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Lot 315
A William IV silver snuff boxLondon, 1831, Nathaniel Mills, of rectangular from with engine turned decoration and raised border, the hinged lid with rectangular reserve engraved J Hinde, Preston length 6.9cm., weight approx. 2.05oztCondition: Some light rubbing to engraving. Closes snugly. Interior bright
Lot 327
A William IV silver box and an early Victorian silver snuff boxesfirst Birmingham, 1833, William Simpsonof rounded rectangular form with engine turned decoration, the lid with flush hinge, vacant rectangular reserve and plain thumbpiece, interior gilt, second, Birmingham, 1866, Frederick Marson, larger but of similar design, the hinged lid engraved with Presentation inscription within foliate scroll borders, the underside with strapwork, interior gilt, (2)first length 6.9cm., total weight approx. 3.19oztCondition: Good condition. Both close well. Victorian bow the inscription has some rubbing, very light dings to corners. Gilt interiors bright
Lot 275
An Edwardian 9ct gold double sovereign caseBirmingham, 1906, Edwin Joseph Houlstonof plain rounded rectangular from, the hinged cover enclosing two sprung coin holders, suspension ring to one endlength including ring 6cm., weight approx. 27.3gCondition: Good condition, Closes with a snap. Light surface scratches and wear. No repairs, or dings, without any engraving and no signs of any engrvaing having been polished out
Lot 782
Three gold half sovereignsfirst Victoria, 1901, crowned veiled bust facing left second Edward VII, 1902, bare head right, third George V, 1914 bare head facing left, reverse of all three George slaying the dragon, (3)each diameter 19mm., total weight approx. 11.9cm.Condition: Fair to good, light impact marks
Lot 305
An early Victorian silver snuff boxBirmingham, 1840, Francis Clarkrectangular, the hinged cover with raised foliate chased shaped cushion border, conforming chased thumbpiece and borders, engine turned sides and base, interior gilt length 8.6cm., weight 5.32oztCondition: very good condition commensurate with age. Light surface wear and marks. Closes snugly . Gilt bright to interior
Lot 514
An early 20th century star sapphire, sapphire and diamond-set stick pinthe circular star sapphire cabochon collet-set to the alternating circular-cut sapphire and diamond-set border, detachable pindiameter 1.2cm, 4.3gCondition: An attractive pin in reasonable/ good condition, commensurate with age.Star sapphire; pale grey blue with a good central six-rayed star visible in artificial light. a small chip to edge by collet. A few typical inclusions and some minor graining
Lot 629
A Gwinner Felino Collection modular living room unit, comprising two grey base units, of three and two drawer rectangular section, two joined curved light oak wall panels with centre section panel, two shaped blackened glass shelves, and three smaller rectangular shelves, with LED strip lighting and instructions, base units 195cm and 130cm wide respectively.
Lot 4005
Rugendas, Georg Philipp: (1666 Augsburg 1742). Soldatenlager; Kampfszene zwischen Bäumen, 2 Ölgemälde Öl/Leinwand. 55 x 72 cm, altdoubliert, minimal retuschiert, schönes Alterscraquelé, l. u. sign. Zwischen Bäumen kämpfen Berittene und Fußsoldaten, im Hintergrund ein größeres Kampfgetümmel, - Öl/Leinwand, 55 x 72 cm, altdoubliert, min. retuschiert, schönes Alterscraquelé, l. u. sign., beide in gleichen Goldstuckrahmen des 19. Jhs. Er ist der Gründervater der bedeutenden Künstlerfamilie Rugendas des 18. und 19. Jahrhunderts, hier: Auf einer Anhöhe über einem Soldatenlager versammeln sich Männer in Rüstungen, ein vornehmer Herr auf einem edlen Ross sowie Kinder und Frauen. Unter ihnen in diffusem Licht ein Soldatenlager neben einer Ruinenarchitektur, Öl/Lw., 55 x 72 cm, altdoubliert, minimal retuschiert, schönes Alterscraquelé, l. u. sign. Zwischen Bäumen kämpfen Berittene und Fußsoldaten, im Hintergrund ein größeres Kampfgetümmel, Öl/Lw., 55 x 72 cm, altdoubliert, min. retuschiert, schönes Alterscraquelé, l. u. sign., beide in gleichen Goldstuckrahmen des 19. Jhs. Rugendas gilt als Sonderfall seiner Zeit, da er sich nicht auf die populäre Historienmalerei, sondern auf die Schlachten- und Pferdemalerei spezialisierte. Die meisten seiner Schlachtenbilder beziehen sich allerdings nicht auf einen konkreten Ort oder ein Ereignis, sondern sind allgemein und auf Vorrat gehalten. - Soldiers' Camp, Battle Scene between Trees, 2 oil paintings (counterparts), both in identical 19th century gold stucco frames. - German painter and engraver. He is the founding father of the important Rugendas family of artists of the 18th and 19th centuries, here: On a hill above a soldier's camp, men in armour, a distinguished gentleman on a noble steed, as well as children and women are gathered. Below them in diffuse light a soldier's camp next to a ruined architecture, oil on canvas, 55 x 72 cm, old doubling, minimally retouched, beautiful age craquelé, l. and below sign.; Mounted and foot soldiers fighting between trees, in the background a larger battle, oil/white, 55 x 72 cm, old doubling, min. retouching, beautiful age craquelé, signed on the left, both in the same gold stucco frame of the 19th century. D
Lot 355
A light tan leather messenger / hand bag by Vera Pelle, Italy. With matched stitching, shoulder strap with carry handle and brass latch slide clip buckle fastening to front. Inscribed Vera Pelle - Made in Italy to front. Along with another hand stitched french mustard, textured leather crossbody bag, with carry handle and button magnet closure. Largest measures 24cm (width) x 17.5cm (height).
Lot 296
This vintage gas truck grouping includes Mobil, Texaco, and Citgo. The Texaco Model-T delivery truck and 2 gas pumps include its original tin Gearbox which measures: 10.5"L x 8.5"W x 7.25"H. The 4 Texaco trucks are Gearbox banks, the 2 Citgo are Liberty Classic banks, and the Mobil truck is a light-up electronic plastic model. The largest piece measures: 14.25"L x 2.5"W x 2.75"H. Issued: 20th centuryCondition: Age related wear.
Lot 346
Sherburne, NY: Fay Edward Faulkner Printing Co. Heritage Press, 1967. Light blue hardcover book with gold writing. Written by button experts Erwina Chamberlin and Minerva Miner. Everything you want to know about collecting buttons, from ceramic to rubber to Victorian to glass, etc. 247 pages with color and black and white photos. Issued: 1967Dimensions: 9"L x 0.75"W x 11.5"HCondition: Age related wear.
Lot 178
A PAIR OF SEVRES-STYLE TURQUOISE-GROUND, 'JEWELLED' AND GILT PORCELAIN URNS AND COVERS LATE 19TH CENTURY Decorated with fete gallante panels on a jewelled and gilt bleu Celeste ground Sevres-style marks 26cm high overall Condition Report: Light wear generally. Please see additional images available from the Dept. for condition. One finila has been off, re-stuck and re-gilt. No 'jewels' appear to be missing.Condition Report Disclaimer
Lot 56
A PART SILK RUG IN TABRIZ STYLE approximately 390cm diameter Please note: This lot should be described as 'Tabriz Style' and not as originally listed. Condition Report: Colour variation, this has sat in a room and had UV light damage to one outer quarter, the colours in this area notably 'bluer' than the remainder of the carpetOtherwise with signs of age and use in a domestic setting. No obvious moth damagePlease see additional images for visual reference to condition and appearance Condition Report Disclaimer
Lot 139
Y FRENCH SCHOOL (18TH CENTURY) A PORTRAIT OF A WOMAN, BELIEVED TO BE MADAME DU MAINE (1676 - 1753) Oil on canvas 39 x 31cm (15¼ x 12 in.) in a tortoiseshell frame Condition Report: The canvas has been relined. There are stretcher marks visible to all four edges of the canvas. Evidence of old craquelure. Ultraviolet light reveals no evidence of retouching although a heavy masking varnish most likely conceals restoration. In good restored condition.Condition Report Disclaimer
Lot 192
CIRCLE OF SIR THOMAS LAWRENCE, P.R.A. (BRITISH 1769-1830) PORTRAIT OF A NOBLE MAN, THREE QUARTER LENGTH Oil on canvas 90 x 70cm (35¼ x 27½ in.) Condition Report: The canvas has been relined. Some scuffing to the extreme edges of the canvas. Craquelure throughout. The work has a heavy masking varnish, which is uneven in places, preventing full inspection under ultraviolet light but is likely to be restored. Frame in good condition. Condition Report Disclaimer
Lot 175
CIRCLE OF ENOCH SEEMAN (ENGLISH CIRCA 1686-1745) PORTRAIT OF SIR FRANCIS SEYMOUR AS A BOY Oil on Canvas 49 x 39.5cm (19¼ x 15½ in.) Provenance: Anonymous sale, Christie's, 19 January 1945, lot 34 Anonymous sale, Crewkerne, Somerset, 24 April 2009, lot 1947 Condition Report: Canvas has been relined. Stretcher marks visible. Evidence of old craquelure. Ultraviolet light reveals evidence of retouching, although a green masking varnish prevents full inspection. In overall good clean restored condition.Frame in good condition.Condition Report Disclaimer
Lot 19
FOLLOWER OF GEORGE MORLAND OFF TO SERVICE Oil on canvas 71 x 98cm (27¾ x 38½ in.) framed Condition Report: The canvas has been relined. There is craquelure throughout, most noticeable in the sky. Faint stretcher marks to each edge. There is a small spot of paint loss in the sky upper left and a couple of brown surface stains to the upper right margin. A few scattered spots of retouching visible under ultraviolet light. Otherwise in relatively good clean condition.Condition Report Disclaimer
Lot 195
GERARD VAN SOEST (BRITISH 1637 - 1681) PORTAIT OF JAMES USSHER ARCHIBISHOP OF ARMAGH Oil on canvas 36 x 29cm (14 x 11¼ in.) Provenance: Sale, Sotheby's Olympia, London, British and Continental Pictures, 13 October 2004, lot 2 Condition Report: Canvas has been relined. Faint stretcher marks visible. Some light scuffing to the paint surface in the left of the picture. Ultraviolet light reveals evidence of retouching but a green masking varnish prevents full inspection. Condition Report Disclaimer
Lot 33
AN EXTENSIVE RILEY'S SEMI CHINA PART DINNER AND DESSERT SERVICE CIRCA 1825 Printed with the arms of the Draper's Company within a floral border comprising; twelve dinner plates, 25cm diameter, twelve side plates, 19cm diameter, eleven ozier moulded dessert plates, 19cm diameter, twelve soup plates, 25cm diameter, four square shaped two handled vegetable tureens and covers, a large well and tree meat dish, 48cm diameter, eight further serving dishes (in sizes), a pair of chestnut baskets and stands, Twin handled footed dessert dish, two pairs of sauce tureens, covers and stands, and a two handled soup tureen and stand All with printed and impressed marks Condition Report: Twelve dinner plates: One plate cracked to top surface, slight surface wear and knife scratches consistent with some use, the glaze to one has gone and is beginning to stain Side plates: some cracks and crazing throughout, very few 'ring' convincingly but for most part do not appear to be cracked, staining and signs of useOzier moulded desert plates: Signs of little use throughout, no real knife scratches, no serious cracks detected Soups: Some with slight knife scratches to central shield Four vegetable tureens: All knops with chips and scratches, two with foot rim chip, all with varying degrees of staining from age and use, one with star crack to base, chip to handle and significant cracks and repair to one side. Serving dishes: Well and tree dish has got two blemishes to top surface and knife scratches, the remaining dishes with light signs of age and useChestnut baskets and stands: light signs of wear including some crazing to the glaze, light stainingDesert dish: One handle restoredSauce tureens: three handles restored across the pair Pedestal soup tureen: Some crazing and staining to underside of turneen, a chip to one handle of the stand Some with elements with 'disk adhesive plate hangers and associated residues - these will need taking off and cleaning properlyPlease see additional images for visual reference to condition and appearance overallCondition Report Disclaimer
Lot 145
A PAIR OF GILTWOOD AND GREEN FLORAL UPHOLSTERED ARMCHAIRS IN LOUIS XVI STYLE CIRCA 1900 111cm high Condition Report: Marks, knocks, scratches, abrasions consistent with age and useThe upholstery to the front of the back and the seat is clean and presentable overall, it is later than the frames and appears fairly recently applied, the stripped fabric to the rear elements with some rips, tears, scuffs The giltwood frames with the usual rubbing, marks, wear, signs of refreshing, the arms and other 'high use areas' with significant wear, other areas appear refreshed overallThe two associated removable cushions are in presentable order overall reflecting their lack of great age and likely only light usePlease see additional images for visual reference to condition Condition Report Disclaimer
Lot 72
ATTRIBUTED TO LOUIS DE CAULLERY (FLEMISH/FRENCH 1582-1621) ELEGANT PARTY DINING WITH MUSICIANS PLAYING MADRIGALS Oil on panel 50 x 32cm (19½ x 12½ in.) Provenance Purchased from David Wade Fine Art Ltd Christie's, Amsterdam, 5 November 2003, lot 32 Condition Report: The panel is slightly bowed. Evidence of old fine craquelure throughout. Evidence of some retouching visible under ultraviolet light but a marking varnish may conceal further restoration. In overall good clean restored condition. Please see additional photos for visual reference to condition.Condition Report Disclaimer
Lot 27
A QUM SILK RUG approximately 295cm x 197cm Condition Report: Some colour variation from UV exposure, pile uniform overallFringes appear fairly uniformThe rug does not appear to posses great age overall, signs of light use in a domestic settingPlease see additional images for visual reference to condition Condition Report Disclaimer
Lot 183
A TABRIZ PART SILK RUGapproximately 259cm x 161cm Condition Report: Overall presentable order, the rug does not appear to posses great age, signs of light use in a domestic setting Fringing 'fine' in gauge and therefore tangling, but appears fairly uniform in length Please see additional images for visual reference to condition and appearance Condition Report Disclaimer
Lot 92
AUGUSTE XAVIER LE PRINCE 1799-1826 SHEPHERD AND FLOCK Oil on canvas Signed and dated '1823' (lower right) 18 x 23cm (7 x 9 in.) Provenance: Purchased from David Wade Fine Art Ltd Condition Report: Canvas is not relined. There is craquelure throughout which would benefit from some stabilisation. A few scuffs to the paint surface at the centre of the composition. Ultraviolet light reveals no evidence of retouching although a heavy varnish may conceal some restoration.Condition Report Disclaimer
Lot 116
AN AUBUSSON STYLE TAPESTRY RUG approximately 383cm x 276cm Condition Report: Fading and colour variation to the rug from exposure to UVThe rug does not appear to bear great age, there are some surface marks and signs of age and use in a domestic setting, some light cleaning may be beneficial The underside is untidy with threads as is expected with these rugsPlease see additional images for visual reference to condition Condition Report Disclaimer
Lot 158
FRANZ VANSEVERDONCK (BELGIAN 1809-1889) HORSE AND SHEEP ON GRASSY HUMMOCKS Oil on panel, a pair Signed and dated '1888' (lower right) each 17 x 25cm (6½ x 9¾ in.) Condition Report: Some scuffing and associated paint loss to extreme edges of the panels. Evidence of old craquelure to both pictures. An uneven discoloured varnish to one work. Ultraviolet light reveals evidence of some scattered retouching to both panels, although both works have a heavy varnish which may obscure further restoration. Both frames in generally good condition. Some scratches to the gilt on one frame and rubbing to the gold on the other, all of which visible in the online photographs. Condition Report Disclaimer
![Margaret Johnson [Contemporary] six glass vases a bowl and a night light, of varying form each decorated with silk straw and](https://cdn.globalauctionplatform.com/9ab9b7e1-534b-4787-b536-b0cf00bf1955/7f545ed2-6e26-4e3c-b614-b0fc00ef2f84/468x382.jpg)
![Richard Shock [Contemporary] a turned elm tea light holder, 17cm diameter together with a fine turned scorched ash bowl, 21cm](https://cdn.globalauctionplatform.com/9ab9b7e1-534b-4787-b536-b0cf00bf1955/48ecd724-7fde-47ca-a3b0-b10600eac34a/468x382.jpg)
Lot 445
Elliott, London, a chiming mantel clock, 1930s, the eight-day movement striking the hours and chiming the quarters on four gongs, the square cream dial stamped An Elliott Clock along with the retailer's name Parkhouse & Wyatt, Southampton, the silvered chapter ring with black Roman numerals and trefoil hands, the light oak case with silvered bun feet and a chrome bezel, 22.5cm high, 30cm wide, 12.5cm deep
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534297 item(s)/page