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Lot 40
Fritz Hansen for Arne Jacobsen - Swan Chair - A retro mid 20th century designer office lounge chair / swivel armchair of iconic form with shaped back and armrests. Upholstered in a light rouge colourway with all being supported on a single swivel stem upon a four point star base. Measures approx. 80cm x 73cm x 51cm.
Lot 63
Studio Tetrarch for Artemide - A retro mid 20th Century 1960s Italian designer ceiling light lamp fixture pendant of cream plastic domed globe construction with Perspex circular diffuser. Adjustable zip slot to top for angling the light. Maker's marks to the top. Measures approx. 33cm x 40cm diameter.
Lot 3027
Car trailer NO LIGHT BOARD PLEASE NOTE BUYERS PREMIUM AT THE STANDARD IN HOUSE BUYERS PREMIUM OF 25% PLUS VAT FOR THIS LOT. To satisfy your knowledge of the items condition please come down to our viewing days as follows before the auction on day on 31st March: Saturday 18th March: 10am - 2pm, Monday 20th March: 9am - 5pm, Tuesday 21st March: 9am - 7pm, Wednesday 22nd March: 9am - 5pm, Thursday 23rd March: 9am - 5pm, Friday 24th March: 9am - 5pm, Monday 27th March: 9am - 5pm, Tuesday 28th March: 9am - 5pm, Wednesday 29th March: 9am - 5pm.
Lot 3014
Motor Bike trailer, no light board present. PLEASE NOTE BUYERS PREMIUM AT THE STANDARD IN HOUSE BUYERS PREMIUM OF 25% PLUS VAT FOR THIS LOT. To satisfy your knowledge of the items condition please come down to our viewing days as follows before the auction on day on 31st March: Saturday 18th March: 10am - 2pm, Monday 20th March: 9am - 5pm, Tuesday 21st March: 9am - 7pm, Wednesday 22nd March: 9am - 5pm, Thursday 23rd March: 9am - 5pm, Friday 24th March: 9am - 5pm, Monday 27th March: 9am - 5pm, Tuesday 28th March: 9am - 5pm, Wednesday 29th March: 9am - 5pm.
Lot 3005
2004 Ford Fiesta 1.4 Ghia 3-door hatchback.Registration number: EO54 JNK. Metallic Aquarius Blue, Petrol, 5-Speed Manual. Light grey cloth upholstery and GHis refinements such as front fog lights, electric windows and air conditioning Service book has 16 x service record entries plus a few service and repair invoice sheets, the latest of which includes a bill for nearly £650, which includes all new copper brake lines, wheel cylinder, brake hoses and wheel bearing in February 2023. ULEZ compliant Car has an MOT until 20thFebruary 2024 and is reported as being very comfortable to drive. Please note, large dent on the nearside rear quarter panel. To satisfy your knowledge of the vehicles condition please come down to our viewing days as follows before the auction on day on 31st March: Saturday 18th March: 10am - 2pm, Monday 20th March: 9am - 5pm, Tuesday 21st March: 9am - 7pm, Wednesday 22nd March: 9am - 5pm, Thursday 23rd March: 9am - 5pm, Friday 24th March: 9am - 5pm, Monday 27th March: 9am - 5pm, Tuesday 28th March: 9am - 5pm, Wednesday 29th March: 9am - 5pm. Please note that buyers premium is 10% plus VAT (total 12% inc VAT) on all cars and motorbikes, subject to a minimum of £100 plus VAT
Lot 261
A Yamaha Bruin 350 Ultramatic 2WD Quad Bike Model No. YFM350A, VIN No. 5Y4 AH10W 040 502672, fitted with a tow-bar/hitch. This quad bike, which is not road registered, was purchased new by the present owners for general duties on a local, non-commercial, compact small-holding, she has experienced very little (622 miles at the time of cataloguing) light use carrying out chain-harrowing and spraying and everything appears to operate as one would expect. A machine capable of traversing soft ground leaving very little sign of having been there, absolutely ideal to travel quickly and economically around your fields ensuring that there are no animals in trouble round that corner and out of sight. The Owner's Handbook and the servicing records are sold with the machine. There is a very slight weep/oil-leak from the oil cooler, believed to be due to a loose union nut and could probably be remedied simply by tightening. An un-abused, meticulously maintained machine from a vendor with a military background. NB BUYER'S PREMIUM ON THIS LOT 10% + VAT (Total Premium 12% but plus any specific online bidding fees)
Lot 99
dating: Period (1603-1867) provenance: Japan, Light kanshitsu structure, rust brown-lacquered in Ishime-nuri. Beautiful 'Maru-ni-mokkou-mon'. Brown-lacquered interior complete with laces covered with black fabric. Used by the Samurai commanders of the Ashigaru Teppo-tai troops. Late Edo period. height 15 cm.
Lot 11
dating: about 1880 provenance: Belgium, Round, rifled (visible rifling, some pitting inside) barrel, marked 'VERO REVOLVER MONTENEGRINO' on the back, and 'ADLERS PATENT / GUSS STAHL' on the left side, and with serial number '952xx', 11 mm cal. at the nozzle. Six-shot cylinder. Working mechanisms with single and double action. Leaf engravings on undulated background and with small grip-straps. Marked 'S.MARKE', mark of the Liège bench and other stamps. Light-coloured, horn grips, one side with crack and a small missing part. Light pitting. Ring for the strap. length 36 cm.
Lot 100
dating: Period (1603-1867) provenance: Japan, Light Kanshitsu form decorated with black-lacquered bands alternating with rough, rust brown-lacquered bands, with Hachimanza and Agemaki-no-kan. On the front 'Maru-ni-tachi-omodaka mon'. The red-lacquered interior complete with futon and laces (detached). height 13.5 cm.
Lot 83
dating: Period (1603-1867) provenance: Japan, Light, lacquered paper structure with laces similar to chin-straps. In its rectangular, black lacquered box with lid and a ring on the sides placed on a gilded metal base shaped as a chrysanthemum. On the bottom of the box marking and stamp in Japanese 'Mi-eboshi-shi, Sugimoto Mimasaka-no-kami' (Master of Manufacture for Eboshi of Mimasaka). height 17.5 cm.
Lot 297
dating: 19th Century provenance: Europe, Folding, single-edged blade, strongly-angled and hollow at the back; remains of marking 'HAUDEVILLE EN A...' on one side. Iron grip and backstrap. Brass mounts. Light-coloured, horn grips painted in red at the bottom and decorated with brass small nails and rosettes. Iron suspension ring provided with rare release button. Complete chape provided with small loop. French manufacture for the Spanish market? length 58 cm.
Lot 53
dating: about 1870 provenance: Belgium, Smoothbore, round, twisted, 14 gauge barrels (interior with light pitting and a few signs of use), with remains of browning, marks 'JL,' 'H.BERNARD CANNONIER,' and with marks of the Liege test bench. Backward spring locks engraved with racemes as also the receiver and the back tang. Wooden butt and fore-end with remains of checkering. Iron butt plate engraved en suite with the other components. length 115,7 cm.
Lot 103
dating: Period (1603-1867) provenance: Japan, Light, Kanshitsu structure, with a matt brown surface, decorated with the three golden leather arrows that start from a small circle at the top and divide the skull into three equal parts, among them three 'Maru-ni-umebachi mon' worked en suite. The interior is lacquered in red and provided with futon and laces. The unusually good quality form, decoration and surface indicates that it was carried by a leader of the Ashigaru Teppo-tai troops. Late Edo period. height 17 cm.
Lot 137
dating: Period (1603-1867) provenance: Japan, The wooden trays are square with round corners and four small feet. Lacquered black with tsuba and cherry blossom in Makie motif. Together with 18 round, convex, light-red lacquered wooden cups with Kiri-paulownia motif in gold. Signs of time and use. Both trays and cups are in their original wooden boxes. The motifs of trays and cups are different but come from the same family. dimensions 36.3 x 36.3 cm.
Lot 364
dating: Third quarter of the 19th Century provenance: USA, Round, rifled (visible rifling, light pitting), 44 centerfire cal barrel marked with address and patent, provided with rear sight and front sight. Brass frame, serial number '101xxx', mark 'BP' and another one (barely legible) behind the lever. Wooden butt (some pitting) with brass mounts. Trigger guard with unstable lever. Provided with a very rare, three-piece, iron ramrod in the butt. Saddle ring. Working mechanism. Rare. length 99.5 cm.
Lot 93
dating: Period (1603-1867) provenance: Japan, Rust brown-lacquered Chouchin/Tatami Kabuto with four-plate Shikoro with original Sugake-odoshi lacing Kon-ito. Hanbo lacquered en suite with four-plate Yodare-kake. Light Karuta/Tatami Do with small plates (karuta) with iron ringmail lined with fabric. Complete with Kusari-batabira (jacket with iron ringmail) and en suite Sode, Kote, Haidate and Sune-ate. All original parts, signs of time and use, lacquer with defects and missing parts. Complete with his black-lacquered Yoroi/Gusoku-bitsu. Mannequin not included. height as shown 126 cm.
Lot 295
dating: 19th Century provenance: Spain, Folding, single-edged blade with angled and partially hollow back, with remains of marking 'VALERO JUN ...ARAGOZA'. Iron grip and back. Some pitting. Brass mounts. Light-coloured, horn grips (one with cracks) painted with red at the bottom and held by small, brass studs. Iron suspension ring. length 40,2 cm.
Lot 287
dating: last quarter of the 16th Century provenance: Europe, Straight, double-edged blade, with light central cannelure delimiting two parallel fullers running on the entire length. Remains of cleaning, re-sharpening and small exfoliation marks. Two deep stamps with pitting on one side. Iron quillon with quillons curved towards the blade and ending in small lobes, decorated with notches along the back and with outlines before the lobes. Rised side ring. Faceted, iron vat-pommel with molded base and back button. Grip of a later period, covered with metal wire binding and with moor's heads at the edges. length 73 cm.
Lot 276
dating: 1620 - 1640 provenance: Italy, Straight, double-edged blade of lozenge section, the first part with light fuller in the middle featuring the Wolf of Passau. Rectangular, solid, iron blade, with small valve carved with scales at the front part; the parry ring, the edge of the quillon and the loop-guard finely carved with buds and pierced at the base. Solid back with deep grooves. Smooth pommel with reduced, carved base. Spiral-shaped, wooden grip with wire binding and iron Moor's heads. length 109 cm.
Lot 49
dating: Second quarter of the 19th Century provenance: Florence, Smoothbore, round, damask barrels, 18 mm cal. at the nozzle, provided with longitudinal fluted decorations in the first segment, with central rib with brass foresight. Tang engraved with racemes. Forward spring locks engraved with racemes like the cocks and featuring the signature 'MENGHINI / FIRENZE'. Wooden half stock finely carved with a bearded man's face in the lower part of the butt-stock, the base with remains of checkering and rocaille in relief; a large raceme carving next to the cheekpiece. Some signs of use and time, light pitting to the iron parts. Iron mounts carved with racemes. Wooden ramrod complete with cartridge extractors. Cosimo Menghini, is documented in Florence from the late 18th century until 1830, see 'Repertorio Storico degli Archibugiari Italiani' by B. Barbiroli, Ed. Clueb 2012, p. 365. length 116,4 cm.
Lot 335
dating: 19th Century provenance: Italy or France, Curved, single-and half-edged blade, with light fuller, with traces of a short inscription on one side 'Noledi'(?). Remains of silver or nickel-plated finishing, some signs of time. Fine steel mounts, quality, with quillon worked with hounds' heads. Brown horn grip decorated with longitudinal fluted decorations (a few small holes on one side). Cap with rings shaped a an embossed wreath. With its original well-preserved brown leather scabbard and steel mounts worked en suite. length 60,3 cm.
Lot 198
dating: Period (1603-1867) provenance: Japan, Made of shibuichi, of trapezoidal shape with rounded corners (aori-gata), smooth, polished surface with slightly raised border, silver sekigane, trace of an old hilt. The omotè, on the right, and the centre of the upper border engraved with the trunk and branch of an old blackthorn, whose roughness is highlighted with a thin 'ke-bori' with small remains of silver iroè, two small gold spots resembling climbing insects. The blackthorn is blossoming, the flowers are engraved in relief on the surface, 'hira zogan' with silver, copper and gold iroè, the buds are made of copper and silver. The left side of the plum tree engraved in ke-bori with a young bamboo plant with twigs and leaves, the larger ones are made of hira-zogan and dark, patinated shakudo, smaller twigs and leaves of a light kata-kiri- bori, the smooth trunk of the bamboo stands out. The bottom left side featuring a plant of chrysanthemums whose flowers are made of shakudo and of silver. The lower left ura with an orchid plant delicately engraved with hira-zogan, shakudo and gold, the leaves are engraved with light kata-kiri-bori. To appreciate the perfectly preserved dark patina and the minute size of the details a magnifying glass and a good light are required. Goto Ichjijo is a member of one of the branches of the ancient Goto family, but he soon abandoned the ancient styles for his own new technique featuring smooth surfaces and naturalistic subjects, this tsuba is a classic example of his work; many of his pupils were to become the best artists of the time, and one of them is the manufacturer of our item. The four depicted plants - chrysanthemum, orchid, bamboo and blackthorn - are among the artists' favourite (Lowemberger); they are a depiction of beauty, almost an ode to nature. The period is definitely mid 19th century. Provenance: Joseph U. Collection. Deo, NY and later Compton Collection, Christie's NY sale, 22/10/1992. dimensions 5.7 x 6.4 x 0.35 cm.
Lot 338
dating: 1848 provenance: Austria, Wide, straight, single-and short false-edged blade, with light fuller on its sides. With rare and interesting inscriptions on both sides depicting mottos inspired by the Revolutions: 'Furchtlos für Wahrheit und Recht' (Fearless for Truth and Right) and 'Freiheit und Gleichheit' (Freedom and Equality). Richly elaborated characters framed within architectural structures and floral decorations. With a small signature on one side, probably of the manufacturer. Marked and dated 'Mitte... in Steyr 1848' at the back. Iron hilt. Quillon with center of crossguard provided with a small, shell-shaped valve and with quillons of octagonal section of different lengths. Brass ring nut and shell-shaped cap. Deer, horn grip. Some pitting. Black, leather-covered, wooden scabbard, with iron mounts; cap with belt hook. length 45 cm.
Lot 340
dating: Mid 19th Century provenance: Italy, Double-edged blade with light fuller at the centre, carved and pierced with leaves, pierced and engraved with a four-leaf clover within branches at the base. Brass ring nut engraved with floral motifs. Brown, leather scabbard with brass mounts. length 30.5 cm.
Lot 80
dating: Period (1603-1867) provenance: Japan, Made of green and red fabric with 'Yatsu-genji-guruma mon' in white with black borders. Covered with light blue silk with original laces. An apron worn by marksmen when they shot to protect the kimono from fire and smoke. Late Edo period. dimensions 25.5 x 50.5 cm.
Lot 90
dating: Period (1603-1867) provenance: Japan, Ichi-Mai Do, also known as Maekake-gusoku. This armour, typical of the Tanegashima marksmen consists of only a breast-plate with a light structure, black-lacquered on the front side with a large, red-lacquered 'Kuwagata-ni Maru-ni-jyuji mon', used only by the Miyakonojo Shimazu clan, a branch of the Shimazu Daimyo of Satsuma family. Complete with Kusazuri with three, five-plate ken provided with a simple Sugake-odoshi lacing in Koto-ito and Takuboku-ito on the borders. Most of the Tanegashima Do shooters were destroyed. The troops of the Miyakonojo Shimazu Clan were well known as one of the strongest troops in the new government's army during the Boshin War (1868-1869), Japan's civil war.Late Edo period. height 62 cm.
Lot 17
Pieter Neefs (Antwerp, circa 1576 - 1656/1661) "Antwerp Cathedral" Oil on panel. Cradled. 100 x 120,5 cm.Pieter Neefs was the head of the family of painters with this surname and specialized in the representation of lit, nocturnal interiors, particularly of churches. He entered the painters' Guild of Saint Luke around 1609 or 1610.As the Prado states in their file on Neefs, “the soft tones and the sophisticated transitions between spaces of light and shadow are the main characteristics of his style”. The museum goes on to point out that "the exact date of his death is not known, but it must have been between 1656, the last year for which there is data on him, and 1661 when Cornelis de Bie speaks of him in the past tense in his 'Het gulden cabinet'”Neefs probably trained with Hendrick van Steenwijck. The painter and art theorist Vredeman de Vries and his studies on perspective had a great influence on the artist. He collaborated with important painters such as Frans Francken II, his son Frans Francken III, Pieter Brueghel the Younger and Sebastian Vrancx, among others.Highlights among his preserved paintings, are the panel "Church of Flanders" or "The Mass" (inv. 1605) from 1618, currently exhibited in the Prado; “Viaticum inside a church” (inv. 1600) from 1636, signed together with Frans Francken II, also in the Prado; as well as another panel also signed by both painters, "Evening Mass in a Gothic Church" (inv. 640), in the Kunsthistorisches Museum in Vienna.Reference bibliography:- Museo del Prado (s.f.). “Neefs el Viejo, Pieter”. https://www.museodelprado.es/aprende/enciclopedia/voz/neefs-el-viejo-pieter/e80c4aed-d88c-4942-b7c1-41204d674c2f- Neefs I, P. (1618). “Church of Flanders” or “The Mass” [Oil on panel]. Museo del Prado. https://www.museodelprado.es/coleccion/obra-de-arte/iglesia-de-flandes-o-la-misa/8b309599-6fd5-4f8f-b08b-d5514fae1ab7- Francken II, F.; Neefs I, P. (1636). “Viaticum inside a church” [Oil on panel]. Museo del Prado. https://www.museodelprado.es/coleccion/obra-de-arte/el-viatico-en-el-interior-de-una-iglesia/c5b32d46-c4fe-4c29-b51a-de6cfe1d1eae- Francken II, F.; Neefs I, P. (First half of the 17th century). “Evening Mass in a Gothic Church” [Oil on panel]. Kunsthistorisches Museum in Vienna. www.khm.at/de/object/1270/
Lot 2741
Very fine and important collection of over one thousand postcards, predominantly Victorian and Edwardian from 1899-1909, compiled by Nellie Winterschladen, including large quantity of early continental Gruss Aus, chromolithograph and undivided backs, mechanical and envelope type, hold-to-the-light, anthropomorphic, real photographic and printed topographical, advertising, early Christmas and other greeting cards, glamour, actors and actresses including collection of Marie Studholme, European Royalty and aristocracy, ethnic, military, wooden and other novelty cards, comic by Lance Thackeray, Phil May etc; various sizes from double panoramic to bookmark, midget and 'Queens' etc; in single contemporary albumCondition Report:Obviously condition of the individual cards varies but must look to be reasonably good consistent with being compiled in a period album with page slits.As they are early period cards many have messages written on the front and have been postally used.This is a very fine single family collection very well stocked with good early cards and needs to be viewed closely.Album is partially disbound and only in fair condition.
Lot 686
A mixed camera lot to include an OLYMPUS AF-10 MINI camera in case with instruction leaflet, an OLYMPUS AZ-300 super zoom with Olympus lens zoom 38-105mm 1:4, 5-6 and instructions and carry case, an AGFA SILETTE 35mm camera in leather case, a ROLLEI 121BC flash, a NATIONAL Hyper BII flash gun in original case, a WESTON Master V light meter in leather case, an unused SERVICE camera neck strap,
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