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Lot 124
‡ André Bicât (French 1909-1996) The Balcony Signed and titled Artist’s proof Etching with aquatint 50 x 42.5cm; 19¾ x 16¾ (plate size) With a further print of a life drawing studio scene by a different hand (2) ++1. some discolouration to margins, some rippling and some bloom; 2. some printers creasing, some light foxing visible to margins
Lot 144
Peter de Wint O.W.S. (1784-1849) Manor house in a landscape; Bridge over a river Two, one pencil and one pen and ink, framed together 12 x 19cm; 4¾ x 7½ and 9 x 16.5cm; 3½ x 6½in Provenance: Backboard inscribed verso Peter de Wint, Ex. Coll. Vokins Sotheby’s, 11th November 1993, lot 191 ++1. An area of light staining; 2 stained, both probably stuck down
Lot 153
Paul Sandby R.A. (1725-1809) A woman and horse on a track with a distant castle Watercolour with stopping out 25 x 32cm; 10 x 12½in Provenance: Sotheby’s 27th April 1988 lot 215 ++Two grazes upper left in the tree with a little paint loss and one or two other light abrasions, some staining particularly to outlines,
Lot 177
James Duffield Harding (1798-1863) Stone pines with a viaduct; An ash tree by a country gate The second thought to be signed with initials and dated No.4, July 8, 1833 verso Two, both pencil and chalk with corner-cut mounts 26.5 x 20.5cm; 10 x 8¼in and similar (2) Provenance: Fry Gallery, Saxmundham, 1991 ++The viaduct with some light staining and the gate with a light stain
Lot 188
Hercules Brabazon Brabazon (1821-1906) Sudan Street Scene Watercolour over pencil on grey paper 20 x 14cm; 8 x 5in Provenance: Sotheby’s, 30th January, 1991 lot 164 Exhibited: Walker’s Galleries, London, 1954, No. A450 ++A strong fox mark in sky and one or two other very light fox marks otherwise good condition
Lot 403
‡ John Piper (1903-1992) Possible stage design Watercolour with collage, painted on both sides 38 x 56cm; 15 x 22in Provenance: Ronald Duncan, writer and poet with whom Piper worked on The Rape of Lucretia and Judas From whom purchased by the present owner We are grateful to Sebastian Piper for his help in the cataloguing of this painting ++A few light fox marks, paper rippled
Lot 447
George Henry Harlow (1787-1819) Self Portrait Oil on canvas 46 x 36cm; 18 x 14in ++Old lining, fine craquelure and crystalising/opaque varnish throughout darker areas, a little bitumen coming through in some areas, a small area of paint loss lower left, a few scuffs and abrasions, some retouching to face (mainly forehead) and some to hair and background visible under u.v. light
Lot 496
Alfred Pollentine (1836-1890) San Maggiore, Venice from the water; Feluccas and gondolas on the Grand Canal, Venice A pair, both Signed and dated 88 Both oil on canvas Each 41 x 61cm; 16 x 24in (2) ++Both relined, one with a loose flake over signature and one or two areas of visible retouching in the sky, the other with some flaking in the water with a little paint loss and visible retouching, not examined under u.v. light
Lot 584
‡ Gerald Edward Moira V.P.R.O.I., R.W.S. (1867-1959) Rhubarb harvest Signed and dated 1932 Oil on board 92 x 122cm; 36 x 48in Provenance: Royal Institute of oil painters Walker Art Gallery, Liverpool Exhibited: Liverpool Autumn 59th Exhibition, 1933 ++Some rubbing to margin, a light scuff centre otherwise good condition
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