A LOUIS XV STYLE MARBLE TOPPED GILTWOOD TABLE DE MILIEU, POSSIBLY ITALIAN, CIRCA 1880, the serpentine rectangular Brèche Violette marble top with underside signed "Leveley" in blue crayon, above a reticulated frieze of scrolling acanthus and blossoming foliage centering a crowned armorial shield of three stylized fleur de lys flanked by large and small wings, within corners of boldly sculpted "C" scrolls and floral blooms tapering down cabriole style legs trimmed in stylized rocaille ending above foliate wrapped toupie foot. Height: 31" Width: 52" Depth: 31" Condition: Good antique condition with normal surface buildup, scratches, old repairs, age cracks, gilding wear, chips and some small losses. The marble top appears to be original and has nice old mellow tones with normal buildup, light scratches, a few small old repairs, and expected surface wear throughout, verso large blue crayon cursive signature "Leveley." Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
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A RUSSIAN EMPIRE STYLE SIXTEEN-LIGHT GILT BRONZE CHANDELIER, 20TH CENTURY, with tall acanthus leaf and scrolling foliate cast panels set on a circular leaf tip detailed corona, mounted with cylindrical pins suspending reticulated heart and shell linked chains ending on a palmette tip and paterae modeled band topped by ribbon tied floral leaf wreath pendants alternating Athena masks wearing helmets with spread winged owl form finials, above long leaf collars and issuing acanthus wrapped branches ending in fluted cylindrical nozzles and circular bobèches, over a pierced deep bowl form shade of long tapering rounded panels centering conforming leafy stems with paired blooms ending on a pineapple cast tip. Height: 52" Diameter: 49 3/4" Condition: Good condition with negligible surface wear and light surface dust buildup throughout. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
DOROTHY HOOD (American/Texas 1918-2000) A PAINTING, "Tanzania - Copper Light V," oil on canvas, signed U/L, verso a partial paper label and titled on stretcher. 70" x 60" Provenance: Meredith Long & Company, Houston, Texas; Private collection, Houston, Texas. Collection of Sharon Wilson, Bryan, Texas. Condition: Some flaking lower left, and mild expected surface wear, frame rubbing, but overall in good to very good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
A MATCHED PAIR OF CHINESE FAMILLE ROSE PORCELAIN HEXAGONAL HAT STANDS, each with sides enclosing quatrefoil windows and one Republic Period (1912-1949) stand, nicely enameled with paired smiling Immortals holding their respective attributes mystically floating across water atop a lily pad or curling clouds towards land, where others proceed to celebrate the Emperor's birthday, seen holding his ruyi scepter and greeting their arrival from a terrace with other Immortals, above a walled staircase with arriving celebrant clutching a lotus gift, set beneath a celestial mountain and skies filled with ethereal stylized clouds, height: 11 1/2", diameter: 4 7/8"; together with another later hat stand having sides centering an Emperor and Empress seated on a balcony, above a walled moat dotted with blossoming lotus being harvested by attendant maidens from skiffs, opposite a sacred tree filled with paired auspicious birds and floral blooms, within diapered banded top and base rims, height: 11 1/4", diameter: 5 1/4". Condition: Good condition with normal light surface buildup, some small spots of flaked enamel, a feint star hairline, and normal gilding wear throughout. The modern hat stand has flaking enamel throughout and areas of normal surface buildup. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
A DAUM NANCY ACID ETCHED AND ENAMELED GLASS LAKESHORE VASE, SIGNED, EARLY 20TH CENTURY, with finely enameled sides depicting summertime birch trees in the foreground amidst high waterside grasses, before a large lake with distant shoreline tall trees reflecting in the still mirrored waters, verso marked with Daum Nancy and Cross of Lorraine. Height: 7" Diameter: 4 5/8" Condition: Good condition with very light surface wear on underside and some surface buildup in areas throughout. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
JEAN POUGNY (Russian/Finnish 1892-1956) "Study for a Musician," Berlin, 1921, graphite and color pencil on paper, signed L/L, "Pougny," and inscribed in pencil inmargin U/R, "Jean Pougny, Berlin." 12 5/8" x 10 1/4" Provenance: Exhibited in "AN ART HISTORIAN COLLECTS: The David E. Brauer Collection" at the Mobile Museum of Art, Mobile, Alabama February 7 - November 29, 2020. Estate of David E. Brauer, Houston, Texas. Condition: Overall good condition, light foxing throughout, paper wear commensurate with age. Non-archival foam core verso. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
DONALD ROLLER WILSON (American b. 1938) A PAINTING, "Larry's Match Was Too Wet to Light," 1981-1985, oil on pressed board, signed L/C, "Donald Roller Wilson. 1981/5. 7:11 P.M. Wednesday. February 11," verso a paper gallery label. 8" x 10" Provenance: Moody Gallery, Houston, Texas; Personal Collection of Roy H. Van Horn, Houston, Texas. Condition: Some small craquelure throughout, surface dust and debris, occasional translucent surface spots, gallery label with losses, but overall in good to very good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
R.B. KITAJ (American 1932-2007) A GROUP OF FIVE PRINTS, FROM "First Series: Some Poets," 1966-1970, comprising five works on paper from "First Series: Some Poets," a portfolio published by Kelpra Studios. "Ed Dorn," screenprint on paper, signed in image in pencil L/R, "Kitaj," numbered L/L 39/70, stamped verso, 25 5/8" x 20 1/2"; "Star Betelgeuse, Robert Duncan," screenprint and collage on paper, numbered 40/70, 33" x 17 7/8"; "Portrait of W.H. Auden," screenprint and lithograph on paper, numbered 33/70, 18 1/2" x 24 1/2"; "Revolt on the Clyde (Hugh Mac Diarmid)," screenprint and photo-screenprint on blue card, signed and numbered in pencil L/L "Kitaj 52/70," 25 1/2" x 20 1/4"; "Fifties Grad Swank: Morton Feldman," signed and numbered in pencil L/L, "Kitaj 63/70," 31 1/2" x 14 3/4". Provenance: Estate of David E. Brauer, Houston, Texas. Condition: "Ed Dorn" has light marks from creasing along right edge, and is hinged to black matboard. Generally in good to very good condition; "Revolt on the Clyde (Hugh Mac Diarmid)" has slight residue along lower edge, along with some scratching to the frame; "Fifties Grad Swank: Morton Feldman" has slight crease in U/R corner, slight discoloration in L/L corner, along with a small crease in L/R corner, otherwise all in generally good to very good condition. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
A SET OF SIX SPANISH COLONIAL FILIPINO BONE INLAID AND CANED NARRA WOOD ARMCHAIRS, BULACAN PROVINCE, EARLY 19TH CENTURY, each with a contoured rectangular crest rail centering undulating berried leafy stems inlay, above splayed flat splats tapering to a back base rail with lozenge decoration, flanked by stiles with disc details and issuing down swept arms with long stylized leafy stems decoration ending in scrolled hands, raised on baluster supports above block floret capitals enclosing a trapezoidal caned seat within lozenge detailed side seat rails flanking front seat rail with floret and tapering leafy stems inlay, raised on tapering circular reeded legs ending in turned ring collars over shaped baluster feet and joined by an "H" form stretcher, together with six custom emerald green silk and bullion floret sewn cushions suspending golden silk twist cord ties. Height: 33 1/4" Width: 21" Depth: 16 5/8" Condition: Each in good professionally restored condition with sturdy frames, normal light wear, and buildup around hand rests, some expected scuff marks on the legs and feet but otherwise in good shape. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
DEREK BOSHIER (British b. 1937) A PAINTING, "Talking Weather," 1980, oil on canvas, signed titled and dated verso in paint. 24" x 19 3/4" Provenance: Exhibited in "AN ART HISTORIAN COLLECTS: The David E. Brauer Collection" at the Mobile Museum of Art, Mobile, Alabama. Estate of David E. Brauer, Houston, Texas. Condition: Light surface dust, some paint chipping L/L and L/R, light paper residue U/R, some discoloration verso, but in good to fair condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
LARRY BELL (American b. 1939) A DRAWING, "Untitled (Vapor Drawing)," 1991, aluminum and silicon monoxide on stretched canvas, signed and dated verso in marker. 30 1/8" x 30 1/8" Provenance: Exhibited in "AN ART HISTORIAN COLLECTS: The David E. Brauer Collection" at the Mobile Museum of Art, Mobile, Alabama February 7 - November 29, 2020. Estate of David E. Brauer, Houston, Texas. Condition: Some surface residue spotting, light discoloration L/R in margin. overall good to excellent condition. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
A GEORGE III STYLE FLAME MAHOGANY TEA TABLE, BY COUNCIL CRAFTSMAN, LATE 20TH CENTURY, the rectangular book matched flame mahogany inlaid top within a pierced gallery, above a plain frieze trimmed in continuous gadrooning and raised on cabriole legs with acanthus carved hips ending in claw-and-ball feet, verso oval brass. Height: 27 3/4" Width: 31" Depth: 20" Provenance: Collection of Karen Mudd, Woodlands, Texas. Condition: Good condition, some normal fading, light marks and scratches, gallery repaired, varnish flaking a bit in areas, normal wear, and some surface buildup throughout. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
attributed to CLIVE BARKER (British b. 1940) TWO SCULPTURES, "Chopin's Hand," 1999, comprising two sculptures cast after Chopin's hand, one being metal, inscribed with artist's name and date on the underside of the wrist, along with a numbered edition of 2/2; a hollow cast plaster sculpture of Chopin's Hand, attributed to Clive Barker, both, height: 9", width: 5", depth: 2 1/2". Provenance: Exhibited in "AN ART HISTORIAN COLLECTS: The David E. Brauer Collection" at the Mobile Museum of Art, Mobile, Alabama. Estate of David E. Brauer, Houston, Texas. Condition: Metal sculpture has minor surface wear and light scuffing commensurate with age, generally in good condition. Ring finger on the hollow cast plaster sculpture is broken and re-attached with adhesive, generally in fair to good condition otherwise. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
CEDRIC HARTMAN (American b. 1929) A PAIR OF MARBLE TOPPED BRASS END TABLES, "AE," DESIGNED 1973, each with a circular rouge marble top on polished brass tubular legs joined by a tripartite flat panel brass stretcher, verso capital lettered and cursive signature "Cedric Hartman," numbered 820342 and letters "V" or "W." Height: 23 1/4" Diameter: 17" Provenance: From the Estate of William Woodford, Houston, Texas. Condition: Some normal light surface buildup, expected minor surface scratches and wear, a few oxidized spots on metal, but overall in good to very good condition, wear commensurate with age and use. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
A STUNNING REGENCY STYLE GILT BRONZE AND CRYSTAL BEADED CHANDELIER, EARLY 20TH CENTURY, with a circular leaf tip cast corona surmounted by nicely detailed flowering vasiform acanthus pendants above bow-tied ribbons suspending fruiting leafy garlands, over long graduated faceted bead strands flaring to two twist lappet panel modeled rings, centering a band of rectangular cut crystals topped by fruit cluster filled acanthus leaf wreath pendants suspending bow ribbon-tied fruiting swags, over ropes of tapering faceted crystal beads in bowl form and gathered at the center by a tiered circular bronze cap of lappet paneled and foliate detailed bands enclosing a berry and leaves cast pendant, enclosing an interior nickel chrome and aluminum twelve-light electrical fitting. Height: 41" Diameter: 27" Provenance: Private Collection, Galveston, Texas. Condition: Good condition with normal buildup in crevices throughout, light wear on some crystal beads and oxidized spots on some of the bronzes. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
CEDRIC HARTMAN (American b. 1929) A GRANITE TOPPED END TABLE, "AE," DESIGNED 1973, the circular grey granite top on brushed nickel-plated brass tripod legs joined by a tripartite flat stretcher, verso capital lettered and cursive signature "Cedric Hartman," numbered and engraved series numbers. Height: 23" Diameter: 17" Provenance: From the Estate of William Woodford, Houston, Texas. Condition: A small light stain on top, some expected scuffs, and a few small oxidized spots on metal, but overall in good to very good condition, wear commensurate with age and use. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
TWENTY LEATHER BOUND VOLUMES, "Courtiers and Favorites of Royalty," EDITION DES AQUARELLES, MERRILL AND BAKER, LONDON AND NEW YORK, CIRCA 1903, with elaborate gilt-tooled deep blue Moroccan leather spine and front/back boards with gilt lines enclosing floral stems cornered by fleur de lys, opening to interior boards with gilt tooled deep blue leather framing a red panel cornered by gilt fleur de lys opposite undecorated red leather covered fly page, illustrated frontispiece, verso limited to twenty-six lettered and registered sets, this set letter "a," numerous water colored photo etchings, gilt page tops with uncut sides. (20 vols) 9" x 6" Condition: Good to very good condition with light wear along edges, corners and boards, light normal browning of pages, illustrations have onion paper covers, paper is uncut on sides and a bit dry, very little foxing and some pages throughout have not been opened. A hard to find set in such good shape of beautifully gilt-tooled and leather bound volumes. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
A LOUIS XV STYLE ORMOLU MOUNTED AND MARBLE TOPPED TULIPWOOD WITH VARIOUS WOODS MARQUETRY COMMODE, BY J SARGUES, 20TH CENTURY, the serpentine rectangular Fleur de Pêcher marble top above bombé sides and front inlaid sans traverse with a blossoming cluster issuing swirling floral leafy stems in exotic and dyed woods, centering foliage and "C" scrolled rocaille bronze escutcheons flanked by nicely cast acanthus leaf and wilting flower stemmed handles, mounted on a shaped rectangular tulipwood inlaid panel enclosed by undulating acanthine modeled encadrements, topped by an asymmetrical stylized shell cartouche and ending as a reticulated pendant of sinuous curling rocaille detailed scrolls entwined with leafy vines set within kingwood crossbanding, flanked by conforming legs with pierced foliate cartouche gilt bronze mounted hips tapering to leafy chutes ending as curling tipped acanthus cast sabots, verso underside marque au feu, "J Sargues," and black ink stamped "MADE IN SPAIN," includes one key. Height: 34" Width: 47" Depth: 22" Condition: Good condition with some expected gilding wear and buildup on the bronzes, surface buildup throughout, a few small edge nicks and a small chip on right side lower drawer, normal light scuff marks and scratches from use scattered about, could use a good hand wax polishing. Marble is fine with some normal surface wear and buildup. Frame is sturdy, marquetry is beautifully inlaid and bronzes are nicely cast. Key works from lower drawer locking both. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
AN ITALIAN PROVINCIAL STYLE WALNUT SIDE TABLE, MID 20TH CENTURY, in the late Rococo taste and with a rectangular top above three frieze drawers centering circular bronze pulls over a serpentine apron and raised on elegant cabriole legs ending in trifid feet, verso "MADE IN ITALY," printed paper label. Height: 28" Width: 26" Depth: 16" Provenance: Personal Collection of Roy H. Van Horn, Houston, Texas. Condition: Good condition with normal light scuff marks and scratches towards feet, a few dings, edge nicks, wood shrinkage cracks, and expected surface buildup throughout. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
A SCOTTISH GEORGE III "MOON PHASES" CLOCK, BY J. CAMERON AND SONS, KILMARNOCK, EARLY 19TH CENTURY, IN LATER OAK LONGCASE, CIRCA 1870s, the bonnet composed of a classical broken pediment cornice centering a stylized fan detail and flanked by two acroteria, above a reeded frieze and flat architrave over a hinged door with glazed arch rectangular window, opening to a conforming Arabic numerals moon phases dial centering painted moon faces on a lapis blue sky filled with golden stars, above a silvered ring dial with black Roman hour chapters and Arabic five minute numerals, enclosing a minutes ring dial and days of the month ring dial with blued steel pointers, amidst engraved scrolling acanthus centering blued steel halberd and pike hands flanked by twin key escapements, engraved signature "J. Cameron & Sons Kilmarnock," above along hinged door with a molding framed twist pleated panel over a molded flat panel, opening to a long pendulum with brass disc bob and two cast iron weights, above exterior reeded trim on a molded box form paneled base raised on a molding detailed arched plinth ending as block form feet, includes one winding lever. Height: 7' 4 1/4" Width: 21" Depth: 15 3/4" Provenance: Personal Collection of Nora Grossman, Houston, Texas. Condition: Good condition with a few light marks and small scratches around base, dings, tiny edge nicks and surface buildup in crevices throughout. The clock dials have some expected tarnished spots and there is light dust in spandrel crevices. The mechanism was restored in 1975 and is clean. Simpson Galleries does not guarantee any timepiece or clock mechanism. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
A PERSIAN TURQUOISE, DIAMOND, AND LAPIS LAZULI 18K YELLOW GOLD LADY'S RING, with a central oval cabochon turquoise within a halo of twenty-eight circular diamonds weighing approximately 1.4 carats, above rows of circular cabochon lapis lazuli, set in yellow gold and stamped "18K," hand incised "VINO C-96," approximate ring size 7. Note: A copy of the registered bidder's government-issued ID is required and must be on file with the auction gallery before any jewelry, watches, and/or gold is released for shipping. Condition: Good condition with some scattered light surface wear on lapis cabochons and gold as well as surface buildup in crevices throughout. All weights and dimensions are to be considered approximate. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
JOE TILSON (British b. 1928) A PRINT, "Transparency, Empire State Building," 1967, silkscreen on acetate film with 'metalized' sheet on paper, signed, dated and numbered in pencil U/L, "Joe Tilson 1967 30/35." 28" x 18 3/4" Provenance: Exhibited in "AN ART HISTORIAN COLLECTS: The David E. Brauer Collection" at the Mobile Museum of Art, Mobile, Alabama February 7 - November 29, 2020; Estate of David E. Brauer, Houston, Texas. Condition: Light apparent discoloration in paper, commensurate with age, overall good condition. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
HENRI ÉMILE BENOÎT MATISSE (French 1869-1954) A PRINT "Portrait de Rouveyre, No.11," 1947, lithograph on paper, ed. 10/35 (from total edition of 370). 10" x 6 1/2" Provenance: Exhibited in "AN ART HISTORIAN COLLECTS: The David E. Brauer Collection" at the Mobile Museum of Art, Mobile, Alabama February 7 - November 29, 2020. Estate of David E. Brauer, Houston, Texas. Condition: Certificate of authenticity attached. Minor spots L/C and L/R, light apparent foxing, frame chipped, generally in good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
A REGENCY FLAME MAHOGANY AND ROSEWOOD CROSSBANDED TILT-TOP BREAKFAST TABLE, EARLY 19TH CENTURY, the square form flame mahogany top within blond wood string inlay centering rosewood crossbanding, above reeded sides and raised on a turned columnar standard with reeded rectangular splayed legs ending in conforming brass caps on casters. Height: 28" Width: 54" Depth: 42" Condition: Good restored condition with expected light marks and some scratches, age cracks, dings, fading and normal wear associated with furniture of this age, use, and materials. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
A MODERNIST DIAMOND AND 18K YELLOW GOLD BROOCH, cast as a pierced stylized waves form body mounted with two rows of eight graduated circular diamonds, verso hinged pin and illegible partial stamp, diamonds approximate total weight: 1.19 carats. Height: 2 1/4" Width: 2 3/8" Depth: 7/8" Note: A copy of the registered bidder's government-issued ID is required and must be on file with the auction gallery before any jewelry, watches, and/or gold is released for shipping. Condition: Good condition with some light surface buildup in crevices and verso in addition to the hinged pin there is a gold wire loop for suspension as a pendant. All weights and dimensions are to be considered approximate. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
A MODERNIST MARBLE AND IRON GARDEN TERRACE TABLE, LATE 20TH CENTURY, an inset fleur de pêche style variegated pale pink and grey marble within a wideband edge, raised on a lobed column ending on in a circular socle. Height: 36" Diameter: 38 1/2" Condition: Light surface rust, some crazing of metal surface, soil and encrustation from outdoor use, expected surface wear, dull marble polish, and overall in good to very good condition, wear commensurate with age and use. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
PRESCOTT, WILLIAM HICKLING (American 1796-1859), SIXTEEN VOLUMES, 1838-1859, comprising, "HISTORY OF THE REIGN OF FERDINAND AND ISABELLA, THE CATHOLIC," 3 vols, second edition, Boston American Stationers' Co, 1838; "HISTORY OF THE CONQUEST OF MEXICO," 3 vols, New York, Harper and Brothers, 1843; "BIOGRAPHICAL AND CRITICAL MISCELLANIES," 1 vol, New York, Harper and Brothers, 1845; "HISTORY OF THE CONQUEST OF PERU," 2 vols, New York, Harper and Brothers, 1847; "HISTORY OF PHILIP THE SECOND, KING OF SPAIN," 3 vols, Boston, Phillips, Samson and Co, 1855 and 1859; "THE HISTORY OF THE REIGN OF THE EMPEROR CHARLES THE FIFTH," by William Robertson, with "AN ACCOUNT OF THE EMPEROR'S LIFE AFTER HIS ABDICATION," by William H. Prescott, 3 vols, Boston, Phillips, Samson and Co, 1857; "LIFE OF WILLIAM HICKLING PRESCOTT," by George Ticknor, 1 vol, Boston, Ticknor and Fields, 1864; each volume bound by Zaehnsdorf for A.C. McClurc & Co, with handsome gilt-tooled leather uniform spines with Moroccan red and brown labels, gilt-tooled polished leather front/back boards, opening to front/back marbleized paper lining and facing page, gilt edged page top. (16 vols) Condition: Each volume in overall good condition with dry spines, wear along spine and board edges, each lacking the Moroccan brown label and a few with small parts of red label missing, some light gilding wear but still fairly bright, some pages have light surface soiling and foxing but for the most part the pages in these volumes are relatively clean but for yellowing from age. Most pages have not been opened. The exception is vol 1 Conquest of Mexico, loose front piece, pages with frayed dry edges. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
A LAURA RAMSEY PAVÉ DIAMOND AND 14K YELLOW GOLD RING, MARKED, of stylized buckle form with the top and sides set with sixty-eight circular brilliant diamonds with total approximate weight 2.04 carats, the yellow gold band stamped "LR 14K," approximate size 6. Note: A copy of the registered bidder's government-issued ID is required and must be on file with the auction gallery before any jewelry, watches, and/or gold is released for shipping. Condition: Good condition with some buildup in crevices, gold exhibiting expected light surface wear otherwise good shape. All weights and dimensions are to be considered approximate. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
A ROYAL BONN GILT METAL MOUNTED HANDPAINTED POTTERY VASE, SIGNED, GERMAN, 19TH CENTURY, of compressed ovoid form and a gilt rim above beautifully painted sides, depicting a peasant maiden beauty leaning on a stone wall with flowers spilling from a basket at her feet, amidst tall forest trees and gazing wistfully towards the golden sunlight reflecting off waters from a shoreline inlet, reversing to a winding trail meandering through a rolling hillside landscape interspersed with clusters of trees, signed "Zoyd," over a flaring circular beaded base with egg-and-baton gilt banding on a light apple green ground, on a reticulated gilt metal plinth of marguerite blooms alternating applied floral bouquets and raised on elephant mask cast feet, verso brown stenciled maker's marks "Royal," over a crowned cartouche centering a "JM" monogram and "1735," above "Bonn / GERMANY," adjoining an overglaze purple ink inscribed "Original," impressed letters "QB / 2699," drilled for electricity. Height: 23 1/4" Width: 12 1/8" Depth: 9" Provenance: Collection of Karen Mudd, Woodlands, Texas. Condition: Good condition for antique vases of this age, use, materials and origin including but not limited to light gilding wear, surface buildup, winding trail side has dark surface spots, metal plinth has some old repairs with a few oxidized spots, and vase has been drilled for electricity. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
AN AMERICAN CLASSICAL PERIOD MAHOGANY TILT-TOP BREAKFAST TABLE, 1820s, the circular top with gadrooned trim hinged on a four post cage form box on a foliate carved and turned baluster form standard, raised on acanthus detailed monopodia ending in paw feet. Height: 28 1/4" Diameter: 33 1/4" Condition: Good restored condition with minor marks, dings, light scratches, and normal wear associated with furniture of this age, use, and materials. It has been suggested that the top is of a later date. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
A KANGXI BLUE AND WHITE PORCELAIN EWER, SHIPWRECK ARTIFACT, LEAF MARK, 1661-1722 of shaped bottle form and a rounded rim with an everted spout opposite a scrolling handle on a cylindrical neck, centering a raised knob over exotic long leaf tips and a shoulder of undulating blossoming lotus stems amidst curling lingzi, above a large continuous scene of a nobleman strolling in his walled garden with attendant youths carrying fans and a parasol before another holding aloft a billowing flag, over a lappet panels detailed base on a conforming short foot, verso underglaze blue Artemis leaf mark. Height: 9 3/4" Diameter: 5 1/2" Condition: Good condition for shipwreck porcelain artifacts of this age including but not limited to light marine encrustations, areas of dulled glaze, surface buildup, small surface abrasions and kiln flaws. Circular foot is slightly uneven. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
A CHINESE DOUBLE GOURD BLUE AND WHITE PORCELAIN VASE, SHIPWRECK ARTIFACT, LEAF MARK, KANGXI PERIOD, EARLY 18TH CENTURY, of double gourd form and a flaring circular rim on a cylindrical neck with exotic long leaf banding, over a rounded knob with sides centering fan shaped reserves enclosing an ancient pine in a fenced garden opposite a weeping willow in similar garden, above a larger bulbous base with fan form reserves each painted as a traditional maiden in varying pursuits set within a fenced garden, raised on a conforming flaring foot with leaf tip detailed banding enclosing an underside with underglaze blue Artemis leaf mark. Height: 10" Diameter: 5 1/2" Condition: Good condition for shipwreck artifacts including but not limited to surface encrustation, hairline crack, areas of glaze degradation, dirt buildup and a few light surface abrasions. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
A SET OF SIX BAROQUE STYLE PLAID UPHOLSTERED AND CARVED WALNUT DINING CHAIRS, MODERN, each with a rectangular padded back above a trapezoidal padded seat raised on block and turned ring legs joined by a similarly carved "H" form stretcher, each upholstered in a brass nailed plaid worsted wool and comprising two armchairs, height: 40 1/4" width: 24 1/2" depth: 19 1/2"; together with four side chairs, height: 38 1/4" width: 20" depth: 17 1/2". Condition: Each in good condition with normal light scuff marks, small scratches, normal wear on the arms, and sturdy frames. Upholstery has a few scattered small surface spots on each chair but overall in good shape. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
AN AMERICAN LATE CLASSICAL PERIOD MAHOGANY PEDESTAL STAND, CIRCA 1835, the rectangular top with rounded corners on a square form columnar shaft ending on a conforming cavetto and raised on a scrolling footed base. Height: 35 3/4" Width: 13 3/4" Depth: 13 3/4" Provenance: Lifelong Collection of Clocks and Antiques, Navasota, Texas. Condition: Good antique condition with normal surface buildup, light scratches, marks, age cracks, small areas of veneer warping and loss, some liquid spots as well as uneven patina and general wear from use. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
A GERMAN BAROQUE STYLE ORMOLU MOUNTED AND GREEN FAUX BOIS PAINTED CHEST OF DRAWERS, LATE 20TH CENTURY, the rounded rectangular and molded trim top centering a golden stenciled ring within four conforming stenciled panels, above three similarly decorated drawers, mounted with central stylized rocaille and curling acanthus gilt cast bronze escutcheons, flanked by shaped trellis and "C" scrolled bronze pulls over a conforming base raised on angled bracket feet, includes one key. Height: 30 1/2" Width: 46 3/4" Depth: 21 5/8" Condition: Good condition with normal light wear and "antiqued" paint finish throughout, faux worming, and some surface buildup in areas. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
A DIRECTOIRE STYLE PAINTED WOOD BUREAU PLAT, LATE 20TH CENTURY, the rectangular brown stained top centering a large inlaid lozenge within a crossbanded border and worn gilt trim, above a two paneled drawers frieze flanked by recessed lozenge block capitals, on tapering rectangular fluted legs ending on conforming metal cap feet, painted throughout in a dusty pale blue with ochre highlights. Height: 30 3/8" Width: 53 3/4" Depth: 23 3/4" Condition: Good "antiqued" condition with expected light marks, scratches, chips, edge nicks, contrived dings, and surface buildup. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
AN ART NOUVEAU PARROT AND TULIP STENCILED "SWEETHEART" SATINWOOD SIDE TABLE, CIRCA 1900, the heart-shaped top centering paired parrots beneath an eternal knot and set amidst large blossoming leafy tulip stems enclosed by quarter round molding, raised on slender square form cabriole legs with stylized leafy branch detailed hips within side string line stenciling. Height: 22 1/2" Width: 16" Depth: 16 1/2" Provenance: Collection of Karen Mudd, Woodlands, Texas. Condition: Good condition for antique tables of this age, use and materials including but not limited to normal light marks, scratches, dings, small chips, and expected surface buildup throughout. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
A LOUIS XV STYLE MARBLE TOPPED AND PAINTED WOOD CONSOLE TABLE, 20TH CENTURY, the serpentine rectangular variegated green marble top above a conforming pierced frieze of "C" scrolled rocaille and blossoming leafy foliage, flanked by stylized cabriole legs with tapered curling acanthus carved hips and ending in scrolling feet joined by a shaped "X" form stretcher. Height: 38 1/2" Width: 73" Depth: 23" Provenance: Collection of Karen Mudd, Woodlands, Texas. Condition: Good condition with an "aged" pickled white paint interspersed with touches of gilding throughout, light surface buildup, and wear but otherwise sturdy and in good shape. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
A GROUP OF TWO ENGLISH PLASTER LIFE MASK REPLICAS OF WILLIAM BLAKE AND JOHN KEATS, CIRCA 1999, the William Blake life mask/bust replica on an integral circular socle with light fawn tinting throughout, verso incised inscription, "A 66 / PUBD AUG.1.1823 IDEVILLE / 67 Arnand London," height: 11"; together with a John Keats white plaster life mask replica, verso hollowed interior beneath an integral suspension wire, height: 9 1/4", width: 6 1/2". Note: Each of these plaster masks is cast from the original life mask located in the collections of the National Portrait Gallery in London. William Blake's (English 1757-1827) life mask replica was taken from the 1823 original made when he was 66 years old by James Deville. This comes with a 1999 letter from the National Portrait Gallery to the owner concerning the ordering of Blake's mask/bust.John Keats (English/Poet 1795-1821) this life mask replica was taken from the original made on December 14, 1816 by Benjamin Robert Haydon (English 1786-1846) so that he could add Keats as one of the observers in his immense historical painting, "Christ's Entry into Jerusalem." Provenance: Estate of David E. Brauer, Houston, Texas. Condition: Each in good condition with some surface dust buildup and a few tiny nicks throughout while Keat's mask has a surface lump of soft red wax in throat area. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
A GROUP OF TWO BEETHOVEN PLASTER LIFE MASK REPLICAS, 20TH CENTURY, each realistically modeled and one waxed with light fawn colored tinting, verso flat back centering an integral steel suspension loop above incised inscription, "COPY FROM / LIFE MASK / OF BEETHOVEN / BY FRANZ KLEIN / 1812," height: 9 3/4", width: 7"; together with another modern similarly cast Beethoven life mask in natural white plaster with red paint drippings and small gray spots splattered throughout, verso hollowed interior beneath an integral suspension loop, height: 8 1/2", width: 7". Provenance: Estate of David E. Brauer, Houston, Texas. Condition: Each in good condition with normal surface buildup, dust, some tiny surface nicks scattered about but overall in good shape. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
A collection of eleven LP records to include Jancis Harvey signed , From the Darkness Came Light - Helen Reddy, I am Woman and Grand Funk Live Album - Motown Chartbusters Vol - Bob Dylan The Times They Are a Changing - Stevie Wonder Innervisions - Olivia Newton-John Music Makes My Day - Elton Johns Greatest Hits Volume II - Jane Fondas Workout - The Detroit Emeralds - Stevie Wonder Hotter Than July
A small collection of camera equipment, comprising a SEM FX camera, number 425092, with two lenses marked 'SOM Berthiot N97238 1:2.8 f=75mm' and 'FLOR 1:3.5 f=75 SOM Berthiot P48131', in original branded brown leather case, an Ohnar Reverser SR No 65507, in original box with papers and accessories, a Baby-Box camera, an EEL colour temperature meter in original branded brown leather case, and other light meters and equipment, all in a vintage Dixons carry case. (10)
GRIESHABER, HAP (Helmut Andreas Paul, 1909-1981), "Im Garten", Farbholzschnitt (roséfarben/blau)/Papier, u.re. mit Bleistift von Hand signiert, u.li. mit Bleistift num. 51/190, HxB: Platte ca. 25x25 cm, Passepartoutausschnitt ca. 32x30 cm, Außenmaße Rahmen ca. 59x56 cm. Gebräunt, Lichtrand. Im Passepartout hinter Glas gerahmt. | GRIESHABER, HAP (Helmut Andreas Paul, 1909-1981), "In the garden", color woodcut (pink / blue) / paper, below right signed by hand in pencil, lower left with pencil num. 51/190, HxW: plate approx. 25x25 cm, passepartout cutout approx. 32x30 cm, external dimensions frame approx. 59x56 cm. Tanned, light edge. Framed behind glass in a passepartout.
GRIESHABER, HAP (Helmut Andreas Paul, 1909-1981), "Vier Engel", Farbholzschnitt (rosa/grün/grau)/Papier, u.re. mit Bleistift von Hand signiert, HxB: Platte ca. 35x33 cm, Passepartoutausschnitt ca. 37x36 cm, Außenmaße Rahmen ca. 59x56 cm. Gebräunt, Lichtrand. Im Passepartout hinter Glas gerahmt. | GRIESHABER, HAP (Helmut Andreas Paul, 1909-1981), "Four angels", color woodcut (pink / green / gray) / paper, below right signed by hand in pencil, HxW: plate approx. 35x33 cm, passepartout cutout approx. 37x36 cm, external dimensions frame approx. 59x56 cm. Tanned, light edge. Framed behind glass in a passepartout.
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