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Bellmans
Lot 1779

MONTURE CARTIER - AN AMETHYST AND TURQUOISE BROOCHSet with a central large cabochon amethyst with a two row border of turquoise, all in a claw setting, with a two pin brooch fitting, signed Monture Cartier and with French eagle gold marks, gross weight 32.7 grams, brooch measures approx 4.3cm.CONDITION REPORT Overall very good condition, no notable damage.Amethyst has obvious 'tiger stripe' inclusions throughout, turquoise fairly well matched, some more green than others.ProvenanceThe collection of the lateCountess Bunny Esterhazy (1938-2021) See Bellmans website forfurther details:https://www.bellmans.co.uk/story/works-from-the-estate-of-countess-bunny-esterh%C3%A1zy

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Bellmans
Lot 1775

VAN CLEEF AND ARPELS - A PAIR OF GOLD DROP EARRINGSThe earrings have a textured finish, with clips, marked V.C.A B3007R3, in 18ct yellow gold, weight 28.7 grams, drop length approx 4cm.CONDITION REPORT Overall good condition, clip on earrings not for pierced ears, minor scratches and wear to metal.ProvenanceThe collection of the lateCountess Bunny Esterhazy (1938-2021) See Bellmans website forfurther details:https://www.bellmans.co.uk/story/works-from-the-estate-of-countess-bunny-esterh%C3%A1zy

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Bellmans
Lot 1771

MONTURE CARTIER - A SPINEL AND DIAMOND RINGFeaturing a principal natural unheated red spinel (weight 1.93 carats) and four principal round and old European cut diamonds, the mount in the form of two feathers wrapped around the main stones, with further diamond detailing (total diamond weight 2.62 carats), signed Monture Cartier, ring size K, weight 11.9 grams. The spinel comes with a lab report from The Gem and Pearl Lab.CONDITION REPORT Good condition.The Gem and Pearl Lab report states - a transparent red natural spinel with no evidence of heat treatment, measuring 7.3 x 7.1 4.3 mm.ProvenanceThe collection of the lateCountess Bunny Esterhazy (1938-2021) See Bellmans website forfurther details:https://www.bellmans.co.uk/story/works-from-the-estate-of-countess-bunny-esterh%C3%A1zyALL GEMSTONE AND DIAMOND WEIGHTS, COLOUR AND CLARITY HAVE BEEN ASSESSED MOUNTED AND OF OUR OPNION ONLY WITH THE EXCEPTION OF CERTIFICATED ITEMS.  

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Bellmans
Lot 1769

A SILVER GILT CHESTER VASE TWIN HANDLED TROPHY CUP AND COVEREngraved Henbit Chester Vase 1980, with maker's mark Harman & Co (J S Harman), London 1928, height 19cm, weight 1046 gramsProvenanceThe collection of the lateCountess Bunny Esterhazy (1938-2021) See Bellmans website forfurther details:https://www.bellmans.co.uk/story/works-from-the-estate-of-countess-bunny-esterh%C3%A1zyCondition-     Tarnishing and loss of gilding throughout otherwisethe cup is in good condition with age-related wear.

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Bellmans
Lot 1710

A ROLEX BI COLOUR DATEJUST WATCHThe signed textured gilt dial with baton hour markers, centre seconds and with date aperture at 3 o'clock, milled screw-off caseback, the Rolex steel and gold bracelet with a foldover clasp, detailed 62523H.18 N11, with a Rolex casePlease note thatBellmans does not guarantee the working order or accuracy of any clocks andwatches sold.Condition Report;  We do not have the appropriate key to open up the milled caseback, so are unable to provide any details on the movement or reference numbers. Movement working, dial, hands and dial cover are in good condition, light scratches to foldover clasp, a few small marks to the case exterior.-     Case diameter excluding crown 36mm

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Forum Auctions
Lot 19

Wenceslaus Hollar (1607-1677)Dark Fur Double-Muff with black Half-MaskEtching, circa 1642, a delicate well inked impression of this scarce small print, on laid paper without watermark, sheet 58 x 89 mm (2 1/4 x 3 1/2 in), trimmed to or just within the platemark, minor surface dirt and light spotting (unframed)Provenance:Christopher Mendez, LondonLiterature:Pennington 1949; New Hollstein 384Richard Godfrey, Wenceslaus Hollar: A Bohemian Artist in England, New Haven & London, 1994, no. 92E (another impression illustrated)

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Forum Auctions
Lot 36

Rembrandt van Rijn (1606-1669)Self-Portrait in a Flat Cap and Embroidered DressEtching, circa 1642, a good but later impression of New Hollstein's final state (of three), on fine laid paper without watermark, sheet 86 x 62 mm (3 3/8 x 2 1/2 in), trimmed within the platemark to upper and lower edges, light toning and surface dirt, mainly to corners (unframed)Literature:Bartsch 26; New Hollstein 210 iii/iii

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Forum Auctions
Lot 35

Rembrandt van Rijn (1606-1669)The Raising of Lazarus: the small plateEtching with touches of drypoint, 1642, a very good clear impression of New Hollstein's first state (of two) before any rework, on laid paper with watermark of Foolscap with seven-pointed collar [cf. Hinterding K.a.2], platemark 150 x 114 mm (5 7/8 x 4 1/2 in), sheet 160 x 121 mm (6 1/4 x 4 3/4 in), minor spotting surface dirt, light toning to sheet (unframed)Literature:Bartsch 72; Hind New Hollstein 206 i/ii

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McTear's
Lot 1536

JOCK DRUMMOND OF RANGERS F.C., HIS GLASGOW CHARITY CUP WINNERS GOLD MEDAL, 1899/1900 the obverse with central enamel depiction of the City Chambers within inscription GLASGOW CHARITY CUP 1900, the obverse inscribed WON BY Rangers F.C. J. DRUMMOND, in nine carat goldNote: Scotland international and Rangers hall of famer, Jock Drummond spent twelve years with the light blues. During his time at the club, he won four consecutive league titles (including the monumental 1898/99 invincible season) and five Scottish Cups.This important early medal was awarded for his part in the 5-1 drubbing of Old Firm rivals Celtic in the final of the Glasgow Charity Cup. 38mm high Qty: approx. 10g

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McTear's
Lot 1541

'RANGERS COME ON, LIGHT BLUES!' POSTCARD, CIRCA 1908 from Valentine's The Scottish Teams Series

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Wilson55 Auctioneers & Valuers
Lot 53

William Robert Symonds (British 1851-1934) Male portrait Signed and dated 1872-4, oil on canvas.75 x 62.5cm (framed 99 x 86cm)The painting is in good, restored condition. The painting has been historically re-lined. Under UV light there is evidence of cleaning. The varnish has yellowed in across the painting and there is some bitumen deformation in some areas.  There are some holes and flecks of paint loss in the upper right-hand corner of the painting. There is craquelure and cracking across the surface of the painting. The painting is ornately framed but not glazed. The frame has some knocks and losses.

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Wilson55 Auctioneers & Valuers
Lot 45

David Willis (British 19th/20th century) Interior scene with dogs and sleeping baby Signed, oil on canvas.23.5 x 31.5cm (framed 32.5 x 40cm)The painting is in good, restored condition. Under UV light there is evidence of cleaning and overpainting. There is some minor craquelure in areas across the surface of the painting. The canvas appears slack and there are stretcher marks visible running parallel to the edges of the canvas. The painting is ornately framed but not glazed. The frame has some minor knocks and losses.

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Wilson55 Auctioneers & Valuers
Lot 3

Dutch School (19th century) Still life of flowers in a terracotta vase on a marble ledge Unsigned, oil on canvas.75 x 60cm (framed 88 x 72.5cm)The painting is in good, restored condition. The painting has been re-lined. Under UV light there is evidence of cleaning and overpainting. There is extensive craquelure and cracking across the surface of the painting. The painting is ornately framed but not glazed. The frame has some minor knocks and losses.

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Wilson55 Auctioneers & Valuers
Lot 13

Dutch School (19th century) Still life of flowers in a terracotta vase on a marble ledge Unsigned, oil on canvas.75 x 62cm (framed 96.5 x 83.5cm)The painting is in good, restored condition. The painting has been re-lined. Under UV light there is evidence of cleaning and overpainting. There is extensive craquelure and cracking across the surface of the painting. The painting is ornately framed but not glazed. The frame has some minor scuffs and knocks commensurate with age.

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Wilson55 Auctioneers & Valuers
Lot 8

William Shayer (British 1787-1879) Beach scene with numerous figures Signed and dated 1846, oil on canvas.62 x 74.5cm (framed 86 x 98.5cm)The painting is in good, restored condition. The painting has been re-lined. Under UV light there is evidence of cleaning and overpainting. There is extensive craquelure and cracking across the surface of the painting. The painting is ornately framed but not glazed. The frame has some minor knocks and losses.

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Wilson55 Auctioneers & Valuers
Lot 129

An Edward VII silver basket, An Edward VII silver basket, Roberts & Dore Ltd., Sheffield, 1908, gross weight 15.53ozt.Overall condition good to fairSits flatLight scratches and discolouration in keeping with age and use Marks clear and legibleDimensions 35 x 26.3 x 7cm

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Wilson55 Auctioneers & Valuers
Lot 24

John Ritchie (British 1828-1905) "Past Mending" Initialled, titled on old label verso, oil on canvas.43.5 x 59.5cm (framed 59.5 x 75cm)The painting is in good, restored condition. The painting has been re-lined. Under UV light there is evidence of cleaning and overpainting and there are one or two minor surface scuffs. The varnish has yellowed in areas across the painting. There is craquelure across the surface of the painting and the stretcher marks are visible running parallel to the edges of the canvas. The painting is ornately reframed but not glazed. The frame has some minor scuffs and knocks commensurate with age.

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Wilson55 Auctioneers & Valuers
Lot 79

The Vision of Purgatory and Paradise Alighieri (Dante), Illustrations by Gustave Dore Alighieri (Dante) The Vision of Purgatory and Paradise, Translated by Henry Francis Cary, Illustrations by Gustave Dore, Cassell & Company, London, New editionSome wear to the leather binding, mainly to the corners with small patches of staining and other wear commensurate with age. Font hinge ripped 10cm of the marbled endpaper. Yellowing to the pages with light foxing throughout, mainly to the extremeties.

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Wilson55 Auctioneers & Valuers
Lot 42

Joseph Horlor (British 1809-1887) Beach scene with figures and a boat Signed, oil on board.28.5 x 49cm (framed 39.5 x 59.5cm)The painting is in good, restored condition. Under UV light there is evidence of cleaning and overpainting. The varnish has browned slightly and there is some minor cracking and one or two small flecks of paint loss across the painting. The painting is ornately framed but not glazed. The frame has some minor scuffs and knocks commensurate with age.

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Wilson55 Auctioneers & Valuers
Lot 48

John Fraser (British 1858-1927) "Overspill from Lower Hope" Signed and dated 1913, titled on verso, oil on canvas board.18 x 25.5cm (framed 40.5 x 48cm)The painting is in good, restored condition. Under UV light there is evidence of cleaning and overpainting. There is a small scratch near the middle right-hand edge of the painting. The painting is ornately framed but not glazed. The frame has some minor scuffs and knocks commensurate with age.

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Wilson55 Auctioneers & Valuers
Lot 2

English School (18th/19th century) Portrait of a lady wearing a green dress Unsigned, oil on canvas.74.5 x 62cm (framed 94 x 81cm)The painting is in good, restored condition. The painting has been re-lined. Under UV light there is evidence of cleaning and overpainting. There is extensive craquelure and cracking across the surface of the painting. The painting is ornately framed but not glazed. The frame has some minor knocks and losses.

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Wilson55 Auctioneers & Valuers
Lot 17

Frederick William Jackson (British 1859-1918) Street scene with figures, Tangiers Signed, oil on board.25 x 35.5cm (framed 40.5 x 50.5cm)Formerly owned by Fred Jackson's great great nephew.The painting is in good, restored condition. Under UV light there is evidence of cleaning and overpainting. The varnish has yellowed in areas and the surface appears a little grubby. The painting is ornately reframed but not glazed. The frame has some minor scuffs and knocks commensurate with age.

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Wilson55 Auctioneers & Valuers
Lot 97

A George VI silver cigar case, A George VI silver cigar case, A Wilcox, Birmingham, 1935, signed Asprey London, gross weight 12.07ozt. Overall condition good to fairSits flat, lid shuts toMarks and inscriptions partially worn but clearHinge in good working orderLight scratches in keeping with age and useOne pronounced dent to one upprer corner - see images

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Wilson55 Auctioneers & Valuers
Lot 35

Louis Van Staaten (Dutch 1836-1909) "Amsterdam" Signed, titled on the mount, watercolour.40 x 30cm (framed 59 x 47.5cm)The painting is in very good, original condition with strong colours. The paper has yellowed slightly in areas across the sheet and there are one or two spots of foxing. The painting is ornately framed and glazed. There are some spots of foxing and very light time staining across the mount. The frame has some minor scuffs and knocks commensurate with age.

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Wilson55 Auctioneers & Valuers
Lot 36

Continental School (19th century) Interior scene with seated figure Unsigned, oil on board.58.5 x 48.5cm (framed 81 x 71cm)The painting is in good, restored condition. Under UV light there is evidence of cleaning and overpainting. The varnish has yellowed universally and the surface appears to be dirty. There are some areas of paint loss and minor craquelure across the surface of the painting. There are some vertical hairline cracks in the board. The painting is ornately framed but not glazed. The frame has some minor scuffs and knocks commensurate with age.

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Wilson55 Auctioneers & Valuers
Lot 51

Bertram Nicholls (British 1883-1974) "Ripon" Signed and dated 1953, titled on gallery label - 'The Fine Art Society Ltd., London' verso, oil on canvas.49.5 x 75cm (framed 67 x 92.5cm)The Fine Art Society, London, March 1964.Artists’ Resale Right (“droit de suite”) may apply to this lot.The painting is in good, original condition. The surfaces of both the painting and frame are stained by nicotine and would certainly benefit from a light clean. There is a small scratch to the surface of the painting in the lower right-hand corner of the canvas. The painting is ornately framed but not glazed. The original frame has some knocks and losses.

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Wilson55 Auctioneers & Valuers
Lot 128

An Edward VII silver bowl, An Edward VII silver bowl, William Comyns, London, 1906, gross weight 15.39ozt.Overall condition good to fairMarks clearSits flatLight scratches and discolouration in keeping with age and useDimensions 38.7 x 21.2 x 5.3cm

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Wilson55 Auctioneers & Valuers
Lot 118

A George III silver vinaigrette, A George III silver vinaigrette, Joseph Willmore, Birmingham, 1810, gross weight 0.27ozt.Overall condition fair to goodSome light shallow dents in keeping with age and usePossible replacement grateMarks worn but legible

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Wilson55 Auctioneers & Valuers
Lot 31

Antoine Bouvard (French 1870-1956) A pair of Venetian views Both signed with pseudonym Marc Aldine, oil on canvas (2).each 25.5 x 34cm (framed 40.5 x 49cm)Qty: 2The paintings are in good, restored condition. The paintings have been re-lined. Under UV light there is evidence of cleaning and overpainting with a repair patch visible on the reverse of one. The paintings are both ornately reframed but not glazed.

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McCartneys
Lot 272

Two vintage petrol cans - Pratts Perfection Spirit and Light Shale Oil

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McCartneys
Lot 524

A light oak blanket chest, 36" wide; an oak cabinet and a linen basket. (3)

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McCartneys
Lot 266

Two vintage petrol cans - Pratts and Light Shale Oil

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McCartneys
Lot 513

A light oak chest of drawers of recent manufacture. 39" wide.

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McCartneys
Lot 195

A 19th century ormolu three light lustre candelabrum hung with prismatic drops on marble base. 12¾" w x 15"h.

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Jones & Jacob
Lot 268

Light Car Magazine. 32 loose issues dating between 1915 and 1916. All with covers and in good clean condition, housed in two plastic boxes. (2)

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Jones & Jacob
Lot 273

Light Car Magazine. 29 loose issues for 1930 (mostly) to 1933, all with their covers, lacking a cover for October 1933. All in good clean condition, housed in two plastic boxes. (2)

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Jones & Jacob
Lot 21

Gentleman's Sunbeam Bicycle. A Golden Light Roadster having a 22-inch frame numbered D475 O2615 with a Sturmey Archer KS4W three-speed gearing, chain case, front lamp, pump, saddle bag and rear rack.

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Jones & Jacob
Lot 265

Light Car Magazine. 43 loose issues dating between January and December 1919. All in good clean condition, housed in three plastic boxes. (2)

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Jones & Jacob
Lot 267

Light Car Magazine. 27 loose issues all dating 1914. All in good clean condition, housed in two plastic boxes. (2)

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Jones & Jacob
Lot 119

The Light Car, 1913 to 1917. A very good collection of very rare magazines by Iliffe & Sons, competitors to the more common Temple Press Lightcar magazine. A well-illustrated weekly journal comprising three small quarto hardbound volumes in modern black cloth with gilt lettering to the spines, holding the issues from Volume III, January 6, 1915 to Volume VII, January 3, 1917; together with a further two hardbound volumes in period dark brown cloth with gilt lettering to the spines, holding the issues from Volume VII, January 3, 1917 to Volume VIII, December 26, 1917. All the issues are bound with their covers, the latter two volumes including title pages and indices bound in at the front of the volumes. There is some page browning through age, otherwise all the issues appear to be in generally very good, clean and sound condition. The lot also includes a collection of loose issues from 1913 and 1914, all with their covers but in variable condition, comprising: Volume I, Nos. 4 to 30; plus Nos. 32 to 36; and Vol. II, Nos. 38 to 41; plus Nos. 43, 52, 56, and 60. (Qty)

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Jones & Jacob
Lot 202

The Light Car and Cyclecar - Bound and Loose Issues. Two hardbound small quarto volumes in very worn half-leather, holding the issues of the magazine The Cyclecar from Volume I, No. 1, 28th May 1913, to Volume II, No. 26, 21st May 1913, by which time the title had changed to The Light Car and Cyclecar. Bound with the magazine covers and appearing to be complete and sound, albeit with page browning through age. Together with 29 loose issues, each in separate transparent sleeves, and all bar one with their covers. Most appear to be in decent condition, though with page browning as usual and with some covers a bit worn, loose, marked or frayed. The issues are: Vol. I, No. 2 (1912); Vol. III, Nos. 68, 71 (no cover), 72, & 75 (1914); Vol. VII, Nos. 173, & 176 (1916); Vol. XI, Nos. 272,277, & 279, and Vol. XIII, No. 315 (1918); Vol. XIV, Nos. 349, 354, 355, & 363 (1919); Vol. XV, Nos. 375, & 377, Vol. XVI, Nos. 392, 401, 405, 409, & 410, and Vol. XVII, Nos. 418, 419, & 422 (1920); , Vol. XLI, No. 1057, & Vol. XLII, No. 1093 (1933); and Vol. XLIII, No. 1102, & Vol. XLIV, No. 1139, cover torn (1934). AF.

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Jones & Jacob
Lot 271

Light Car Magazine. 49 loose issues for 1920, lacking Jan 3rd, March 6th, and 12th June. All in good clean condition, in three plastic boxes. (3)

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Jones & Jacob
Lot 270

Light Car Magazine. 43 loose issues for 1918, with covers. All in good clean condition, housed in two plastic boxes. AF (2)

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Jones & Jacob
Lot 82

Cycling World, 1988 to 1991; Bicycle, 1998 to 2000; and Cycle, 1993 to 1994. An interesting lot of four hardbound quarto volumes, appropriately lettered in gilt on the spines, comprising monthly issues, all with their covers/advertisements of Cycling World from February 1988 to December 1991, two volumes in light brown cloth; Bicycle, Issues 1 to 12, April 1998 (?) to October/November 2000, one volume/ in purple cloth; and Cycle Sport, June 1993 to May 1994, one volume in dark green cloth. All in excellent condition. (4)

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Jones & Jacob
Lot 272

Light Car Magazine. 30 loose issues for 1921 to 1929, all with their covers. All in good clean condition, housed in two plastic boxes. (2)

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Jones & Jacob
Lot 118

The Light Car, 1913 to 1918. 19 loose issues, of the very rare magazine by Iliffe & Sons, all with their covers and mostly in decent condition, but with some wear, soiling and rusty staples, comprising Vol. I, No. 11; Vol. IV, Nos. 111 to 114; Vol. V, Nos. 118, 120 to 122, 126, and 128 to 135; and Vol. IX, No. 221. (19)

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Jones & Jacob
Lot 269

Light Car Magazine. 51 loose issues for 1917, lacking 18th June, cover for 21st May missing. All in good clean condition, in two plastic boxes. (2)

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Jones & Jacob
Lot 223

FIAT- The Three Grand Prix of 1922. A rare promotional folder, issued by FIAT, comprising report extracts for the 1922 French GP and the two 1922 Italian GPs. Original staples holding the 24pp editorial and results between folded beige card cover, English text. Some soiling and edge feathering to the cover, otherwise very good. Also, a circa 1922 FIAT 519 cord-tied brochure printed on light green textured card, six tipped-in colour body-style depictions with tissue covers, Italian text. (2)

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Beeston Auctions
Lot 1418

A mid century light wood coffee table with curved edges and square shaped legs. Approx. 41cm tall x 107cm long.

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Beeston Auctions
Lot 1352

A men's classic Harrington jacket in light blue, in as new condition. With red tartan lining, buttoned slit pockets and elasticated knit cuffs and waistband. Size M.

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Beeston Auctions
Lot 1417

A pair of vintage Stag 2 drawer bedside cabinets in light natural wood and cream coloured finish. Each approx. 46.5cm tall x 53cm wide.

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Beeston Auctions
Lot 1434

A vintage light wood coffee table, marquetry design to top with stag detail. Raised on cabriole style legs. Approx. 39.5cm tall x 92cm long.

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Philip Serrell
Lot 482

A gilt wood light fitting and a wicker basket

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Philip Serrell
Lot 189

An Art Nouveau brass hanging light fitting, with three cranberry and frosted glass frilly shades

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Lay's Auctioneers
Lot 34

A rare Liverpool, Bidston creamware bellied jug On one side a three masted frigate printed in black and the other "AN EAST' VIEW OF Liverpool Light House & Signals on Bidston Hill".This heightened with enamels. Height 22cm.

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Lay's Auctioneers
Lot 306

An 18th century gentleman's whitework waistcoat of fine corded quilting The fully quilted front of floral decoration with two pocket flaps and 19 fabric buttons, the back of the waistcoast in white brushed cotton, a fine linen interior. Made to fit a larger gentleman. Length 71cmTogether with a pair of heavy cotton men's white trousers, possibly 19th century but with replaced modern buttons.Waistcoat: A 3cm hole to one shoulder, and brown spotting. This is the most serious area of damage. Some pinholes in the lining and various area of light staining, now illustrated in photographs. A couple of the fabric buttons have unravelled. No evidence of repair.

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Lay's Auctioneers
Lot 12

Peter Hone b.1941 A light fitting inspired by a Roman original.Width 43cm

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Lay's Auctioneers
Lot 103

An estate made table In light oak the Victorian tripod table with folding top 115cm diameterCastle HowardThis table is of weathered appearance. The top has wide splits and holes.

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Lay's Auctioneers
Lot 56

A square Chinese porcelain Ming-style tile Decorated with underglazed blue chrysanthmums, arabesques and tassels.52cm. Set in an original hardwood frame as a table top, with a later stand.74 x74cm, height 77cmThe tile cannot be removed from the table but good restoration can be seen. The images under UV light indicate the quality and extent of the restoration (See images)

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Lay's Auctioneers
Lot 133

Coade stone A very rare Coade stone bust of Gerard de Visme, Impressed Coade, Lambeth, the back scratched with Gerard de Visme AE 65 1793 and with remains of a paper collectors label, 29cm highSummers Place AuctionsThe small green mark on the cravat in the first photo is a play of light and not a blemish. Small chip to base. Remains of paper label to interior. Close up of historical damage to tip of nose now online. The patination is original.

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