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Star Wars Kenner 22 sealed figures, 'The Power Of The Force' collection with 'Freeze Frame Action Slides' to include Bespin Han Solo, Lando Calrissian, Bespin Luke Skywalker, Princess Leia Organa, Nien Nunb, Admiral Ackbar, Obi Wan Kenobi, etc, all with good packaging except one shows fold line (Lak Sivrak), some signs of light storage wear. (21)
Victorian drop dial wall clock with a circular white painted dial with brass bezel enclosing an 8 day fusée pendulum movement striking on a bell, in a light mahogany case, Dia.36.3cm, (crazing to dial)Condition:Right time chain broken and pin pushing through drum. Left chain okay. Does strike but needs attention. Cement coming loose near hinge on lens
Margaret Thatcher - A letter from Margaret Thatcher as M.P., typed and handwritten on 27th October 1971; a 'thank you' letter to The Hon. Gerald Lascelles,(a first cousin of Queen Elizabeth II) for an invitation to a dinner at the Park Lane Hotel, 16th November 1971, on behalf of the Institute of the Motor Industry, in which she writes, 'What a pity - it would have been nice to renew the habit of saving the motor industry annually'. Provenance: Angela Lascelles and hence by direct descent.Condition Report:No envelope. The letter has 3 fold lines, paper clip impression at top, corner creases. Few spots to lower right, and light discolouration to top edge. Blue ink is good and legible.
Steiff collection of bears to include: 'Classic 1906 Teddybar 32' with growler model 654794, with original labels and soft cloth bag; 'Classic Teddybar' 2004 model 038952 in brass colour, 28cm, with red and white label and cotton bag; and 'Anniversary Teddy Bear' model 671043 in light blonde, 27cm, in cotton bag. (3)
Joy Stanley Ricketts (British, b.1929), "The Old Drum Horse", signed and dated 1974, oil on canvas, 39.5 x 49.5Condition:Vertical cracks to paint from around the base of horse's tail up in to the clouds, difficult to see unless held up to light, small dirt spots around horse's nose and on body
Star Wars Kenner 32 sealed figures, including 'Collector Series' Han Solo, Obi-Wan Kenobi, Darth Vader, Luke Skywalker, 'Princess Leia Collection' x4, 'Shadows of the Empire' x4, a 'Deluxe Luke Skywalker's Desert Sport Skiff',Star Wars Kenner 6 sealed figures, including 'The Power Of The Force' collection 'Purchase of the Droids', 'Jabba the Hut's dancers', 'Landspeeder', 'Force F/X Ben (Obi-Wan) Kenobi', 'Action Collection Jawa', and 'Shadows of the Empire Swoop', and others, all with good packaging, some signs of light storage wear. (Two boxes)
Rolex Submariner Oyster Perpetual Date gentleman's wristwatch 16800, stainless steel Oyster bracelet number*******. Case number R********. Rotating bezel, screw down 'Rolex' crown and Oyster case back. numbered *****. Complete with two spare links and John Pass Jewellers service pouch. Watch winds, runs and ticks down. Some very light scratches to strap commensurate with age. bezel very clean, hands, crystal and date window good. Pin / bar from lower left lug is missing or requires attention. Generally very good.
Rotary 'Gold" 9ct gentemans wristwatch. Swiss Made quartz date movement. On a 9ct fully hallmarked gold bracelet. Rectangular white dial with Roman numerals. Bracelet length 17.5cm not including clasps. Case diameter approx 24mm. Gross weight 56.6 grams. In good overall condition, very light scratching to case commensurate with age. Quartz movement untested. Bracelet tights with clasp working well.
HERMANN SCHMIECHEN (GERMAN 1855-1923) PORTRAIT OF A GIRL HOLDING A BASKET OF FLOWERS Signed and dated '91' (lower left) 103 x 73.5cm (40½ x 28¾ in.) Please note measurements do not include the frame unless otherwise stated. Condition Report: UV light reveals small retouches scattered across the background area, and a 5 cm long retouch next to the girl's left cheek, near the hair. Please note Dreweatts are not liable for damage to frames or mounts.Condition Report Disclaimer
DUTCH SCHOOL (19TH CENTURY) LANDSCAPE WITH TRAVELLERS Oil on canvas 63 x 84.5cm (24¾ x 33¼ in.) Please note measurements do not include the frame unless otherwise stated. Condition Report: The canvas presents a thick layer of dirt and yellowing varnish. UV light reveals various retouches on the left, bottom, and right border. There are also visible cracks on the lower left corer, and losses of paint on the left and right border of about 0.5cm. Please note Dreweatts are not liable for damage to frames or mounts.Condition Report Disclaimer
λ JOHN HAWKEY (BRITISH 20TH CENTURY) DROSKYN POINT, PERRANPORTH Oil on canvas Signed (lower left) 51 x 61cm (20 x 24 in.)Please note measurements do not include the frame unless otherwise stated. Condition Report: Very light surface dirt. A small area of craquelure to the upper left quadrant with an associated protrusion approx. 5cm. Please note Dreweatts are not liable for damage to frames or mountsCondition Report Disclaimer
λ RENÉE SINTENIS (GERMAN 1888-1965) STANDING NUDE WITH STAFF Pencil Signed with initials (lower right) 31.5 x 19.5cm (12¼ x 7½ in.)Please note measurements do not include the frame unless otherwise stated. Condition Report: Unexamined out of glazed frame. Light fading throughout the sheet. Slight buckling to the sheet at the upper left corner where it has slipped from mount. Please note Dreweatts are not liable for damage to frames or mounts. Condition Report Disclaimer
ANN BEAUMONT (BRITISH 1798 - 1866) MARY QUEEN OF SCOTS IN AUDIENCE Oil on panel Signed and dated '1822' (lower right) 33 x 45cm (12 x 17½ in.) Please note measurements do not include the frame unless otherwise stated. Condition Report: The panel with some paint shrinkage throughout, particularly to the darker brown and red pigments in the floor and the kneeling man's tunic. Some light rubbing and abrasions throughout, as well as light surface scratches and dirt. Inspection under UV reveals light scattered retouching throughout, together with a green cloudy varnish.Please note Dreweatts is not liable for damage to frames. Condition Report Disclaimer
ALBERT CLARK (BRITISH 1843-1928) HORSE IN A STABLE Oil on canvas Signed and dated 1889 (lower right) 50.5 x 61cm (19¾ x 24 in.) Please note measurements do not include the frame unless otherwise stated. Condition Report: Relined. Craquelure throughout. Stretcher marks visible. Light surface dirt throughout. UV light reveals a few retouches on the the right hand side, near the window, but hardly visible. Please note Dreweatts are not liable for damage to frames or mounts. Condition Report Disclaimer
FOLLOWER OF JACQUES D'ARTHOIS TRAVELLERS IN A COUNTRY LANDSCAPE WITH CHURCH BEYOND Oil on canvas 26 x 39cm (10 x 15¼ in.) Please note measurements do not include the frame unless otherwise stated. Condition Report: Craquelure throughout. Stretcher marks visible. Some retouching visible in natural light most notable to the right edge. Inspection under UV reveals extensive retouching throughout.Please note Dreweatts are not liable for damage to frames or mounts.Condition Report Disclaimer
FRANZ ADAM (GERMAN 1815-1886) STUDY OF A TROTTING HORSE Oil on canvas laid on board Inscribed and dated Munich 17.10.1986 in a later hand (to backboard verso) 40 x 58cm (15½ x 22¾ in.) Please note measurements do not include the frame unless otherwise stated. Condition Report: Light surface dirt throughout. Some patches of fine craquelure scattered across the surface. In overall good condition. Please note Dreweatts are not liable for damage to frames or mounts. Condition Report Disclaimer
DUTCH SCHOOL (18TH CENTURY) A GENTLEMAN AND HIS LADY Oil on panel 24.5 x 17cm (9½ x 6½ in.)Please note measurements do not include the frame unless otherwise stated. Condition Report: Some light surface cracking and surface dirt. Some light rubbing and abrasions to the framing edges. Inspection under UV reveals traces of a patchy, green varnish, and what appears to be some light scattered retouching, although this is hard to read under the varnish.Please note Dreweatts is not liable for damage to frames. Condition Report Disclaimer
FOLLOWER OF ADOLPHE LALIRE DANCING MUSES Oil on canvas 56 x 76cm (22 x 29¾ in.) Unframed Condition Report: Small losses of paint are present near the borders, and a thin layer of dirt is scattered across. UV light reveals a few small retouches of about 0.5 cm of length each on the main dancer's dress and a few on the clouds. Please note Dreweatts is not liable for damage to framesCondition Report Disclaimer
λ HELEN BRADLEY (BRITISH 1900-1979) PENNY BRIDGE NEAR GREENOD Oil on board Signed with fly motif (lower left); signed and titled (to artist's label verso) 18.5 x 20cm (7¼ x 7¾ in.)Provenance: Acquired directly from the artist by the family of the present owner Thence by descent Please note measurements do not include the frame unless otherwise stated. Condition Report: Some minor surface dirt, particularly to the upper left. The paint is thin in places with some minor paint loss to the lower centre. There is no evidence of retouching visible under ultraviolet light. In generally good original condition.Condition Report Disclaimer
FREDERICK JOHN WIDGERY (BRITISH 1861-1942) MONUMENT ON THE MOORS Watercolour and pencil Signed (lower left) 23.5 x 67cm (9¼ x 26¼ in.)Please note measurements do not include the frame unless otherwise stated. Condition Report: Unexamined out of glazed frame. Some light fading to the sheet throughout. Light staining to the extreme edges. A very small vertical tear approx. 2mm to the upper left corner. A small creases to the upper left quadrant. Please note Dreweatts are not liable for damage to frames or mounts. Condition Report Disclaimer
REGINALD WILKINSON (BRITISH 1881-[?]) A ROAD IN WEST SUSSEX Oil on canvas Singed (lower left) 49 x 60cm (19¼ x 23½ in.) Exhibited: Eastbourne Summer Exhibition, 1944 Please note measurements do not include the frame unless otherwise stated. Condition Report: The paint is flacking extensively, where in some areas you can see the canvas, such as on the centre right, where patches of about 2cm of paint have come off. UV light reveals a few spots of retouching on the bottom border, and a 3cm patch of white paint applied on the centre left. Please note Dreweatts are not liable for damage to frames or mounts.Condition Report Disclaimer
MANNER OF JACQUES EMILE BLANCHE INTERIOR SCENE Oil on canvas Bears signature (lower right) 45 x 25cm (17½ x 9¾ in.)Please note measurements do not include the frame unless otherwise stated. Condition Report: The canvas has been relined. There is no evidence of retouching visible under ultra-violet light. In generally good clean condition. Condition Report Disclaimer
FOLLOWER OF RUBENS MARY MAGDALENE Oil on canvas 65 x 53cm (25½ x 20¾ in.)Please note measurements do not include the frame unless otherwise stated. Condition Report: The canvas il lined. UV light reveals retouching and varnish across the surface. Please note Dreweatts are not liable for damage to frames or mounts.Condition Report Disclaimer
FOLLOWER OF FREDERICK WATERS WATTS RIVERSCAPE WITH COTTAGE, FIGURES IN THE FOREGROUND Oil on panel 34 x 46cm (13¼ x 18 in.)Please note measurements do not include the frame unless otherwise stated. Condition Report: Please note Dreweatts is not liable for damage to frames. Fine cracking to the panel most notable to the central section. Light surface dirt and yellowing varnish causing some discolouration throughout. An area of possible minor damage to the upper right edge. Condition Report Disclaimer
FOLLOWER OF FRANCIS MOLTINO A CAPRICCIO RIVER VIEW Oil on canvas 49 x 74.5cm (19¼ x 29¼ in.) Please note measurements do not include the frame unless otherwise stated. Condition Report: The canvas has some small dirt marks at the centre. UV light reveals retouches scattered across, such as on the foliage on the left, on the bottom left corner, and in the section of the clouds, such retouches are about 0.5 cm wide. Please note Dreweatts are not liable for damage to frames or mounts. Condition Report Disclaimer
HENRY S. COTTRELL (BRITISH FL. 1850) TWO HORSES AND TWO SPANIELS IN A LANDSCAPE, RESTING AFTER THE HUNT Oil on panel Signed (lower right) 15 x 20cm (5¾ x 7¾ in.)Please note measurements do not include the frame unless otherwise stated. Condition Report: Rubbing to the lower and right edge with associated losses. One small crack circa. 2cm to the centre of the right edge, possibly due to an old frame. Old varnish possibly causing some light discolouration throughout. Otherwise appears to be in good original condition. Please note Dreweatts are not liable for damage to frames or mounts. Condition Report Disclaimer
CIRCLE OF BARTHOLOMEW DANDRIDGE PORTRAIT OF A YOUNG GIRL IN A BLUE DRESS Oil on canvas, oval 50 x 39cm (19½ x 15¼ in.)Please note measurements do not include the frame unless otherwise stated. Condition Report: Relined. Light surface dirt and craquelure scattered throughout. Paint thinning throughout. Inspection under UV reveals scattered retouching across the canvas including quite extensive retouching to the girl's face. Please note Dreweatts are not liable for damage to frames or mounts. Condition Report Disclaimer
BRITISH SCHOOL (19TH/EARLY 20TH CENTURY) BOATS ON A RIVER Oil on canvas Indistinctly signed 'H. W *******' (lower right) 32 x 41cm (12½ x 16 in.)Please note measurements do not include frame. Condition Report: The canvas has been lined. Light craquelure throughout. Rubbing and abrasions to the framing edges. There is a large, black diagonal scuff running along the upper right edge (approx. 10cm). Inspection under UV reveals an area of possible repair (approx.3cm) to the upper left corner. Various light, scattered retouching throughout and traces of a green varnish.Please note Dreweatts is not liable for damage to frames.Condition Report Disclaimer
STUDIO OF GEORGE CLINT PORTRAIT OF VICE ADMIRAL WILLIAM (LUKIN) WINHAM Oil on canvas 111 x 85cm (43½ x 33¼ in.)After the original painting by George Clint (1770 - 1854), dating from 1825 and in the collection at Felbrigg Hall, Norfolk.Please note measurements do not include the frame unless otherwise stated.This portrait shows the sitter before his final promotion to Vice-Admiral, and the year after he inherited Felbrigg Hall, Norfolk in 1824. The original work still hangs at the house. William Lukin had not anticipated inheriting the estate. He was the grandson of William III Windham's mother, Sarah Hicks, by her first marriage. When William III had died without children, the inheritance passed across to the Lukin family. William Lukin assumed the name and arms of Windham in gratitude. His grandiose schemes for enlarging the house were, for the most part, prevented by lack of money.Please note measurements do not include the frame unless otherwise stated. Condition Report: The canvas is unlined and presents general craquelure across the surface. There are sever losses of paint on the right shoulder, close to the left shoulder, right leg, and bottom border. UV light reveals several restorations on the right arm and both the shoulders, which coincide with repairs of the canvas with patches on the verso. The painting shows dirt throughout. Please note Dreweatts are not liable for damage to frames or mounts. Condition Report Disclaimer
JULES CHARDIGNY (FRENCH 1842-1892) STUDY OF A CANE CORSO Oil on canvas Signed (lower right) 22 x 27cm (8½ x 10½ in.)Please note measurements do not include the frame unless otherwise stated. Condition Report: Relined. Patches of craquelure scattered across the surface most notable to the white pigment. Light surface dirt throughout. Inspection under UV reveals one small circa. 1cm area of retouching to right of the dog's nose. Otherwise appears to be in good original condition. Please note Dreweatts are not liable for damage to frames or mounts. Condition Report Disclaimer
GEORGE GOODWIN II KILBURNE (BRITISH 1863-1938) A MUSICAL EVENING Watercolour Signed (lower right) 25 x 35cm (9¾ x 13¾ in.)Please note measurements do not include the frame unless otherwise stated. Condition Report: Unexamined out of glazed frame. Light fading throughout the sheet. Otherwise appears in original condition. Please note Dreweatts is not liable for damage to frames.Condition Report Disclaimer

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534297 item(s)/page