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Lot 5202
§ Renato Fratini (1923 - 1973) - Two small paintings of Goldie Hawn and Peter Sellers from A Girl In My Soup (1970), framed together mounted on card in a glazed wood frame measuring 6 x 5 inches. Provenance: The collection of artist and poster designer, John Stockle. From 1950-1980s, John Stockle worked in Wardour Street, London, with poster artist Brian Bysouth and joined commercial artist, Eric Pulford, at Downton Pulfords premier film advertising agency. Their portfolio of clients included, Rank, British Lion, Universal, United Artists, RKO, Look-In magazine, and numerous other publications. Eric Pulfords innovation was to bring young talented artists to London, one of whom was Renato Fratini.Condition Report: § light wear to frame
Lot 5215
Gerry Anderson: The Secret Service (1969) - Original prop, tan leather wing-backed chair with wooden legs,screen-used, as made by property master, Peter Holmes. Height 38cm x Depth 16cm x Width 20cm. Provenance: The Personal Collection of Peter Holmes, Property Master, and Set Designer.Peter Holmes joined Gerry Andersons Century 21 team as a props assistant after the production of Thunderbirds and very quickly became one of their most talented craftsmen. Set designer, John Lageu, gave Peter his first job at the Slough Studios and asked him to build a chair for Brains in the feature film Thunderbirds Six, and when fellow Set designer, Keith Wilson, saw Peters finished chair, he asked him to make the furniture for Lady Penelopes Pink Room in the same film. Peter went on to design and build props for Captain Scarlet and the Mysterons, The Secret Service, the UFO series, Terrahawks and Space Police. Over the years, Peter Holmes has worked for many productions including, Set Designer, Along the Way (1972), 1970s pop videos for Adam Ant, Godley and Creme, Duran Duran, and later, Calling Elvis for Dire Straits. He sculpted the head for Max Headrooms ventriloquist puppets and supervised the shoot of Maxs exploding head. Peter won an award for a model of a Dauntless fighter bomber made for a crash sequence for the TV mini-series, War and Remembrance (1988-1989).Condition Report: Light wear to leather from production use, otherwise overall good condition.
Lot 5063
BLUR Ultranol, light up pill. Stage prop from The Great Escape album (1995) Tour. Approx 93cm x 30cm. Has 2 Suspension cables fitted. Ultranol was the name of the Blur B Side track to their single The Universal. The vendor obtained this prop in a raffle at the 10 Years of Blur exhibition at the Lux Gallery, Hoxton in 1999. The number 21 is written in marker on the body of the prop. Condition Report: Plug has been cut off. Second photograph was taken showing this item illuminated before plug was snipped. Plastic is broken at one end, has sellotape, scuffs and marks. The Red inner part of the pill moves around when it should stay in one place so electrics will need attention to ensure safety.
Lot 5214
Legend (1985) Original production-used Screenplay by William Hjortsberg, Signed by propmaker, Peter Holmes -Second Draft Revised Script, dated 10 March 1984, numbered 107, copyright Ridley Scott: Arnon Milchan, with ownership name, and Signed by, Peter Holmes on cover page, brad-bound blue card covers, white typescript sheets, 121 unannotated pages, 21 x 30cm.Peter Holmes joined Gerry Andersons Century 21 team as a props assistant after the production of Thunderbirds and very quickly became one of their most talented craftsmen. Set designer, John Lageu, gave Peter his first job at the Slough Studios and asked him to build a chair for Brains in the feature film Thunderbirds Six, and hen fellow Set designer, Keith Wilson, saw Peters finished chair, he asked him to make the furniture for Lady Penelopes Pink Room in the same film. Peter went on to design and build props for Captain Scarlet and the Mysterons, The Secret Service, UFO series, Terrahawks and Space Police. Over the years, Peter Holmes has worked for many productions including, Set Designer on Along the Way (1972), 1970s pop videos for Adam Ant, Godley and Creme, Duran Duran, and later, Calling Elvis for Dire Straits. He sculpted the head for Max Headrooms ventriloquist puppets and supervised the shoot of the Maxs head exploding, and won an award for a model of a Dauntless fighter bomber made for a crash sequence for the TV mini-series, War and Remembrance (1988-1989).Condition Report: light marks to covers, overall good condition, internally clean crisp pages.
Lot 5005
The Revenge of Doctor Death, (Madhouse, 1974) Original Script, Inscribed by Vincent Price to Alan Frank American International Productions, screenplay by Greg Morrison, based on the novel Deathday by Angus Hall, Inscribed by Vincent Price in blue ink on title-page, For Alan, Great to meet up with you again All my warmest wishes Ever Vincent Price, 1983, London, dark pink brad bound card covers, typescript white sheets, 94pp., 22 x 28.5cm.The British-American co-production horror film directed by Jim Clark, starring Vincent Price and Peter Cushing.Provenance: Provenance: The Collection of Alan Frank.Alan Frank (1937-2003). was born in South Africa, grew up in Tanganyika Territory, which is now Tanzania and Kenya and came to England in the late 1950s to study medicine. His attempts to become a medic were short-lived, so he turned his hand to writing marketing copy. He wrote film reviews for countless publications, appeared on radio and TV, and published numerous books on cinema including, Monsters and Vampires, Horror Movies, and The Horror Film Handbook. Alan Frank worked as a film-extra on over seven-hundred films including, Corridors of Blood, Roger Cormans Poe chiller, and The Masque of Red Death. He always enjoyed spending time with his Hammer film friends, Peter Cushing and Christopher Lee, and once had Vincent Price record a greetings message on his telephone answering machine.Frank was film critic for the Daily Star for over thirty years as well as the Morning Star, and interviewed virtually every actor and filmmaker who came to London to promote a film. Alan Frank did not just have an encyclopaedia-like knowledge of horror films - he knew about all films.Condition Report: light wear to covers from use on the production, internally clean with strong inscription and signature.
Lot 5004
Hammer Film Productions Ltd., Dracula Has Risen from the Grave (1968) Original Script Inscribed by Freddie Francis to Alan Frank screenplay by John Elder, dated March 1968, Inscribed on first title-page in green pen by director, Freddie Francis, To Alan, best wishes Freddie Francis, George Wilson Productions, Hammer House, Wardour Street, London, brad bound burgundy card covers, typescript white sheets, 112 pp., 22 x 28cm. The British supernatural horror film, directed by Freddie Francis, is the fourth of Hammers Dracula series, and the third to feature Christopher Lee as Count Dracula. Provenance: The Collection of Alan Frank.Alan Frank (1937-2003). was born in South Africa, grew up in Tanganyika Territory, which is now Tanzania and Kenya and came to England in the late 1950s to study medicine. His attempts to become a medic were short-lived, so he turned his hand to writing marketing copy. He wrote film reviews for countless publications, appeared on radio and TV, and published numerous books on cinema including, Monsters and Vampires, Horror Movies, and The Horror Film Handbook. Alan Frank worked as a film-extra on over seven-hundred films including, Corridors of Blood, Roger Cormans Poe chiller, and The Masque of Red Death, and always enjoyed spending time with his Hammer film friends, Peter Cushing and Christopher Lee.Frank was film critic for the Daily Star for over thirty years as well as the Morning Star, and interviewed virtually every actor and filmmaker who came to London to promote a film. Alan Frank did not just have an encyclopaedia-like knowledge of horror films - he knew about all films.Condition Report: light wear from use on the production, overall good condition with strong inscription and signature.
Lot 5048
Vinyl Record The Damned - Damned Damned Damned 1977 Stiff Records. First pressing SEEZ 1 A1 / B1 Porky Prime with misprinted sleeve showing a picture of the band Eddie and the Hotrods in place of The Damned. Record company erratum sticker in place. Condition Report: Sleeve VG edge wear mild cresaing, rubbing. Vinyl Excellent with very light marks.
Lot 5207
Autographs: stage, screen and music related, 1930s-1970s Autograph album with faux snakeskin covers, all edges gilt, gift inscription on front pastedown dated 1972 to up-and-coming actor, Anthony Arundell, contains 30+ signatures, including, Ian Fleming, composer, Kennedy Russell, actors Aileen Marson, Peter Haddon, Jane Baxter, Joyce Barbour, Peter Cushing, David Kossoff, Bernard Lee, Eartha Kitt, cast members from Carry On Girls (1973), Barbara Windsor, Sid James, Jack Douglas, and Joan Hickson, members of the 1970s group Springfield Revival, Mick Flinn, Donna Jones and Ray Martin, and others.The autographs are signed on both sides of single leaves and one side of single leaves, a few dated 1930s-1970s and many dedicated to Anthony; with a loosely inserted autographed Springfield Revival publicity photograph, signed by Mick Flinn, Donna Jones, and Ray Martin. Provenance: The vendor was given this autograph album in the early 1970s by a neighbour whose relatives had worked for a leading UK. theatrical production company. The vendor continued to collect autographs in the album during the early 1970s, all of which were signed for them in person at various venues including the stage door of the Theatre Royal, Brighton; Peter Cushing when he gave a talk at the Brighton Film Theatre, 1971; Sid James, Barbara Windsor, Jack Douglas and Joan Hickson whilst the cast were filming Carry On Girls in Brighton; and Springfield Revival when the vendor met the group at the Brighton Dome, 1974. Condition Report: Autographs signed on one side of a single leaf include - Ian Fleming, Kennedy Russell, Edmund Willard, Aileen Marson, Barbara Windsor, Joan Hickson, and Peter Cushing. Light wear to album covers, some rubbing to corners, internally mostly clean and bright with strong signatures.
Lot 5292
Tom Whalen: Dracula, The Universal Monsters (2013) Limited edition silkscreen print, framed with non-reflective UV glaze, 26 x 20 inches overall; together with, the original Universal Monsters prints black presentation box, titled in red, 63.5 x 48.5cm. (2) Condition Report: the print overall mint condition, some light rubbing to the corners of the presentation box.
Lot 1
Mills Bell-O-Matic Spanish Gold 1961 One Arm Bandit. Manufactured for the British market in the early 1960s when Mills Bell-o-Matic moved its operations to Reno and concentrated on the rapidly developing British Gaming Market. This unique machine has a flashing light up front with a traditional Mill mechanism inside, and is the only known existing example. Measuring approx. 18" width, 29" height, 18" depth. Refurbished and restored by the vendor to a high standard. Please note: All the lots within this auction are located off-site in the West Midlands. Collection will be by appointment from this location which will be made known to buyers upon purchase.
Lot 27
Sega Enterprises Limited Mad Money 1961 One Arm Bandit. The Sega copies of the Mills High-Top were so popular they were eventually designed in a modern light up cabinet giving them an independent identity. International exports were very good, especially the British market, with The Mad Money being very common in Arcades, pubs and clubs in the 1960s. Measuring approx. 18" width, 32" height, 18" depth. Refurbished and restored by the vendor to a high standard. Please note: All the lots within this auction are located off-site in the West Midlands. Collection will be by appointment from this location which will be made known to buyers upon purchase.
Lot 31
Jennings Lucky Punter 1961 One Arm Bandit. The Lucky Punter was a machine made for the British market by Jennings of Chicago, hence the typical British name. The Lucky Punter is very similar to The Governor, which was possibly the most popular and remembered one arm bandit in Britain, with most people referring to the shiny brass Indian head bust on the front. These machines proved very appealing to the eye because of their bright light up flash, huge looking jackpot, and shiny chrome finish. Measuring approx. 17" width, 27.5" height, 18" depth. Refurbished and restored by the vendor to a high standard. Please note: All the lots within this auction are located off-site in the West Midlands. Collection will be by appointment from this location which will be made known to buyers upon purchase.
Lot 35
Jennings Prospector 1946 Club Console Machine. The Prospector Club Console was introduced in 1946, which incorporated a huge 'live' jackpot in a floor standing console. These machines were originally designed for Western casino operation, and carried a wild west theme that promoted the possibility of vast wealth and the excitement of prospecting for gold. If the player achieves a jackpot while the red jackpot light is illuminated, a solenoid opens a draw containing $1000 in coins. Measuring approx. 23" width, 62" height, 17" depth. Refurbished and restored by the vendor to a high standard. Please note: All the lots within this auction are located off-site in the West Midlands. Collection will be by appointment from this location which will be made known to buyers upon purchase.
Lot 59
Jubilee Products Jubilee Deluxe Compact 1967 One Arm Bandit. This machine is the predecessor of the Jubilee Riviera, although not as an attractive machine, it does have a visible jackpot and light up front. These machines were manufactured in London in direct competition to all the international imports during that time. Measuring approx. 17" width, 26.5" height, 17" depth. Refurbished and restored by the vendor to a high standard. Please note: All the lots within this auction are located off-site in the West Midlands. Collection will be by appointment from this location which will be made known to buyers upon purchase.
Lot 1902
A Newcastle type light baluster wine glass, circa 1730-40, the bell bowl above a ball knop between two collars, over a bladed knop above an inverted baluster stem, raised on a folded conical foot, height 20.3cm. Provenance: Arthur Henry Green, a private collector from Enfield, died 1953. Thence by descent.
Lot 1422
A Moorcroft limited edition Light on Water pattern vase, dated 2005, designed by Emma Bossons, No.44 of 100, impressed and black and green painted marks to base with signature, height 20cm, boxed, together with a Moorcroft Apollo pattern small circular pin dish, diameter 12cm, boxed, and a small Moorcroft circular bowl, diameter 8cm.
Lot 1903
A Newcastle type light baluster wine glass, circa 1730, the pointed rounded funnel bowl above two knops, the centrally knopped stem between two teared flattened knops, raised on a conical folded foot, height 19.5cm. Provenance: Arthur Henry Green, a private collector from Enfield, died 1953. Thence by descent.
Lot 202
Parker Duofold USA-Made Fountain Pen and Pencil Duo Circa 1940s, both in matching striped resin colourway with gold-plated mounts, the fountain pen with yellow metal nib, in Parker USA branded hardcase.Private collection, North-West of England.Neither tested, general light wear commensurate with age and careful use, some rubbing to plating and discolouration, case worn and interior stained.
Lot 63
Verner Panton for Vitra Set of Four "Panton" Chairs First designed 1957, these the 1999 edition of the 1967 series produced by Vitra, all bearing raised "Verner Panton" signatures.50cm wide, 65cm deep, 82cm highQty: 4First conceived of in 1957, the "Panton" chair was the world's first all-plastic seat of cantilever design; it went into production with Vitra in 1967 and was revived in 1999. It's distinctive "S" silhouette is recognised worldwide as one of the classic designs of the twentieth century.The red chair with noticeable knock/depression to one "knee"; scuffs and marks commensurate with age and use, would benefit from a clean and light cosmetic attention; no structural damage, usable.
Lot 69
Michel Ducaroy for Ligne Roset "Kashima" Three-Part Modular Sofa Unit Designed 1976, this suite purchased circa 1980, comprising a one-armed settee, a "Medium" settee and a lounge chair, all in checkered two-tone grey fabric, bearing labels.The one-armed settee 190cm wide, the "Medium" settee 160cm wide, the chair 100cm wide; all 100cm deep, 72cm highPrivate family, Cumbria, owned from purchase new.Light general wear but overall good condition without major issues to note.
Lot 99
Moorcroft Two "Puffin" Pattern Vases The first and taller of bottle form, the second of baluster form, both with WM monograms and impressed marks to bases.The taller 29cm highBoth second quality, the bottle form with noticeable glaze defects to neck interior, otherwise manufacturing imperfections, light general wear and dirt.
Lot 75
Italian Table Lamp in the Style of Targetti Sankey Circa 1970s, with spherical green glass shade on aluminium column to weighted circular base, unmarked.44cm highPrivate collection of lighting, North-West of England.Not tested, will need to be rewired or PAT tested prior to use; some very light wear to shade, some additional marks and scratches to base as per age and use.
Lot 20
William Moorcroft (British 1872-1945) "Pomegranate" Vase Inverted bell form on spreading circular foot, the tube-lined decoration on ochre ground, signed W. Moorcroft in green to base, dated 1911 and stamped 994.17.1cm highGlaze scratch to interior, a few small glaze scratches to exterior, some areas of firing/glazing inconsistency including a couple of irregular patches to interior, appears free from crazing and restoration, colours overall consistent with imagery if slightly more muted in natural light as opposed to under studio lights; no damage or other issues to note.
Lot 56
Herbert Gibbs for A. Younger Long Sideboard Circa 1960s, with three lattice-panelled cupboard doors enclosing a single shelf and three short drawers, the top fitted for cutlery, with original handles, raised on tapered supports, bearing label.204cm wide, 46cm deep, 73cm highLight general wear commensurate with age and use; some marks to sides but no major issues to note.
Lot 195
Claudio Mazzi for Visconti, Firenze "Blue Symphony" Limited Edition Fountain Pen No. 006/206, "Venice Carnival" theme from the "Mazzi 2006" series, code 56702, 14K and platinum plated B nib, in leather case with Identity Card and ink, with outer box.Private collection, North-West of England.The pen excellent, some very light wear to case, outer box worn.
Lot 8
Lily Partington and Minnie Webb for Royal Doulton Pair of Stoneware Vases Early 20th century, tapered cylindrical form, both with moulded relief foliate decoration against toned and mottled green ground, impressed monograms, factory marks and no. 6699 to bases.25.5cm highSome of the cabochons lost on both vases, manufacturing imperfections and light general wear but no other damages to note.
Lot 58
A & F H Set of Six Teak Dining Chairs Circa 1960s, black vinyl leather-effect seats, shaped backs on tapered square section supports; with a teak extending rectangular dining table with leaves, unmarked.The chairs 76cm high; the table 86cm wide, 173cm long, 73.5cm high, 220cm long when extendedTable with some marks and slightly uneven colour to top; chairs again with some marks; generall light wear commensurate with age and use, no major issues to note.
Lot 242
Andrew King (British 1956-) "Towards Blythburgh, Evening Light" Signed, titled and dated 2010 on artist's label verso, oil on board.28.5 x 40cm (framed 43.5 x 55cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The painting is in very good, original condition with no obvious faults to report. The painting is ornately framed but not glazed. The frame has some minor scuffs and knocks.
Lot 90
Barry Cooper (British, Contemporary) Bespoke Fused Glass Installation Rectangular pane divided into four tiles each with individual detail, mounted on a black coated board for wall display.77cm wide, 37cm high overallCommissioned directly from the artist at Tatton Park Craft Fair in 2005.Light general wear but overall good condition.
Lot 57
Herbert Gibbs for A. Younger Teak Display Unit Circa 1960s, with arrangment of shelves above twin lattice-panelled cupboard doors with original handles, the reverse with applied backing, bearing label.93cm wide, 38cm deep, 152cm highSection cut out of backing board, appears as though it could be removed; some scuffs and marks to left side; light general wear overall, no other major issues to note.
Lot 19
George White for Royal Doulton "Leda and the Swan" Urn Circa 1910, with gilt highlights and bands of pale green enamel, raised square section base, signed, printed Doulton Burslem England factory mark in green to base.33cm high overallPrivate collection, Staffordshire.Very small flaw to area beneath finial on cover where there has been a small air bubble or blister exposing the white body, some slight rubbing to gilt, more pronounced wear where the lower section has rubbed against the body; sporadic, small surface scratches, only noticeable against the overall effect when specifically looked for; two small hairlines to knop section of stem, appear to be restricted to this area; otherwise general minor rubbing of gilt to tips of handles and upper corners of base, minor glaze inclusions and specks, light dust and dirt.
Lot 204
Parker U.S.A. Two "Vacumatic" Fountain Pens Circa 1930s, both in striped resin with gold-plated mounts, one with blue enamel lozenge motif to clip, both with yellow metal nibs.Private collection, North-West of England.Neither tested, light general wear commensurate with age and careful use, rubbing to plating and some discolouration to mounts.
Lot 10
Dr. Christopher Dresser (British 1834-1904) for James Couper & Sons, Glasgow "Clutha" Glass Bottle Vase Circa 1890, the clear body with trailed blue and bubble inclusions, acid etched mark "Clutha" to base, trace of further mark "Designed by C.D.", also bearing Liberty & Co. lotus flower trademark.19cm high"Clutha" is the old Gaelic name for Glasgow's principle river, the Clyde; this series of glassware was designed by Dresser as a new venture for the Couper firm primarily known for their scientific glass production. Dresser took inspiration from Roman glass when designing this range and it was retailed exclusively by Liberty's in London, hence their trademark to the base.There are three lines to the upper neck with can be felt with a fingernail both interior and exterior; a very small surface blister also to this area; some further light surface wear noticeable by feel more than sight.
Lot 232
Andrew King (British 1956-) "Morning Light, Sennan" Signed, titled and dated 2012 on artist's label verso, oil on board.28 x 35cm (framed 41 x 47.5cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The painting is in very good, original condition with no obvious faults to report. The painting is ornately framed but not glazed. The frame has some minor scuffs and knocks commensurate with age.
Lot 115
Peter Hayes (British 1946-) Raku Bottle Red with fractured surface, signed to rectangular black slate base.32cm highNumerous small areas of surface loss appearing as light 'flecks' from a distance, several small nicks to shoulders, possibly from manufacture, several small nicks and abrasions to base.
Lot 60
Lucian Ercolani for Ercol Five Dining Chairs All circa 1960s, all restored, comprising a pair of "Goldsmith" carvers, a pair of "Windsor" carvers and a further "Windsor" dining chair.The "Goldsmith" chairs 97cm highQty: 5To read more about the history of Ercol furniture follow this link: https://www.wilson55.com/modern-design/ercol/Have been restored as stated, light nicks and general wear but no damage to note, ready to use.
Lot 43
Wells Coates for Ekco (E. K. Cole Ltd.), Southend-On-Sea "Type AC. 85" Superhet Radio Receiver Circa 1934-35, faux-woodgrain Bakelite case, stamped marks and applied Patent label to reverse.53cm wide, 32cm highNot tested, will need to be rewired or PAT tested prior to use, light general wear commensurate with age and use.
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