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Click here to subscribeSir William Rothenstein (1872-1945)'Ypres, 1918'oil on canvas61 x 101.5cm, unframedProvenance: Christie's, South Kensington, '20th Century British Art', 1 March 2000, lot 62.Condition ReportCraquelure and light surface dirt. Not viewed under UV light, for a full report please contact the department.
Roberto Matta (Chilean-Italian, 1911-2002)'Joyeux Leon'inscribed to 'Cecile and Clifford', pencil, pen and ink, felt-tip pen and pastel21 x 20cmCondition ReportFramed: 27 x 27cmNot viewed out of glazed frame. A printed number 13 can be seen upside down at the top of the sheet. Fading. Staining to edges and light handling creases.
â–´ Fred Cuming RA (1930-2022)'Walking the Dog, Camber'signed 'Cuming' l.l., oil on board16 x 31.5cmProvenance: With Thompson's, Aldeburgh.Condition ReportFramed: 26 x 41.5cmIt is in good condition, well presented and ready to hang. Examined under UV light, does not appear to have any obvious retouching.
â–´ Fred Cuming RA (1930-2022)'Dawn Garden'signed 'Cuming' l.l., oil on board20 x 40.5cmProvenance: With Thompson's, Marylebone, London.Condition ReportFramed: 30 x 50cmA small dirty mark to the lower left corner, please see images, but presents well overall. Not viewed under UV light, for a full report please contact the department.
After Helmut Newton (German-Australian, 1920-2004)'Jenny Kapitan, Pension Dorian, Berlin'offset lithograph, signed 'Helmut Newton' and numbered '05044' verso, from an edition of 10,000 as part of the 'Sumo' ink label, published by Taschen in 1999image 65 x 43.5cmProvenance: Bonhams, Knightsbridge, 'Print and Multiples', 22 March 2017, lot 192.Condition ReportFramed: 86 x 65cmLight cockling to the bottom. Three creases to the bottom of the left margin, one measuring 3cm, the others measuring 1cm each. One of the small creases slightly crosses into the printed area.
â–´ Norman Ackroyd RA (b.1938)'Walters Path'etching, signed and dated 'Norman Ackroyd 1985' in pencil l.r., inscribed with title and numbered '12/90'plate 58.5 x 88.5cmProvenance: Purchased from Christopher Mendez, London.Condition ReportFramed 80 x 108cmLight time staining. Not viewed out of glazed frame.
▴ John Aldridge RA (1905-1983) 'Via Appia' inscribed and dated '11 Aug ‘57' l.l., pencil 18.5 x 24.5cm Provenance: From the artist's studio and estate, and then passed to the Fry Art Gallery in 2010 for sale; Fry Art Gallery, Saffron Walden, March 2012. Condition ReportFramed size 32 x 36.5cm Not viewed out of glazed frame. Paper light brown in colour. A small stain to l.r. corner.
Jacqueline Marval (French, 1866-1932)A vase of liliessigned 'Marval' l.r., oil on canvas116 x 89cmCondition ReportFramed:133 x 105cmCraquelure throughout with a number of large cracks, please see images. Light surface dirt and rubbing to the edges. UV light shows retouching on scratches and craquelure. The back of the canvas is boxed in and is not visible.
Lars-Birger Sponberg (Swedish-American, 1919-2018)'Chess'signed 'Lars-Birger Sponberg' l.r., oil on canvas62 x 77cmExhibited: National Army Arts Contest, Eighth Service Command, Dallas, 17 January 1945.Condition ReportFramed: 70.5cm x 85.5cmSome light surface scuffs and abrasions with minor losses. A 20cm diagonal scratch to the bottom right edge, please see images. Not viewed under UV light, for a full report please contact the department.
A fabulous 18th century crewel work wall hanging, finely worked in coloured wools on linen, the exquisite branching floral vines with waving stems of stylized leaves and tropical birds, 210 cm x 190 cm. Provenance : The Estate of the late Lady Rose Diana Musker (nee Lambton), Lambton Castle, County Durham. CONDITION REPORT: A wonderful example, the detail and quality excellent. Some areas of time staining to linen background, please see images. Colours are bright and not showing areas of severe damage, there are no clear and obvious signs of damage other than those in keeping with age such as light fraying. Please refer to images and consult the auctioneer for more information.
A Philips 'Discoverer' limited edition television, c.1983, designed as a 'space helmet' with adjustable visor to enhance contrast and prevent glare, with approx. 14" CRT screen, power cable, A/V cable, and metal antenna, lacking remote, approx. 43 x 53 x 52cmIt is the buyer's responsibility to ensure electrical items are professionally rewired for use. Footnotes: Note: This television was designed by Honson Lee and introduced in 1983 to celebrate the first space shuttle launch by NASA in 1981. It was marketed towards 'tech savvy' young men, and makes a good companion for third generation video game systems such as the Nintendo Famicom and Sega SG-1000. Condition Report: When plugged in to a mains power socket, the TV turns on. The Menu and Volume buttons function as intended. The A/V cable has not been tested with a compatible device. When the TV is turned off the settings for brightness, contrast, and colour are reset. The visor can be lifted and closed smoothly. There is some light scratching and general surface dirt and marks present to the visor, and general surface wear and dirt to the TV body. The CRT screen has some light marks and scratches. Roseberys do not PAT test electrical items nor guarantee the working operation of any electrical item offered for sale. It is the buyer's responsibility to ensure electrical items are professionally tested and/or rewired for use.
Richard Hornby for Fyne Lady, an Afromosia bureau, c.1950, the fall front enclosing writing surface and storage compartments, over single frieze drawer on square tapered supports, 101.5cm high, 68.5cm wideCondition Report: Lacking key for fall front, but open, general light surface wear throughout to include minor scratches and scuffs, some stains, minor loss to interior section moulding
An Italian floor lamp, second half 20th century, with tapered and green stained wooden stand on brass tri-form supports, 165cm highIt is the buyer's responsibility to ensure electrical items are professionally rewired for use. Condition Report: The lamp is structurally sound, although the outer wood stem is somewhat loose on the base. The feet are in good overall condition with light scratches and marks, The bulb fittings are askew and have marks and wear to the enamel. The wood has some light scratches and marks. The wiring is present. Roseberys do not PAT test electrical items and cannot guarantee the working operation of any light offered for sale - it is the buyer's responsibility to ensure electrical items are professionally rewired for use.
A collection of silverplated items. Including a small cake stand in the aesthetic manner, the round top embossed with birds on four legs with leaf trefoil supports; together with various other plated items including a three light candelabrum; two matching candlesticks; various cake stands and other items, Max. H24cm
Opening of the Blantyre Suspension Bridge, 1853, a white metal medalet, unsigned, 20mm (E 1477); Opening of the Second Tay Bridge, 1887, a white metal medal, unsigned, 39mm (BHM 3350; E 1741); Forth Bridge Opened, 1890, medals (2), unsigned, in bronze and white metal, both 35mm (BHM 3400; Brodie 306); Forth Bridge, a brass medalet, rev. Sir Walter Scott’s Monument, 19mm; The Forth Road and Rail Bridges, 1990, a bronze medal, unsigned, for Acer Freeman Fox, 44mm; The Forth Railway Bridge, a light bronze medal, unsigned, 38mm [7]. Very fine and better; penultimate in case of issue £60-£80
Edward VII, Coronation, 1902, medals (2) by G.W. de Saulles, in silver, 85.76g, and bronze, bust of King right, rev. bust of Queen right, both 55mm (C & W 4100; BHM 3737; E 1871) [2]. Good extremely fine, first with slight loss of matt surface due to light cleaning; both in official Royal Mint case of issue £150-£200
Ercol blonde oak dining table, 72cm high x 150cm wide x 76cm deep and a set of six matching spindle back dining chairs, two of which being carvers (7) Condition Report Surface scratches, scuffs and knocks to both table and chairs. light fading in places. General wear and tear.Request: Splits to chair tops? No splits to chair tops.
20th century Chinese Famille Rose-pattern charger, four-character red enamelled mark to base, painted with a mother and child before jardiniere of flowers and another figure, within yellow ground scalloped border decorated with lotus and other scrolling flowers, within lappet border, 34cm diameter Condition ReportLight surface marks, accretions, minor wear to areas of the decoration, general wear and tear.
Liberty & Co Tudric pewter four-piece teaset, no.0231 to include teapot, hot water jug, cream jug and sugar basin, with scroll handles and stylised floral decoration Condition ReportAll with light surface scratches and marks. Appears to be a solder mark or repair to the foot of the water jug. Cream jug with dent to the lip. General wear and tear to all.
Pair of mid-century teak wall-mounted bedside tables designed by Kai Kristiansen, each with two drawers, 22cm x 69cm x 28cm (2) Condition Report The height is 22cm X the width 69cm X the depth is 39cm.Light surface scratches and scuffs. Some light stains. Wall brackets attached. No stamp. General wear and tear.
Waterford cut glass part table service, cut with flowerheads, diamonds and leaves, comprising eight large wine glasses, eight medium size wine glasses and three tumblers, acid etched marks Condition Report Some watermarks and other light surface mark and wear throughout. Two small nibbles to the rim of one tumbler and slight wear to rims throughout. Small chip/open air bubble to underside of one medium wine glass base. Occasional air bubbles and minor crease/imperfection one glass.
Alfred James Munnings, P.R.A., R.W.S. (1878-1959) Barnet Fair Oil on canvas, signed and dated A.J. Munnings 1903, lower left 34.5cm x 24.6cm Provenance Acquired from M. Newman Ltd., fine art dealers, 43a Duke Street, London on 16 December 1947 for £175 and thence by descent. The present lot is closely related in subject matter, composition and handling to Munnings's 'The Last of the Fair' (1903), now in the Harris Museum & Art Gallery, Preston. A boy, similar in stature and dress (seated and asleep in this instance) is flanked by grey, chestnut and dark horses, with a marquee or tent in the background. Both paintings were produced in the same year and most likely at around the same time. 'Barnet Fair' may have been part of Munnings's exploration of a theme that culminated in 'The Last of the Fair' which was exhibited at the Royal Academy in London in 1903 (catalogue number 348). In his autobiography Munnings reflected on the horses used in 'The Last of the Fair', '...my mind records that the old white pony with the forelock and mane was none other than the grey belonging to my landlord, Mr Alfred Wharton, who farmed Shearing's Farm...He was one more of the many kind friends I seem to have made use of, for I was always painting that white pony' (see Munnings, An Artist's Life, Readers Union, London, 1955, p.75). This same white pony appears in 'Barnet Fair' alongside what are very likely to be the same grey and chestnut horses. Munnings later identified Jimmy Betts as the boy who modelled for him in his studio for 'The Last of the Fair' (see An English Idyll, A Loan Exhibition of Works by Sir Alfred Munnings, Sotheby's, London, 5-25 January 2001, p. 58, Cat. No. 10). However, Munnings used both Teddy Holmes and Jimmy Betts as models at this time and it remains unclear which of the boys modelled for him in 'Barnet Fair'. When acquired from Newman's in 1947 the painting was titled 'Barnet Fair' in the family inventory. Despite the title, there is no record of Munnings ever having visited the Horse Fair at Barnet. He did however, visit many horse fairs in Norfolk and Suffolk while living at Church Farm in Swainsthorpe, near Norwich. The village that can be seen in the background of present lot is very similar to that featured in the 'Suffolk Horse Fair, Lavenham' (1901) in the collection of the Munnings Art Museum, Dedham. It was at the Lavenham Horse Fair where Munnings later wrote of seeing 'the scenes which started me off painting horse fairs' (see An Artist's Life, Bungay, 1950, p.139) and it seems more likely that the setting for the present painting is East Anglian rather than Barnet. With thanks to Flynn & Giovanni, Art Provenance Research and to Jenny Hand, Director, The Munnings Art Museum, Dedham, Essex for their help in the preparation and research of this catalogue entry. Condition Report Under UV light no obvious restoration. a tiny flake on the browband of the donkey , pin point or smaller. We have not had it out of ts frame.
Hans J Wegner (1914-2007) a mid-century model 'RY26' teak sideboard for Ry Møbelfabrik, the two sliding doors enclosing a light oak interior of shelves and four fitted sliding drawers, raised on square supports, 79cm x 200cm x 49cmCondition ReportOverall good condition with some light surface scratches, scuffs and knocks. Some small stains to top. General wear and tear.
Contemporary white metal and cut-glass mounted four-light electrolier, of tapering four tier form, issuing four trumpet-shaped S-branches to lower gallery, with beaded glass swags and faceted pendant drops, suspending central faceted ball drop, with ceiling rose/fixture, approx. 70cm high to ball drop
Staffordshire porcelain named and dated circular small box and cover, named and dated for William Walthall, Hanley, Staffordshire, 1829 in gilding reserved against a blue ground, painted with bouquets of flowers, with richly-gilt interior, 7.5cm diam. Condition ReportLight surface marks, wear to gilt, tiny chip to the inside edge of box. Some sort of material has been used as a seal around lid which has hardened and has chips, areas of loss and is stained. General wear and tear
Pair of contemporary Art Deco-style rugs, probably Chinese Superwash, each with a stylised radiating foliate medallion, within geometric-pattern Deco borders, in orange, pale blue, grey and buff, 123cm x 339cm Condition ReportLight wear to both, some stains to on of the rugs. General wear and tear.
Four Waterford Michael Aram designed Ma Gipur goblets, one with Aram label, a tapering oviform cut glass flower vase by Wedgwood designed by Vera Wang, 25cm high, a Waterford cut glass flower vase, an Edinburgh crystal small circular dish, and an engraved and cut baluster water jug by Royal Brierley, assorted acid etched marks Condition Report Aram glasses - Some watermarks, surface marks and light wear.Vera wang vase - Some watermarks and surface wear.Flower vase- Watermarking throughout. Several scratches to base.Dish - Some surface wear.Jug - Imperfection to upper section of handle. Some watermarks and surface wear.
Late 18th century creamware two-handled sugar bowl and cover, perhaps Leeds, painted with rose and flower sprays, with reeded handles (crack to rim), a Chinese export saucer (London decorated), painted with bouquets of flowers within red enamelled and scroll-shaped borders, and an English porcelain teabowl and saucer, attributed to Factory X, Keeling, painted in the famille rose pallette with blue rockwork before terracing Condition Report Sugar bowl - cover with chips and hairline, bowl with crack and small ships to foot. Both with light surface scratches and wear to decoration.Chinese export saucer - areas of loss to decoration, hairline.Tea bowl and saucer - teabowl has hairline to base, crazing, saucer with hairline at rim, both with surface scratches, accretionsAll with general wear and tear.
Mats Jonasson glass mouse paperweight of pebble form, etched signature and numbered 3262 to base, an Isle of Wight studio glass perfume bottle and stopper decorated with aventurine pebble pattern (damage to stopper), a Mdina paperweight with etched marks, of dump form, in turquoise and yellow spirals, and other items including a paperweight perhaps Caithness enclosing bands of canes in green, red and blue, and a blue tinted Dartington mid-century bowl on hooped stem Condition ReportIsle of Wight bottle with broken stopper and part of stopper still wedged in bottle. All pieces with light surface marks and general wear and tear.
Assorted late 19th/early 20th century Dresden and Continental porcelain figures in the Meissen-style, a Meissen yellow ground pierced dessert plate, painted with a gentleman and companion in garden, within a bouquet border, 23cm, a three-light Dresden flower-encrusted candlestick, a Dresden turquoise ground miniature milk jug, assorted similar, and a miniature pink ground teacup and saucer similar
Collection of Karl Ens porcelain models of birds, including kingfishers, parrots and owl, printed blue and green marks, impressed numerals, owl 25.5cm high, and five Chinese export-style models of ducks, celadon glazed, impressed seal mark to larger and medium sized example, larger 28cm high (12) Condition Report Pink, yellow and blue parrot - Two losses to crest as well as a further glued section. Small chip to leaf on base.Blue and yellow parrot - Large cracks through body. Graze to end of one wing. Marks to leaf on base.Kingfisher group - Repair to wing of lower kingsiher as well as a chip to the end of its beak.Pink and grey parrot - Repair to crest. Some crazing to base and parrot's breast.Owl - repair to leaves on base. Small moulding error to neck.Orange breasted kingfisher - Crazing to base.Pink breasted kingfisher - Crack to base and marks. Some missed paint.Ducks - Some light surface wear and minor imperfections throughout. Smudged eye to smallest ducks.Please see additional pictures.
Corgi: A collection of three boxed Corgi Toys vehicles to include: Studebaker Golden Hawk, 211S, good condition, some playwear, in fair box; Mini Cooper with De-Luxe Wickerwork 249, light playwear in good box; and MGA Sports Car 302, playworn in poor box with missing flap. Please assess photographs. (3)
Dinky: A collection of three original Dinky Supertoys/Toys lorries to comprise: Foden 14 Ton Tanker 504, good condition, some playwear in original fair box; Big Bedford Lorry 522, very good condition with very light playwear in fair box; and Guy Flat Truck 512 with playwear in fair box. Please assess photographs. (3)
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