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Lot 70
POUL HENNINGSEN (1894-1967)SUSPENSION MODÈLE PH GLOBEVERRE, VERRE DÉPOLI ET CELLOPHANEÉDITÉ PAR LOUIS POULSEN, 1936HANGLAMP “PH GLOBE”GLAS, MATGLAS EN CELLOFAAN EDITIE LOUIS POULSEN, 1936H.30 CM D.35 CMBIBLIOGRAPHIE / BIBLIOGRAFIE : LIGHT YEARS AHEAD, THE STORY OF THE PH LAMP. LOUIS POULSEN, 1994. P.249
Lot 71
POUL HENNINGSEN (1894-1967)SUSPENSION MODÈLE PH GLOBEVERRE, VERRE DÉPOLI ET CELLOPHANE EDITÉ PAR LOUIS POULSEN, 1936HANGLAMP “PH GLOBE”GLAS, MATGLAS EN CELLOFAAN EDITIE LOUIS POULSEN, 1936H.30 CM D.40 CMBIBLIOGRAPHIE / BIBLIOGRAFIE : LIGHT YEARS AHEAD, THE STORY OF THE PH LAMP, LOUIS POULSEN, 1994, P.249
Lot 90
POUL HENNINGSEN (1894-1967)LAMPE À POSER MODÈLE PH 4/3VERRE SABLÉ ET ACIER NICKELÉ, SOUFFLÉ À LA BOUCHEMARQUÉE PAT.APPL, RÉALISÉE PAR LOUIS POULSEN, 1926“PH 4/3” TAFEL LAMPGEZANDSTRAALD GLAS EN VERNIKKELD STAAL, MONDGEBLAZENGESTEMPELD PAT.APPL, UITGEVOERD DOOR LOUIS POULSEN, 1926H. 53 CM D. 40 CM12 000 / 16 000 BIBLIOGRAPHIE / BIBLIOGRAFIE : LIGHT YEARS AHEAD, THE STORY OF THE PH LAMP, LOUIS POULSEN, 1994, P.147.
Lot 1593
A mid 19th century French gilt metal mantel clock, decorated foliate scrolls and dolphins, the 8 day striking movement set Roman enamelled tablet dial, 41cm high x 26cm wide, together with a pair of associated gilt metal 5-light candelabra with figural amourini and painted porcelain supports, scrolled bases, 42cm high x 19cm wide.
Lot 1595
A mid 19th century French ormolu clock garniture, the clock case surmounted by a painted porcelain urn decorated with panels of an interior scene and a pastorale chateau, the 8 day striking movement signed Japy Freres and set Roman enamelled dial painted with putti amongst a romantic landscape, raised on plinth base and fluted feet, 44cm high x 32cm wide, together with a pair of accompanying 5-light candelabra with painted porcelain baluster supports decorated with panels depicting interior scene and song birds, raised on plinth bases, fluted feet, 46cm high x 16cm wide.
Lot 225
ROLLING STONES THE: A printed 12mo menu card for a Supper Dance held by the National Association of Ladies' Circles, Area 28, Harvest Rally, at the Moor Lodge hotel, Branston, 23rd September 1964, signed to the verso by two members of The Rolling Stones individually, Brian Jones and Bill Wyman. Both have signed in blue inks, Jones adding Rolling Stones in his hand beneath his signature. Some light age wear and minor staining, G
Lot 226
ROLLING STONES THE: Vintage signed postcard photograph by all five members of The Rolling Stones individually, Mick Jagger, Brian Jones, Keith Richards, Bill Wyman and Charlie Watts, the image depicting the band together in a group pose. Signed by each in blue inks with their names alone to light areas of the image. The left half of the upper white border has been torn away, just affecting parts of Jones and Jagger's signatures. Some corner creasing and light age wear, G
Lot 227
STONES ROLLING THE: A small page removed from an autograph album bearing blue fountain pen ink signatures by all five members of The Rolling Stones individually, Mick Jagger, Brian Jones, Keith Richard, Bill Wyman and Charlie Watts. The page is neatly annotated to the left edge by a collector and three edges have light tape stains, only one very slightly affecting Richard's signature. G
Lot 228
JAGGER MICK: (1943- ) English Rock Musician, lead singer of The Rolling Stones. Signed 8 x 10 photograph of Jagger in a full length pose, playing his guitar in a scene from the live concert film Let's Spend the Night Together, documenting The Rolling Stones 1981 North American tour. Signed by Jagger in bold black ink with his name alone to a light area at the base of the image. EX
Lot 229
BEATLES THE: A set of four signatures by each of The Beatles individually, John Lennon, Paul McCartney, George Harrison and Ringo Starr, on a slim oblong 12mo page removed from an autograph album. All have signed with their names alone in blue inks. Dated in pencil at the base of the page in the hand of a collector 8th June 1963. A small magazine portrait of the band members are neatly affixed to the page alongside their signatures. Some light overall age wear and a few minor stains, only very slightly affecting the signatures, about G Provenance: Accompanied by a letter of provenance signed by a previous owner of the autographs stating that his mother obtained the signatures following a Beatles concert in Newcastle. The pencil date on the album page would support this as The Beatles performed at the Newcastle City Hall on 8th June 1963.
Lot 233
JONES DAVY: (1945-2012) English Musician, a member of The Monkees. Signed and inscribed 8 x 10 photograph of the teen idol in a full length pose in costume in a scene from the psychedelic adventure comedy film Head (1968), which starred The Monkees. Signed by Jones in bold blue fountain pen ink to a light area at the base of the image, adding Monkees in his hand alongside his signature. About EX
Lot 234
MONKEES THE: A printed folio souvenir programme for The Monkees 20th Anniversary World Tour, 1986, signed to an inside page by three members of the American pop rock group individually, Davy Jones, Micky Dolenz and Peter Tork (Michael Nesmith did not tour). Each have signed with their names alone to clear areas alongside a colour image of the three band members. Some surface creasing and light overall age wear, about VG
Lot 241
STRAVINSKY IGOR: (1882-1971) Russian Composer. Signed 8 x 10 photograph of the elderly composer in a smiling head and shoulders pose. Photograph by Boris Goldenberg of Cincinnati, Ohio. Signed ('Igor Stravinsky') in bold light green ink to a clear area of the image and dated 1966 in his hand. Some very slight, minor surface and corner creasing, otherwise VG
Lot 244
BEECHAM THOMAS: (1879-1961) English Conductor. D.S., Thomas Beecham, three pages, folio, London, 30th January 1933. The partially printed document, in French, is issued by the Covent Garden Opera Syndicate, Royal Opera, Covent Garden, London, for the year 1933, and is a contract engaging Beecham's services as 'Chef d'Orchestre et Directeur Artistique' from 1st May - 10th June 1933 for the sum of 'un mille francs (£1000) pour la saison' Boldly signed at the conclusion. Some very light age wear, otherwise VG
Lot 245
WALTER BRUNO: (1876-1962) German Conductor. D.S., Bruno Walter, three pages, folio, n.p., n.d. (1926). The partially printed document, in German, is issued by the London Opera Syndicate, Covent Garden, London, for the year 1926, and is a contract engaging Walter's services from 3rd May - 16th June 1926 for the sum of £1000. Boldly signed at the conclusion. Some light age wear, about VG
Lot 251
CALLAS MARIA: (1923-1977) American-born Greek Soprano. An unusual vintage signed 8 x 10 photograph of Callas standing in a full length pose alongside a Steinway piano being played by Malcolm Sargent. The original press photograph bears a printed caption to the verso indicating that the image was captured at St. James's Palace on 29th May 1961 when Callas and Sargent were rehearsing for a musical soiree to take place the following evening in aid of the Edwina Mountbatten Trust Fund. Signed ('Maria Callas') in bold black ink to a light area at the base of the image. Some slight corner creasing, otherwise VG
Lot 254
PAVLOVA ANNA: (1881-1931) Russian Ballet Dancer. Book signed, a hardback edition of Anna Pavlova by Valerian Svetloff, being part of The Artists of the Dance series, published by The British-Continental Press, London, 1930. Signed by Pavlova in bold black fountain pen ink with her name alone to the front free endpaper. A vintage postcard photograph of the dancer is neatly mounted beneath the signature, and another neatly mounted to the front free endpaper pastedown. The images show Pavlova in different full length costume poses. Some age wear and light staining to the boards, G
Lot 255
PAVLOVA ANNA: (1881-1931) Russian Ballet Dancer. A fine vintage signed sepia postcard photograph, the image showing Pavlova seated in a full length pose at a window, with a small cat at her side. Signed in bold fountain pen ink with her name alone across a light area at the centre of the image. About EX
Lot 264
KNIGHT LAURA: (1877-1970) English Painter, famous for her works of London's theatre, ballet and circus. An original blue pen and ink sketch by Knight, showing a circus clown standing in a full length pose, drawn and signed on a 12mo card and dated March 1952 in her hand. Together with a colour 6 x 4 postcard reproduction of Knight's painting Elsie on Hassan, signed by Knight in blue fountain pen ink to the white border, 'Thank you very much for your kind letter and good wishes, yours gratefully, Laura Knight'. Addressed in Knight's hand to the verso. Some very light, extremely minor uniform discoloration to the sketch and a central horizontal crease to the postcard, G to VG, 2
Lot 266
LOWRY L. S.: (1887-1976) English Artist. A good A.L.S., L.S. Lowry, two pages, 8vo, Pendlebury, near Manchester, 2nd July 1944, to Mr. Rydings. Lowry states that he was pleased to receive his correspondent's letter and remarks 'I am going to find some photos (I have none at hand just at the moment) & will send them to you with pleasure', continuing 'I am very glad you are in comfortable quarters now….Well, so you are in a very bonny place now aren't you. Winchester is a place I have never been to, but my father knew it well & spoke very enthusiastically about the cathedral. I am not strong on cathedrals or ruins - perhaps it is because I am such a ruin myself. Pendlebury is a terrible place. No wonder I am a bit of a ruin living in Pendlebury.' The artist further states 'You accuse me of being a Realist. I think I must be. It seems to me it is a good thing there aren't too many Realists, if they feel like me. You are getting into some nice places. Scotland, I was looking at a card you sent me from Montrose sometime ago & now the bonny South. You lucky fellow. Are you doing a lot of thinking - It's a bad thing to do too much thinking. Look at me! So I warn you against doing too much thinking.' In concluding Lowry writes 'Now look here. I shall be sending you some photos before this week is out. All my work is depressing - so they will be all alike. I don't think any of them will excite the mirth of your good landlady.' Some light age wear and two small red ink stains to the second page, only very slightly affecting a couple of words of text. About VG
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534338 item(s)/page