++ The former needs a light clean, also starting to lift at card edges; the latter goodCondition reports are available via the ‘View Complete Catalogue’ link at www.lawrences.co.uk
CIRCLE OF THOMAS SPINKS (Fl.1872-1907) LAKE SCENE, WITH TWO MEN IN A PUNT BY THE SHORE Bears fake R Ansdell signature, oil on canvas 59 x 89.5cm. ++ Small puncture right of centre; needs a light cleanCondition reports are available via the ‘View Complete Catalogue’ link at www.lawrences.co.uk

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534325 item(s)/page